Here are 100 books that Pilgrim at Tinker Creek fans have personally recommended if you like
Pilgrim at Tinker Creek.
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Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.
Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
As a lifelong weirdo, I’m intrigued by nonstandard choices. When I was eleven, slightly precocious (and slightly obnoxious), I dropped out of school—with the support of my parents, and against the advice of everyone else. After a year of homeschooling, I started attending university. This was the first in a sequence of unusual decisions. Some worked out better than others! I continue to wonder what motivates a person to step off the well-trodden, well-lit path. When is conventional advice likely to lead to fulfillment, and when should it be modified or ignored outright? I love a story (like these five) where someone tries something completely different.
Although Edward Abbey warns you right off the bat not to visit the places in this book—they don’t exist anymore, not the way they were when he was there—twenty pages in, I wanted to go.
I wanted to risk my car’s axles crossing boulder-strewn washes. I wanted to rip my jeans, shoving through canyon-bottom scrub. I wanted to rise early and sit, steaming coffee in hand, to watch the sun break through the pinyon pine. I wanted to hang out and shoot the shit with Edward Abbey.
Whenever I pick up this book, I feel a genuine longing for the American Southwest in the ’60s. And a longing like that, even one that can never be satisfied, is a pleasure all unto itself.
'My favourite book about the wilderness' Cheryl Strayed, author of Wild
In this shimmering masterpiece of American nature writing, Edward Abbey ventures alone into the canyonlands of Moab, Utah, to work as a seasonal ranger for the United States National Park Service.
Living out of a trailer, Abbey captures in rapt, poetic prose the landscape of the desert; a world of terracotta earth, empty skies, arching rock formations, cliffrose, juniper, pinyon pine and sand sage. His summers become spirit quests, taking him in search of wild horses and Ancient Puebloan petroglyphs, up mountains and across tribal lands, and…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
This book helped me release shame after a colleague of mine told me my work wasn’t “science.”
Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.
Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.
She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.
What stories, fables, and myths have taught you valuable lessons about the world?
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
This memoir chronicles the lives of three generations of women with a passion for reading, writing, and travel. The story begins in 1992 in an unfinished attic in Brooklyn as the author reads a notebook written by her grandmother nearly 100 years earlier. This sets her on a 30-year search…
I’m a research physicist working in fusion energy and astrophysics. To explain our work, I’ve had to overcome the misconceptions about science that are widespread in the media and among the general population. These books are the best ones I know to correct the mystification of science, especially of topics like quantum mechanics, time, consciousness, and cosmology.
OK, maybe it’s funny to recommend a book that sold in the millions. But this, and the TV series that went along with it, remains the best explanation of the evolution of astronomy and, especially, the social context for that evolution. Carl Sagan is by far the best science popularizer of the past century.
* Spacecraft missions to nearby planets * The Library of ancient Alexandria * The human brain * Egyptian hieroglyphics * The origin of life * The death of the sun * The evolution of galaxies * The origins of matter, suns and worlds
The story of fifteen billion years of cosmic evolution transforming matter and life into consciousness, of how science and civilisation grew up together, and of the forces and individuals who helped shape modern science. A story told with Carl Sagan's remarkable ability to make scientific ideas both comprehensible and exciting.
I’ve always been drawn to the moments when things shift—when what once made sense stops making sense, and you have to find your way through. As a designer and leader, I’ve spent years learning to read change instead of resisting it. I’m passionate about this space because it’s where growth actually happens. These books remind me that clarity doesn’t come all at once; it arrives through attention, through relationship, and through the slow, often messy work of becoming.
I love this book because it changes the way I see the world every single time.
Powers writes with a patience that feels almost radical. I found myself slowing my breathing as I read, realizing how little I notice in the rush of daily life. I love how he blurs the line between human and nature, reminding me that we’re never outside the system—we are the system.
The Overstory humbles me, and because humility, to me, is where clarity begins.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
I’ve wanted to travel the world since I could look out a window. It’s been an honor to spend my life exploring this planet, despite some of its inhabitants. I knew I’d write books about it, even before I could write my own name. It’s a joy to realize such a deep and early dream. My books are love letters to places I’ve lived and people I’ve met, plus some joking around in order not to scream or weep at some of what’s out there. I’ve been a teacher, film editor, comedian, librarian, and now writer. Wherever you are, on whatever path: happy trails to you.
How perfect to go on a road trip with one of my favorite writers plus his gentlemanly, loveable dog!
I smile just thinking about this book. I was delighted every step of the way. I felt like I was in the passenger seat, handing biscuits to Charley, stopping to meet strangers, and ruminating on how the USA has changed over the decades.
I loved hearing his thoughts in his older, wiser years, after his great successes, but still passionate, or slyly ironic, on so many topics. I love that he’s matter-of-fact in discussing disillusionment, loneliness, racism, or anything – but he’s hopeful in the end, always.
I want to buy a stack of these and hand them out as gifts.
An intimate journey across America, as told by one of its most beloved writers
To hear the speech of the real America, to smell the grass and the trees, to see the colors and the light-these were John Steinbeck's goals as he set out, at the age of fifty-eight, to rediscover the country he had been writing about for so many years.
With Charley, his French poodle, Steinbeck drives the interstates and the country roads, dines with truckers, encounters bears at Yellowstone and old friends in San Francisco. Along the way he reflects on the American character, racial hostility,…
When Jennifer Shea married Russel Redmond, they made a decision to spend their honeymoon at sea, sailing in Mexico. The voyage tested their new relationship, not just through rocky waters and unexpected weather, but in all the ways that living on a twenty-six-foot sailboat make one reconsider what's truly important.
I was born and raised in Northern California, right on the banks of the Sacramento River. While I didn’t realize it growing up, it was an epicenter for outdoor adventures. Along with skiing, snowboarding, hiking, wakeboarding, and camping, I always read a lot. My dad was worried that I would have no sense of direction because I was always in the back of our van or RV reading a book. That led to writing…and I had my first article published in a wakeboarding magazine when I was 15 years old. Traveling always took a backburner to reading, but now it’s front and center of my writing.
This is classic literature in the realm of American travel.
I had no idea that “blue highways” existed, and even though Heat-Moon went cross-country back in the 1970s in his van equipped with his igloo cooler and makeshift bed (not like the $100k fancy campers you find today), the type of people you meet and experiences you have in this amazing country are still relevant today.
In Blue Highways Revisited, I was shocked to read how long it took for this book to get published and the stacks of printed-out drafts he had of it (I think it was like four feet high). If there are any travel writing classes taught as part of a creative writing program, then Blue Highways better be on the list.
Hailed as a masterpiece of American travel writing, Blue Highways is an unforgettable journey along our nation's backroads. William Least Heat-Moon set out with little more than the need to put home behind him and a sense of curiosity about "those little towns that get on the map -- if they get on at all -- only because some cartographer has a blank space to fill: Remote, Oregon; Simplicity, Virginia; New Freedom, Pennsylvania; New Hope, Tennessee; Why, Arizona; Whynot, Mississippi." His adventures, his discoveries, and his recollections of the extraordinary people he encountered along the way amount to a revelation…
Upon seeing the Atlantic Ocean for the first time as a child, I was awestruck by its immensity and couldn't even begin to comprehend how deep it was and what creatures lurked beneath its waves. This initial encounter would spark a lifelong interest in the marine environment, leading to formal training and education in oceanography and a professorship where I could share my love and enthusiasm for the oceans. Though now retired, my fascination has not diminished, continuing to research and write about the oceans and, whenever possible, experience the smell, the roar, and the movement of the ocean.
The book captures the excitement of Steinbeck's research expedition with biologist Ed Ricketts to the remote Sea of Cortez, with all its hardships, failures, and thrills of discovery.
I felt that I was onboard the vessel, feeling the rhythmic rocking of the boat, the daily oppressive heat and humidity, and the mind-numbing routine of taking myriad samples and observations. I found myself nodding along with Steinbeck's assessment that though marine exploration can be tedious, the rewards lift up the human spirit.
In 1940 Steinbeck sailed in a sardine boat with his great friend the marine biologist, Ed Ricketts, to collect marine invertebrates from the beaches of the Gulf of California. The expedition was described by the two men in SEA OF CORTEZ, published in 1941. The day-to-day story of the trip is told here in the Log, which combines science, philosophy and high-spirited adventure.
Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parents’ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judith’s life and why her story is so vital to tell.
I’ve never read anything like The Living Mountain. A book that is, at once, an autobiography of a remarkable yet under-celebrated woman writer and an exploration of the ecstasies of experiencing the world through the body and its senses.
In gorgeously vivid prose, Shepherd invites us to pursue depth over breadth and to rely upon our felt experience as a way of knowing in the world. This book challenges dominant “hero’s journey” narratives in both content and form and suggests that all we yearn to experience and know can be found right where we find ourselves, wherever that may be.
'The finest book ever written on nature and landscape in Britain' Guardian
Introduction by Robert Macfarlane. Afterword by Jeanette Winterson
In this masterpiece of nature writing, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape.
Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and…
Diary of a Citizen Scientist
by
Sharman Apt Russell,
Citizen Scientist begins with this extraordinary statement by the Keeper of Entomology at the London Museum of Natural History, “Study any obscure insect for a week and you will then know more than anyone else on the planet.”
As the author chases the obscure Western red-bellied tiger beetle across New…
I look to my bookshelf and can visit with old friends by the simple and profound act of reading. And by reading, I learn of myself and of others. These books have sharpened my attention to life’s particulars, are places of refuge, fortresses or encampments from which I/we can safely view the harsh realities and impenetrable riddles confronting us. Books create sparks. Sparks build into a fire.
The reasons for loving the books I listed below are many: The characters enchant, infuriate, and humble you. They inhabit your mind in a waking dream. Their story is your story and after reading the book, you know something about yourself which you otherwise would not have known.
Again and again, Terry Tempest Williams shows us we can live in a disaster zone, literal and emotional, and survive.
Refuge, her fourth major book, testifies to the calamities set in motion by the atomic testing that occurred in the Nevada desert during the 1950’s. The book weaves the story of her mother and grandmother’s resultant deaths from cancer and the flooding of the Great Salt Lake that has endangered native bird species.
The loss she records is human and non-human, bringing home a truth we have yet to learn: that sullying the Great Mother, our earth, threatens our own bodies and those of future generations. If Refuge is a record of lamentations, it is also a missive for restoration and regeneration and a document of hope.
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms…
