Here are 100 books that Wife, Inc. fans have personally recommended if you like
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I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
While there are other books on the “matrimonial industrial complex,” this one provides a really in-depth analysis of the cultural fascination with weddings, and I found it an absolutely engrossing account of phenomena ranging from royal weddings to “purity porn.”
What comes across here is the scale of the idealized wedding as a consumerist ritual and form of deep aspirational investment. One of the most thought-provoking aspects of the book is the notion that the cultural norms around weddings and marriage have slipped out of alignment so that there is a growing gap between the celebration of getting married and the state of being in a marriage.
This book interrogates the hyper-visibility and stubborn endurance of the wedding spectacle across media and culture in the current climate.
The wide-ranging chapters consider why the symbolic power of weddings is intensifying at a time when marriage as an institution appears to be in decline - and they offer new insights into the shifting and complex gender politics of contemporary culture. The collection is a feminist project but does not straight-forwardly renounce the wedding spectacle. Rather, the diverse contributions offer close analyses of the myriad forms and practices of the wedding spectacle, from reality television and cinematic film to wedding…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
Written long before J.D. Vance made single women an open political target, Anthea Taylor’s book propounds skepticism in regard to the frequent cliche that they are now a privileged and celebrated class.
In fact, as she shows, this truism is part of the cultural construction of single women as a problematic population subject to evolving modes of cultural criticism and denigration. This book astutely analyzes their depiction in “chick lit,” reality tv, blogs and self-help modes. It’s smart and scholarly as well as highly readable.
Single Women in Popular Culture demonstrates how single women continue to be figures of profound cultural anxiety. Examining a wide range of popular media forms, this is a timely, insightful and politically engaged book, exploring the ways in which postfeminism limits the representation of single women in popular culture.
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
For the past 25 years, romantic comedy has largely been considered a failed genre, out of sync with a new climate of uncertainty about intimacy and couplehood.
This book challenges that oversimplified view and shows how romance narratives are shape-shifting in the 21st century. Even in an era of heteropessimism, romantic comedy continues to be an important form, and the contributors here track its increasing openness to racial and sexual minorities it traditionally overlooked.
In defiance of the alleged "death of romantic comedy," After "Happily Ever After": Romantic Comedy in the Post-Romantic Age edited by Maria San Filippo attests to rom-com's continuing vitality in new modes and forms that reimagine and rejuvenate the genre in ideologically, artistically, and commercially innovative ways. No longer the idyllic fairy tale, today's romantic comedies ponder the realities and complexities of intimacy, fortifying the genre's gift for imagining human connection through love and laughter. It has often been observed that the rom-com's "happily ever after" trope enables the genre to avoid addressing the challenges of coupled life. This volume's…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
This short book covers a lot of ground and has been really influential in my thinking about the “Chick Flick” as a form of popular storytelling. It’s extremely useful for coming to grips with the genre’s conventions, and it’s open to the thematic and ideological range of a set of films that are too often written off as boilerplate and conservative.
It enables readers to see the interconnectedness of celebrated screwball comedies from the 1930s, Doris Day/Rock Hudson sex comedies, “radical” romantic comedies like Annie Hall, and contemporary “neo-traditional” romances like Sleepless in Seattle. A standout section for me is the author’s close reading of You’ve Got Mail.
Romantic Comedy offers an introduction to the analysis of a popular but overlooked film genre. The book provides an overview of Hollywood's romantic comedy conventions, examining iconography, narrative patterns, and ideology. Chapters discuss important subgroupings within the genre: screwball sex comedy and the radical romantic comedy of the 1970s. A final chapter traces the lasting influence of these earlier forms within current romantic comedies. Films include: Pillow Talk (1959), Annie Hall (1977), and You've Got Mail (1998).
My first experience with divorce happened when I was still in diapers with the highly contentious separation of my parents, who were far too young to do it any differently. Mostly because there was no guidance for how to divorce well back in the 1950s. Shame, victimization, and unresolved rage were the atmosphere I grew up in. I’d like to say they eventually worked it out, yet it wasn’t until 60 years later that they could be in the same room and be civil. When my husband (now affectionately called my wasband) and I divorced, I’m beyond grateful that we decided it doesn’t have to be that way.
Who doesn’t love the brilliant and creative Elizabeth Gilbert?
While this book is not one of her most popular, as a closeted cultural anthropologist, I found it fascinating. I loved learning all about the history of marriage, largely because it helped me to question certain assumptions we have about marriage. Assumptions that I think get a lot of us into trouble! I enjoyed how much Elizabeth shared about her own marriage and its uncoupling as well.
Elizabeth is a truth teller, and her searing honesty helped me be more honest with myself as I was processing the loss of my own marriage.
'Like Eat, Pray, Love, her follow-up ... feels irresistibly confessional ... I found myself guzzling Committed, reading it in mighty chunks, far into the night. Whenever I put it down, it was pinched by my mother or sister' - Sunday Times
'An unblinkered consideration of what marriage really means' - Woman & Home
'Gilbert delves deep into the history and cultural meanings of marriage, as well as into her own relationship' - Financial Times
'Insightful ... She speaks for many who question the bliss in conjugal bonds, or, at least, those who want to understand how the tradition still…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
Absorbed by Chinese culture while a grad student in Hong Kong, Susan Blumberg-Kason is charmed into marriage with Cai, a PhD student of Taoist music from the Hubei Province backwater. Marital discord arises when the openhearted Midwesterner realizes her function as a wife is to produce a son, turn it over to his (not her) parents for upbringing, and get out of the way so the husband can carry on with his philandering and porn watching. But even as he molts his intellectual shell and his narcissistic monster emerges, Cai can also be sympathetically understood as a product of his culture. Intercultural conflict is what makes this fairy tale so readable and engrossing, with its timeless theme of the loving sweetheart enthralled and entrapped in her dark prince's perverted castle. What moved me most was Blumberg-Kason’s honesty in laying everything bare, at the risk of baring her own flaws.
A stunning memoir of an intercultural marriage gone wrong
When Susan, a shy Midwesterner in love with Chinese culture, started graduate school in Hong Kong, she quickly fell for Cai, the Chinese man of her dreams. As they exchanged vows, Susan thought she'd stumbled into an exotic fairy tale, until she realized Cai―and his culture―where not what she thought.
In her riveting memoir, Susan recounts her struggle to be the perfect traditional "Chinese" wife to her increasingly controlling and abusive husband. With keen insight and heart-wrenching candor, she confronts the hopes and hazards of intercultural marriage, including dismissing her own…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
Living in southern Utah for many years, I saw first-hand the polygamist communities of Colorado City, Arizona and Hilldale, Utah. It always intrigued me that these people still held on to the beliefs and teachings of the early Mormon leaders regardless of the laws or scorn of those who lived around them. The research I did for The Treasure of Cedar Creek, was about polygamy, but also the history of the area of Idaho where the novel takes place and how it would be as a woman not only trying to escape, but facing the challenges of the terrain and perceptions of the day.
I found Wall’s first-hand account of what life is like inside a polygamist cult to be both revealing and tragic. The book is nonfiction but reads like a novel. I loved how the pages were full of descriptive passages that gave me an insider’s view of what these young girls are taught and must face as child brides. It helped me see that what began decades before is still happening under a cloak of secrecy. I found this book revealing and disturbing, and one I couldn’t put down.
A tale of survival and freedom, Stolen Innocence is the story of one heroic woman who stood up for what was right and reclaimed her life.
In September 2007, a packed courtroom in St. George, Utah, sat hushed as Elissa Wall, the star witness against polygamous sect leader Warren Jeffs, gave captivating testimony of how Jeffs forced her to marry her first cousin at the age of fourteen. This harrowing and vivid account proved to be the most compelling evidence against Jeffs, showing the harsh realities of the lengths to which Jeffs went in order to control the sect's women.…
I’m an author and a romantic. Put the two together and it makes sense for me to write love stories. I’ve always been interested in relationships and fascinated by how complex our feelings make us when we fall in love. There’s a love story in all my books, but for the last three novels, a love story has been thestory. I’m a Londoner too, and I like it when a city becomes another character in a book, as I hope London has in The Central Line.
It's 1969, Phyllis is married to a kind man, with two children and a large house in suburban London. Her domestic world is not far removed from a dutiful 50s housewife’s. Then a much younger man, dashing, selfish, and a family friend, kisses her in a dark garden, and her life explodes. She abandons her family and moves to a shabby flat in Ladbroke Grove. A new world opens to her – she meets people of colour, artists, activists, drinkers, and idealists. She experiences sexual freedom and romantic love. Phyllis’s teenage daughter joins her in her new life, and mother and daughter must work out a different kind of relationship. I found myself feeling furious with Phyllis at the same time as emphasising with her.
“Tessa Hadley recruits admirers with each book. She writes with authority, and with delicacy: she explores nuance, but speaks plainly; she is one of those writers a reader trusts.”—Hilary Mantel
From the bestselling author of Late in the Day and The Past comes a compulsive new novel about one woman’s sexual and intellectual awakening in 1960s London.
1967. While London comes alive with the new youth revolution, the suburban Fischer family seems to belong to an older world of conventional stability: pretty, dutiful homemaker Phyllis is married to Roger, a devoted father with a career in the Foreign Office. Their…
My first experience with historical fiction was reading The Witch from the Sea by that iconic author, Victoria Holt. This sparked a 40-year-long love affair with that genre that’s still burning intensely. I’ve been immersed in such fiction for a lifetime and have read the works of virtually every great author in this genre. I started my own series in 2020 because I feared this type of no-fluff fiction was becoming obsolete. There were 17th Century English characters making noise in my head so I used my creative writing background to bring them to life on the pages of my books, under the pen name Jessica Russell.
I was so tired of books that follow a formula with every author trying to imitate whoever had a bestseller that week when I picked this up. Nothing was what I expected! This was a totally character-driven book and so realistic with regard to how people actually behave and feel instead of contrived dialogue and predictable reactions. I could clearly visualize each and every person in this novel and the character development was superb. On top of that, the plot just didn’t quit! You will never believe the ending.
New York Times bestselling author Belva Plain goes to the heart of what it means to be a woman, a wife, and a friend, in her powerful new novel—a story of love and betrayal that measures the limits of loyalty, friendship, and forgiveness.
They met at school and have been inseparable ever since: Cecile, confident, elegant daughter of privilege; Norma, extraordinarily gifted and sadly troubled; and beautiful, ambitious Amanda, determined to rise above her humble southern beginnings. Two are married. One despairs of ever finding love. Three women. Leading their busy adult lives. Yet first and always: friends.
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
As a teenager, I loved reading past my bedtime, getting lost within a story, then having it fill my dreams and leaving me on the hunt for another book just as good. The best books to read are those that draw me in with their voice and storytelling and leave me needing to turn page after page. Getting in trouble as a kid for reading too late was the best type of trouble to get into and even now, when I need to make a second pot of coffee after a night of reading, I walk away with no regrets.
There is something in the way this author writes that always hooks me. Every single time I read one of her novels, I’m left with a feeling of…nothing else will be as good. You know that feeling right? There are so many twists in this story, some I didn’t see coming, that not only had me reading way too late at night, but nothing else I picked up the next day grabbed my attention like this book did. To me, that’s the perfect book-hangover to have.
'Wow wow wow. Finished in one day... Twists to make me gasp out loud!... Read it, thank me later!' NetGalley reviewer, 5 stars
Don't miss the next gripping thriller from the bestselling author of Three Days Missing!
Beth Murphy is on the run...
For nearly a year, Beth has been planning for this day. A day some people might call any other Wednesday, but Beth prefers to see it as her new beginning-one with a new look, new name and new city. Beth has given her plan significant thought, because one small slip and her violent husband will find her.…
