Books like When the Trees Say Nothing — picked by fans

Jordan Fisher Smith spent 21 years as a park and wilderness ranger. He is the author of the ranger memoir Nature Noir, a San Francisco Chronicle Best Books of 2005 pick, and an Audubon Magazine Editor’s Choice. His second book Engineering Eden won a 2017 California Book Award and was longlisted for the 2016 PEN/E.O. Wilson Award for Literary Science Writing. He has also written for The New Yorker, Men’s Journal, Discover, and others and was a principal cast member and narrator of the film Under Our Skin, which was shortlisted for the 2010 Oscar for Best Documentary Feature.

The natural world is where I feel at home, and it is also the focus of my work as a writer. In Virginia, where I grew up, I always felt calmest walking footpaths in the mountains. Now I live on a windswept island in Scotland, my little aging caravan a couple of dozen feet from crashing waves. I have always felt curious about how we shape our surroundings and how our surroundings shape us. As a writer and a reader, I probe these questions every day.

Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.

Green sketching opened my eyes to the beauty and joy in my life that I’d never noticed before, beauty and joy that cost nothing to me or the planet. It quietened my busy brain, reduced my anxiety, and made me much more resilient. I’m now trying to help others put down their phones and pick up a pencil. Because when we change what we look at, we can change how we feel. And I’m convinced that once we see and appreciate nature’s beauty with fresh eyes, we’ll start to love and take care of it again.

My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazine Humana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”

I’ve spent a career as an educator and writer exploring how it is that we humans are a part of the natural world in which we live. We are all interconnected with each other and with the ecosystem in which we live, be it a “pristine” wilderness or a concreted-over metropolis. This is wisdom that of course has been long known by many peoples throughout history, though something that seems easily forgotten as we bustle our way through life. Through these books, maybe we can begin to remember that interconnectedness. 

I am the author of 180 books for children, including the classic (30 plus years in print) picture book The Big Green Pocketbook. As a kid, I checked out more nonfiction books than novels. I read about stars, dinosaurs, ice age mammals, rocks, animals, and birds. I wanted to combine all those interests into one job: astronomer-paleontologist-geologist-zoologist-ornithologist, but I couldn’t even afford community college. I became a writer of children’s books, where I could be involved in all of those occupations and more. I’ve written 50 nonfiction books for children and believe the very best books being published for kids today are in the area of children’s narrative nonfiction.

I’m a British author who has always had a fascination with magical realism and novels that blend the serious with the strange. For that reason, though I write literary fiction for adults, I take so much of my inspiration from children’s literature. There’s something so simple about how kids’ books stitch the extraordinary into the every day without having to overexplain things. I now live not far from the forest that inspired A. A. Milne’s Hundred Acre Wood, and my latest novel is set in and inspired by this part of rural England–with all the mystery and magic that a trip into the woods entails.

Awe can make me feel simultaneously insignificant and fully, freshly alive. Witnessing a total solar eclipse or reading a story of remarkable human endurance, it’s easy to feel awestruck. It takes more patience and practice to experience awe in the subtle and ordinary, but it’s there too, in abundance, if I can see the mystery in the familiar. As a writer, longtime meditator, and lover of the natural world, I believe we can’t live meaningfully without wonder. We’re meant to be lit up, humbled, and curious about this life. To me, the world is magic, and we’ve been called on stage to participate in the trick.

I love the outdoors, and there are so many benefits to playing, imagining, and being outside. I grew up on a fruit farm in Southern Ontario, so I spent much of my growing years playing outdoors and enjoying the natural world. When I became a professional educator, I read the research about the very concrete benefits being outside every day has on young learners. Bring on the recess! Books have a way of sparking action. When we read about how someone else enjoys the outdoors, it makes us want to do the same. Books are inspiring.