Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life.
This was probably one of the first books to specifically connect Witchcraft and Shamanism in a practical way for me. Witchcraft Today Book Three edited by Chas S. Clifton opened the door, but Johnson told you how to deftly step through it. Previously called The North Star Road, he linked stellar knowledge of European Paganism with its spirit worker roots and gave you very practical and meaningful ways to commune with the powers and understand more deeply the Witch’s sabbat, the wild hunt and the journey of life after death. Huge influence on my work.
An inspiring guide for those who seek to reclaim the ways and the lore of their ancestors, this text uncovers the spiritual experience at the core of shamanism.
I grew up living in a housing co-op on Vancouver Island, BC. While not technically a commune, it did have some of the hallmarks. There were gangs of partially clothed kids roaming wild. There were a bunch of idealistic adults who had dreams of shared land stewardship and, well, shared everything. The housing project succeeded in many ways (it still exists today) and, it failed in other ways (over the years there were many fractures in the community). I’ve always been fascinated by attempts at communal living. I suppose my obsession with cult life is just an extension of this. It is my life imagined one step further.
This book is about a young mother who takes her two daughters to Marrakech, Morocco in the 1960s so she can study Sufism, which, although not technically a “cult” does seem rather cult-like when described from the point of view of a five-year-old child who is watching her mother do strange ritual spinning to try to annihilate her ego.
You might remember the 1998 movie adaptation of this book starring Kate Winslet, but I think the book is better because of its dreamy, almost other-worldly descriptions of street life in Marrakech. This gem of a book is steeped in childlike wonder and longing and it will be over far too soon.
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
It’s impossible to understand the turbulence that frequently swept over Florence in those years without some sense of what the magnate class was all about: its pride and its violence, its lawlessness, its emphasis on knighthood, and its private military forces. Lansing shows how the magnate class evolved as a distinctive culture, becoming powerful and disruptive to the city’s peace well beyond even what its considerable economic clout would suggest. She places a lot of emphasis on the role of women among the magnates, even though women could never be full members of the lineage, since they married into other lineages. Lively and readable, with lots of stories of interesting individuals.
In the 1290s a new guild-based Florentine government placed a group of noble families under severe legal restraints, on the grounds that they were both the most powerful and the most violent and disruptive element in the city. In this colorful portrayal of civic life in medieval Florence, Carol Lansing explores the patrilineal structure and function of these urban families, known as "magnates." She shows how they emerged as a class defined not by specific economic interests but by a distinctive culture. During the earlier period of weaker civic institutions, these families built their power by sharing among themselves crucial…
Born
in 1956, I was formed in the 1970s. After the liberations of the '60s, the 70s
saw clusters of people seeking new ways of living together beyond the nuclear
family. One such endeavor is the commune at the heart of Devoured, in which
Anna Mackmin encapsulates, dissects, and dismantles the secular dreams of a
generation in a way I found breathtaking.
Bo, the teen narrator, pinpoints the
absurdities of her self-deluded parents, useless poets, and unsavory predators
wallowing in the commune's laxity.
Her voice, present tense of hiccupping
inventiveness – interspersed with recipes by Bo and her mute younger sister,
Star - is solemn yet funny, naïve yet weirdly wise.
A wonderful book. I read it
and felt an entire layer of my youth had been laid to rest.
1973. Swallow's Farmhouse in deep, rural Norfolk is home to Your People, a commune of free-thinkers and poets seeking a better way. But beneath the veneer of a nurturing, alternative lifestyle, an atmosphere of jealousy and threat is pushing utopia towards the brink of its inevitable collapse. Raising herself amidst the chaos is a twelve year old survivor, desperately preoccupied with her transition into womanhood. With her mute sister, beloved dog and the re-defining force of her emerging appetites, she marches resolutely towards her future, venturing - with hilarious and horrifying results - through the minefield of an adult world…
I was working installing solar panels in rural Maine when I first had the idea to write a climate crisis novel. I grew up in the woods of New England, and have always loved nature, but I was feeling pretty despondent about global warming. I started to wonder: what would it feel like to be part of a mass mobilization installing solar, wind, and so on, to save the planet? Those were the seeds of the novel. When I’m not writing, I’m a fourth grade teacher. I worry about the planet my students will inherit, and if I’m doing enough to make that world as hopeful as possible.
This is a one-of-a-kind novel by two authors who are also members of “Team Utopia.”
The entire novel is told from “interviews” of people who participated in the complete revolution across our planet, from the liberation of Palestine to the foundation of the New York City Commune. While not exclusively a climate novel, the book depicts the total transformation of society and the economy over the largest hurdles that we face today, of which the climate crisis plays an oversized role.
I was super excited to find this book because it depicts not only the “utopia” that exists in the near future, but shows how people fought and organized to build that utopia. I tried to do the same thing with my book, offering a sort of utopian blueprint for my wildest dreams.
By the middle of the twenty-first century, war, famine, economic collapse, and climate catastrophe had toppled the world's governments. In the 2050s, the insurrections reached the nerve center of global capitalism-New York City. This book, a collection of interviews with the people who made the revolution, was published to mark the twentieth anniversary of the New York Commune, a radically new social order forged in the ashes of capitalist collapse.
Here is the insurrection in the words of the people who made it, a cast as diverse as the city itself. Nurses, sex workers, antifascist militants, and survivors of all…
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
Joshua is another author with multiple series, but Commune is a standout piece of literature. His style is subtle and suggestive, making the reader pay attention so they don’t miss the nuances and the snippets of backstory. That said, his action sequences are fast and brutal with a realism that hits home. The humour of the characters throughout is so genuine it’s a stroke of brilliance.
Full disclosure – I loved this series so much I’m writing more Commune with him!
Finding a friend in the apocalypse isn't easy, and for Jake Martin, it's been damn-near impossible.
Life has become an endless trek for canned food, shelter, and avoiding those who've turned to killing for anything all while trying not to become a killer himself.
When Jake encounters Billy, an elderly wanderer on the highway to ruined Las Vegas, everything changes. Billy reminds him of life before the world ended, of when being human meant acting like more than a mindless beast. Although their bond…
Crystal King is the author of The Chef’s Secret and Feast of Sorrow, which was long-listed for the Center for Fiction’s First Novel Prize and was a Must-Read for the MassBook Awards. She is an author, culinary enthusiast, and marketing expert. Her writing is fueled by a love of history and a passion for the food, language, and culture of Italy. She has taught classes in writing, creativity, and social media at GrubStreet, Harvard Extension School, and Boston University, among others. She resides in Boston.
In the third novel of Zola’s twenty-volume series Les Rougon-Macquart, a man named Florent, accused of a crime he didn’t commit, escapes to Paris and becomes a fish inspector at the Les Halles market. Food and politics collide in the heart of the market, giving the reader some of the most vivid and delicious descriptions you’ll ever find on the page.
Unjustly deported to Devil's Island following Louis-Napoleon's coup-d'etat in December 1851, Florent Quenu escapes and returns to Paris. He finds the city changed beyond recognition. The old Marche des Innocents has been knocked down as part of Haussmann's grand programme of urban reconstruction to make way for Les Halles, the spectacular new food markets. Disgusted by a bourgeois society whose devotion to food is inseparable from its devotion to the Government, Florent attempts an insurrection. Les Halles, apocalyptic and destructive, play an active role in Zola's picture of a world in which food and the injustice…
I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
This is an eye-witness account of the French Revolution of 1848 by a major participant. It offers a fascinating, acerbic picture of the major actors, the revolutionary “days,” and Tocqueville’s unhappy experience as Foreign Minister. It vividly conveys a sense of both the fears of the propertied classes and the limitations of radicals who could only play at revolution, mimicking the roles and gestures of 1789-’94.
But what I find most compelling is Tocqueville’s preoccupation with questions that are central to our understanding of the failures of democratic politics, then and now. How is it that in the space of two generations, democratic revolutions twice culminated in Napoleonic dictatorship? Why do so many democratic governments, including ours, appear to be moving in the same direction now?
Alexis de Tocqueville's Souvenirs was his extraordinarily lucid and trenchant analysis of the 1848 revolution in France. Despite its bravura passages and stylistic flourishes, however, it was not intended for publication. Written just before Louis-Napoleon Bonaparte's 1851 coup prompted the great theorist of democracy to retire from political life, it was initially conceived simply as an exercise in candid personal reflection. In Recollections: The French Revolution of 1848 and Its Aftermath, renowned historian Olivier Zunz and award-winning translator Arthur Goldhammer offer an entirely new translation of Tocqueville's compelling book.
The book has an interesting publishing history. Yielding to pressure from…
When I dropped out of college to live and work in a socialist commune in Israel, it was mostly to escape a broken heart back home. My memorable experiences as a volunteer on Kibbutz Shamir profoundly shaped how I think about the value of community and inspired me to become a writer. It took me another 20 years to unite these passions by returning to Israel to learn about the past, present, and future of the legendary kibbutz movement—and share my journey of discovery with readers in Chasing Utopia.
I get professional envy every time I read one of Daniel Gavron’s vivid collections of literary journalism. He is such an attentive observer and compassionate interviewer, and the conversations he preserves on every page bring a diverse range of Israelis to life in all their hopes and fears.
Published at the turn of the millennium, this book is a classic of kibbutz history in which Gavron, a former kibbutznik, travels to communities in various stages of decline or revival. His book inspired my own return to Israel to discover more about the uncertain future of Israel’s utopian movement. I can’t thank him enough for that.
The Israeli kibbutz, the twentieth century's most interesting social experiment, is in the throes of change. Instrumental in establishing the State of Israel, defending its borders, creating its agriculture and industry, and setting its social norms, the kibbutz is the only commune in history to have played a central role in a nation's life. Over the years, however, Israel has developed from an idealistic pioneering community into a materialistic free market society. Consequently, the kibbutz has been marginalized and is undergoing a radical transformation. The egalitarian ethic expressed in the phrase, "From each according to ability, to each according to…
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
This heavy, sardonic novel about a commune of hippies whose utopian dream is rapidly fraying kept me totally compelled and frequently laughing all the way through.
They find land in Alaska and try to move their scene to the great North, but the realities of weather and wilderness don’t conform to their plans.
It is 1970, and a down-at-the-heels California commune devoted to peace, free love, and the simple life has decided to relocate to the last frontier-the unforgiving landscape of interior Alaska-in the ultimate expression of going back to the land. Armed with the spirit of adventure and naive optimism, the inhabitants of "Drop City" arrive in the wilderness of Alaska only to find their utopia already populated by other young homesteaders. When the two communities collide, unexpected friendships and dangerous enmities are born as everyone struggles with the bare essentials of life: love, nourishment, and a roof over one's head. Rich,…