Here are 100 books that Yonder fans have personally recommended if you like
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I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I came out as a gay man later in life (at age 24) just as the AIDS crisis was beginning, and the deaths and societal backlash during that time almost pushed me back in the closet. The books I listed here were instrumental in helping me find my author’s “voice” while I struggled to fully accept my identity. I feel passionate about the list because the books contain elements essential for every decent fiction author: humour, pathos, grief, joy, empathy, love, and understanding of the human condition. In developing this list of books, I’m reminded of how crucial it is for writers to read and often study the work and style of other authors.
This book affected me profoundly as a teenager who was questioning his own sexual identity in the early 1970s.
The novel is a study of friendship between two teenage boys at a boarding school after World War II. They’re co-dependent, and the elements of suppression and the threat of violence between the two mirrored my own confusion with close male friends “in real life” at the same time.
This is a book that shaped my early understanding of sexuality, even though the author denied any homoerotic undertones in the story.
'A novel that made such a deep impression on me at sixteen that I can still conjure the atmosphere in my fifties: of yearning, infatuation mingled indistinguishably with envy, and remorse' Lionel Shriver
An American coming-of-age tale during a period when the entire country was losing its innocence to the second world war.
Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual.…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
There such an intimate sense of discovery in this novel, narrated by Linda, a teenage girl taken under the wing of a strange family.
Linda guides us through this natural world, the cold woods of Minnesota, both mysterious and beautiful. Her simple descriptions of place always build on a subtle sense of dread in her voice, “The sky between the branches looked like sunburn. It was twenty minutes through the snow and sumac before the dogs heard me and started braying against their chains.”
Linda’s is a vulnerable first-person voice, not in command of her world, but constantly open to its possibilities, for better or worse. As authentic as it gets.
"So delicately calibrated and precisely beautiful that one might not immediately sense the sledgehammer of pain building inside this book. And I mean that in the best way. What powerful tension and depth this provides!" Aimee Bender
Fourteen-year-old Linda lives with her parents in the beautiful, austere woods of northern Minnesota, where their nearly abandoned commune stands as a last vestige of a lost counter-culture world. Isolated at home and an outlander at school, Linda is drawn to the enigmatic, attractive Lily and new history teacher Mr. Grierson. When Mr. Grierson is charged with possessing child pornography, the implications of…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Since my own book is marketed for young readers (and adults BTW) I thought I’d give a nod to one of the voices in that genre that got set in my brain years ago.
Philbrick’s voice in Max the Mighty might be my favorite young reader first-person voice. Told in retrospect, Maxwell’s voice is both wise and self-effacing, and believable from the jump. “...even though I’m a big dude with a face like a moon and ears that stick out like radar scoops…I’m a real weenie. A yellow-bellied sapsucker. A gigantic wuss. A coward.”
The voice carries the banner of strength in the vulnerability of the human condition. A lesson we should hold dear to our heart. Different is cool. Different is good. This book and its voice are timeless.
A companion to Newbery Honor winning author Rodman Philbrick's Freak the Mighty. This is the dramatic, heart-wrenching tale of Max and Worm, two outsiders who turn to each other for survival.
Meet Max Kane, the brooding giant-of-a-boy who escaped from his basement hiding place and faced the real world in Freak the Mighty. Still grieving over the loss of his best friend, Kevin, Max finds himself defending a young, solitary girl cruelly nicknamed "Worm" because she loves to read. And when Max gets blamed for a horrific crime, he and Worm flee across America--hunted by the police and pursued by…
As a hardcore introvert, I often find it difficult to open up to others, especially new people. But somehow, it’s easier to do so when traveling or at least out of my normal routine. So it’s no surprise that I gravitate to stories that feature characters traveling and forming bonds of friendship and romance while on the road. Add some magic to the mix, and I’m almost definitely hooked!
Although this book does feature some heavy themes (CW for mentions of rape), it’s a powerful story about dealing with trauma – and moving on from it, to the life one wants to live. Draven’s characters simply breathe. They feel fleshed-out and real, with all the contradictions of real people. Although the book is part of a series, the story feels complete on its own; the worldbuilding is lush and interesting. I love books that feature travel because being on the road is a great way for characters to connect with each other, as they must rely on one another for safety and survival. Phoenix Unbound features two very different characters who come together in a way that feels real – and beautiful.
In this USA Today bestselling novel, a woman with power over fire and illusion and the enslaved son of a chieftain battle a corrupt empire in this powerful and deeply emotional romantic fantasy.
Every year, each village is required to send a young woman to the Empire's capital--her fate to be burned alive for the entertainment of the masses. For the last five years, one small village's tithe has been the same woman. Gilene's sacrifice protects all the other young women of her village, and her secret to staying alive lies with the magic only she possesses.
I’ve always wanted to write fiction but it wasn’t until I became a mother that I finally took the plunge. I think motherhood, with all the joy, fear, and complexity that comes with it, is such a rich topic which I was inspired to explore in my writing and most of my books are centred around parenting and family life. And I also think that, like many of the characters in the books I’ve recommended, my journey to rediscover my sense of identity in the world as I approached my 40th birthday pushed me to finally pursue my dream of being an author.
I’ve been a huge fan of Marian Keyes for years and I’ve read all her books.
She has a wonderful talent for character development and describing the intricacies of family life and relationships and she seamlessly combines chick-lit humour with meatier, serious themes. In The Break, a story about midlife crisis, Amy’s husband Hugh decides to take a break from their marriage and family, and go travelling to find himself, leaving her at home, a single mum, wondering what the heck has just happened. But will he return, and if he does, will Amy still be the same woman?
I was actually reading this book when I got the idea for my debut novel!
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I’ve been a lover and reader of the romance genre ever since I graduated high school and borrowed one of my mother’s paperback novels during our annual beach vacation (which may have been twenty years ago... Yikes!). While I read everything from contemporary to historical, paranormal to fantasy, I’ve always had a particular fondness for stories with a touch of magic—specifically the cursed kind. There’s something extra angsty and tragic about cursed love that makes overcoming obstacles that much sweeter. I hope you fall in love with the books on this list as much as I have.
The author describes this book as Pretty in Pink meets Stranger Things—and I must agree! The story takes place in the 80s, and as a child of the 80s myself, that makes me love it even more. Lyrics & Curses is the perfect balance of romance and mystery (and epic 80’s music) that will keep you guessing until the very end. If you’re looking for something quirky and dark, this book may be the perfect fit for you. L&C is the first in a YA duology suitable for younger readers.
Lark Espinoza could get lost in her music—and she's not so sure anyone in her family would even care to find her. Her trendy, party-loving twin sister and her mother-come-lately Beth, who's suddenly sworn off men and onto homemaking, don't understand her love of cassette tapes, her loathing of the pop scene, or her standoffish personality. For outcast Lark, nothing feels as much like a real home as working at Bubble's Oddities store and trying to attract the attention of the cute guy who works at the Vinyl shop next door—the same one…
I’ve been an avid reader since childhood. I read almost all genres, but my favorite type of book has always been the kind that you associate with a beach bag and a lazy day of reading in the sun (and maybe even a beverage nearby with a tiny umbrella). I love books that provide a realistic escape, where I can lose myself in the descriptions of picturesque scenery and flawed but lovable characters. Not surprisingly, these are also the types of books I’ve chosen to write. I want to give readers the same joy of sitting back on a chaise lounge with a piña colada (perhaps metaphorically) and disappearing into the fictional world I’ve created.
The two main characters in Who Do You Love stayed with me long after I read this book, and I’ve found them popping into my thoughts again and again over the years – a sure sign of well-written characters. It’s the story of two people who come in and out of each other’s lives and how their love changes and evolves over time. Full of joy, heartbreak, hope, and loss, this love story will draw you in and stick with you.
#1 New York Times bestselling author Jennifer Weiner delivers "a tale of love against the odds" (People).
Rachel Blum and Andy Landis are just eight years old when they meet one night in an ER waiting room. Born with a congenial heart defect, Rachel is a veteran of hospitals, and she's intrigued by the boy who shows up alone with a broken arm. He tells her his name. She tells him a story. After Andy's taken back to a doctor and Rachel's sent back to her bed, they think they'll never see each other again.
I love books about good people who go through hard times and come out okay. Different, but okay. The books can be contemporary, historical, magical—I don’t care. I just want goodness to triumph—not falsely, but with truth. Nobody has a %100 easy life. I believe it’s how we make our way through our difficulties that ultimately determines who we are. When asked to give four words that describe The Fractal Melody, I say: "Families, friendship, challenges, hope." Those are the kinds of things that matter. The Rolling Stones sang, "You can’t always get what you want." I believe that you always get what you need to develop into a full-fledged human being.
"True love never did run smooth." Who can match Shakespeare for hitting the nail on the head? Well, maybe Anne Tyler.
I love her books for being so very honest. She loves her characters for being so absolutely human. During the three days of this novel, she amply proves that love is work. That marriage is very hard work. And true love? Well, it’s complicated. Always.
'Just relishable. Thank God for the balm of good writing' NIGELLA LAWSON 'A wise, wonderful book' OBSERVER 'Razor sharp on family, love and marriage' DAVID NICHOLLS 'I devoured it in one long lazy afternoon - I laughed and cried' VICTORIA HISLOP
Weddings aren't just about the happy couple... A funny, touching, hopeful story of love, marriage and second chances
It's the day before her daughter's wedding and things are not going well for Gail Baines.
First thing, she loses her job (or quits, depending who you ask). Then her ex-husband Max turns up at her door…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
My passion for novels about war with a love-related component is rooted in my upbringing. My father served in the military and suffered from PTSD all his life as a result. He regaled me with stories of his time in the army during World War II, but those stories were wildly comic or compelling tales of adventure in exotic, faraway lands. The darker aspects of his experience came out in his nightmares, and later in life, in the flashbacks he experienced after his diagnosis of Alzheimer’s. My mother’s life was also impacted by war. Her first marriage ended when her husband was killed in battle, and she had her own kind of PTSD as a result.
I think one of the hardest things to write would be a great novel in verse—to distill the elements of plot, characterization, and setting down to what is essential and compelling in spare, clean lines of poetry.
Ronit & Jamil did this and more for me, as the novel gave me insight into the complex conditions that exist in the war-torn Middle East, specifically between the Israeli-Palestinian conflict, and offered up an original retelling of Shakespeare’s Romeo and Juliet.
Pamela L. Laskin's beautiful and lyrical novel in verse delivers a fresh and captivating retelling of Shakespeare's Romeo and Juliet that transports the star-crossed lovers to the modern-day Israel-Palestine conflict. Ronit, an Israeli girl, lives on one side of the fence. Jamil, a Palestinian boy, lives on the other side. Only miles apart but separated by generations of conflict-much more than just the concrete blockade between them. Their fathers, however, work in a distrusting but mutually beneficial business arrangement, a relationship that brings Ronit and Jamil together. And lightning strikes. The kind of lightning that transcends barrier fences, war, and…
