60 Books Like The Big Dark Sky

The concept of whether a woman can truly be the subject of her own life has always fascinated me. It was an invisible struggle I didn’t know I had. Until I set out to finish the 54 unmet dreams of my late father, whose life had been cut short in a car crash. It wasn’t until I looked at the world through main character lenses, the kind that just seem to come more naturally to men, that I was able to see myself truly. This is just one lesson from my book. If you’ve ever felt different, remember: you’re not. You just haven’t seen yourself as the main character yet. These books will guide you.

I find myself drawn to stories about second chances and starting over because I find that, as a reader, I feel empowered whenever a character I have come to care about rises above their circumstances. I've always been drawn to characters who overcome, who find their own way in difficult times, and who do so with honor and integrity, especially when faced with adversaries who may be bigoted, self-absorbed, or even dangerous. I am drawn more to historical or exotic settings or even quirky everyday places, but I love writers who create almost an additional character with their sense of setting, giving it its own personality.

Books have the power to do so much more than to simply entertain. I believe it’s my job as a fiction writer to condense research of complex subjects into understandable language and then play it out in story. My Enter the Between fiction series introduces readers to the world of metaphysics—the bridge between the seen and the unseen, science, and spirituality—which serves as a key to understanding consciousness, death, and the meaning of life. I’ve spent twenty years researching contemporary paganism, holistic theory, quantum mechanics, and transpersonal psychology to come up with stories that bridge science and spirituality with paranormal, supernatural underpinnings, and contemplative messaging that aims toward a kinder, wiser, more peaceful world.

Books have the power to do so much more than to simply entertain. I believe it’s my job as a fiction writer to condense research of complex subjects into understandable language and then play it out in story. My Enter the Between fiction series introduces readers to the world of metaphysics—the bridge between the seen and the unseen, science, and spirituality—which serves as a key to understanding consciousness, death, and the meaning of life. I’ve spent twenty years researching contemporary paganism, holistic theory, quantum mechanics, and transpersonal psychology to come up with stories that bridge science and spirituality with paranormal, supernatural underpinnings, and contemplative messaging that aims toward a kinder, wiser, more peaceful world.

I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.

As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories. 

I have always followed writer Christopher Isherwood’s words: “I am a camera with its shutter open, quite passive, recording, not thinking.” I am most comfortable as an observer, a documentarian, someone who gathers details, tries to make sense of them, lays them down in a presentable order, noticing colors, light, sounds, people’s behavior. Trying to make sense of life. I come from a divorced family, my father was murdered, and my first wife died of breast cancer. Still, there was plenty of laughter. I’m interested in and trying to figure out why we’re here.

I have published seven books, all set in the West, including an anthology, West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called 56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love. 

I am a world traveler, who has been blessed to live in many different countries, studying human interactions and culture. People matter. I’m fascinated to see how people react and relate to each other. As a proficient people watcher, it makes sense that when I read or write a book, characters are most important to me. They make or break the story with their quirks and hurts and hang-ups. It always gives me great pleasure to see my own characters grow as the story develops. I enjoy putting them into situations that may not be comfortable for them and then seeing what God does to bring them through. 

Cows and horses were part of daily life in my family. For many years of my youth, my father was a working cowboy, running the cattle ranch on a large agricultural operation. We also had our own herd and trained horses as well. While we watched the popular TV Westerns of the time, we were always aware that they had no connection to the reality of cowboy life, and that “cowboy” was a term misused and abused on the screen and in the pages of shoot-’em-up Western novels. Authenticity and a sense of the reality of cowboy life are important to me, and have been since boyhood.