100 Books Like The Confidential Agent

I am a devout LeCarré fan and find him both a master writer and storyteller—perhaps the most “literary” of the great spy/thriller authors. A later and often overlooked LeCarré gem, published in 2003, Absolute Friends details in captivating prose the development over four decades of British double-agent Ted Mundy and his friend (handler) Sasha. You can’t read LeCarré without getting the feeling that he really understood how the whole clandestine community operated! Absolute Friends is one of LeCarré’s most revealing in terms of his own attitudes about espionage, political ideologies, and their moral ambiguities. 

I spent several of my teen years living in Iran, so had a personal interest in what happened to Americans during and after the Shah’s removal from power. Although Follett is best known for his epic Kingsbridge Series and thrillers such as Eye of the Needle, this non-fiction piece is as tense and engaging as much of his fiction. It details the efforts of a team assembled by Ross Perot to rescue two of his top EDS executives from Iranian captivity after a series of diplomatic efforts fail. Though this isn’t Follett’s finest prose and does seem to lionize Ross Perot, it is a great example of how factual tales of courage and ingenuity can be as engaging as the best thriller fiction. The descriptions of Tehran and the Iran/Turkish frontier are spot-on.

“The man with ten minutes to live was laughing.” Thus begins one of the greatest war novels by one of the greatest living writers of espionage thrillers. 

Frederick Forsyth’s epic story of the Persian Gulf War mingles fact with fiction, and never lets up its humming current of suspense. Incidentally, that laughing man was Gerald Vincent Bull, a real historical figure who invented a super-gun for Saddam Hussein. Not exactly the safest line of work. 

His assassination triggered a Rube Goldberg series of events that only Forsyth would have the… well… foresight to use as the first sentence in this violent, epochal tale. 

It’s too easy when reading Ludlum to get caught up in the Bourne Trilogy and overlook the author’s other great political thrillers. For me, The Matarese Circle best captures a theme that appears in most of Ludlum’s work – “We shouldn’t always trust our own intelligence community.”  

In The Matarese Circle, two disaffected covert agents—one American and one Soviet—team up to identify members of an international league of assassins bent on achieving world domination to promote commercial gain. This corpse-laden, globetrotting chase is one of Ludlum’s finest. 

The Puerto Rican author draws on her grandmother’s experience to tell the story of a girl in Cuba on the cusp of revolution. While the historical fiction follows the day-to-day of the girl emerging to teen-hood and her family – brother, mother, father, and abuelo – it also feels dangerous as bombs go off, people are disappeared, and shadows of a more personal kind encroach on her familial bliss. Through this prism, the reader gets a sense of the class and power dynamics at play, from school where sadistic nuns are the law to the Law which acts with cruel impunity, and the resentment, heartache, and violence simmering underneath the alluring resort island. It’s the pressure cooker on the verge of blowing its lid for me!

Just like the United States has been fixated in Cuba since its creation as a nation, American historians have obsessed with the history of Cuba for decades, but most have focused on the 20th century, or gone back as far as the 18th century. Alejandro de la Fuente and his collaborators take the reader back to the first century of the Spanish colonization of the island and describes the transformation of Havana from a sleepy port town in the northwest of the island into one of the most important ports in the Spanish empire and the Atlantic world. The book combines great narrative history with abundant tables and graphs about trade, naval traffic, and urban expansion.

Utterly engrossing, this behind-the-scenes narrative over many decades demonstrates that the Cuban diplomats were almost always willing to move towards normalizing relations, but were repeatedly stymied by non-negotiable demands from the U.S. side. Besides that, it’s full of piquant details, involving the many non-official actors and secret meetings in New York, on the island, or in other countries. Diplomatic history rarely gets this exciting!

This book is part of a series that extensively documents watershed modern and contemporary exhibitions. The Havana Biennial of 1989 was especially important because it developed what has been called South-South connections in the exhibition of contemporary art–in other words, connections between different parts of the Global South or non-West that are not routed through European or North American art capitals. This was possible because, during the Cold War, Cuba maintained extensive cultural networks throughout the so-called Third World

Cuba occupies a place of undisputed fascination in the American psyche. This island nation remains a mystery to most Americans despite its proximity to America. Few Americans have traveled to Havana, and still fewer have traveled deeper into this isolated country.

Chris Messner, a photographer, is one of the few Americans who have been able to travel extensively throughout this island. In his book, Cuba Open from the Inside, Messner documents the character of Cuba's people, its rich history, and the country's vast culture.

As Cuba's leaders age and the possibility of travel to Cuba increases, this book acts as an exceptional resource for would-be travelers. Through multiple journeys, Messner has covered more than 4,000 miles on the back roads of Cuba. Through his words and pictures he provides a snapshot of this island nation and documents the Cuba of today—the 1950s time capsule country located 90 miles from… show more.

Cristina Garcia has become the definitive chronicler of both Cuba and Cuban exiles. King of Cuba tells the story of two men: El Comandante (also called the despot, the tyrant, or El Líder—clearly this is Fidel) and a Miami exile, Goyo Herrera, who is as old and infirm as Castro himself. Garcia’s portrait of the desperation and ignominies these two old guys suffer, and of their hopeless attempts to cleave to past glories, transcends Cuban history and brings us two men I found cantankerous and self-inflating, but irresistible.