Here are 100 books that Andy Goldsworthy fans have personally recommended if you like
Andy Goldsworthy.
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I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
This book helped me release shame after a colleague of mine told me my work wasn’t “science.”
Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.
Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.
She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.
What stories, fables, and myths have taught you valuable lessons about the world?
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
The central theme connecting the books on my list is the idea that our personal growth comes from creativity, straight talk, and honest reflection. All of these books are first-person accounts, which gives them credibility and authority, and they are quite inspiring. They encourage bravery, curiosity, resilience, and healing.
I wrote Morning Leaves as a way of processing the loss of my younger sister. I leaned into creativity and writing as a way of clarifying my thoughts, prioritizing, and ultimately healing from the grief. This collection of books taught me to trust my instincts, nurture my creative impulses, and find a path to joy.
This is one of the clearest books I’ve read on creativity.
Elizabeth Gilbert encourages both curiosity and discipline in writing. She also talks about the importance of timing and being ready to capture ideas when they come. Fear and self-doubt are always around, but one must be receptive and ready when the muse appears.
She tells great stories, which makes the book particularly fun and readable.
Readers of all ages and walks of life have drawn inspiration from Elizabeth Gilbert's books for years. Now, this beloved author shares her wisdom and unique understanding of creativity, shattering the perceptions of mystery and suffering that surround the process - and showing us all just how easy it can be.
By sharing stories from her own life, as well as those from her friends and the people that have inspired her, Elizabeth Gilbert challenges us to embrace our curiosity, tackle what we most love and face down what we most fear.
Whether you long to write a book, create…
When I was young, I used to ask every new person I met if they believed in magic. No caveats, no explanation of what I meant by that. Their response – generally either an unequivocal no, a tentative what does that mean, or a delighted yes, cemented the direction of our relationship.
One of my favorite quotes is Yeats’ statement that “the world is full of magic things, patiently waiting for our senses to grow sharper.” This conviction fuels my writing and my life. Whatever genre I write is informed first by magic, and there is no higher form of magic than the natural world and the science that explores it.
I discovered it and its author by listening to David Oakes’ nature podcast Trees A Crowd, which I devoured religiously every day while living in Alaska during the second year of the pandemic. I only intended it as research, but this book changed the composition of my soul.
It’s a fascinating and genuinely captivating exploration of one of the most evolved lifeforms on Earth. Their survival is essential to our own, and if we won’t learn from them, we’ll fall beside them. But more likely, they’ll outlast us!
"A paradigm-smashing chronicle of joyous entanglement that will make you acknowledge your own entanglement in the ancient and ever-new web of being."--Charles Foster, author of Being a Beast Are trees social beings? In this international bestseller, forester and author Peter Wohlleben convincingly makes the case that, yes, the forest is a social network. He draws on groundbreaking scientific discoveries to describe how trees are like human families: tree parents live together with their children, communicate with them, support them as they grow, share nutrients with those who are sick or struggling, and even warn each other of impending dangers. Wohlleben…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I’ve spent several decades immersed in the world of interior design. As a writer and creative director, I’ve worked alongside many, many talented decorators and architects and seen how they’ve enhanced people’s lives by creating beautiful, practical living spaces. To my mind, if one truly feels inspired and at ease in one’s home environment the chance of living an authentic, fulfilling life increases significantly. All the books I’ve written emphasize the importance I place on thoughtful design. A partial list includes Shoes: A Celebration of Pumps, Sandals, Slippers & More; Brilliant: White in Design, Stripes: Design Between The Lines; Heart and Home: Rooms That Tell Stories, and Inside Outside: A Sourcebook of Inspired Garden Rooms. I live in Upstate New York where my house is surrounded by a fledgling fragrance garden.
Known as the First Lady of interior decoration, de Wolfe (1865-1950) excelled in a predominantly male profession which she is credited with inventing. Her book which, is still thought of as a decorator’s bible, was first published in 1913. It’s a compilation of several of her chatty magazine articles so even though her clientele was elite the strong doses of common sense, wit, and sophistication in her voice have mass appeal. Described as an ornamental minimalist she upturned the oppressiveness of the Victorian and Edwardian sensibility by avoiding clutter, dark colors, and heavy draperies in favor of sparsely furnished, naturally lit rooms (which she considered to be optimistic) that seamlessly aligned themselves with their natural surroundings. In that sense, she was one of the first decorators to acknowledge nature and to emphasize the importance of incorporating garden and exterior views into interior planning.
I know of nothing more significant than the awakening of men and women throughout our country to the desire to improve their houses. Call it what you will—awakening, development, American Renaissance—it is a most startling and promising condition of affairs. It is no longer possible, even to people of only faintly æsthetic tastes, to buy chairs merely to sit upon or a clock merely that it should tell the time. Home-makers are determined to have their houses, outside and in, correct according to the best standards. What do we mean by the best standards? Certainly not those of the useless,…
I’ve spent several decades immersed in the world of interior design. As a writer and creative director, I’ve worked alongside many, many talented decorators and architects and seen how they’ve enhanced people’s lives by creating beautiful, practical living spaces. To my mind, if one truly feels inspired and at ease in one’s home environment the chance of living an authentic, fulfilling life increases significantly. All the books I’ve written emphasize the importance I place on thoughtful design. A partial list includes Shoes: A Celebration of Pumps, Sandals, Slippers & More; Brilliant: White in Design, Stripes: Design Between The Lines; Heart and Home: Rooms That Tell Stories, and Inside Outside: A Sourcebook of Inspired Garden Rooms. I live in Upstate New York where my house is surrounded by a fledgling fragrance garden.
Even though her heroine is Vita Sackville-West who, in the 1930s, created Sissinghurst, one of the world’s most visited gardens, I think of Benson as a hippy, outdoors version of Martha Stewart. In this paperback, her fast lane, quick gratification approach to gardening comes across with equal doses of humor as she emphasizes the joy of digging one’s hands into the soil and the importance of channeling one’s own aesthetic into hedge and plant choices. Her opinions are pithy, to say the least - she considers marigolds to be ‘hackneyed’ flowers; she talks about weeds having brains and calls the green thumb notion a fallacy - but her passion for nature, which shines through on every page, is contagious.
This is an Authors Guild/BIP title. Please use Author's Guild/BIP specs. Author Bio: Designer, writer, lecturer, and once-owner of four highly innovative fashion stores called Dianne B., Dianne Benson has been described as "A woman of fashion, a fabulous purveyor of words, stance, and attitude." She took up gardening with a fervor twelve years ago at the East Hampton home she shares with her husband and their dogs. Book description: Dirt digs with humor and depth into the fine art of gardening with a highly unique style. With unrestrained excess, style-setter Dianne Benson has written a gardening primer so vivid…
I’ve spent several decades immersed in the world of interior design. As a writer and creative director, I’ve worked alongside many, many talented decorators and architects and seen how they’ve enhanced people’s lives by creating beautiful, practical living spaces. To my mind, if one truly feels inspired and at ease in one’s home environment the chance of living an authentic, fulfilling life increases significantly. All the books I’ve written emphasize the importance I place on thoughtful design. A partial list includes Shoes: A Celebration of Pumps, Sandals, Slippers & More; Brilliant: White in Design, Stripes: Design Between The Lines; Heart and Home: Rooms That Tell Stories, and Inside Outside: A Sourcebook of Inspired Garden Rooms. I live in Upstate New York where my house is surrounded by a fledgling fragrance garden.
Frank Lloyd Wright (1867-1959) was arguably the first architect to become a household name and therefore the first ‘starchitect’. To his way of conceptualizing, nature, with a capital N, came first and last in the sense that it would outlive and eventually envelop any edifice he happened to place upon it. This book uses black and white photography to succinctly illustrate his chief philosophical points and helps explain why his houses co-exist so seamlessly with their natural environment or, in his words, why they are in love with the ground. Inspired by the patterning of rock strata, the texture of birch bark, the spines of tree limbs, the blush of summer blossoms, in his projects it’s often hard to discern where nature and the man-made begin or end. ”Buildings, too,” he often said, “are children of earth and sun.”
Profusely illustrated study of nature — especially the prairie — on Wright's designs for Fallingwater, Robie House, Guggenheim Museum, other masterpieces.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I came to discover the healing power of art, nature, and ritual while I was grieving the loss of my father a decade ago. I would go to the park and make impermanent and symmetrical art from found twigs, flowers, pine cones, berries, and leaves as a way to ground, heal my broken heart, and make sense of a chaotic time. Since then, I‘ve made over a thousand nature altars, written a book about it (Morning Altars), and have taught tens of thousands of people around the world to make meaning in their lives through a creative collaboration with the natural world. It still amazes me that something so simple and impermanent can bring such wonder and resilience.
Because my art is impermanent, I write and think about that subject a lot. And IMHO, no one speaks as beautifully and powerfully to the subjects of impermanence, life, loss, and beauty better than Prechtel. Prechtel's book is a well of indigenous wisdom on the living relationship between grief and praise. He says, "When you’re grieving for the thing you got, it's called praise. When you're praising for the thing you lost, it's called grief.” If the Earth is speaking her wisdom, this author is delivering it faithfully and beautifully to us.
Inspiring hope, solace, and courage in living through our losses, author Martín Prechtel, trained in the Tzutujil Maya shamanic tradition, shares profound insights on the relationship between grief and praise in our culture--how the inability that many of us have to grieve and weep properly for the dead is deeply linked with the inability to give praise for living. In modern society, grief is something that we usually experience in private, alone, and without the support of a community. Yet, as Prechtel says, "Grief expressed out loud for someone we have lost, or a country or home we have lost,…
I came to discover the healing power of art, nature, and ritual while I was grieving the loss of my father a decade ago. I would go to the park and make impermanent and symmetrical art from found twigs, flowers, pine cones, berries, and leaves as a way to ground, heal my broken heart, and make sense of a chaotic time. Since then, I‘ve made over a thousand nature altars, written a book about it (Morning Altars), and have taught tens of thousands of people around the world to make meaning in their lives through a creative collaboration with the natural world. It still amazes me that something so simple and impermanent can bring such wonder and resilience.
A wise man once said to me, “if you can say it, you can see it." This magical book of art, poetry, and nature is a response to the removal of nature words such as “acorn,” “wren,” and “dandelion,” from a children’s dictionary. His gorgeous writing encourages us to wonder at the forgotten and to behold the ordinary by uttering nature words as a conjuring thing. During a time of environmental loss, grief, and forgetting, McFarlane lets us fall in love again with the greater-than-human world through language and therefore, to renew our capacity to marvel at the living landscape and our own inner landscape.
Beautiful books make unforgettable gifts. This pocket-sized treasure is the perfect gift for fans of nature, language and rich artwork, adult and child alike!
Kindred in spirit to The Lost Words but fresh in its form, The Lost Spells introduces a beautiful new set of natural spell-poems and artwork by beloved creative duo Robert Macfarlane and Jackie Morris.
Each "spell" conjures an animal, bird, tree or flower -- from Barn Owl to Red Fox, Grey Seal to Silver Birch, Jay to Jackdaw -- with which we share our lives and landscapes. Moving, joyful and funny, The Lost Spells above all…
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
While Jack Kerouac can arguably be synonymous with the Beat generation, the poems in this collection reveal a lesser-known and seldom seen but poignant side of Kerouac’s legacy. He distills his surroundings into short vignettes, reminiscent of the Beat style and motif, but incorporates a significant amount of nature imagery. They’re beautiful glimpses of the world through the eyes of one of America’s most influential authors.
Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.' Jack Kerouac. Renowned for his groundbreaking Beat Generation novel "On the Road", Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following in the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form's essence. He incorporated his 'American' haiku in novels and in his correspondence,…
When I was young, I read Bambi…and it made me want to go hunting. Perhaps I missed the point. But at the time, I thought Bambi’s exploits sounded much like the animal yarns my dad brought home from his autumnal hunting trips. Both fascinated me. I loved the idea of getting a glimpse into a secret world where animals starred in their own stories and people were, at most, part of the scenery. As an environmental historian, I’ve tried to wring those kinds of stories out of historical documents that are much more suited for telling us about human actions and desires.
Economy and ecology are inextricably intertwined in The Destruction of the Bison. Isenberg takes what is a familiar story—the tragic extermination and near-extinction of the plains bison—and turns it into a cautionary tale about the far-reaching ecosystemic effects of unrestrained capitalistic exploitation. But what I like is that Isenberg’s is not just the same old song of Euroamerican rapaciousness and indigenous vulnerability. He details how Native American buffalo hunters played a crucial role in the species’ decline and how environmental change—droughts, population explosions, and animal diseases—interacted with human actions to doom the buffalo.
For the last twenty years, The Destruction of the Bison has been an essential work in environmental history. Andrew C. Isenberg offers a concise analysis of the near-extinction of the North American bison population from an estimated 30 million in 1800 to fewer than 1000 a century later. His wide-ranging, interdisciplinary study carefully considers the multiple causes, cultural and ecological, of the destruction of the species. The twentieth-anniversary edition includes a new foreword connecting this seminal work to developments in the field - notably new perspectives in Native American history and the rise of transnational history - and placing the…
