Book cover of Teatro Grottesco

Book description

Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar…

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Why read it?

4 authors picked Teatro Grottesco as one of their favorite books. Why do they recommend it?

Similar to Cioran, Ligotti has a profoundly dark worldview, but not one that is unearned.

Ligotti’s own experiences with anhedonia and despair seep through his writing. I cannot get enough of it. Through his prose, he creates his own world wherein doom is assured and life seems like a poorly written, performed, and directed play that is in profoundly bad taste.

It may seem like work like this would depress you, but for me, it gives me a sense of understanding. Someone out there, even if it’s just Ligotti’s characters, has felt that gloom.

Puppets, clowns, mannequins, carnivals, art, crumbling buildings, means of production, mundane workplaces, hidden histories, the body, the mind, the unglimpsed universe, life itself—these are the essential salts of Ligotti’s special alchemy of universal nihilism and societal decay. The result is a brand of fatalistic fiction that is legitimately terrifying and profoundly pessimistic, casting the world in an uncanny, yellowish fog where everything is suspect. All of Ligotti’s collections and varied works are special, but Teatro Grottesco distinguishes itself for its thematic through line of the sinister nature of art and its various artistic underworlds. The firmness of the stories’ subject…

Thomas Ligotti is the only modern horror writer I know to be honoured with a Penguin Classics volume. He’s also described himself as the only horror writer who still truly writes real horror, and this collection shows you why. Ligotti is a self-consciously literary and stylistically brilliant wordsmith, who deliberately dresses his unspeakable horrors up in the most captivating prose he can, and he can do more with one sentence than many writers can with entire books. Teatro Grottesco includes work from across his entire career, and it’s as articulate an introduction to his pessimistic, disturbing worldview as his philosophical…

From Paul's list on modern Lovecraftian horror.

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Book cover of The High House

The High House by James Stoddard,

The Victorian mansion, Evenmere, is the mechanism that runs the universe.

The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.

Appointed the Steward of Evenmere, Carter Anderson must learn the…

These intensely dark, well-written stories are more on the side of psychological/existential horror. These tales crept up on me and led to an intense fear of losing my own sanity. Often dubbed as the modern Poe/Lovecraft, Ligotti adapts their exquisite style to portray the horrid banality of the modern age. Ligotti's prose slowly enshrouds you and pulls you down into this abyss occupied by familiar, plausible places and characters.

If you love Teatro Grottesco...

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Book cover of The High House

The High House by James Stoddard,

The Victorian mansion, Evenmere, is the mechanism that runs the universe.

The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.

Appointed the Steward of Evenmere, Carter Anderson must learn the…

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