100 Books Like Recollections

This book is both an attempt to reclaim the legacy of the Paris Commune for our time and a rich and stimulating investigation of the Commune as “a working laboratory of political invention.” The focus is not on the traditional narrative culminating with the slaughter of Bloody Week. It is on the efforts of individuals—some far removed from the Communards’ Paris—to imagine a world marked by the inversion of longstanding hierarchies and divisions.

What makes the book especially compelling is Ross’s ability to “think with” both Communards like Elisabeth Dmitrieff and Elisée Reclus and outsiders like Kropotkin and Marx as they “open up the field of the possible” in reflecting on the Commune.

This magnificent study of the revolutions 1848 surpasses all the others in its sheer breadth. It makes 1848 a European and, in some respects, a global event. But what I find most appealing about the book is its vividness. The complex narrative is repeatedly punctuated by details and vignettes that bring the past to life.

If you listen to the wonderful audiobook, you will even hear Christopher Clark singing a song on the death of the great German 1848er, Robert Blum.

T.J. Clark treats 1848 as a time when “art and politics could not escape each other,” and he offers a brilliant discussion of the efforts of artists to confront that situation. There are wonderful chapters on Delacroix’s anguished retreat into a private world, Millet’s portrait of the peasantry as a class in dissolution, and Baudelaire as a poet of post-revolutionary despair.

But for me, the most arresting portions of the book focus on Daumier, who was unique in his ability to depict the life of the Paris streets and create the great image of the Bonapartist con-man in the figure of Ratapoil. What I find most telling in these portraits, and the book as a whole, is T.J. Clark’s ability to “put back the doubt into revolution”—to recapture the confusion, the uncertainty, and the sense that everything was at risk.

This novel is both the story of an unconsummated love affair and an account of the experience and imaginative life of the generation of young people who came to maturity around 1840 and whose lives were either broken or redirected by the revolution of 1848.

Flaubert takes great care to establish a counterpoint between the collapse of political ideals in 1848 and the collapse of the dreams of the individual characters. But Sentimental Education can also be considered as a work of history that brings the past to life and, in the end, offers a deep and, in some ways, sympathetic picture of the inability of individuals to shape history or their own lives, in a world ruled by elemental forces that elude understanding.

Chibnall was a fantastic writer, and she was the authority on Orderic Vitalis, one of the most important historians of the early twelfth century.

I love this book because Chibnall uses Orderic’s history to explore the world he wrote in, a world in which monks mingled with knights and kings, and she examines the rapid social changes taking place in the early twelfth century. This book is at once an examination of Orderic’s work, a biography of a famous chronicler, and an exploration of Anglo-Norman society in the early twelfth century.

It’s a fantastic place to start if you’ve never read anything on Anglo-Norman England, and it’s a great way to deepen your knowledge if you’re already familiar with this corner of the past.

I love this book because out of all the time travel tales I’ve watched and read, this one seemed the most plausible. I mean the method of time travel that was used, if time travel to the past is ever possible, the method they use in the book would probably be the means to do it.

So it made me think about that, but it also enlightened me about other aspects of time travel back to the medieval period in England that I’d never considered before: like for instance, the English they spoke would be mostly indecipherable, and you’d need a translating device (which, sadly the movie version didn’t address). So, it had me thinking a lot about language and how it’s evolved over time.

A thrilling and fully immersive description of the French Revolution; I loved this book in particular for its moving description of how the Jews of Paris were affected.

I found Madame Tussand’s story to be a wonderful frame for the upheaval in France at the time – especially as a highly layered, wonderful character whose strong personality helped her to survive troubling times.

It’s definitely my favorite Michelle Moran book – and that’s tough, considering how many amazing historical novels she’s written.

This book perfectly showcases how, for centuries, people have been fascinated by the seediness that potentially lurks behind the rich and powerful. And wow, is this book saturated with seediness?

While the complete disregard for another human’s existence and happiness is at the forefront of it and is presented as the focus of the story itself, I found myself understanding that it is also a cautionary tale on why these heinous behaviors cannot be allowed to become commonplace. The fact that these characters remain to be considered heinous gives me hope for the future!

No artist exists in a vacuum. Certainly, Vigée Le Brun had little interest in politics, but political events shaped her life and the world she inhabited. It is, therefore, essential to understand the times in which Vigée Le Brun lived.  

History and art history professor, documentarian, and cultural essayist, award-winning author Simon Schama’s Citizens: A Chronicle of the French Revolution presents Louis XVI’s France as vibrant, dynamic, and innovative, its people fascinated by novelty and technology. Schama’s gripping style combines entertainment and scholarship to make this book a convincing social, cultural, and narrative account of the French Revolution.

No discussion of global history and politics would not be complete without some mention of the French Revolution. Clarke’s book was a wonderful romp into French history, providing an elegant and insightful discussion of what went wrong with the revolution – or why the outcome in la Belle France ended up in the Terror, Republican government and Napoleon Bonaparte, while England became a constitutional monarchy. Clarke offers up considerable food for thought. We would expect nothing less from the same man who wrote 1000 Years of Annoying the French and Talk to the Snail.