Books like When the Trees Say Nothing — picked by fans

Awe can make me feel simultaneously insignificant and fully, freshly alive. Witnessing a total solar eclipse or reading a story of remarkable human endurance, it’s easy to feel awestruck. It takes more patience and practice to experience awe in the subtle and ordinary, but it’s there too, in abundance, if I can see the mystery in the familiar. As a writer, longtime meditator, and lover of the natural world, I believe we can’t live meaningfully without wonder. We’re meant to be lit up, humbled, and curious about this life. To me, the world is magic, and we’ve been called on stage to participate in the trick.

As an academic humanist, I spent many years teaching medical students, helping resolve ethical problems in clinical care, and writing about individuals living with mental illness and those growing older. Recently, my own chronic illness, physical pain, and surgeries have somehow opened me to multiple mystical moments of beauty and feelings of oneness with all that exists. I have become a Spiritual Director and am constantly looking for perspectives, practices, and advice about cultivating spiritual growth in myself and others. I am inspired by an ancient Talmudic story:  “When each of us is born, an angel swoops down and whispers, ‘Grow.’ 

I came to discover the healing power of art, nature, and ritual while I was grieving the loss of my father a decade ago. I would go to the park and make impermanent and symmetrical art from found twigs, flowers, pine cones, berries, and leaves as a way to ground, heal my broken heart, and make sense of a chaotic time. Since then, I‘ve made over a thousand nature altars, written a book about it (Morning Altars), and have taught tens of thousands of people around the world to make meaning in their lives through a creative collaboration with the natural world. It still amazes me that something so simple and impermanent can bring such wonder and resilience.

Green sketching opened my eyes to the beauty and joy in my life that I’d never noticed before, beauty and joy that cost nothing to me or the planet. It quietened my busy brain, reduced my anxiety, and made me much more resilient. I’m now trying to help others put down their phones and pick up a pencil. Because when we change what we look at, we can change how we feel. And I’m convinced that once we see and appreciate nature’s beauty with fresh eyes, we’ll start to love and take care of it again.

Jordan Fisher Smith spent 21 years as a park and wilderness ranger. He is the author of the ranger memoir Nature Noir, a San Francisco Chronicle Best Books of 2005 pick, and an Audubon Magazine Editor’s Choice. His second book Engineering Eden won a 2017 California Book Award and was longlisted for the 2016 PEN/E.O. Wilson Award for Literary Science Writing. He has also written for The New Yorker, Men’s Journal, Discover, and others and was a principal cast member and narrator of the film Under Our Skin, which was shortlisted for the 2010 Oscar for Best Documentary Feature.

I love getting lost in books because I get to experience more adventures than I could possibly fit into one lifetime. Books invite the exploration of limitless possibilities—for everyone. When a book can fire my imagination, make me feel a connection, or just make me think deeply—that’s magic, whether it was meant to be fiction or not. I want to write books that do that for others. For this list specifically, I wanted to pick books that encourage girls to embrace the notions that they are allowed to dream really big dreams, that the goals they set for themselves are worth pursuing, and that we all deserve room to be our authentic selves.

My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazine Humana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”

I research, write and speak about the global environmental emergency and the policies and politics we need to adequately respond. Drawing on a decade of experience in academia, activism, and policymaking, my work explores the leadership needed to transition to more sustainable and equitable societies while contending with the growing destabilisation resulting from the worsening environmental crisis. I’ve worked at a range of leading policy research organisations and universities and have won awards for my work. I’ve got a BSc in physics and an MPhil in economies from the University of Oxford. 

I am the author of 180 books for children, including the classic (30 plus years in print) picture book The Big Green Pocketbook. As a kid, I checked out more nonfiction books than novels. I read about stars, dinosaurs, ice age mammals, rocks, animals, and birds. I wanted to combine all those interests into one job: astronomer-paleontologist-geologist-zoologist-ornithologist, but I couldn’t even afford community college. I became a writer of children’s books, where I could be involved in all of those occupations and more. I’ve written 50 nonfiction books for children and believe the very best books being published for kids today are in the area of children’s narrative nonfiction.

I’m a British author who has always had a fascination with magical realism and novels that blend the serious with the strange. For that reason, though I write literary fiction for adults, I take so much of my inspiration from children’s literature. There’s something so simple about how kids’ books stitch the extraordinary into the every day without having to overexplain things. I now live not far from the forest that inspired A. A. Milne’s Hundred Acre Wood, and my latest novel is set in and inspired by this part of rural England–with all the mystery and magic that a trip into the woods entails.