Books like Spencerville — picked by fans

I was overwhelmed by this crazy, lovable, frightening novel. It fit right in with my paranormal/horror bend when I read it many years ago, and it provoked my interest in writing a few titles in the genre.

It fits the unique, quirky character theme perfectly with a first person narrative by a young, charismatic fry cook-writer-memoirist named Odd (real name) Thomas with a sixth sense, able to see demons when they arrive just before tragedy occurs. Yowza. His accomplice is his girlfriend and love interest, aptly named Stormy, who is not similarly gifted and seems to have more common sense than Odd.

I was living in Madrid, Spain, when one of my friends and fellow English-language teachers, Heather, nudged me and said, “James, you have to read this.”

I was in my “James only reads highbrow literature” era, so I told her that the cover looked too pulpy (yes, I was guilty of judging a book by its cover). Thankfully, my respect for Heather forced me to overlook my biases and give Pillars a shot. I’m so glad I did.

The prose style is simple and accessible (obeying Animal Farm author George Orwell’s advice to write prose as transparent as a “windowpane”). And that’s good, because the content draws you in completely.

A village in Medieval England decides to build a cathedral. The characters range from evil knights to noble monks to savvy businesswomen to scheming clerics. The world is rich with detail and the pages are addicting, almost turning themselves. It’s… show more.

The Jack Reacher character is arguably the best-known protagonist in the mystery thriller genre. In most novels I’ve ever read, the main character has a character arc where the protagonist learns from his adventures, trials, and tribulations and becomes a better person (or in some cases the opposite). Whatever the trajectory, the character changes over time, but in Lee Childs’ books, the Jack Reacher character never changes. Reacher is your quintessential flat line – nothing phases him and nothing ever changes him. He's a drifter, who walks the USA with a toothbrush in one pocket and an ATM card in the other. Reacher likes to stay out of trouble, but he’s not afraid to confront it either when it finds him. It's very hard not to like Jack Reacher and it's even harder not to like Lee Childs books (he's written 27 so far). I always read a Jack Reacher… show more.

I love this book because it’s the best fictional example I’ve ever seen of a character’s disability being eclipsed by his talent. Lincoln Rhyme is paralyzed, but his talent as a criminologist is far more important—and Deaver showcases Rhyme’s genius and passion as often as he details the difficulties of disability.

I find the book’s mystery compelling and the characters well-written, and I couldn’t get enough of the relationship between Lincoln Rhyme and Amelia Sachs. I’ve never seen a better portrayal of a partnership based solidly on mutual respect and admiration. I’m so grateful for how this story demonstrates that disability doesn’t need to stop you from making a real impact through the gifts and talents you’ve been given.

There is something in the way this author writes that always hooks me. Every single time I read one of her novels, I’m left with a feeling of…nothing else will be as good. You know that feeling right? There are so many twists in this story, some I didn’t see coming, that not only had me reading way too late at night, but nothing else I picked up the next day grabbed my attention like this book did. To me, that’s the perfect book-hangover to have.

I loved the book because it is so well-written and evocative of the period.

I have re-read it many times, and I loved the BBC TV adaptation, which I’ve also watched many times. I like the way in which the main characters come to life and are fleshed out. I also liked the fact that the characters develop as the story unfolds and become more sympathetic to the needs of others.

The details of the legal system of the era are excellent, and I loved the detailed courtroom scene. I admired the way in which the personalities of Jane Austen’s characters were maintained and not distorted. The plot is well thought out, and the book is very readable.

I was so tired of books that follow a formula with every author trying to imitate whoever had a bestseller that week when I picked this up. Nothing was what I expected! This was a totally character-driven book and so realistic with regard to how people actually behave and feel instead of contrived dialogue and predictable reactions. I could clearly visualize each and every person in this novel and the character development was superb. On top of that, the plot just didn’t quit! You will never believe the ending. 

Linwood Barclay is a fellow Canadian crime writer who imagines terrifying scenarios and takes stories through startling twists and turns of non-stop tension and suspense better than most.

Stephen King is a big fan of his writing in the style of horrifying domestic thrillers. In The Accident, we meet the humble hard-working neighbour with an eight-year-old daughter who discovers his wife killed in a car accident. The police claim she was the drunk driver who was responsible for it.

Garber has to believe the evidence but starts to explore what really happened and learns that his friends and neighbours are involved with dangerous criminals who are prepared to kill to protect their illegal activities. 

The day I finished this audiobook, sitting in my driveway, car still running, I couldn't move.

I needed time to let the culminating power of Doyle’s voice wash over me. My eyes burned with tears. I didn’t want it to end. And that’s when I knew: this is one powerful book!

I can’t get enough of personal narratives that include strong interior analysis. I have a deep appreciation for authors who take us with them on their self-reflexive journey, who let us see their private meaning-making. Doyle’s courageous transformation—the result of leaving a life that no longer fit—kept me with her at every turn.

This book explores the themes of loss, grief, and fidelity to one’s marriage, even once that relationship is unraveling. The prose is precise, and the narrator’s inner life is seemingly transparent. At the same time, it’s a mystery: why did the narrator’s husband disappear while doing research for a book on mourning rituals in southern Greece? And why does she hide the secret of their marital separation—and her new life with a new man—from her mother-in-law, who insists she track down her son, Christopher?

The narrator seeks out her soon-to-be ex at her mother-in-law's command, only to discover a tragic event. The ties to a failing love and a distant family are strengthened and the reader’s expectations upended. I loved how Kitamura took existential issues and boiled them down into a deceptively quiet story.