Here are 100 books that The Confidential Agent fans have personally recommended if you like
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Four of my formative years were spent in Iran and England where I became intrigued by the history and politics that shaped the Middle East. An avid reader, I was intrigued by how effectively international thrillers, particularly those by British authors, captured the mystery, complexity, and murky ambiguities of global politics. When I launched a second career as a writer, I committed to using international thrillers as a vehicle for exposing readers to other peoples and cultures and to the unending moral dilemmas that shape our political world. My aspiration is to present those stories as effectively and provocatively as the five writers recommended in my list!
I am a devout LeCarré fan and find him both a master writer and storyteller—perhaps the most “literary” of the great spy/thriller authors. A later and often overlooked LeCarré gem, published in 2003, Absolute Friends details in captivating prose the development over four decades of British double-agent Ted Mundy and his friend (handler) Sasha. You can’t read LeCarré without getting the feeling that he really understood how the whole clandestine community operated!Absolute Friends is one of LeCarré’s most revealing in terms of his own attitudes about espionage, political ideologies, and their moral ambiguities.
'One of his most enthralling creations' Daily Telegraph
Broke and working as a tour guide in Germany, rootless Englishman Ted Mundy catches a glimpse of an old friend hiding in the shadows. A friend he thought was lost to him. A friend who took him from radical 1960s Berlin to life as a double agent. Now, decades later, the Cold War is over and the war on terror has begun. Sasha has another mission for them both, but this time it is impossible to tell the difference between allies - and enemies.
Journey to an unnamed mountainous country in central Europe at the end of the Great War. Enter Citizen Orlov, a simple fishmonger and an honest, upright citizen, who answers a phone call meant for a secret agent and stumbles into a hidden…
Four of my formative years were spent in Iran and England where I became intrigued by the history and politics that shaped the Middle East. An avid reader, I was intrigued by how effectively international thrillers, particularly those by British authors, captured the mystery, complexity, and murky ambiguities of global politics. When I launched a second career as a writer, I committed to using international thrillers as a vehicle for exposing readers to other peoples and cultures and to the unending moral dilemmas that shape our political world. My aspiration is to present those stories as effectively and provocatively as the five writers recommended in my list!
I spent several of my teen years living in Iran, so had a personal interest in what happened to Americans during and after the Shah’s removal from power. Although Follett is best known for his epic Kingsbridge Series and thrillers such as Eye of the Needle, this non-fiction piece is as tense and engaging as much of his fiction. It details the efforts of a team assembled by Ross Perot to rescue two of his top EDS executives from Iranian captivity after a series of diplomatic efforts fail. Though this isn’t Follett’s finest prose and does seem to lionize Ross Perot, it is a great example of how factual tales of courage and ingenuity can be as engaging as the best thriller fiction. The descriptions of Tehran and the Iran/Turkish frontier are spot-on.
On Wings of Eagles is the thrilling novel based on the incredible real-life rescue of two Americans by a Green Beret colonel and a group of corporate executives from revolutionary Iran, from number one bestseller Ken Follett.
A Terrifying Prison As Iran descends into revolution, two Americans get caught up in the upheaval. They are captured and held in a heavily guarded fortress. Their situation is desperate, with the US government refusing to get them out. But all hope is not lost . . .
A Daring Rescue This is the fictionalised real-life story of a Green Beret colonel, who…
I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
“The man with ten minutes to live was laughing.” Thus begins one of the greatest war novels by one of the greatest living writers of espionage thrillers.
Frederick Forsyth’s epic story of the Persian Gulf War mingles fact with fiction, and never lets up its humming current of suspense. Incidentally, that laughing man was Gerald Vincent Bull, a real historical figure who invented a super-gun for Saddam Hussein. Not exactly the safest line of work.
His assassination triggered a Rube Goldberg series of events that only Forsyth would have the… well… foresight to use as the first sentence in this violent, epochal tale.
From behind-the-scenes decision making of the Allies to the secret meeting of Saddam Hussein's war cabinet, from the brave American fliers running dangerous missions over Iraq to a heroic young spy planted deep in the heart of Baghdad, Forsyths incomparable storytelling keeps the suspense at a breakneck pace.
Peopled with vivid characters, brilliantly displaying the intricacies of intelligence operations moving back and forth between Washington and London, Baghdad and Kuwait, and revealing espionage tradecraft as only Frederick Forsyth can, The Fist of God tells the utterly convincing story of what may actually have happened behind the headlines.
San Diego Private Investigator, Brig Ellis, is hired by a wealthy industrialist to help him acquire the final horse in a set of twelve palomino miniatures that once belonged to the last Emperor of China. What begins as a seemingly reasonable assignment quickly morphs into something much more malevolent.
Four of my formative years were spent in Iran and England where I became intrigued by the history and politics that shaped the Middle East. An avid reader, I was intrigued by how effectively international thrillers, particularly those by British authors, captured the mystery, complexity, and murky ambiguities of global politics. When I launched a second career as a writer, I committed to using international thrillers as a vehicle for exposing readers to other peoples and cultures and to the unending moral dilemmas that shape our political world. My aspiration is to present those stories as effectively and provocatively as the five writers recommended in my list!
It’s too easy when reading Ludlum to get caught up in the Bourne Trilogy and overlook the author’s other great political thrillers. For me, The Matarese Circle best captures a theme that appears in most of Ludlum’s work – “We shouldn’t always trust our own intelligence community.”
In The Matarese Circle, two disaffected covert agents—one American and one Soviet—team up to identify members of an international league of assassins bent on achieving world domination to promote commercial gain. This corpse-laden, globetrotting chase is one of Ludlum’s finest.
I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.
The Puerto Rican author draws on her grandmother’s experience to tell the story of a girl in Cuba on the cusp of revolution. While the historical fiction follows the day-to-day of the girl emerging to teen-hood and her family – brother, mother, father, and abuelo – it also feels dangerous as bombs go off, people are disappeared, and shadows of a more personal kind encroach on her familial bliss. Through this prism, the reader gets a sense of the class and power dynamics at play, from school where sadistic nuns are the law to the Law which acts with cruel impunity, and the resentment, heartache, and violence simmering underneath the alluring resort island. It’s the pressure cooker on the verge of blowing its lid for me!
It is 1957 in Marianao, a suburb of Havana. Adela Santiago is 13 years old and lives in a small blue house with her mother, father, brother, and grandfather. And yet something is amiss. The students on her street are disappearing. Not only that but her parents' marriage seems to be disintegrating and her cousin is caught up in a bombing at the Hotel Nacional. Welcome to a world where a revolution is brewing. Welcome to Cuba.
I was born and raised in Sevilla, Spain, a city with profound ties to Spain’s colonial past in the Americas. Since college I've been fascinated by colonial history. Being a little contrarian, while most Latin American colonial scholars I knew focused on Mexico and Peru (the richest Spanish colonies in the so-called “New World”) I decided to focus my attention on their polar opposite: less prosperous colonies (from the perspective of the crown anyway), island societies, and places that were relegated to the margins. I love learning about the men and women in these colonial societies and trying to tell their stories to the best of my abilities.
Just like the United States has been fixated in Cuba since its creation as a nation, American historians have obsessed with the history of Cuba for decades, but most have focused on the 20th century, or gone back as far as the 18th century. Alejandro de la Fuente and his collaborators take the reader back to the first century of the Spanish colonization of the island and describes the transformation of Havana from a sleepy port town in the northwest of the island into one of the most important ports in the Spanish empire and the Atlantic world. The book combines great narrative history with abundant tables and graphs about trade, naval traffic, and urban expansion.
Havana in the 1550s was a small coastal village with a very limited population that was vulnerable to attack. By 1610, however, under Spanish rule it had become one of the best-fortified port cities in the world and an Atlantic center of shipping, commerce, and shipbuilding. Using all available local Cuban sources, including parish registries and notary, town council, and treasury records, Alejandro de la Fuente provides the first examination of the transformation of Havana into a vibrant Atlantic port city and the fastest-growing urban center in the Americas in the late sixteenth century.De la Fuente argues that Havana was…
Paris 1886. Two restless souls move toward the same horizon—unaware that their meeting will ignite a love as luminous and fleeting as the stars themselves.
Vincent van Gogh arrives in Paris with little more than paint-stained hands and an aching determination to create something worthy of the world. Across the…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
I also write about this book in my work. I again have problems with it, but it gives a kind of slice-of-life snapshot of Cuban life at that moment (around 2005), and especially about jineteras, or “jockeys,” women who supplement their income by going out with wealthy foreigners. Doing research on that book gave me a look at Cuba that was invaluable. And it is sometimes funny. It serves as a kind of coda to my book in that it reproduces many of the rhetorical moves of other chica lit but in a completely different setting.
Based on the wildly popular, semi-autobiographical "Havana Honey" series published by Salon.com, Dirty Blonde and Half-Cuban is a gritty portrait of one woman's determination to infiltrate modern Cuba and find the father she has never known.
While on her search, privileged American Alysia Briggs ends up broke and alone in Havana. She's then forced to adopt the life of the jineteras -- educated Cuban women who supplement a desperate income by accommodating sex tourists.
With an eye for detail and a razor wit, Lisa Wixon relates Alysia's journey and creates a love song to Cuba, a heartfelt tribute to a…
Steven A. Cook is the Eni Enrico Mattei senior fellow for the Middle East and Africa studies and director of the International Affairs Fellowship for Tenured International Relations Scholars at the Council on Foreign Relations (CFR). He is a columnist at Foreign Policy magazine and an expert on Arab and Turkish politics as well as U.S. Middle East policy.
I read Maalouf's book many years ago and it remains one of the best books I have ever read about identity. It helps that he is a gifted writer and that Maalouf's story is so compelling.
Origins, by the world-renowned writer Amin Maalouf, is a sprawling, hemisphere-spanning intergenerational saga.
Set during the last quarter of the nineteenth century and the first quarter of the twentieth, in the mountains of Lebanon and in Havana, Cuba, Origins recounts the family history of the generation of Maalouf's paternal grandfather, Boutros. Why did Boutros, a poet and educator in Lebanon, travel across the globe to rescue his younger brother, Gebrayel, who had settled in Havana?
Maalouf is an energetic and amiable narrator, illuminating the more obscure corners of late Ottoman nationalism, the psychology of Lebanese sectarianism, and the dynamics of…
I have been professionally involved with contemporary art since the 1980s, when I was a curator at the Institute of Contemporary Art in Boston. In the forty years since I've seen an enormous shift in the orientation of American curators and scholars from Western art to a global perspective. After earning my PhD at Harvard, and writing several books on contemporary art, I wanted to tackle the challenge of a truly comparative contemporary art history. To do so, I've depended on the burgeoning scholarship from a new more diverse generation of art historians, as well as on many decades of travel and research. My book Heritage and Debt is an attempt to synthesize that knowledge.
This book is part of a series that extensively documents watershed modern and contemporary exhibitions. The Havana Biennial of 1989 was especially important because it developed what has been called South-South connections in the exhibition of contemporary art–in other words, connections between different parts of the Global South or non-West that are not routed through European or North American art capitals. This was possible because, during the Cold War, Cuba maintained extensive cultural networks throughout the so-called Third World
The second installment in Afterall's Exhibition Histories series, Making Art Global, Part 1 focuses on the third Havana Biennial, which took place in 1989. In the core essay, Rachel Weiss examines the ways in which this exhibition extended the global territory of contemporary art and redefined the biennial model. Gerardo Mosquera, a key member of the curatorial team, contributes a reflection on the project, and its constituent exhibitions and events are documented photographically. The book also includes a paper delivered by Geeta Kapur at the Biennial conference and republishes reviews of the Biennial by Coco Fusco and Luis Camnitzer. It…
Dr. Power is promoted to a chair of forensic psychiatry at Allminster University and selected by the Vice Chancellor for a key task which stokes the jealousy of the Deans, and he is plunged into a precariously dangerous situation when there is a series of deaths and the deputy Vice…
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
This novel is both sexy and chilling. It is the journey of a young woman, about her lovers, the intimacy of friendship, and her alluring social life in Havana, Cuba. With each page you sip the intensity of youth and political drama on the island. After traveling to Cuba to protest the US embargo in the 1990s and living for so many years in Miami with friends in the Cuban diaspora, Cuban's transnational socio-cultural complex frames how I think about islands. I relish how Portela writes, she is the friend who coaxes you out, keeps you up all night, with the promises of thrill, excitement, and a bit of danger.
One Hundred Bottles, with its intersecting characters and unresolved whodunits, can be read as a murder mystery. But it's really a survivor's story. In a voice that blends gossip, storytelling, and literature, Z-the vivacious heroine of Portela's award-winning novel-relates her rum-soaked encounters with the lesbian underground, the characters carving up her home, and the terrifying-but-irresistible Moises. As entertaining as any detective drama, One Hundred Bottles is ultimately made real by very rough love, intense friendship, and something small that decides to live.
