Here are 100 books that Recollections fans have personally recommended if you like
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I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
This book is both an attempt to reclaim the legacy of the Paris Commune for our time and a rich and stimulating investigation of the Commune as “a working laboratory of political invention.” The focus is not on the traditional narrative culminating with the slaughter of Bloody Week. It is on the efforts of individuals—some far removed from the Communards’ Paris—to imagine a world marked by the inversion of longstanding hierarchies and divisions.
What makes the book especially compelling is Ross’s ability to “think with” both Communards like Elisabeth Dmitrieff and Elisée Reclus and outsiders like Kropotkin and Marx as they “open up the field of the possible” in reflecting on the Commune.
Kristin Ross's new work on the thought and culture of the Communard uprising of 1871 resonates with the motivations and actions of contemporary protest, which has found its most powerful expression in the reclamation of public space. Today's concerns-internationalism, education, the future of labor, the status of art, and ecological theory and practice-frame and inform her carefully researched restaging of the words and actions of individual Communards. This original analysis of an event and its centrifugal effects brings to life the workers in Paris who became revolutionaries, the significance they attributed to their struggle, and the elaboration and continuation of…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
This magnificent study of the revolutions 1848 surpasses all the others in its sheer breadth. It makes 1848 a European and, in some respects, a global event. But what I find most appealing about the book is its vividness. The complex narrative is repeatedly punctuated by details and vignettes that bring the past to life.
If you listen to the wonderful audiobook, you will even hear Christopher Clark singing a song on the death of the great German 1848er, Robert Blum.
A Telegraph, Sunday Times, Economist and TLS Book of the Year
'One of the best history books you will read this decade' History Today
An exhilarating reappraisal of one of the most dramatic years in European history, from the acclaimed author of The Sleepwalkers
There can be few more exciting or frightening moments in European history than the spring of 1848. Almost as if by magic, in city after city, from Palermo to Paris to Venice, huge crowds gathered, sometimes peaceful and sometimes violent, and the political order that had held sway since the defeat of Napoleon simply collapsed.
I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
T.J. Clark treats 1848 as a time when “art and politics could not escape each other,” and he offers a brilliant discussion of the efforts of artists to confront that situation. There are wonderful chapters on Delacroix’s anguished retreat into a private world, Millet’s portrait of the peasantry as a class in dissolution, and Baudelaire as a poet of post-revolutionary despair.
But for me, the most arresting portions of the book focus on Daumier, who was unique in his ability to depict the life of the Paris streets and create the great image of the Bonapartist con-man in the figure of Ratapoil. What I find most telling in these portraits, and the book as a whole, is T.J. Clark’s ability to “put back the doubt into revolution”—to recapture the confusion, the uncertainty, and the sense that everything was at risk.
When this book and its companion volume, Image of the People, appeared in 1973, they were taken as a challenge to the way art was usually written about. "This book," said the Times, "is a product of that school of art history whose history is as well read as its art, and whilst it covers only a small area of time and place, Clark's approach and style are such that it throws up enough ideas and pleasures to illuminate far beyond its rather special circumstances. It is suffused with wit and pathetic irony."
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
This novel is both the story of an unconsummated love affair and an account of the experience and imaginative life of the generation of young people who came to maturity around 1840 and whose lives were either broken or redirected by the revolution of 1848.
Flaubert takes great care to establish a counterpoint between the collapse of political ideals in 1848 and the collapse of the dreams of the individual characters. But Sentimental Education can also be considered as a work of history that brings the past to life and, in the end, offers a deep and, in some ways, sympathetic picture of the inability of individuals to shape history or their own lives, in a world ruled by elemental forces that elude understanding.
A fresh and vivid translation of Flaubert's influential bildungsroman
Gustave Flaubert conceived Sentimental Education, his final complete novel, as the history of his own generation, one that failed to fulfill the promise of the Revolution of 1848. Published a few months before the start of the 1870 Franco-Prussian War, it offers both a sweeping panorama of French society over three decades and an intimate bildungsroman of a young man from a small town who arrives in Paris when protests against the monarchy are increasing.
The novel's protagonist, Frederic Moreau, alternates between aimlessness and ambition as he searches for a meaningful…
I’m a historian of medieval Europe who specializes in twelfth-century England and France. I’ve been fascinated with history since childhood and distinctly remember being obsessed with a book on English monarchs in my mom’s bookcase when I was young. In college, I took a class on Medieval England with a professor whose enthusiasm for the subject, along with the sheer strangeness of the medieval world, hooked me. I’ve been exploring medieval Europe ever since, and deepening my understanding of how our own world came into being in the process.
Chibnall was a fantastic writer, and she was the authority on Orderic Vitalis, one of the most important historians of the early twelfth century.
I love this book because Chibnall uses Orderic’s history to explore the world he wrote in, a world in which monks mingled with knights and kings, and she examines the rapid social changes taking place in the early twelfth century. This book is at once an examination of Orderic’s work, a biography of a famous chronicler, and an exploration of Anglo-Norman society in the early twelfth century.
It’s a fantastic place to start if you’ve never read anything on Anglo-Norman England, and it’s a great way to deepen your knowledge if you’re already familiar with this corner of the past.
I’ve always been a creative, imaginative person, and I love creating exciting, fantastical worlds, either through my fine art or the stories I write. As such, I am always intrigued by creations by others that depict all the interesting possibilities of reality. I consume and create fantasy and science fiction tales, which take up the majority of my readings and viewings. But I also love comedy! I love to think and laugh, and when I come across a story that makes me do both, that’s a beautiful double whammy! And I particularly love sci-fi because it isn’t just about escapism, but this genre leads to real-world scientific advancements.
I love this book because out of all the time travel tales I’ve watched and read, this one seemed the most plausible. I mean the method of time travel that was used, if time travel to the past is ever possible, the method they use in the book would probably be the means to do it.
So it made me think about that, but it also enlightened me about other aspects of time travel back to the medieval period in England that I’d never considered before: like for instance, the English they spoke would be mostly indecipherable, and you’d need a translating device (which, sadly the movie version didn’t address). So, it had me thinking a lot about language and how it’s evolved over time.
In this thriller from the author of Jurassic Park, Sphere, and Congo, a group of young scientists travel back in time to medieval France on a daring rescue mission that becomes a struggle to stay alive.
#1 NEW YORK TIMES BESTSELLER
“Compulsive reading . . . brilliantly imagined.”—Los Angeles Times
In an Arizona desert, a man wanders in a daze, speaking words that make no sense. Within twenty-four hours he is dead, his body swiftly cremated by his only known associates. Halfway around the world, archaeologists make a shocking discovery at a medieval site. Suddenly they are swept off to…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I have lived in Gettysburg, PA, all of my life, so I’m drawn to historical fiction, especially the Civil War era. The 1860s is the perfect setting for the enemies-to-lovers trope, and I am lucky enough to be surrounded by history all of the time. In doing lots of research, I have found that enemies fell in love more often than you might think during the Civil War. I hope you enjoy this list of books that got me interested in reading and continue to keep my attention to this day.
My grandmother had this novel on her bookshelf, which is why I read it the first time, but I’ve read it over and over. This is my favorite classic love story that is not really enemies to lovers, but still has lots of emotion and conflict.
I love it because of the conflict and for its educational value in teaching about the French Revolution.
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"Vaguely she began to wonder ... which of these worldly men round her was the mysterious 'Scarlet Pimpernel,' who held the threads of such daring plots, and the fate of valuable lives in his hands."
In the early days of the bloody French Revolution, fleeing aristocrats are being captured and sent to the guillotine. But the mysterious Scarlet Pimpernel - along with his band of English gentlemen - is outwitting the revolutionaries. Known only by his calling card, he arrives in disguise and smuggles the nobles out of…
I am a retired lecturer at Southampton University, but used to live in China for many years. I experienced the horrible Chinese Cultural Revolution between the 1960s and 1970s, which was similar to Stalin’s Great Purges. I was put in jail and suffered cruel torture. So personally, I can more understand how, in all revolutionary movement, people were struggling with the threat of death and hopelessness; how they were torn between the new value of the revolution and the damage to the existing moral system; and how the strength of humanity could shine in the bloody darkness of terror.
A compelling historical fiction with the background of the French Revolution. The book describes the three main figures from the outside province to Paris who made the agitated and bloody history. Camille was related to the capture of Bastille; Danton made the execution of Louis XVI and Robespierre—the Terror. They enjoyed the happiness of power, but also paid a heavy price for it. We can see how humanity was lost in the turbulent revolutionary storm.
This novel follows the lives of three major figures in the French Revolution - Robespierre, Danton and Desmoulins - from their childhoods in Northern France through to the last terrifying moments of their execution. The book juxataposes private occasions with public events.
I have been trying to understand revolutionary violence my whole life, in the classroom and through scholarship. I am fundamentally interested in questions of “how” and “so what” because even the best, most heavily evidenced historical reconstructions of collective decisions rely heavily on conjecture, especially when it comes to something as complex and controversial as revolutionary violence. My biography of Alexandre Rousselin, an eyewitness and participant in French politics across the Revolutionary era, brings to life the choices and pressures that influenced his actions without minimizing the price he paid for those choices. Rousselin’s extraordinary life story contextualizes and engages understandings of the Terror in the French Revolution like those reviewed below.
This book blew me away when I read it in graduate school.
The depth of archival mastery is simply stunning, but what stands out about Cobb’s magnum opus is how he brought the intervention of the average militant, the men who made the Revolution work, to life.
He shows why and how people lived the Terror. Cobb also illustrates the Terror in the provinces, noting the unique elements of each place and region but also showing the commonalities of structure and practice.
Like many who read Cobb, I dreamed of writing something so poignant, so powerful, and so lasting.
Nobody has the time and financial support to do this kind of work anymore; it is a monument that helps everybody else illuminate different aspects of politics in 1793-94.
In this classic book, the famed historian Richard Cobb describes the Armees Revolutionnaires of eighteenth-century France and their clashes with the anti-revolutionary rural populace. In so doing, he provides important insights into the social and administrative history of the French Revolution. First published in France and now translated into English by Marianne Elliott, The People's Armies has had a profound influence on the study of the French Revolution and is still unsurpassed as a history of an important institution of the period of Revolutionary government in France.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I have been trying to understand revolutionary violence my whole life, in the classroom and through scholarship. I am fundamentally interested in questions of “how” and “so what” because even the best, most heavily evidenced historical reconstructions of collective decisions rely heavily on conjecture, especially when it comes to something as complex and controversial as revolutionary violence. My biography of Alexandre Rousselin, an eyewitness and participant in French politics across the Revolutionary era, brings to life the choices and pressures that influenced his actions without minimizing the price he paid for those choices. Rousselin’s extraordinary life story contextualizes and engages understandings of the Terror in the French Revolution like those reviewed below.
Lucas’ evocation of the mission of deputy Claude Javogues in the department of the Loire made me want to study the French Revolution.
It is intricate, complicated, and messy, as might be expected of politics amidst the stresses of war, revolution, and terror.
Lucas situates the motives and methods of a representative of the French central state in the context of local politics, specifically the politics of the Jacobin Clubs and revolutionary militants, who often had different needs and priorities.
Their frequent conflict and occasional collaboration as well as their difficulties in getting the rest of the population to support the war effort and Revolutionary government make for gripping, though not always easy, reading.