Here are 62 books that Montana 1948 fans have personally recommended if you like
Montana 1948.
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When we speak in real life, much of what we say out loud doesn't have any real meaning. But when authors write, each word a character says must convey meaning to drive the scene forward. The words must exhibit some form of information—emotion, advancement of an idea, or even be the action itself—otherwise, they're just wasted words on the page. The true challenge of writing dialogue is to convey as much as possible with as few words as possible. I love a book in which I'm yearning for specific characters to return just so I can hear the carefully crafted, intelligent, and tight words they employ when speaking, especially when two characters are verbally dueling.
The book is about a relentless, psychotic hitman (Anton Chigurh) sent to recover money from a drug deal gone bad.
Whenever Chigurh engages someone in a conversation, it is hardly socializing, but rather an expression of his moral code disguised as logic and dispensed as some type of hypnotic philosophical inevitability. He makes people feel like they must pass some type of verbal test when they don't even understand why they are being tested at all.
"If the rule you followed brought you to this, of what use was the rule?" When confronted with a question like this, one can only hope to just survive the conversation.
Llewelyn Moss, hunting antelope near the Rio Grande, instead finds men shot dead, a load of heroin, and more than $2 million in cash. Packing the money out, he knows, will change everything. But only after two more men are murdered does a victim's burning car lead Sheriff Bell to the carnage out in the desert, and he soon realizes that Moss and his young wife are in desperate need of protection. One party in the failed transaction hires an ex-Special Forces officer to defend his interests against a mesmerizing freelancer, while on either side are men accustomed to spectacular…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a former crime reporter for the Columbus Dispatch. If my byline appeared on a story, you didn’t want your name anywhere in it, because you were most likely in a cell at the county jail, a bed in the ICU, or a cold locker at the county morgue. As a reporter, I often covered the same organized crime that had been so prevalent in my youth. Long before I became a reporter, I had a fascination with organized crime. Growing up in the Ohio Valley, the mob was as much a part of our communities as the steel mills. Those stories helped inspire my upcoming book, The Last Hitman.
You have three choices here. This first iteration was a graphic novel. This was the basis of the 2002 movie of the same name, starring Tom Hanks as the Angel of Death, Michael O’Sullivan Sr.
Then came a novel, strictly based on the movie.
Collins later followed up with an expanded novel in 2016. This is the one that I read and enjoyed. The expanded novel starts out slow, but picks up steam after 100 pages.
First there was Max Allan Collins' legendary graphic novel...then came the Academy Award winning movie and his bestselling screenplay novelization. Now Collins presents an epic new novel, combining and expanding upon all that came before, to create the ultimate version of his unforgettable story.;
Depression-era Chicago is awash in liquor and blood, ruled by guns, graft, and gangsters like John Looney. His most feared enforcer is Michael O'Sullivan, known as the "Angel of Death." But when O'Sullivan's twelve-year-old son witnesses a gangland murder committed by Looney's brutal son, O'Sullivan's entire family is marked for execution to cover up the crime.…
My family moved frequently and, as a result, I was raised in a number of different small towns in Montana, Nebraska, Kansas, Texas, and Massachusetts. I now live in a large city but the experience has never left me. There was always a certain amount of crime and corruption in the towns I grew up in, but I only had a child’s eye view of it. However, a child’s eye view is usually the most vivid. This experience and the books that I have listed above all had a direct influence on Blue Hotel.
This is the story that inspired my novel. It takes place in a small Nebraska railroad town in the bitterly cold winter of 1898. My novel takes place in the bitterly cold winter of 1947, shortly after WW2, mostly in the same blue hotel in the same snowbound town as in Crane’s story.
Crane’s story “is one of the most well-known of the short stories in the collection The Monsters and Other Stories. Although it appears to be a reasonably simple tale about a man who encounters trouble following a stay at the Palace Hotel, several complex themes underpin the story and define many of the overarching themes in novels like Maggie: A Girl of the Streets and more generally, Crane’s corpus. Stylistically, the story breaks free from the norms of the period, often entering the realms of Expressionism, an unusual style to encounter in American literature.”
This carefully crafted ebook: “The Blue Hotel” is formatted for your eReader with a functional and detailed table of contents.
"The Blue Hotel" is a short story by American author Stephen Crane. The story first appeared in the 1899 collection entitled The Monster and Other Stories. It is a story about a man who gets in trouble after a stay at the Palace Hotel.
Stephen Crane (1871-1900) was an American novelist, short-story writer, and poet who is often called the first modern American writer. The Blue Hotel (1899) is considered one of Crane ́s finest short stories.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
My family moved frequently and, as a result, I was raised in a number of different small towns in Montana, Nebraska, Kansas, Texas, and Massachusetts. I now live in a large city but the experience has never left me. There was always a certain amount of crime and corruption in the towns I grew up in, but I only had a child’s eye view of it. However, a child’s eye view is usually the most vivid. This experience and the books that I have listed above all had a direct influence on Blue Hotel.
This is a portrait of Nebraska (and Nebraskans) where most of my own book takes place. It’s also the state where I went to high school. I like Hansen’s spare and precise writing style because it perfectly fits the time and place, as well as the characters themselves who are presented stripped of the conceits and pretensions. For me, it’s a style, though different from McCarthy’s, that creates the illusion of actual direct experience as opposed to something I happen to be reading about. His story “Wickedness” creates a powerful image of winter on the Great Plains and its effect on people.
Stories of the heartland by the National Book Award finalist and author of The Assassination of Jesse James by the Coward Robert Ford.
“Nebraska captures a rowdy, changing America. Written with wit and brawny lyricism, in voices ranging from hip to tender, the stories gathered here are as diverse and expansive as the country they celebrate…References to America’s heartland abound throughout the book and serve as a central metaphor for what’s close to American hearts, what connects us: dreams, myths and possibilities as vast as the Great Plains. Wise and smart-alecky, creaking with legend and crackling with modernisms, these tales…
During a lonely stretch of primary school, I recall discussing my predicament with my mother. “You only need one friend,” she said by way of encouragement. Some part of me agreed. I’ve been fortunate to have had (and to have) several friends in my life, never more than a few at a time, more men than women, and each has prompted me to be and become more vital and spacious than I was prior to knowing them. The books I’m recommending—and the one I wrote—feature these types of catalyzing, life-changing relationships. Each involves some kind of adventure. Each evokes male friendship that is gravitational, not merely influential, but life-defining.
“It is those we live with and love and should know who elude us,” Maclean writes, and here brotherhood, religion, and fly-fishing bleed into one another to comprise the river flowing through this stunning novella.
Wild Paul and his measured older brother Norman seem more friends than family, mostly because they choose one another. Meditative asides abound and delight, but the tender stuff concerns memory and acceptance and forgiveness, affirming Emily Dickinson’s adage: “The soul selects her own society.”
When Norman Maclean sent the manuscript of A River Runs through It to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, "It has trees in it." Forty years later, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture for fly fishing, for the woods and their people, and for the interlocked beauty of life and art A River Runs through It…
I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
The author, a history professor and Tennessee State Historian, provides an in-depth look into Montana history, region by region. The academic tone is nicely balanced by the people and events presented on the pages – plain folk to preachers and everything in between. A great companion to Jonathan Raban’s Badland.
Montana writer and historian Joseph Kinsey Howard described Montana as "high, wide, and handsome." It is difficult to find better words for Montana's geography. Between these covers, Carroll Van West discusses Montana's physical and historical landscapes, the settings for important events involving exploration, the military, Native Americans, miners, cowboys, homesteaders, and railroad builders as well as the physical remnants of Montana's prehistoric past. With this guide in hand, readers can discover a Montana past unavailable in more standard histories.
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
It has always seemed to me that humans underestimate the abilities—and particularly the conscious lives—of non-human animals. We, humans, are not apart from (and above) but live in a continuum of consciousness with the rest of life. All these books share stories of relationships between human and non-human animals. They make clear that we are connected to and part of all life on Earth. We are all in this together, and we better take good care of our shared natural living world.
The author shares the details of a relationship she developed with a wild fox living near her home in the Montana mountains.
It is a beautiful evocation of the interface between the human and wild worlds. The fox would join her each afternoon, and she would read The Little Prince to him. They played games; she gave the fox eggs to eat, but he would hide them for her to find.
Fox’s tragic end emphasizes the challenges at the intersection of wildness and human civilization.
Winner of the PEN/E.O. Wilson Literary Science Writing Award * 2022 Nautilus Book Awards Gold Winner * Shortlisted for the John Burroughs Medal * Finalist for the Stubbendieck Great Plains Distinguished Book Prize * Shortlisted for a Reading the West Book Award
A Christian Science Monitor Best Book of the Year * 2021 Summer Reading Pick by BUZZFEED * NEW YORK TIMES BOOK REVIEW * KIRKUS * TIME MAGAZINE * GOOD MORNING AMERICA * PEOPLE MAGAZINE * THE WASHINGTON POST
“The book everyone will be talking about … full of tenderness and understanding.”―The New York…
I have always followed writer Christopher Isherwood’s words: “I am a camera with its shutter open, quite passive, recording, not thinking.” I am most comfortable as an observer, a documentarian, someone who gathers details, tries to make sense of them, lays them down in a presentable order, noticing colors, light, sounds, people’s behavior. Trying to make sense of life. I come from a divorced family, my father was murdered, and my first wife died of breast cancer. Still, there was plenty of laughter. I’m interested in and trying to figure out why we’re here.
McGuane sure kicked it off for me in terms of seeing a way to write new fiction. Story is not a priority in his world rather observation of characters battling the odds of surviving each day. The reader wants to be like some of the characters and run to the hills from others but the sense of humor, dirt under the fingernails of these singular people we’ll never meet, relationships we’ll never be in, and locations such as Livingston, Montana or Key West, Florida we won’t spend much time in, draws me to McGuane’s page. McGuane, who wrote scripts for Missouri Breaks and Rancho Deluxe, writes like a filmmaker – the smells, the weather, the alcohol, the drugs – the reader is in the scene, the sun on your neck, the dust in the air, the sound of the ice-cold creek. McGuane is a travel agent.
A novel about a former soldier in Big Sky Country whose life is spiraling out of control, from the acclaimed author of Ninety-two in the Shade and Cloudbursts, who is "among the most arresting and fascinating [writers] of his generation" (San Francisco Chronicle).
In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But…
I grew up in rural Virginia on farms and in the forests where we used fire as a tool, and I loved it. In college, I become a wildland firefighter and squad boss for the US Forest Service, as well as “studying” the topic to augment my practical experience. This followed me into my current academic career that now includes research and teaching in several areas of wildland fire science and management: fire history and ecology, fuels management, ecological restoration, prescribed fire, and post-fire recovery and land management. My career now spans the timeline and societal change covered in several of these books, and I yearn to see a transition.
I found this book amazing in how it blends the story of a singular (historic) fire conflagration in 1910 with the formulation of land management practices and wildfire suppression policies that, in many ways, remain at the heart of the US Forest Service mission today.
I enjoyed this historian’s interweaving of those tales, including his take on the personal relationship between Gifford Pinchot, a wealthy conservationist and father of forestry in the United States, and President Teddy Roosevelt. I use the book as an assignment in one of my classes since it has plenty of narrative and action to keep college-level readers engaged while providing perspective on forest management and wildfire policy.
On the afternoon of August 20, 1910, a battering ram of wind moved through the drought-stricken national forests of Washington, Idaho, and Montana, whipping the hundreds of small blazes burning across the forest floor into a roaring inferno. Forest rangers had assembled nearly ten thousand men - college boys, day workers, immigrants from mining camps - to fight the fire. But no living person had seen anything like those flames, and neither the rangers nor anyone else knew how to subdue them. Egan narrates the struggles of the overmatched rangers against the implacable fire with unstoppable dramatic force. Equally dramatic…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I’m a long-time mystery fan. In my teen years, I cut my teeth on short YA mysteries presented as puzzles or brain teasers and later graduated to Arthur Conan Doyle, Agatha Christie, P. D. James, Martha Grimes, and others. My favorites are mysteries that combine the challenge of the puzzle, a healthy dose of suspense, a chance to bond with interesting characters, and the pull of evocative language, be it plain or poetic.
When I first read this book, its mastery of suspense blew me away. To escape painful memories of a lost life, Lee Montana takes refuge at her sister Rosie’s farm. There, she begins receiving unnerving gifts from a faceless stranger.
Told in alternating present-tense scenes as Lee and Rosie await the final confrontation and past-tense scenes that lead up to that moment, the story kept me on the edge of my seat almost from the get-go. I’ve sometimes recommended this book to writers who want to learn the craft of suspense.
Lee Montara is anxious to escape the painful memories of a lost love, and the unwanted attentions of photographer Stewart McLaren. The perfect solution: a visit to her sister in tranquil Taconic Hills. After all, Rosie and Paul and their sunny six-year-old son Andrew have been begging her to come and stay with them. But when someone starts leaving presents for the sisters - each one eerie, each one tied with a black satin bow - the country calm Lee so desperately sought is cruelly shattered. Impulsive and impetuous, Lee insists on confronting the man whose gifts hint of a…