100 Books Like Wonder Walkers

I love the outdoors, and there are so many benefits to playing, imagining, and being outside. I grew up on a fruit farm in Southern Ontario, so I spent much of my growing years playing outdoors and enjoying the natural world. When I became a professional educator, I read the research about the very concrete benefits being outside every day has on young learners. Bring on the recess! Books have a way of sparking action. When we read about how someone else enjoys the outdoors, it makes us want to do the same. Books are inspiring.

I love the outdoors, and there are so many benefits to playing, imagining, and being outside. I grew up on a fruit farm in Southern Ontario, so I spent much of my growing years playing outdoors and enjoying the natural world. When I became a professional educator, I read the research about the very concrete benefits being outside every day has on young learners. Bring on the recess! Books have a way of sparking action. When we read about how someone else enjoys the outdoors, it makes us want to do the same. Books are inspiring.

I love the outdoors, and there are so many benefits to playing, imagining, and being outside. I grew up on a fruit farm in Southern Ontario, so I spent much of my growing years playing outdoors and enjoying the natural world. When I became a professional educator, I read the research about the very concrete benefits being outside every day has on young learners. Bring on the recess! Books have a way of sparking action. When we read about how someone else enjoys the outdoors, it makes us want to do the same. Books are inspiring.

When I was growing up, my favorite books were about kids getting lost in the wilderness. Now, as an artist and writer, I love to create stories about people’s connection to land and the plants and animals that inhabit natural spaces. The inspiration for my picture book biography, Alexander von Humboldt: Explorer, Naturalist & Environmental Pioneer, came after hiking many of the volcanoes that Humboldt had climbed some 200 years earlier in South America. Besides hiking, I occupy myself with drawing and watercolor painting, climate activism, and looking at bugs and rocks with my daughters. I’ve published four graphic novels, two picture books, and a cookbook about rice.

Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.

When I was young, I read Bambi…and it made me want to go hunting. Perhaps I missed the point. But at the time, I thought Bambi’s exploits sounded much like the animal yarns my dad brought home from his autumnal hunting trips. Both fascinated me. I loved the idea of getting a glimpse into a secret world where animals starred in their own stories and people were, at most, part of the scenery. As an environmental historian, I’ve tried to wring those kinds of stories out of historical documents that are much more suited for telling us about human actions and desires.

Jordan Fisher Smith spent 21 years as a park and wilderness ranger. He is the author of the ranger memoir Nature Noir, a San Francisco Chronicle Best Books of 2005 pick, and an Audubon Magazine Editor’s Choice. His second book Engineering Eden won a 2017 California Book Award and was longlisted for the 2016 PEN/E.O. Wilson Award for Literary Science Writing. He has also written for The New Yorker, Men’s Journal, Discover, and others and was a principal cast member and narrator of the film Under Our Skin, which was shortlisted for the 2010 Oscar for Best Documentary Feature.

I came to discover the healing power of art, nature, and ritual while I was grieving the loss of my father a decade ago. I would go to the park and make impermanent and symmetrical art from found twigs, flowers, pine cones, berries, and leaves as a way to ground, heal my broken heart, and make sense of a chaotic time. Since then, I‘ve made over a thousand nature altars, written a book about it (Morning Altars), and have taught tens of thousands of people around the world to make meaning in their lives through a creative collaboration with the natural world. It still amazes me that something so simple and impermanent can bring such wonder and resilience.

Green sketching opened my eyes to the beauty and joy in my life that I’d never noticed before, beauty and joy that cost nothing to me or the planet. It quietened my busy brain, reduced my anxiety, and made me much more resilient. I’m now trying to help others put down their phones and pick up a pencil. Because when we change what we look at, we can change how we feel. And I’m convinced that once we see and appreciate nature’s beauty with fresh eyes, we’ll start to love and take care of it again.

I’m a British author who has always had a fascination with magical realism and novels that blend the serious with the strange. For that reason, though I write literary fiction for adults, I take so much of my inspiration from children’s literature. There’s something so simple about how kids’ books stitch the extraordinary into the every day without having to overexplain things. I now live not far from the forest that inspired A. A. Milne’s Hundred Acre Wood, and my latest novel is set in and inspired by this part of rural England–with all the mystery and magic that a trip into the woods entails.