Here are 100 books that You'll Grow Out of It fans have personally recommended if you like
You'll Grow Out of It.
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Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
I have always loved the image of Jo March hiding up in the attic (she calls it a “garret” because it’s more romantic) of her family’s New England house, munching on russet apples and writing furiously away with her pet rat, Scrabble, as her muse, or curling up with Jane Eyre—it’s the only place she can be alone.
She’s one of the classic aspiring young writers of literature—a totally unconventional, headstrong girl with big ambitions who has provided inspiration for her real-life counterparts for generations, me included.
Louisa May Alcott shares the innocence of girlhood in this classic coming of age story about four sisters-Meg, Jo, Beth, and Amy.
In picturesque nineteenth-century New England, tomboyish Jo, beautiful Meg, fragile Beth, and romantic Amy are responsible for keeping a home while their father is off to war. At the same time, they must come to terms with their individual personalities-and make the transition from girlhood to womanhood. It can all be quite a challenge. But the March sisters, however different, are nurtured by their wise and beloved Marmee, bound by their love for each other and the feminine…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
As a young girl, I thought I was a tomboy—or I wanted to be one, because the image of a “normal” girl was far too pink and frothy and shallow for my tastes. For me, being a tomboy was less about being boy-like than being unable to claim the markers of femininity. As a historian of women and girls, I wondered how young women saw their futures in this modernizing America, with its True Women and New Women and the opening of advanced education. Did tomboys grow into the rebels who changed the world? Or, like the tomboys in so many fictional stories, did they renounce their assertive sense of self upon marriage and motherhood?
I’ve assigned this graphic memoir to college students, given it to young nieces, and sent a copy to my mom. Prince tells the familiar story of being identified by others as a tomboy and struggling to understand what that means and whether or not she accepts the term. It’s funny, poignant, and smart.
Growing up, Liz Prince wasn't a girly girl, dressing in pink tutus or playing Pretty Pretty princess like the other girls in her neighborhood. But she wasn't exactly one of the guys either, as she quickly learned when her Little League baseball coach exiled her to the outfield instead of letting her take the pitcher's mound. Liz was somewhere in the middle, and Tomboy is the story of her struggle to find the place where she belonged. Tomboy is a graphic novel about refusing gender boundaries, yet unwittingly embracing gender stereotypes at the same time, and realizing later in life…
As a young girl, I thought I was a tomboy—or I wanted to be one, because the image of a “normal” girl was far too pink and frothy and shallow for my tastes. For me, being a tomboy was less about being boy-like than being unable to claim the markers of femininity. As a historian of women and girls, I wondered how young women saw their futures in this modernizing America, with its True Women and New Women and the opening of advanced education. Did tomboys grow into the rebels who changed the world? Or, like the tomboys in so many fictional stories, did they renounce their assertive sense of self upon marriage and motherhood?
Gilder’s memoir of growing up in the 1860s as a boyish girl will seem remarkably contemporary to those who equate nineteenth-century girls and women with corsets and overly important etiquette. Gilder writes about baseball, pranks, and various attempts to look like a boy, confirming an instinctual tomboy identity even at a time when females could not legally wear pants.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
As a young girl, I thought I was a tomboy—or I wanted to be one, because the image of a “normal” girl was far too pink and frothy and shallow for my tastes. For me, being a tomboy was less about being boy-like than being unable to claim the markers of femininity. As a historian of women and girls, I wondered how young women saw their futures in this modernizing America, with its True Women and New Women and the opening of advanced education. Did tomboys grow into the rebels who changed the world? Or, like the tomboys in so many fictional stories, did they renounce their assertive sense of self upon marriage and motherhood?
This one is for girls who want to know more about tomboys in the here and now. Davis essentially asks “how did we get to this time of transgender and nonbinary identity?” She interrogates the term “tomboy” as a way of understanding how our understanding of gender norms has changed and remained unchanged—at the same time.
Based on the author’s viral New York Times op-ed, this heartfelt book is a celebration and exploration of the tomboy phenomenon and the future of girlhood.
We are in the middle of a cultural revolution, where the spectrum of gender and sexual identities is seemingly unlimited. So when author and journalist Lisa Selin Davis's six-year-old daughter first called herself a "tomboy," Davis was hesitant. Her child favored sweatpants and T-shirts over anything pink or princess-themed, just like the sporty, skinned-kneed girls Davis had played with as a kid. But "tomboy" seemed like an outdated word—why use a word with "boy"…
I fell in love with the mystery genre at a young age, starting with Donald J. Sobol's Encyclopedia Brown series. It didn't take long to graduate to the likes of Sherlock Holmes, particularly once PBS began broadcasting the series with Jeremy Brett in the titular role. Over the years, my passion for mystery and suspense stories has branched out into numerous sub-genres and a variety of classics from such superb authors like Agatha Christie, Leslie Charteris, P. D. James, and Charles Todd. As much as I enjoy individual mystery and suspense novels, I enjoy even more a series with a cast of characters that I can follow from book to book.
I've been a huge fan of the Marx Brothers for many years. So, when I found a book that featured Groucho Marx as an amateur detective, I jumped on it. This, the first in a six-book series, is a treat to anyone who is a fan of the golden age of Hollywood. It is a cavalcade of famous names from the era of black and white films. Goulart does a tremendous job balancing a mysterious plotline with the lighthearted fun that you'd expect from a novel featuring Groucho Marx. And I'm happy to report that Goulart captures the essence of Groucho perfectly. The book, as well as the series, is a terrific tribute to one of Hollywood comedy geniuses. And it's a damn good mystery as well.
To stay busy between movies, Groucho Marx agrees to act in a radio serial, but before the first episode can even be aired, his beautiful co-star is found dead, and he becomes determined to find her killer.
Kevin Smokler here. I spent the last three years interviewing women film directors about their complete body of work and journey toward making it. I'm honored to share that with you. My career (4 books, 2 documentaries, countless articles) has always been about how our culture and entertainment are bigger than we think, and that size is an unending gift to us. In honoring the work of women artists here and in this list of books, I'm encouraging you (I hope) to think bigger and wider and more generously with what you see as a worry of your time and attention. This is also just how my mamma raised me.
I roll very hard for books about amazing people who make themselves seem human, too, not via false modesty but just people honest about their journey and the mistakes they made along the way.
Tina Fey was the youngest favorite child growing up in Philadelphia and had to learn that the wider world would not always give you a gold star on your homework the way she had always been given as the baby of her family and the only girl. And when she moved to Chicago to make it in sketch and improv comedy, she worked as a receptionist during the day, wrote cold scripts for SNL, and trained at Improv Olympic at night with the likes of Rachel Dratch and Scott Adsit. She was not the best in the room, far from it, and I love her and her clarity and directness for telling us, the reader, how…
Once in a generation a woman comes along who changes everything. Tina Fey is not that woman, but she met that woman once and acted weird around her. Before 30 Rock, Mean Girls and 'Sarah Palin', Tina Fey was just a young girl with a dream: a recurring stress dream that she was being chased through a local airport by her middle-school gym teacher. She also had a dream that one day she would be a comedian on TV. She has seen both these dreams come true. At last, Tina Fey's story can be told. From her youthful days as…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I’m a student of biography. Artists, musicians, and comedians are what I read about. I crave to know what makes a great artist tick, how their ideas develop, and why they choose to pursue their craft at huge personal expense. I’m motivated to write more of my own. These biographies are informative, entertaining, and engaging reads, well worth your time. It’s a challenging and frustrating process to tell an artist’s story. Yet their roots, their influences, and how they shake up popular culture make for greater insight into our humanity. Artists take risks and I’m always impressed by the boldness of their vision.
Interested in learning more about the life and times of Mort Sahl? Then look no further! Curtis does a remarkable job of putting Sahl’s life and work into historical context, a key to understanding the evolution of stand-up comedy after 1950. The story of Sahl is the story of every comedian who wanted to speak truth to power in a funny way. Sahl shaped the style of George Carlin, Woody Allen, and David Steinberg. Curtis pays tribute to the comedian and the artistic legacy he left us. It was an important resource for my study of George Carlin.
On December 22, 1953, Mort Sahl (b. 1927) took the stage at San Francisco's hungry i and changed comedy forever. Before him, standup was about everything but hard news and politics. In his wake, a new generation of smart comics emerged-Shelley Berman, Mike Nichols and Elaine May, Lenny Bruce, Bob Newhart, Dick Gregory, Woody Allen, and the Smothers Brothers. He opened up jazz-inflected satire to a loose network of clubs, cut the first modern comedy album, and appeared on the cover of Time surrounded by caricatures of some of his frequent targets such as Dwight Eisenhower, Richard Nixon, Adlai Stevenson,…
Food has always been my existential retreat from the world. Whether eating solo or with people, countless meals have been the best hyperbolic time chambers for strengthening relationships with others and with myself. And I’ve always wanted to write, to participate in ageless forums of subject and technique in this great literary tradition of ours. I guess these two art forms and obsessions were bound to lock horns in my aesthetic makeup. In my world, good reading is good eating. It’s that simple. No other qualifications are needed. I inhaled the following books and was made full every time – to eventually take a stab at a couple of recipes also.
I have this weird rule. It’s more of a habit I developed while reading for the last few years: for every fiction book I read, I alternate with a nonfiction book afterward. It’s not that strange of a rule, but it has been what has felt right since 2019. And for nonfiction works, I tend to feast on memoirs by comedians. It’s just my thing.
Maniscalco’s coming-of-age memoir recounts his journey of venturing to LA as a humble youngin’, grinding away, to eventually develop his full-fledged star status. Food is an interesting device in this one, as it’s the backdrop, the motif, and the recipe for not only staying afloat but daring to thrive also.
Another good example of developing voice when it comes to food as an amorphous topic.
This inspiring, honest, uproarious collection of essays traces Sebastian Maniscalco’s career from playing boxing rings and bowling alleys to reaching the pinnacles of comedy success.
At twenty-four, Sebastian Maniscalco arrived in LA with a suitcase and saved up minimum wages. He knew no one and nothing about standup comedy, but he was determined to go for it anyway.
At forty-four, he’s on the Forbes’ list of highest earning comedians, sells out arenas, and has starred in four hit comedy specials including Why Would You Do That? on Showtime.
Stay Hungry tells the story of the twenty years in between. On…
These books are all by or about comic geniuses. I have always expressed myself through humor. I never felt I was pretty, so making people laugh was another way of seducing people. I started out by doing improvisational theater on the streets of New York, went on to have a recurring role on Seinfeld, and performed my solo shows on three continents. One of my greatest thrills has been to share the stage with other storytellers while touring with The Moth. When I used my storytelling skills on TikTok, I was amazed at the response. Eleven million Likes is a lot of love. I hope I deserve it.
I always relate to stories about outsiders, because I have often felt like one myself.
This hilarious, poignant memoir is about a fat, gay kid growing up in a poor, isolated farm town where he stayed home reading while the other kids played football and tortured animals. He is still fat and gay, but he is no longer a sad little outsider: he ended up being a highly respected comedy writer.
Have you ever noticed that it’s the lonely, nerdy kids who often grow up to be the successful ones?
In the vein of New York Times bestsellers Why Not Me? by Mindy Kaling and We Are Never Meeting in Real Life by Samantha Irby, a collection of side-splitting and illuminating essays by the popular stand-up comedian, alum of Chelsea Lately and The Mindy Project, and host of truTV's Talk Show the Game Show.
From a young age, Guy Branum always felt as if he were on the outside looking in.
Self-taught, introspective, and from a stiflingly boring farm town, he couldn't relate to his neighbors. While other boys played outside, he stayed indoors reading Greek mythology. And being gay…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I teach Jewish studies to Jewish teens and have devoted my life to helping young people find meaningful the legacy that’s been given to us—and building bridges to the future; this is in the classroom as well as on the page. My book is a distillation of everything I love about being Jewish—wrapped in a story that many readers find deeply familiar. At the same time, I believe in planting the universal in the specific—and any reader ready to go on a journey can find themselves in Will Levine’s shoes.
I loved this book, which made me both cry and laugh. It is a touching exploration of grief, friendship, and coming-of-age. The story follows Noah and his best friend, Dash, two b’nai mitzvah boys obsessed with comedy, especially the classic Three Stooges.
When Dash’s father dies by suicide—presented sensitively and honestly—their friendship faces strain as Dash withdraws and Noah struggles to understand his friend’s pain. Perl’s writing captures the desperate need for friendship characteristic of adolescence.
The book thoughtfully addresses mental illness and death—but also loyalty and friendship, making it relatable to adult and middle-grade readers. Humor becomes both a way of pushing away and engaging, highlighting the essential role of laughter in growth and healing.
SYDNEY TAYLOR BOOK AWARD HONOREE FOR OLDER READERS! WINNER OF THE NATIONAL JEWISH BOOK AWARD FOR CHILDREN'S LITERATURE!
An unforgettable coming-of-age story about comedy, loss, and friendship for fans of Jennifer L. Holm and Gary D. Schmidt.
Spoiler alert: This book is not about the Three Stooges. It's about Noah and Dash, two seventh graders who are best friends and comedy junkies. That is, they were best friends, until Dash's father died suddenly and Dash shut Noah out. Which Noah deserved, according to Noa, the girl who, annoyingly, shares both his name and his bar mitzvah day.