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I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
Over 40 years after he left office, when he was replaced by Ronald Reagan, Carter remains an underrated and undervalued president. Alter doesn’t skimp on Carter’s shortcomings, from his sometimes rigid thinking to a nastiness that could be unleashed; the Iran-hostage debacle is also detailed in full. But using interviews with Carter and many of his associates and family members, he also makes the case, without being heavy-handed, that Carter was ahead of the curve on the ecology, voting rights, and other issues that remain frustratingly unfulfilled.
From one of America's most-respected journalists and modern historians comes the first full-length biography of Jimmy Carter, the thirty-ninth president of the United States and Nobel Prize-winning humanitarian.
Jonathan Alter tells the epic story of an enigmatic man of faith and his improbable journey from barefoot boy to global icon. Alter paints an intimate and surprising portrait of the only president since Thomas Jefferson who can fairly be called a Renaissance Man, a complex figure-ridiculed and later revered-with a piercing intelligence, prickly intensity, and biting wit beneath the patented smile. Here is a moral exemplar for our times, a flawed…
Insurrection offers a profound and incisive analysis of the underlying factors that culminated in the assault on Washington, DC’s Capitol Building on that fateful day: January 6th, 2021.
Going far beyond mere journalistic accounts, the book delves into structural trends within the United States, providing a broader and deeper context…
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
Peter Biskind chronicles the rise of New Hollywood in the 1970s, featuring such "movie brat" directors as Martin Scorsese, Francis Ford Coppola, and Steven Spielberg. But he also refers to such older directors as Stanley Kubrick.
It’s written in a chatty and easy-to-read style and is full of useful tidbits of information about Kubrick and especially his new backers at Warner Brothers.
When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and…
I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
What happened to the individual members of the Beatles in the years after the group dissolved? Many books have been devoted to that part of their saga, but few gripped me as much as this detailed, well-researched story of McCartney and his band Wings. Written with the cooperation of Macca—who gave several interviews to Doyle—Man on the Run makes you realize how chaotic, unstable, and (to use a period phrase) wild and crazy Wings were, despite the banality of some of their music. In that regard, it’s a perfect Seventies story: Beneath the seemingly mellow vibes and image lie a far more turbulent saga, reflecting the way McCartney himself repeatedly grappled with redefining himself after his tenure in arguably the greatest pop group of all time.
The most famous living rock musician on the planet, Paul McCartney is now regarded as a slightly cosy figure, an (inter)national treasure. Back in the 1970s, however, McCartney cut a very different figure. He was, literally, a man on the run. Desperately trying to escape the shadow of the Beatles, he became an outlaw hippy millionaire, hiding out on his Scottish farmhouse in Kintyre before travelling the world with makeshift bands and barefoot children. It was a time of numerous drug busts and brilliant, banned and occasionally baffling records. For McCartney, it was an edgy, liberating and sometimes frightening period…
Indicting the 45th President is a sequel to Criminology on Trump in real time, continuing the criminological investigation into the former US president. It expands on the themes of political deviance, deception, dishonesty, lawlessness and lying.
In his second book, Gregg Barak considers the campaigns and policies, the corruption, the…
I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
Anyone who grew up in the Sixties and Seventies remembers baseball trading cards, using sold with a flat stick of gum. Wilker doesn’t just remember them; he uses them as a narrative device. Each chapter of this touching and honest memoir about growing up in the Me Decade is based around one card in his collection (Tom Seaver, Wade Boggs, Mark “The Bird” Fidrych, and many more) and the year and memories it evokes. What could have been a glib gimmick is transformed into a smart and insightful way to recall a life and a decade.
Cardboard Gods is the memoir of Josh Wilker, a brilliant writer who has marked the stages of his life through the baseball cards he collected as a child. It also captures the experience of growing up obsessed with baseball cards and explores what it means to be a fan of the game. Along the way, as we get to know Josh, his family, and his friends, we also get Josh's classic observations about the central artifacts from his life: the baseball cards themselves. Josh writes about an imagined correspondence with his favorite player, Carl Yastrzemski; he uses the magical bubble-blowing…
Kevin Smokler here. I spent the last three years interviewing women film directors about their complete body of work and journey toward making it. I'm honored to share that with you. My career (4 books, 2 documentaries, countless articles) has always been about how our culture and entertainment are bigger than we think, and that size is an unending gift to us. In honoring the work of women artists here and in this list of books, I'm encouraging you (I hope) to think bigger and wider and more generously with what you see as a worry of your time and attention. This is also just how my mamma raised me.
I roll very hard for books about amazing people who make themselves seem human, too, not via false modesty but just people honest about their journey and the mistakes they made along the way.
Tina Fey was the youngest favorite child growing up in Philadelphia and had to learn that the wider world would not always give you a gold star on your homework the way she had always been given as the baby of her family and the only girl. And when she moved to Chicago to make it in sketch and improv comedy, she worked as a receptionist during the day, wrote cold scripts for SNL, and trained at Improv Olympic at night with the likes of Rachel Dratch and Scott Adsit. She was not the best in the room, far from it, and I love her and her clarity and directness for telling us, the reader, how…
Once in a generation a woman comes along who changes everything. Tina Fey is not that woman, but she met that woman once and acted weird around her. Before 30 Rock, Mean Girls and 'Sarah Palin', Tina Fey was just a young girl with a dream: a recurring stress dream that she was being chased through a local airport by her middle-school gym teacher. She also had a dream that one day she would be a comedian on TV. She has seen both these dreams come true. At last, Tina Fey's story can be told. From her youthful days as…
As a young girl, I thought I was a tomboy—or I wanted to be one, because the image of a “normal” girl was far too pink and frothy and shallow for my tastes. For me, being a tomboy was less about being boy-like than being unable to claim the markers of femininity. As a historian of women and girls, I wondered how young women saw their futures in this modernizing America, with its True Women and New Women and the opening of advanced education. Did tomboys grow into the rebels who changed the world? Or, like the tomboys in so many fictional stories, did they renounce their assertive sense of self upon marriage and motherhood?
Comedian Jessi Klein explores the nexus of American femininity and female masculinity in this hilarious memoir. I particularly love her pithy statements on how commercial culture sells a somewhat toxic form of femininity that can make even the most female-identified person reconsider their gender. She cuts to the heart of the tensions of growing up in a culture that places gender on a spectrum but continues to market it as an extreme binary.
Jessi Klein is not a girl's girl, or a woman's woman. Raised in Greenwich Village by parents who didn't notice if she wore the same pair of pants for months on end, she later learned that there were some essential lessons in femininity she'd been missing: how to get your butt to look like two round tennis balls (barre class); how to wait patiently for an engagement (get drunk by yourself at Logan Airport); and how to get over an ex in the age of Google (use the World Wide Web to discover everything about his new girlfriend). In this…
I’m a student of biography. Artists, musicians, and comedians are what I read about. I crave to know what makes a great artist tick, how their ideas develop, and why they choose to pursue their craft at huge personal expense. I’m motivated to write more of my own. These biographies are informative, entertaining, and engaging reads, well worth your time. It’s a challenging and frustrating process to tell an artist’s story. Yet their roots, their influences, and how they shake up popular culture make for greater insight into our humanity. Artists take risks and I’m always impressed by the boldness of their vision.
Jon Stewart once proclaimed that Richard Pryor, Lenny Bruce, and George Carlin were the “Holy Trinity” of stand-up comedy. After reading Scott Saul’s first-rate biography of Richard Pryor, I was transformed by the detailed writing and Saul’s portrait of an artist who struggled to find his voice. Saul’s premise was not to write a full biography but to examine the life and times of Pryor from his birth to his mid-life successes in 1980. I could not have written a book about George Carlin, Pryor’s contemporary, without Saul’s deeply researched tome. It’s a great read.
A major biography-intimate, gripping, revelatory-of an artist who revolutionized American comedy. Richard Pryor may have been the most unlikely star in Hollywood history. Raised in his family's brothels, he grew up an outsider to privilege. He took to the stage, originally, to escape the hard-bitten realities of his childhood, but later came to a reverberating discovery: that by plunging into the depths of his experience, he could make stand-up comedy as exhilarating and harrowing as the life he'd known. He brought that trembling vitality to Hollywood, where his movie career-Blazing Saddles, the buddy comedies with Gene Wilder, Blue Collar-flowed directly…
I’ve felt like a fish out of water for most of my life. My mom’s English and my dad’s from Pennsylvania, so growing up it was always difficult to figure out who I was, where was “home.” So I always felt uneasy and self-conscious about not fitting in, wherever I happened to be. I always felt vaguely homesick for somewhere else. Reading was one way I could escape, travel was another, more literal way. Which is how I ended up in South Africa, where I eventually got my master's in journalism/international politics. (And my adventures there, of course, led to my book.)
I love that this book does such a great job of capturing the many incongruities and quirks of life in South Africa, a country with such a complex, troubled history that it is still struggling to reconcile.
It’s a country of immense diversity (racially, politically, and culturally), which leads to some absurd situations. Some funny, some tragic. And it’s set against an incredibly unique and beautiful natural backdrop, and it’s at the bottom of the world, literally representing the global south/periphery. So there’s a ton of dramatic tension inherent.
I also relate with Noah’s story just in terms of the cross-cultural element; growing up with parents from different places and never quite fitting in. And yet he tackles these very serious, very bleak situations and experiences, at both the micro and macro levels, with humor.
The compelling, inspiring, (often comic) coming-of-age story of Trevor Noah, set during the twilight of apartheid and the tumultuous days of freedom that followed.
One of the comedy world's brightest new voices, Trevor Noah is a light-footed but sharp-minded observer of the absurdities of politics, race and identity, sharing jokes and insights drawn from the wealth of experience acquired in his relatively young life. As host of the US hit show The Daily Show with Trevor Noah, he provides viewers around the globe with their nightly dose of biting satire, but here Noah turns his…
I’ve always been interested in what drives people, their passions, and whether or not they’ve gone after them. I love it when something inspires them to emerge from a dormant state and give it their all. Show me a person who graduates from college at 85 or skydives at 99. Those people are inspiring! People go through the most incredible situations and use them as fuel for their lives. I funneled all of this into my latest novel. It’s a universal story that’s singular only to the person going through it. We can all take something positive away from this type of story.
Mental illness, not thinking the way others do, seeing the world through your own lens, can be a superpower.
Just ask stand-up comedian Maria Bamford. Her quirky and unique comedy style comes to life in these pages as she navigates being “different” while cultivating an enviable career in entertainment.
She has tried everything to fit into society. She shares what works (or whether it even matters anymore) in this memoir. She’s a hoot.
From "weird, scary, ingenious" (The New York Times) stand-up comedian Maria Bamford, a brutally honest and hilariously frenetic memoir about show business, mental health, and the comfort of rigid belief systems-from Dale Carnegie's How to Win Friends and Influence People, to Suzuki violin training, to Richard Simmons, to 12-step programs.
Maria Bamford is a comedian's comedian (an outsider among outsiders) and has forever fought to find a place to belong. From struggling with an eating disorder as a child of the 1980s, to navigating a career in the arts (and medical debt and psychiatric institutionalization), she has tried just about…
I teach Jewish studies to Jewish teens and have devoted my life to helping young people find meaningful the legacy that’s been given to us—and building bridges to the future; this is in the classroom as well as on the page. My book is a distillation of everything I love about being Jewish—wrapped in a story that many readers find deeply familiar. At the same time, I believe in planting the universal in the specific—and any reader ready to go on a journey can find themselves in Will Levine’s shoes.
I loved this book, which made me both cry and laugh. It is a touching exploration of grief, friendship, and coming-of-age. The story follows Noah and his best friend, Dash, two b’nai mitzvah boys obsessed with comedy, especially the classic Three Stooges.
When Dash’s father dies by suicide—presented sensitively and honestly—their friendship faces strain as Dash withdraws and Noah struggles to understand his friend’s pain. Perl’s writing captures the desperate need for friendship characteristic of adolescence.
The book thoughtfully addresses mental illness and death—but also loyalty and friendship, making it relatable to adult and middle-grade readers. Humor becomes both a way of pushing away and engaging, highlighting the essential role of laughter in growth and healing.
SYDNEY TAYLOR BOOK AWARD HONOREE FOR OLDER READERS! WINNER OF THE NATIONAL JEWISH BOOK AWARD FOR CHILDREN'S LITERATURE!
An unforgettable coming-of-age story about comedy, loss, and friendship for fans of Jennifer L. Holm and Gary D. Schmidt.
Spoiler alert: This book is not about the Three Stooges. It's about Noah and Dash, two seventh graders who are best friends and comedy junkies. That is, they were best friends, until Dash's father died suddenly and Dash shut Noah out. Which Noah deserved, according to Noa, the girl who, annoyingly, shares both his name and his bar mitzvah day.
