Books like Recollections — picked by fans

This book is both an attempt to reclaim the legacy of the Paris Commune for our time and a rich and stimulating investigation of the Commune as “a working laboratory of political invention.” The focus is not on the traditional narrative culminating with the slaughter of Bloody Week. It is on the efforts of individuals—some far removed from the Communards’ Paris—to imagine a world marked by the inversion of longstanding hierarchies and divisions.

What makes the book especially compelling is Ross’s ability to “think with” both Communards like Elisabeth Dmitrieff and Elisée Reclus and outsiders like Kropotkin and Marx as they “open up the field of the possible” in reflecting on the Commune.

This magnificent study of the revolutions 1848 surpasses all the others in its sheer breadth. It makes 1848 a European and, in some respects, a global event. But what I find most appealing about the book is its vividness. The complex narrative is repeatedly punctuated by details and vignettes that bring the past to life.

If you listen to the wonderful audiobook, you will even hear Christopher Clark singing a song on the death of the great German 1848er, Robert Blum.

T.J. Clark treats 1848 as a time when “art and politics could not escape each other,” and he offers a brilliant discussion of the efforts of artists to confront that situation. There are wonderful chapters on Delacroix’s anguished retreat into a private world, Millet’s portrait of the peasantry as a class in dissolution, and Baudelaire as a poet of post-revolutionary despair.

But for me, the most arresting portions of the book focus on Daumier, who was unique in his ability to depict the life of the Paris streets and create the great image of the Bonapartist con-man in the figure of Ratapoil. What I find most telling in these portraits, and the book as a whole, is T.J. Clark’s ability to “put back the doubt into revolution”—to recapture the confusion, the uncertainty, and the sense that everything was at risk.

This novel is both the story of an unconsummated love affair and an account of the experience and imaginative life of the generation of young people who came to maturity around 1840 and whose lives were either broken or redirected by the revolution of 1848.

Flaubert takes great care to establish a counterpoint between the collapse of political ideals in 1848 and the collapse of the dreams of the individual characters. But Sentimental Education can also be considered as a work of history that brings the past to life and, in the end, offers a deep and, in some ways, sympathetic picture of the inability of individuals to shape history or their own lives, in a world ruled by elemental forces that elude understanding.

Chibnall was a fantastic writer, and she was the authority on Orderic Vitalis, one of the most important historians of the early twelfth century.

I love this book because Chibnall uses Orderic’s history to explore the world he wrote in, a world in which monks mingled with knights and kings, and she examines the rapid social changes taking place in the early twelfth century. This book is at once an examination of Orderic’s work, a biography of a famous chronicler, and an exploration of Anglo-Norman society in the early twelfth century.

It’s a fantastic place to start if you’ve never read anything on Anglo-Norman England, and it’s a great way to deepen your knowledge if you’re already familiar with this corner of the past.

I love this book because out of all the time travel tales I’ve watched and read, this one seemed the most plausible. I mean the method of time travel that was used, if time travel to the past is ever possible, the method they use in the book would probably be the means to do it.

So it made me think about that, but it also enlightened me about other aspects of time travel back to the medieval period in England that I’d never considered before: like for instance, the English they spoke would be mostly indecipherable, and you’d need a translating device (which, sadly the movie version didn’t address). So, it had me thinking a lot about language and how it’s evolved over time.

Allegedly the father of conservatism, Burke could as easily be deemed the father of liberalism, though neither label is appropriate. Easy to read, and a bit of a rant in sections, Burke’s Reflections is a good source if you want to pick up rhetorical skills. Besides the prose, it's interesting to see how someone who was known to have supported the American pleas for political representation and sympathetic to their grievance as well as those of the Irish people tried to explain how what was happening in France in the early years of the revolution was something profoundly different to anything that had ever happened hitherto, and on no account to be compared to the Glorious Revolution. Very few of his immediate readers could see what he was getting at.  

A dusty bundle of 150-year-old letters found in a deserted house in rural France forms the premise of this intriguing literary hybrid. Author Gillian Tindall beckons us to follow her on an enthralling, real-life detective story, as she uncovers the life and loves of the letters’ addressee, an obscure provincial innkeeper’s daughter named Célestine Chaumettte. As she pieces Célestine’s story together, Tindall breathes life back into a whole slice of history and a community now vanished. A rich cast of forgotten characters springs from the pages as we see, taste, and smell the many textures of rural society in 19th-century France, along with the seasons and cycles that governed it. This evocative, haunting account of a country girl’s experience and place within this world really is social history at its best.

There are a thousand books on the French Revolution, but most of them focus on the foibles of the aristocracy, or the wild rage of the crowds, or the heroism of Napoleon. Popkin’s new history does a masterful job of covering all the key events and personalities in France in the years leading up to the Revolution and in its unfolding over almost two decades. He is particularly good at placing the Revolution in the context of world history (showing its relation to events in the New World, from the American Revolution to the Revolution in Haiti), and in keeping a focus on the role of the French Revolution in the history of liberty. Indeed, through the eyes of the revolutionaries and their followers in this book, you can watch the dawn of liberty arise in the early years of the Revolution, and then fade under the increasingly militarist and… show more.

The elation of the revolutionary months of May-October 1789 was soon replaced by fervent debate about whose revolution this was to be. This was a debate which involved people at every level of society across the new nation. How could the divergent hopes of middle-class politicians and officials, insurgent Parisians, and the divergent mass of the peasantry be reconciled? Others rejected the Revolution altogether. After 1792 the debate became deadly as a European coalition made war on France, often with the collaboration of internal counter-revolutionaries. David Andress has created a vivid and expert narrative of an unfolding struggle over the survival and meaning of the Revolution, with some surprising conclusions.