Here are 100 books that Max the Mighty fans have personally recommended if you like
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I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a…
This biography for middle-grade readers and up explains who Jane Addams was and why she caused such a stir worldwide. The story follows Addams' first childhood realization of how poverty limits lives, livelihoods, and health to her becoming one of the most beloved―and disliked―women of her day. She worked to…
I came out as a gay man later in life (at age 24) just as the AIDS crisis was beginning, and the deaths and societal backlash during that time almost pushed me back in the closet. The books I listed here were instrumental in helping me find my author’s “voice” while I struggled to fully accept my identity. I feel passionate about the list because the books contain elements essential for every decent fiction author: humour, pathos, grief, joy, empathy, love, and understanding of the human condition. In developing this list of books, I’m reminded of how crucial it is for writers to read and often study the work and style of other authors.
This book affected me profoundly as a teenager who was questioning his own sexual identity in the early 1970s.
The novel is a study of friendship between two teenage boys at a boarding school after World War II. They’re co-dependent, and the elements of suppression and the threat of violence between the two mirrored my own confusion with close male friends “in real life” at the same time.
This is a book that shaped my early understanding of sexuality, even though the author denied any homoerotic undertones in the story.
'A novel that made such a deep impression on me at sixteen that I can still conjure the atmosphere in my fifties: of yearning, infatuation mingled indistinguishably with envy, and remorse' Lionel Shriver
An American coming-of-age tale during a period when the entire country was losing its innocence to the second world war.
Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual.…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
When it comes to “selling the voice” in the first-person narrative, so much depends on the language and the style by which the chosen character tells the story. How convinced is the reader of this voice that promises us everything?
Let us only pay attention to Jabari Asim and his slave narrative Yonder, to know how to do it well. From the first chapter we are thrown into William’s world, the harsh truth of living on a plantation in the American South.
Once he starts narrating in his believable and lyrical voice, we feel the danger, and the hopelessness: ”I had known death could come at any time. You could keel over in the fields. You could be crushed under a wagon wheel, kicked by a horse, or have your skull split open because a slice of ham…had gone missing.” The first-person magic takes over and we have no choice…
The Water Dancer meets The Prophets in this spare, gripping, and beautifully rendered novel exploring love and friendship among a group of enslaved Black strivers in the mid-19th century.
They call themselves the Stolen. Their owners call them captives. They are taught their captors’ tongues and their beliefs but they have a language and rituals all their own.
In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor,…
Reeni is wild about birds so naturally, when she and her friend Yasmin have to pick a topic for a school assignment, birds in the city are an obvious choice. But when the upcoming bird count is threatened, Reeni has to detour from birding to activism. This is a global…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
There such an intimate sense of discovery in this novel, narrated by Linda, a teenage girl taken under the wing of a strange family.
Linda guides us through this natural world, the cold woods of Minnesota, both mysterious and beautiful. Her simple descriptions of place always build on a subtle sense of dread in her voice, “The sky between the branches looked like sunburn. It was twenty minutes through the snow and sumac before the dogs heard me and started braying against their chains.”
Linda’s is a vulnerable first-person voice, not in command of her world, but constantly open to its possibilities, for better or worse. As authentic as it gets.
"So delicately calibrated and precisely beautiful that one might not immediately sense the sledgehammer of pain building inside this book. And I mean that in the best way. What powerful tension and depth this provides!" Aimee Bender
Fourteen-year-old Linda lives with her parents in the beautiful, austere woods of northern Minnesota, where their nearly abandoned commune stands as a last vestige of a lost counter-culture world. Isolated at home and an outlander at school, Linda is drawn to the enigmatic, attractive Lily and new history teacher Mr. Grierson. When Mr. Grierson is charged with possessing child pornography, the implications of…
All my life, I’ve struggled with accepting who I am. It’s no secret that the Vietnam War was unpopular in America; as such, I spent my adolescence hiding who I was. Literature like this didn’t exist when I was a kid. If it had, I think I would’ve seen myself differently. As a writer, I explore similar themes in my work and highlight the importance of discussing how our childhood experiences (good and bad) shape us. Uniformity is a destroyer of identity; my mission is to show how loving what makes us different allows us to love the differences we see in others.
April is the kind of character everyone roots for. She’s sixteen and fending for herself after her crappy father abandoned her in a motor home with no engine.
Teens who grow up like April have grit built into their DNA, and when she takes off for a new life, she soars. The problem is, our past has a way of dragging us backward, and seeing April fight to keep the life and friends she’s built is what makes you keep turning the pages. Oh, and also, she has a beautiful skill. April can sing.
Reading this book is akin to watching a flower bloom; you can’t help but be in awe.
Little River, New York, 1994: April Sawicki is living in a motorless motorhome that her father won in a poker game. Failing out of school, picking up shifts at Margo's diner, she's left fending for herself in a town where she's never quite felt at home. When she "borrows" her neighbor's car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that's all hers.
I’ve always enjoyed reading true stories and stories that feel like they could be true. I enjoy learning about other people’s lives and experiences. If a character’s life experiences have been very different than my own, it is eye-opening and informative. If we’ve had similar experiences it helps me feel less alone. When writing, I usually draw inspiration from my own life experiences. With AWOL, I wanted to share military family culture and help readers affected by PTSD feel less alone.
Mai K. Nguyen pairs really tough topics: grief, loss, and overwhelming emotions with beautiful and soothing artwork and a little bit of magic. When Willow gets upset and runs off into the woods she meets Pilu, a lost wood sprite. Together, Willow and Pilu help each other learn to deal with their emotions and find their way home. I love that the reader can learn alongside the characters without feeling like they are being taught a lesson.
A heartwarming story of friendship, loss, and finding your way home from debut author/illustrator Mai K. Nguyen!
Willow loves the woods near her house. TheyaEURO (TM)re calm and quiet, so different from her own turbulent emotions, which she keeps locked away. When her emotions get the better of her one day, she decides to run away into the woods.
There, she meets Pilu, a lost tree spirit who canaEURO (TM)t find her way back homeaEURO"which turns out to be the magnolia grove WillowaEURO (TM)s mom used to take her to. Willow offers to help Pilu, and the two quickly become…
A gay retelling of the classic fairy tale--a scrumptious love story featuring ungrateful stepsiblings, a bake-off, and a fairy godfather.
Cinderelliot is stuck at home taking care of his ungrateful stepsister and stepbrother. When Prince Samuel announces a kingdom-wide competition to join the royal staff as his baker, the stepsiblings…
I’m a middle grade writer with a passion for books that inspire readers to feel empowered. Children’s books, especially middle grade books, played a crucial, transformative role in my own life. When I became a public school teacher in New York City, I was able to see firsthand the importance of providing kids with books that offer windows to new worlds, reflect their own experiences, and build connections across differences. Strong protagonists are able to do just that. This list features books with some of my favorite middle grade protagonists – some from my own childhood, and others more recent discoveries. I hope you and the middle grade reader(s) in your life enjoy these recommendations!
Bud is one of my absolute favorite middle grade protagonists. Equally heartbreaking and hilarious, Bud is determined to find his father, who he believes is a jazz musician. He embarks on a journey from Michigan out west, which vividly depicts life during the Great Depression. Bud’s honest account of the evils he encounters – racism, violence, and poverty – illuminates the tragedy and absurdity of racist ideologies and the suffering of so many.
Throughout the novel, Bud’s humor provides a beautifully child-like perspective that will delight readers. The novel also does a wonderful job of celebrating jazz and highlighting the ways that adversity can create strong bonds.
I remember reading this book as a ten year old and loving Bud’s determination to succeed despite the obstacles placed in his way. It’s historical fiction at its best. It will open readers’ eyes to historic wrongs captured through Bud’s preteen lens, while…
A heart-warming, funny and fast-moving story set in 1930s America - past winner of the highly prestigious Newbery Medal.
Bud is on a journey. He has hit the road with one idea in mind - he wants to discover his father. He's not got a lot to go on - just a flyer for a jazz band and his very own Rules and Things for Having a Funner Life and Making a Better Liar Out of Yourself. Despite encounters with a car-driving vampire, a monster-infested woodshed and even a real live girl, Bud presses on towards a surprising discovery ...
I am an author and illustrator of children's picturebooks, having completed my MA at the Cambridge School of Art. I am endlessly fascinated with the picture book as a rich medium for children to safely and slowly approach topics that might be challenging for them. Picture books can be such a versatile, interesting place for curiosity and confidence to thrive, while also creating a lovely time for closeness between parent/carer and child. As we grapple with the long-term effects of the pandemic, I feel that children will need stories more than ever, to help them make sense of their experiences.
For older readers, The Hideaway blends themes of domestic violence, difficult family life, community, environment, and care together. Besides an unbearable home life, we are shown how Billy, our main character, finds safety and space in the unlikely setting of a graveyard. His relationship with the old man he meets and the careful work they engage in, help maintain the old man's connection with the past, and Billy's connection with the present. Beautifully illustrated by Smy, and written by her also, this book celebrates the graveyard not as a spooky or scary site, but as a special place where we remember, connect with, and love those we have lost.
The wonderful long-awaited second novel from Pam Smy, celebrated author and illustrator of Thornhill.
The Hideaway tells the story of a boy, Billy McKenna, who runs away from a difficult situation at home and takes refuge in an overgrown graveyard. While hiding there he meets an elderly man who is tending the graves in preparation for a day in November when something magical is set to happen.
The book is written in two alternating narratives, both different aspects of the same story. One thread tells of Billy's experience of hiding away in the graveyard, his mixed-up feelings and…
I’m a Canadian kids’ author, and I’ve written a few books about kids longing for absent parents. There’s nothing more compelling and powerful for me than a book about a young person searching for a significant adult. It wasn’t part of my growing-up experience, but I know it is the truth for so many kids who would identify with the kids in these novels. There are so many excellent MG novels on this topic that it was hard for me to narrow it down to these five books. I love cheering on kids who struggle, and Opal, Chirp, David, Lucky, and Parvana are among my favorite book kids.
After I read this book, #1 in a trilogy, I wrote to the author (something I rarely do), enthusing about how much I loved almost-orphan Lucky and her inspiring, tragic, hopeful, and heartwarming story. Ten-year-old Lucky’s greatest fear is that she’ll end up in an orphanage following the death of her mother, leaving Lucky to be raised by her absentee father’s ex-wife, Brigitte.
I was drawn into the lives of each of the splendidly flawed, quirky, and very real people in Lucky’s life, but it’s Lucky herself who I fell in love with because she’s so believably innocent and imperfect, working hard, with the support of her friends of all ages, to find her way in her tiny world of Hardpan, population 43.
Lucky, age ten, can't wait another day. The meanness gland in her heart and the crevices full of questions in her brain make running away from Hard Pan, California (population 43), the rock-bottom only choice she has.
It's all Brigitte's fault -- for wanting to go back to France. Guardians are supposed to stay put and look after girls in their care! Instead Lucky is sure that she'll be abandoned to some orphanage in Los Angeles where her beloved dog, HMS Beagle, won't be allowed. She'll have to lose her friends Miles, who lives on cookies, and Lincoln, future…
Lois Lowry looks back at history through a personal lens as she draws from her own memories as a child in Hawaii and Japan, as well as from historical research, in this stunning work in verse for young readers.
On the Horizon tells the story of people whose lives were…
The stories I write are fiction, but I’ve heard hundreds of tales about survival, and family drama. I’m the secret-keeper everyone confides in. From the time I was a teen, friends shared their secrets with me. Later, as a healthcare worker, patients often told me shocking true-life stories. What started these events? How did the victims overcome the horrors? I found their tales fascinating. I invent characters that face nightmarish challenges, and they must use the tools they have to persevere. Just like in real life. My novels shed light on darker, twisted topics.
I liked the suspense baked into this story of a runaway girl, Bea. The entire novel was written in emails, mostly between her and her brother, Erza. Each exchange demonstrated their tight sibling bond and their unhappy home life since their parent’s divorce.
Bea leaves home after receiving a mysterious Twitter message from who she believes is her birth father. She hasn’t seen her dad in years and lives far from him. The story centers on escaping her abusive stepfather, apathetic mother, and her need to reconnect with her father. But she’s taking a risk by meeting a stranger from Twitter. Could he really be her long-lost dad or someone else?
Ezra wakes one day to find his sister gone. No note, no sign, nothing but an email address hidden somewhere only he would find it.
Escaping their toxic home life, Bea finds herself alone in a new city - without friends, without a real plan - chasing someone who might not even want to be found.
As things unravel at home for Ezra, Bea confronts secrets about their past that will forever change the way they think about their family. Separated by distance but connected by love, this brother and sister must learn to trust themselves before…