Here are 66 books that White Shadow fans have personally recommended if you like
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Not so long ago, I got paid to roam Florida and send back quirky dispatches to waiting newspaper editors. I’m fourth-generation, and like many Floridians, I have a love-hate relationship with my home state. I love the exotic beauty, the tumultuous weather, and the “end-of-the-road” mentality of the Sunshine State, but I hate the sprawl, the traffic and the “everything’s for-sale” greed that’s turning this once-pristine place into a steaming suburban parking lot. I enjoy books that capture the beauty, the strangeness, and the quirky characters who still haunt this pistol-shaped peninsula.
I met Lauren Groff at a book festival soon after this short story collection was released.
I was surprised that these dark and often jarring stories could come from the smiling, friendly women I encountered. As a Florida native, I love that she gets the descriptions and the scenery right. The weather and the wildlife are just as alive in these stories as the struggling humans. I’m thrilled that Groff is now living in Florida and has opened a bookstore in Gainesville.
From the universally acclaimed, New York Times bestselling author of Fates and Furies and Matrix
Florida is a "superlative" book (Boston Globe), "frequently funny" (San Francisco Chronicle), "brooding, inventive and often moving" (NPR Fresh Air) --as Groff is recognized as "Florida's unofficial poet laureate, as Joan Didion was for California." (Washington Post)
In her thrilling new book, Lauren Groff brings the reader into a physical world that is at once domestic and wild—a place where the hazards of the natural world…
With plot elements inspired by presidential elections in both the US and Mexico, Barracuda Bay follows Acapulco’s first female police detective, Emilia Cruz, as she investigates the murder of the mayor’s sister—only to become a fugitive hunted by killers disguised as cops in Washington, DC. The stakes couldn’t be higher…
Not so long ago, I got paid to roam Florida and send back quirky dispatches to waiting newspaper editors. I’m fourth-generation, and like many Floridians, I have a love-hate relationship with my home state. I love the exotic beauty, the tumultuous weather, and the “end-of-the-road” mentality of the Sunshine State, but I hate the sprawl, the traffic and the “everything’s for-sale” greed that’s turning this once-pristine place into a steaming suburban parking lot. I enjoy books that capture the beauty, the strangeness, and the quirky characters who still haunt this pistol-shaped peninsula.
Russell conjures a Florida where only a gauzy curtain separates vivid reality from a surreal and magical world. Present and past shift and blur.
I liked this book on first read, but struggled a bit with the magical elements of the story. When I reread it late last year, I fell completely under its spell. I can’t resist a story about a shabby Florida theme park, a menagerie of hungry alligators and an engaging 13-year-old who sets out on a journey through the swamp to save her siblings.
New York Times Bestseller | Pulitzer Prize Finalist
"Ms. Russell is one in a million. . . . A suspensfuly, deeply haunted book."--The New York Times
Thirteen-year-old Ava Bigtree has lived her entire life at Swamplandia!, her family’s island home and gator-wrestling theme park in the Florida Everglades. But when illness fells Ava’s mother, the park’s indomitable headliner, the family is plunged into chaos; her father withdraws, her sister falls in love with a spooky character known as the Dredgeman, and her brilliant big brother, Kiwi, defects to a rival park called The World of Darkness.
Not so long ago, I got paid to roam Florida and send back quirky dispatches to waiting newspaper editors. I’m fourth-generation, and like many Floridians, I have a love-hate relationship with my home state. I love the exotic beauty, the tumultuous weather, and the “end-of-the-road” mentality of the Sunshine State, but I hate the sprawl, the traffic and the “everything’s for-sale” greed that’s turning this once-pristine place into a steaming suburban parking lot. I enjoy books that capture the beauty, the strangeness, and the quirky characters who still haunt this pistol-shaped peninsula.
Carl was a journalist I got to know during my days roaming the state for The Tampa Tribune and later, the St. Petersburg Times.
A Miami Herald columnist, Carl pretty much invented the modern Florida novel, with his dark and often hilarious first book, Tourist Season. Like many of his other books, this razor-sharp satire is stocked with colorful characters dealing with a state being consumed by greed, corrupt leadership, and overdevelopment.
Take a trip to exotic South Florida with this dark, funny book that established Carl Hiaasen as one of the top mystery writers in the game.
The first sign of trouble is a Shriner's fez washed up on a Miami beach. The next is a suitcase containing the almost-legless body of the local chamber of commerce president found floating in a canal...
The locals are desperate to keep the murders under wraps and the tourist money flowing. But it will take a reporter-turned–private eye to make sense of a caper that mixes football players, politicians, and one very hungry crocodile…
The first female police detective in Acapulco, Emilia Cruz, dives into an ocean of secrets and lies when she is forced to lead the investigation into her own lieutenant's murder.
Caught between the powerful head of the police union and resentful colleagues, Emilia becomes a pawn in a game of…
Not so long ago, I got paid to roam Florida and send back quirky dispatches to waiting newspaper editors. I’m fourth-generation, and like many Floridians, I have a love-hate relationship with my home state. I love the exotic beauty, the tumultuous weather, and the “end-of-the-road” mentality of the Sunshine State, but I hate the sprawl, the traffic and the “everything’s for-sale” greed that’s turning this once-pristine place into a steaming suburban parking lot. I enjoy books that capture the beauty, the strangeness, and the quirky characters who still haunt this pistol-shaped peninsula.
A lot of my favorite Leonard books are set in Detroit, where he lived, but I’m particularly drawn to his books set in the Sunshine State.
I picked Rum Punch, because it inspired one of my favorite movies, Quentin Tarantino’s Jackie Brown. Leonard’s crooks are as colorful and often as likable as his good guys. In fact, what I love about Leonard is that all his characters have some good and bad blended together. His dialogue cracks like a loaded Luger, and his low-life tales are often laugh-out-loud funny.
From America's top writer of hardboiled crime, the novel that became Tarantino's hit film JACKIE BROWN
Jackie, a flight attendant with a serious side hustle, is about to get grounded...
She's just got busted smuggling large amounts of hot money on the Caribbean-Florida run, and now the Feds are pressuring her to turn informant - but Ordell Robbie, the highly dysfunctional arms-dealer she works for, is not getting any more functional. With the help of disillusioned bail bondsman Max Cherry, could she outsmart her pursuers and walk away from the whole wreckage, happy and rich in the process? In a…
Over fifty years ago I joined the Peace Corps in El Salvador. I married a Salvadoran woman, and our child was born during our two-year stay on a backcountry farm in Chile. My interest in Latin America has never faded—and in my latest novel, The World Against Her Skin, which is based on my mother’s life, I give hera pair of years in the Peace Corps. But it is Cuba that remains the most fascinating of all the countries south of our border, and of course I had to write about the giant turn it took in 1959, and the men and women who spurred that revolution.
Cristina Garcia has become the definitive chronicler of both Cuba and Cuban exiles. King of Cuba tells the story of two men: El Comandante (also called the despot, the tyrant, or El Líder—clearly this is Fidel) and a Miami exile, Goyo Herrera, who is as old and infirm as Castro himself. Garcia’s portrait of the desperation and ignominies these two old guys suffer, and of their hopeless attempts to cleave to past glories, transcends Cuban history and brings us two men I found cantankerous and self-inflating, but irresistible.
A “darkly hilarious” (Elle) novel about a fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge by the National Book Award finalist Cristina García, this “clever, well-conceived dual portrait shows what connects and divides Cubans inside and outside of the island” (Kirkus Reviews).
Vivid and teeming with life, King of Cuba transports readers to Cuba and Miami, and into the heads of two larger-than-life men: a fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge against the dictator. García’s masterful twinning of these characters combines with a rabble of other Cuban voices to portray…
I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.
The Puerto Rican author draws on her grandmother’s experience to tell the story of a girl in Cuba on the cusp of revolution. While the historical fiction follows the day-to-day of the girl emerging to teen-hood and her family – brother, mother, father, and abuelo – it also feels dangerous as bombs go off, people are disappeared, and shadows of a more personal kind encroach on her familial bliss. Through this prism, the reader gets a sense of the class and power dynamics at play, from school where sadistic nuns are the law to the Law which acts with cruel impunity, and the resentment, heartache, and violence simmering underneath the alluring resort island. It’s the pressure cooker on the verge of blowing its lid for me!
It is 1957 in Marianao, a suburb of Havana. Adela Santiago is 13 years old and lives in a small blue house with her mother, father, brother, and grandfather. And yet something is amiss. The students on her street are disappearing. Not only that but her parents' marriage seems to be disintegrating and her cousin is caught up in a bombing at the Hotel Nacional. Welcome to a world where a revolution is brewing. Welcome to Cuba.
Four of my formative years were spent in Iran and England where I became intrigued by the history and politics that shaped the Middle East. An avid reader, I was intrigued by how effectively international thrillers, particularly those by British authors, captured the mystery, complexity, and murky ambiguities of global politics. When I launched a second career as a writer, I committed to using international thrillers as a vehicle for exposing readers to other peoples and cultures and to the unending moral dilemmas that shape our political world. My aspiration is to present those stories as effectively and provocatively as the five writers recommended in my list!
Graham Greene is another master craftsman of thriller novels that explore political, moral, and ethical ambiguities in a way that both entertains and provokes. Better known for Our Man in Havana, Greene was sufficiently uncomfortable with The Confidential Agent that he wanted it published under a pseudonym. Yet I agree with critics that this tale of a foreign agent’s covert efforts to buy British coal to fuel a European civil war is among his best. Greene reputedly wrote it in six weeks, assisted by a diet of amphetamines and an affair with his landlady’s daughter, giving the novel a pace and rawness that reflect its creation.
He was sent to England to buy coal - at almost any price. Failure meant defeat - defeat of a continental government with a civil war on its hands. And this man carried the war with him, trusted by no man, trusting nobody.
I was born and raised in Sevilla, Spain, a city with profound ties to Spain’s colonial past in the Americas. Since college I've been fascinated by colonial history. Being a little contrarian, while most Latin American colonial scholars I knew focused on Mexico and Peru (the richest Spanish colonies in the so-called “New World”) I decided to focus my attention on their polar opposite: less prosperous colonies (from the perspective of the crown anyway), island societies, and places that were relegated to the margins. I love learning about the men and women in these colonial societies and trying to tell their stories to the best of my abilities.
Just like the United States has been fixated in Cuba since its creation as a nation, American historians have obsessed with the history of Cuba for decades, but most have focused on the 20th century, or gone back as far as the 18th century. Alejandro de la Fuente and his collaborators take the reader back to the first century of the Spanish colonization of the island and describes the transformation of Havana from a sleepy port town in the northwest of the island into one of the most important ports in the Spanish empire and the Atlantic world. The book combines great narrative history with abundant tables and graphs about trade, naval traffic, and urban expansion.
Havana in the 1550s was a small coastal village with a very limited population that was vulnerable to attack. By 1610, however, under Spanish rule it had become one of the best-fortified port cities in the world and an Atlantic center of shipping, commerce, and shipbuilding. Using all available local Cuban sources, including parish registries and notary, town council, and treasury records, Alejandro de la Fuente provides the first examination of the transformation of Havana into a vibrant Atlantic port city and the fastest-growing urban center in the Americas in the late sixteenth century.De la Fuente argues that Havana was…
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
This novel is both sexy and chilling. It is the journey of a young woman, about her lovers, the intimacy of friendship, and her alluring social life in Havana, Cuba. With each page you sip the intensity of youth and political drama on the island. After traveling to Cuba to protest the US embargo in the 1990s and living for so many years in Miami with friends in the Cuban diaspora, Cuban's transnational socio-cultural complex frames how I think about islands. I relish how Portela writes, she is the friend who coaxes you out, keeps you up all night, with the promises of thrill, excitement, and a bit of danger.
One Hundred Bottles, with its intersecting characters and unresolved whodunits, can be read as a murder mystery. But it's really a survivor's story. In a voice that blends gossip, storytelling, and literature, Z-the vivacious heroine of Portela's award-winning novel-relates her rum-soaked encounters with the lesbian underground, the characters carving up her home, and the terrifying-but-irresistible Moises. As entertaining as any detective drama, One Hundred Bottles is ultimately made real by very rough love, intense friendship, and something small that decides to live.
Van Gosse, Professor of History at Franklin & Marshall College, is the author ofWhere the Boys Are: Cuba, Cold War America, and the Making of a New Left, published in 1993 and still in print, a classic account of how "Yankees" engaged with the Cuban Revolution in its early years. Since then he has published widely on solidarity with Latin America and the New Left; for the past ten years he has also taught a popular course, "Cuba and the United States: The Closest of Strangers."
Utterly engrossing, this behind-the-scenes narrative over many decades demonstrates that the Cuban diplomats were almost always willing to move towards normalizing relations, but were repeatedly stymied by non-negotiable demands from the U.S. side. Besides that, it’s full of piquant details, involving the many non-official actors and secret meetings in New York, on the island, or in other countries. Diplomatic history rarely gets this exciting!
Challenging the conventional wisdom of perpetual hostility between the United States and Cuba--beyond invasions, covert operations, assassination plots using poison pens and exploding seashells, and a grinding economic embargo--this fascinating book chronicles a surprising, untold history of bilateral efforts toward rapprochement and reconciliation. Since 1959, conflict and aggression have dominated the story of U.S.-Cuban relations. Now, William M. LeoGrande and Peter Kornbluh present a new and increasingly more relevant account. From John F. Kennedy's offering of an olive branch to Fidel Castro after the missile crisis, to Henry Kissinger's top secret quest for normalization, to Barack Obama's promise of a…
