Here are 92 books that The Wedding Spectacle Across Contemporary Media and Culture fans have personally recommended if you like
The Wedding Spectacle Across Contemporary Media and Culture.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
Written long before J.D. Vance made single women an open political target, Anthea Taylor’s book propounds skepticism in regard to the frequent cliche that they are now a privileged and celebrated class.
In fact, as she shows, this truism is part of the cultural construction of single women as a problematic population subject to evolving modes of cultural criticism and denigration. This book astutely analyzes their depiction in “chick lit,” reality tv, blogs and self-help modes. It’s smart and scholarly as well as highly readable.
Single Women in Popular Culture demonstrates how single women continue to be figures of profound cultural anxiety. Examining a wide range of popular media forms, this is a timely, insightful and politically engaged book, exploring the ways in which postfeminism limits the representation of single women in popular culture.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
For the past 25 years, romantic comedy has largely been considered a failed genre, out of sync with a new climate of uncertainty about intimacy and couplehood.
This book challenges that oversimplified view and shows how romance narratives are shape-shifting in the 21st century. Even in an era of heteropessimism, romantic comedy continues to be an important form, and the contributors here track its increasing openness to racial and sexual minorities it traditionally overlooked.
In defiance of the alleged "death of romantic comedy," After "Happily Ever After": Romantic Comedy in the Post-Romantic Age edited by Maria San Filippo attests to rom-com's continuing vitality in new modes and forms that reimagine and rejuvenate the genre in ideologically, artistically, and commercially innovative ways. No longer the idyllic fairy tale, today's romantic comedies ponder the realities and complexities of intimacy, fortifying the genre's gift for imagining human connection through love and laughter. It has often been observed that the rom-com's "happily ever after" trope enables the genre to avoid addressing the challenges of coupled life. This volume's…
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
Popular culture is littered with new archetypes of wifehood, both enacted (the “MILF,” the “trad wife,” the “Mormon Wife”) and aspirational (“I’m Looking for a Man in Finance”).
Leonard’s highly accessible book provides a way of thinking about this taken-for-granted category and places it in a range of critical and historical contexts. One of the most important contributions she makes is to track the emergence of the “professional wife” as a new status designation and revenue raising identity.
A fascinating look at the changing role of wives in modern America
After a half century of battling for gender equality, women have been freed from the necessity of securing a husband for economic stability, sexual fulfillment, or procreation. Marriage is a choice, and increasingly women (and men) are opting out. Yet despite these changes, the cultural power of marriage has burgeoned. What was once an obligation has become an exclusive club into which heterosexual women with the right amount of self-discipline may win entry. The newly exalted professionalized wife is no longer reliant on her husband's status or…
I am an academic who writes about gender and media culture. At the start of my career, I often wrote about silent and classical-era Hollywood, and I still teach these periods, but most of my research now focuses on the contemporary era and the complexities of gender, class, and consumer culture. My current project is a study of the broken customer service culture and the anti-social effects of technologization called I’m Sorry You Feel That Way:’ Affect, Authority and Antagonism in the Cultures of Customer Service.
This short book covers a lot of ground and has been really influential in my thinking about the “Chick Flick” as a form of popular storytelling. It’s extremely useful for coming to grips with the genre’s conventions, and it’s open to the thematic and ideological range of a set of films that are too often written off as boilerplate and conservative.
It enables readers to see the interconnectedness of celebrated screwball comedies from the 1930s, Doris Day/Rock Hudson sex comedies, “radical” romantic comedies like Annie Hall, and contemporary “neo-traditional” romances like Sleepless in Seattle. A standout section for me is the author’s close reading of You’ve Got Mail.
Romantic Comedy offers an introduction to the analysis of a popular but overlooked film genre. The book provides an overview of Hollywood's romantic comedy conventions, examining iconography, narrative patterns, and ideology. Chapters discuss important subgroupings within the genre: screwball sex comedy and the radical romantic comedy of the 1970s. A final chapter traces the lasting influence of these earlier forms within current romantic comedies. Films include: Pillow Talk (1959), Annie Hall (1977), and You've Got Mail (1998).
Weddings are stressful for even the most functional of families. I should know—it took me nearly two years to plan my own! The process of manufacturing the big day, and attending to all the trappings of the wedding industrial complex, really brings out our best and our worst. In my most recent novel, I found that a big, splashy wedding provided such a fun and fascinating way to explore the tensions and enduring love within families, friends, and couples. If done right, plots involving weddings can smash tired “bridezilla” and “monster-in-law” tropes. As we enter the summer wedding season, I hope this list of books keeps you laughing and loving!
Just like the title suggests, this novel is not all fragrant flower bouquets and three-tiered sweetness.
Thank goodness—we get enough of that on Instagram! But if you’re down for a rowdy romp that is both cynical and tender, do come along with Ginder to London, to a wedding filled with alcohol, sex, and catastrophe.
I love how Ginder crafts such compelling portraits of people who we might otherwise dismiss as shallow or unlikeable.
Paul and Alice's half-sister Eloise is getting married! In London! There will be fancy hotels, dinners at "it" restaurants and a reception at a country estate complete with tea lights and embroidered cloth napkins. They couldn't hate it more.
The People We Hate at the Wedding is the story of a more than dysfunctional family as they reunite for the wedding of their oldest daughter. As the bride's walk down the aisle approaches, Grant Ginder brings to vivid, hilarious life the power of family, the possibilities of friendship, and the complicated ways we hate the ones we love the most…
I have been a mystery fan all my life and an avid reader of Regency fiction—from the mystery authors I’ve recommended to early Regency romance writers, including Jane Austen and Georgette Heyer. When I visited England a few years ago, I dragged my travel companion to all the Regency landmarks left standing and nearly missed a tour bus because I just had to see a Regency assembly room where their dances were held! When I switched from writing fantasy (under the pen name Ally Shields) to writing historical mysteries in 2019, I spent hundreds of hours devouring non-fiction books on this fascinating period of Prince George’s regency (1811-1820).
Kate Ross's books are unique in her choice of protagonist—outwardly a self-obsessed dandy rather than a hero—and in her deftness at creating the classic whodunit.
Although Julian Kestrel's ancestry is a bit vague, he clearly moves among the upper class with ease. After rescuing a young lord from a gaming hell, he is invited to a country house party. Unfortunately, he wakes up next to the body of a beautiful but very dead woman.
The only thing disappointing about this series is its shortness. The author passed away prematurely after writing only four books.
England in the 1820s is the setting for this period mystery, which introduces the detective, Julian Kestrel. He finds the corpse of an attractive woman in his bed during an elegant country weekend at a friend's estate. He sets out to discover which of his hosts is a killer.
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I’ve been addicted to reading and writing mystery novels since I picked up my first Nancy Drew. But in addition to a good puzzle, I also love a good laugh and grew up watching classic screwball comedies. I’ve written a dozen funny cozy mysteries now with more in the works. I hope you enjoy the books on this list as much as I have!
Zany family members and weddings gone wrong provide page-turning laughs in the first book in the Meg Lanslow series. The heroine is smart, funny, and… a blacksmith. The small-town shenanigans just keep coming in this laugh-out-loud mystery, but the heart comes from the familial relationships. (No peacocks are harmed in the making of this mystery, but they do provide plenty of laughs.)
As a shy, dreamy kid, I relied on middle-grade books to learn about the world and feel less alone. That’s why I eventually started writing them. Growing up can be hard. Being grown-up can, too. Fiction can thrill, educate, and stimulate, and I love it for those reasons. But sometimes, I want a book to assure me things are going to be okay. In case you’d forgotten that the world can be scary and unpredictable, the last couple of years probably reminded you. I continue to find comfort in middle-grade books that make my heart feel full, tender, and hopeful. I needed books like these back then, and still need them today.
Bea is a kid with big feelings who’s navigating major changes. After her parents’ divorce, she finds stability in a list of constants: that each of her parents will always love her; that she’ll always have a home with each of them; that they are still a family.
I felt Bea’s waves of elation and anger so intensely that some moments made me feel like my heart might burst. Ultimately, the love and support she receives from the adults in her life helped me remember my own things that will not change.
A Publishers Weekly Best Book of 2020 Nominated for the Carnegie Medal
Sonia and I have a lot in common. Our parents are divorced. Our dads are gay. We both love barbecue potato chips. But she is different from me in at least one way: you can't tell how she's feeling just by looking at her. At all.
When Bea's dad and his wonderful partner, Jesse, decide to marry, it looks as if Bea's biggest wish is coming true: she's finally (finally!) going to have a sister.
They're both ten. They're both in fifth grade. Though they've never met, Bea…
Weddings are stressful for even the most functional of families. I should know—it took me nearly two years to plan my own! The process of manufacturing the big day, and attending to all the trappings of the wedding industrial complex, really brings out our best and our worst. In my most recent novel, I found that a big, splashy wedding provided such a fun and fascinating way to explore the tensions and enduring love within families, friends, and couples. If done right, plots involving weddings can smash tired “bridezilla” and “monster-in-law” tropes. As we enter the summer wedding season, I hope this list of books keeps you laughing and loving!
No one does family dysfunction in beautiful places like Maggie Shipstead.
In this novel, she sweeps us to a fictional island in New England (I imagined Martha’s Vineyard), and into the Van Meter family who, for all their wealth, have the communication skills of elementary school kids at recess.
Part comedy of manners, part dramatic exploration of our very human obsessions and anxieties, you’ll want to read this book with a lobster roll and a gin and tonic nearby.
The New York Times bestselling author of Great Circle
'Joyously good' DAILY MAIL
'A ferociously clever comedy of manners' GUARDIAN
'A wise, sophisticated and funny novel about family, fidelity, class and crisis' MARIE CLAIRE
'A well-observed, hilarious, yet moving novel' WOMAN & HOME
New York Times bestseller and winner of the 2012 Dylan Thomas Prize and 2012 L.A. Times First Novel Prize
The Van Meters have gathered at their family retreat on the New England island of Waskeke to celebrate the marriage of daughter Daphne to an impeccably appropriate young man. The weekend is full…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
We are in a time where everything seems fraught, and cozies remind me that there are other paths. I write science fiction and fantasy, a genre known for making things worse. But secretly, I want my books to explore what happens when people talk to one another and make the kinder choice. It’s easy to escalate. But having a book with tension and interest and plot twists, while also making the reader feel secure is much harder. Watching characters in unexpected genres have cozy moments reminds me it’s possible. And also, sometimes you just want a hug from a book.
Doing slapstick in prose is so hard, and this succeeds brilliantly. It's a cozy murder mystery with rom-com flair and is a delight to read. I love the way the family comes together to help one another, even if it’s not always welcomed.
It’s funny and charming and had me laughing out loud. The story has so many ridiculous moments and, at the end of the day, it’s about the strength of the relationships.
"Sutanto brilliantly infuses comedy and culture into the unpredictable rom-com/murder mystery mashup as Meddy navigates familial duty, possible arrest and a groomzilla. I laughed out loud and you will too.”—USA Today (four-star review)
“A hilarious, heartfelt romp of a novel about—what else?—accidental murder and the bond of family. This book had me laughing aloud within its first five pages… Utterly clever, deeply funny, and altogether charming, this book is sure to be one of the best of the year!”—Emily Henry, New York Times bestselling author of Beach Read