Books like What's Left of the Night

When I learned, at seventeen, of my father’s Jewish heritage, I flung myself headlong into reading about Judaism. Naturally, this led me to the Holocaust and World War II, and my novels are inspired by family stories from this harrowing time. While doing research, I traveled to Germany and London, interviewed WWII veterans, and read countless memoirs, academic nonfiction tomes, and historical fiction books about this era. I now speak at libraries and to community organizations about the Ritchie Boys, Secret Heros of WWII. People sometimes tell me concentration camp stories are too disturbing, so I recommend books about Jewish survival, heroism, and everyday life during the Third Reich.        

In the small Greek village I grew up in, my father read poetry to me when I was too young to understand any of it, and likely because of this I was pulled to the sound of the words and to reading anything that came my way. In high school, I fell in love with Plato’s writings, and later, as an undergraduate, philosophy saved me from my official major: economics. I continued in my Psychology Master’s, with Paul Kline’s “exceptional abilities” course, a philosophy class about consciousness. I read tons of books and I am enticed by writers who search for life’s questions and self-awareness.

In the small Greek village I grew up in, my father read poetry to me when I was too young to understand any of it, and likely because of this I was pulled to the sound of the words and to reading anything that came my way. In high school, I fell in love with Plato’s writings, and later, as an undergraduate, philosophy saved me from my official major: economics. I continued in my Psychology Master’s, with Paul Kline’s “exceptional abilities” course, a philosophy class about consciousness. I read tons of books and I am enticed by writers who search for life’s questions and self-awareness.

I started reading voraciously at age 4, and read Camus by 6th grade, which is why it made sense that I was so into Pink Floyd, my favorite album of theirs being Animals, which is super depressing. I then studied writing extensively with some great writers, getting my MA and MFA, and teaching writing at colleges from 1991-2021. Along the way I became an editor, a writing coach, ran a writing workshop for 7 years, and started a publishing company. I know good writing when I see it versus crap, and I can tell for sure in about 300 words. I also fall hard for books, and do want to marry them. 

To experience another's thoughts and emotions, one first has to feel them. Eyes, lips, tongue, and teeth are involved before the brain/heart can engage. Translation of poetry is the same. My mother has sung Chinese poetry to me since forever, and English poetry came alive for me through verse speaking. I studied and taught as I wrote for many years. I cannot say I find my way into every poem I come across, but the poems I translate are ones I know and love. That is why I am passionate about translation. For me, it is not a secondary experience but a primary, primal performance art!

Spending four years writing a memoir—and several more editing it—made me realize how selective and fluid memory is. Our stories shift over time, shaped by distance, perspective, and even small sensory triggers that can surface long-forgotten moments.

These five books blur the line between fiction and memoir, each exploring how lived experiences are remembered and retold. They examine not just events, but the author’s perspective on them—and what that reveals about their inner world. From a child’s heightened sensitivity, to the thrill-seeking of a war correspondent, to the lasting impact of a parent’s murder, each work shows how memory shapes both a life and the story we tell about it.

As a scholar of nineteenth-century French history and literature, I had always been fascinated by a paradox: France was the first modern European country to grant the Jews full civil rights (in 1790-91) but it was also the country where modern antisemitism first took shape. I’ve explored that paradox in a series of books, including most recently The Betrayal of the Duchess. Since 2011, I’ve also directed the Yale Program for the Study of Antisemitism. Many people don’t realize that France today has the third-largest population of Jews in the world, after Israel and the United States. And it continues to be ground-zero for antisemitic attacks. So studying this history is more important than ever.

I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.

I started out as a religion major in college, but soon became frustrated with the abstract thoughts of privileged white males. I wanted to understand the passions and struggles of ordinary people, and soon became convinced that the examination of the distant past sheds important light on the present. It’s not that I don’t care about the world around me right now. Rather, I am convinced that those who look only at this decade, this century, or even the last century fail to recognize some of the most powerful cultural forces that have shaped our most fundamental understandings of gender, wealth, poverty, work, and so much more.

I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”