Books like History of Wolves — picked by fans

Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.

“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.

The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.

This book affected me profoundly as a teenager who was questioning his own sexual identity in the early 1970s.

The novel is a study of friendship between two teenage boys at a boarding school after World War II. They’re co-dependent, and the elements of suppression and the threat of violence between the two mirrored my own confusion with close male friends “in real life” at the same time.

This is a book that shaped my early understanding of sexuality, even though the author denied any homoerotic undertones in the story. 

When it comes to “selling the voice” in the first-person narrative, so much depends on the language and the style by which the chosen character tells the story. How convinced is the reader of this voice that promises us everything?

Let us only pay attention to Jabari Asim and his slave narrative Yonder, to know how to do it well. From the first chapter we are thrown into William’s world, the harsh truth of living on a plantation in the American South.

Once he starts narrating in his believable and lyrical voice, we feel the danger, and the hopelessness: ”I had known death could come at any time. You could keel over in the fields. You could be crushed under a wagon wheel, kicked by a horse, or have your skull split open because a slice of ham…had gone missing.” The first-person magic takes over and we have no choice… show more.

Since my own book is marketed for young readers (and adults BTW) I thought I’d give a nod to one of the voices in that genre that got set in my brain years ago.

Philbrick’s voice in Max the Mighty might be my favorite young reader first-person voice. Told in retrospect, Maxwell’s voice is both wise and self-effacing, and believable from the jump. “...even though I’m a big dude with a face like a moon and ears that stick out like radar scoops…I’m a real weenie. A yellow-bellied sapsucker. A gigantic wuss. A coward.”

The voice carries the banner of strength in the vulnerability of the human condition. A lesson we should hold dear to our heart. Different is cool. Different is good. This book and its voice are timeless. 

What makes a woman a hero? Irish writer John Boyne’s narrator was a last choice for me—the daughter of a top-ranking Nazi war criminal who carries the burden of her past at 90. But I came to love the voice of this narrator, her brutal honesty with herself and her circumstances, and her growing awareness of her culpability, even as a child, for what happened.

Boyne elegantly explores the question of whether terrible acts by fathers make their children responsible or if children are inherently innocent. The story’s ending was a complete surprise, bringing this character to hero status in my eyes, as she chooses honor above safety. 

This charming parallel universe story is like two contemporary realistic novels in one. Fifteen-year-old Summer Everette makes a choice at the beginning of the book (no spoilers, here!) that will either take her to France or keep her in upstate New York for the summer. So why not see what would happen in both worlds?

This book has all the elements I love. A relatable protagonist, two adorable love interests, and tons of heart. Add the French countryside element and voila! Parfait!

Somebody’s Daughter is a thought-provoking read for parents on how you might handle an inappropriate video of your child being shared over social media. One of the most intriguing parenting aspects of this book is how the mom and dad dealt with their daughter’s dilemma so differently. Especially since the mom almost viewed the dad’s way of handling it as detrimental. It offered an invaluable gut-check on what I would do if I were put in the same situation.

This book starts with a prank gone wrong, when Rafa and his friend steal the school slushy machine and get busted. As punishment, Rafa is sent to Ranch Espanto in New Mexico for the summer.

Rafa makes a friend in Jennie, but his work at the ranch keeps being sabotaged… He has to solve the (supernatural) mystery of the ranch, and in the end the book has a cool plot twist to satisfy mystery readers like myself. Aside from the strong plot, this book also covers tougher topics affecting these kids, giving it depth and heart.

I loved the New Mexico feel of the book, and appreciated how there was a mystery as well as supernatural (and magical realism) elements. The Ghosts of Rancho Espanto is the perfect book for kids who like a blend of genres, not simply another ghost story.

BOX 88 is a thoroughly modern-day spy story set in two timeframes. Lachlan (‘Lockie’) Kite, the protagonist, is poles apart from Lawton’s Joe Wilderness. An apparently chance meeting at the funeral of an old school friend leads him to be abducted. Flashback 30 years, and we see how he was recruited to a secret cell of intelligence operatives (Box 88) when barely out of his upper-class boarding school. He is trained and asked to undergo a mission while spending the summer at the house of a school friend in France. While there, he falls heavily in love, and somehow manages to carry out his mission—albeit with devastating consequences. This portrayal of an intelligent young man growing up feels real and is beautifully handled. The start of a great series.