78 Books Like Last Man Standing

The Beatles in forensic detail up to the first Parlophone single, "Love Me Do".

Mark has interviewed almost everyone who mattered and he knows what to ask them and how to shape a book. I suggest you seek out the two-volume version running to 1,600 pages.

The Beatles are treated with as much reverence as Picasso and Shakespeare, and deservedly so.

Jon Stewart once proclaimed that Richard Pryor, Lenny Bruce, and George Carlin were the “Holy Trinity” of stand-up comedy. After reading Scott Saul’s first-rate biography of Richard Pryor, I was transformed by the detailed writing and Saul’s portrait of an artist who struggled to find his voice. Saul’s premise was not to write a full biography but to examine the life and times of Pryor from his birth to his mid-life successes in 1980. I could not have written a book about George Carlin, Pryor’s contemporary, without Saul’s deeply researched tome. It’s a great read.

I love to read biographies that are detailed, critical, and smart. Considering the number of biographies available about music legend Hank Williams, Ribowsky’s informative style and sensible writing strips away the veil of myth and gets down to contextual facts. His biography of Williams tells the story most people already know, yet he creates a fresh, vibrant tale of a truly great musician, troubled by poor health, an oppressive mother, and a drinking problem that took him to the edge. Ribowsky puts all of Williams’s quirks into perspective by writing a well-rounded and empathetic biography that leaves all others in the dust.

One of the most misunderstood artists of the last century has to be Yoko Ono. Donald Brackett, whose written biographies of Amy Winehouse, Tina Turner, and Sharon Jones, has done an excellent job of telling Ono’s story, going way beyond the standard, reductive tales about Ono and her relationship with John Lennon. His book traces Ono’s roots in Japan, her early works of performance art, and her time in New York in the Fifties mixing with the city’s art scene in Soho. Brackett’s love and respect for Ono’s artistic achievements shines throughout its pages.

I roll very hard for books about amazing people who make themselves seem human, too, not via false modesty but just people honest about their journey and the mistakes they made along the way.

Tina Fey was the youngest favorite child growing up in Philadelphia and had to learn that the wider world would not always give you a gold star on your homework the way she had always been given as the baby of her family and the only girl. And when she moved to Chicago to make it in sketch and improv comedy, she worked as a receptionist during the day, wrote cold scripts for SNL, and trained at Improv Olympic at night with the likes of Rachel Dratch and Scott Adsit. She was not the best in the room, far from it, and I love her and her clarity and directness for telling us, the reader, how… show more.

Even though they weren’t musicians, the original cast members of Saturday Night Live were among the biggest rock stars of the Seventies. Their journey from underground comics and performers to crossover superstardom, via TV, albums, and movies, is the story of the rise of the counterculture in the Seventies. And, sadly, Belushi’s flameout was the dark side of that tale.

I read this book not long after I had graduated from NYU with a degree in journalism, and Woodward’s peerless reporting—including a chilling, nearly hour-by-hour chronicle of Belushi’s last few weeks before his death in 1982—made me realize the power of narrative, research, and detail. If I were stymied while writing a story of my own in the early days of my career, I’d grab my increasingly beaten-up Wired paperback and be inspired anew. 

I loved this book, which made me both cry and laugh. It is a touching exploration of grief, friendship, and coming-of-age. The story follows Noah and his best friend, Dash, two b’nai mitzvah boys obsessed with comedy, especially the classic Three Stooges.

When Dash’s father dies by suicide—presented sensitively and honestly—their friendship faces strain as Dash withdraws and Noah struggles to understand his friend’s pain. Perl’s writing captures the desperate need for friendship characteristic of adolescence.

The book thoughtfully addresses mental illness and death—but also loyalty and friendship, making it relatable to adult and middle-grade readers. Humor becomes both a way of pushing away and engaging, highlighting the essential role of laughter in growth and healing. 

I've been a huge fan of the Marx Brothers for many years. So, when I found a book that featured Groucho Marx as an amateur detective, I jumped on it. This, the first in a six-book series, is a treat to anyone who is a fan of the golden age of Hollywood. It is a cavalcade of famous names from the era of black and white films. Goulart does a tremendous job balancing a mysterious plotline with the lighthearted fun that you'd expect from a novel featuring Groucho Marx. And I'm happy to report that Goulart captures the essence of Groucho perfectly. The book, as well as the series, is a terrific tribute to one of Hollywood comedy geniuses. And it's a damn good mystery as well.

First thing, even if she weren’t my best friend, I would choose Samantha Bee’s memoir. I read it years ago and I still have flashes of it come to me when I’m watering plants or whatever, descriptions of her life with her grandmother, like how she made Sam wear a one-piece cashmere sweat suit with a patent-leather belt to gym class and tell Sam she shouldn’t sweat in it because it was dry-clean only. As an atheist, I loved her fealty to Jesus Christ, and her vision that they would of course “listen to my disco records and eat Tang straight from the package, just like lovers did.” Yes obviously I’m her friend because I think she’s gorgeous. That’s the theme here, pure aesthetics and good with wordings. 

Half of the brother duo behind Dumb and Dumber and There’s Something About Mary, Farrelly studied writing in the 1980s and penned a fairly forgotten novel called Outside Providence. He followed it with his second fiction work in the late-1990s, serving as a fictionalized account of himself broke, starving, and trying to break into Hollywood. I can listen to Peter talk all day on podcasts and interviews because he’s so natural and honest. Those traits translate here, with a story centering around a sympathetic protagonist trying to find his way. With real stories like how Farrelly wrote for Seinfeld and was introduced to Los Angeles by someone trying to leap from a building, any writer will instantly connect with this breezy human story about creativity in your twenties.