Here are 100 books that Hemingway's Paris fans have personally recommended if you like
Hemingway's Paris.
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Well, I’ve devoted my life to literature (to a lesser extent, to music) as a critic, professor, and author of eleven books, from fiction to criticism to collected journalism to memoir and poetry. I’ve won several awards and fellowships for my own work. So, literary history and biography/autobiography are in my territory, so to speak. You can find more about me and my books at my website.
If you trained to be a jazz musician as I once did, or if you love jazz, you’ll be fascinated by this story (both autobiography and oral history from those who knew Pepper).
It includes also journalistic and critical literary assessments of his music and life that Art and Laurie Pepper include, but mostly, I was fascinated by Art’s own testimony of the struggles of a musician in the 1950s and ‘60s.
By the 70s, Pepper was trying to go straight, off drugs, and his long struggle with that issue is documented by him, his wife, and his colleagues and friends. But he was indeed straight in a different sense—he played beautiful, lyrical, straight-ahead jazz, no free form self-indulgence. So I got a wide view of the man and music through the oral history and through the journalists and critics who wrote essays about him.
Art Pepper (1925-1982) was called the greatest alto saxophonist of the post-Charlie Parker generation. But his autobiography, Straight Life , is much more than a jazz book,it is one of the most explosive, yet one of the most lyrical, of all autobiographies. This edition is updated with an extensive afterword by Laurie Pepper covering Art Pepper's last years, and a complete and up-to-date discography by Todd Selbert.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Well, I’ve devoted my life to literature (to a lesser extent, to music) as a critic, professor, and author of eleven books, from fiction to criticism to collected journalism to memoir and poetry. I’ve won several awards and fellowships for my own work. So, literary history and biography/autobiography are in my territory, so to speak. You can find more about me and my books at my website.
Well, the title and subtitle say it all. Who wouldn’t be interested? I certainly was.
But it’s not just the 50s-the 70s that we see in this history of the newspaper; we are taken right up into the recent 2000s, and all the changes and permutations and personalities involved. The author herself worked for the Voice, so it is an inside story too.
Also, it is not just a biography of the major American voice in alternative journalism covering art, film, music, and literature. It is an autobiography of many of the writers and artists who tell their own stories during their time at the Voice in oral history fashion.
I knew I was getting the real, if sometimes conflicting, skinny on the personalities and evolutions of the paper. I found the whole thing engaging from start to finish because of this direct personal quality in the way the history/biography…
A rollicking history of America's most iconic weekly newspaper told through the voices of its legendary writers, editors, and photographers.
You either were there or you wanted to be. A defining New York City institution co-founded by Norman Mailer, The Village Voice was the first newspaper to cover hip-hop, the avant-garde art scene, and Off-Broadway with gravitas. It reported on the AIDS crisis with urgency and seriousness when other papers dismissed it as a gay disease. In 1979, the Voice’s Wayne Barrett uncovered Donald Trump as a corrupt con artist before anyone else was paying attention. It invented new forms…
Well, I’ve devoted my life to literature (to a lesser extent, to music) as a critic, professor, and author of eleven books, from fiction to criticism to collected journalism to memoir and poetry. I’ve won several awards and fellowships for my own work. So, literary history and biography/autobiography are in my territory, so to speak. You can find more about me and my books at my website.
Cowley was at the center of the Lost Generation in Paris and America, but he also was instrumental in championing such post-WWII authors as Kerouac and Kesey, among others.
This biography covers all his roles and interactions with such authors throughout his life. I found the book often felt to me like a fascinating lecture on the literary life of the 1920s-80s from your favorite English professor in college. So much detail is filled in on the lives and works of the writers of the period as they fit into Cowley’s own work and life.
To take one great example, the story of how Cowley was more responsible than anyone else for rejuvenating Faulkner’s career after his books went out of print, in part through Cowley’s The Portable Faulkner. After Cowley’s labors on Faulkner’s behalf, the obscure Faulkner went on to get all his books reprinted, taught in college…
A finalist for the 2026 Andrew Carnegie Medal for Excellence in Nonfiction • Named a Best Book of the Year by The New Yorker
A delightful and majestic reckoning with the ascent of American fiction in the twentieth century through the prism of the under-known man who had an astonishing amount to do with it
Malcolm Cowley is not a household name today, but the American literary canon would look very different without him. A prototypical “man of letters” of his generation—Harvard University, a volunteer in the French ambulance corps in World War I, a rite of passage in Paris…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
Well, I’ve devoted my life to literature (to a lesser extent, to music) as a critic, professor, and author of eleven books, from fiction to criticism to collected journalism to memoir and poetry. I’ve won several awards and fellowships for my own work. So, literary history and biography/autobiography are in my territory, so to speak. You can find more about me and my books at my website.
This book is a great companion volume to Adam Begley’s Updike biography of some years ago, but it is more like reading a lively autobiography because we follow Updike in his own words from his school years, through Harvard, his first publishing successes, and his many letters to friends and fellow authors, to the end of his life.
Mary McCarthy, Joyce Carol Oates, and Ian McEwan are just the few we witness Updike in fascinating and intimate “conversation” with on every topic imaginable, including theories of fiction, the publishing industry, personal problems and conflicts, good and bad behaviors, you name it.
That the letters are so uncensored is what grabbed me as a reader, especially. The material is raw but presented still through Updike’s high, articulate, often humorous style. I found the reading experience delightful, especially for such a long book from such a prolific author.
THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • The arc of literary giant John Updike's life emerges in these luminous daily letters to family, friends, editors, and lovers—a remarkable outpouring over six decades, from his earliest consciousness as a writer to his final days.
As James Schiff writes in the introduction to this volume, of the writer who would eventually “express himself in written form as copiously and as elegantly as any American writer” before him, “Updike needed to write the way the rest of us need to breathe or eat.” With his stunning rhetorical gifts—enabling him to thrive…
I am captivated by memoirs that shed light on the deeper life experiences of their authors. My curiosity about inner life compelled me to learn about the psychological essence of memoir writers, resulting in my writing a memoir from an in-depth psychological perspective. My curiosity also led me to become a psychotherapist, which helped me better navigate dark and uncertain waters with my clients. By probing the inner psychological dynamics of such memoirs, I learned more about myself and became a writer with rare psychological insight. Such illumination served to ignite my very soul. My passion is fueled by tapping the mysteries of what lies within us all.
At age 15, I was captivated by Ernest Hemingway and his depiction of Paris in the 1920s. This book today reignites the enchantment of those years. Hemingway's profound influence shaped my aspirations as a writer. Through his eyes, I can vividly see Paris's cafés, salons, and vibrant social scenes, which ultimately became the backdrop of my dreams.
This book, rich with lovemaking, drinking, writing, betting at the track, and the bohemian lifestyle of so many young artists in Paris, reawakens my desire to immerse myself in that world. Hemingway's narrative voice and his novels continue to speak to me in a language that feels intimately mine, reminding me of the undying impact of his work on my life and aspirations.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Sean Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and…
I am the former Enterprise Editor of The Sunday Times and author of eight books about entrepreneurship, personal development and smart thinking. I first became interested in the idea of people taking control of their own destiny when I was a foreign correspondent and met many people who had decided to turn their back on the traditional 9-to-5 and seek a life of adventure and excitement instead, even though they didn’t have much money. I discovered people earning a living by making wine and running cafes and realised that we all have the ability to take control of our own destiny if we really want to.
If this book doesn’t make you want to instantly move to Paris and become a writer living in a garret, there is something wrong with you.
It is very simply written in Hemingway’s straightforward style and is a reminder that you don’t have to write complicated sentences stuffed with overblown adjectives to tell a great story. An absolute classic and deservedly so.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Sean Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
This is an intimate, first-person account of 1920’s Paris, and the life of one of the most central characters of the period—the model, singer, and artist, Kiki of Montparnasse as she was known by all. Born in Burgundy in 1901, christened Alice Prin, and raised by her grandmother in abject poverty, at age twelve she was shipped off to Paris to live with the mother she had never known.
The young Alice’s fierce survival instincts immediately translated into a precocious thirst for experience. At fourteen she had her “first contact with art” when she began posing nude for a sculptor. Thereafter, she assumed the name and embraced life as the irrepressible Kiki. Lover of Man Ray, beloved friend of Soutine, Jean Cocteau, and many other artists of the period, she became the toast of Montparnasse, one of the century’s first truly independent women. Man Ray, Foujita, Kisling, and others immortalized…
Featuring an introduction by Ernest Hemingway and published for the first time in America, the unexpurgated memoirs of a model who reigned over Montparnasse in the twenties created a sensation when they first appeared in France in 1929.
As a historical fiction writer, every time I learn about an amazing woman, I instinctively want to write about her, to understand her life and bring her – often forgotten – story to a wider audience. It’s a wonderful way to live vicariously, and it’s a privilege to spend time in these women’s worlds for a brief period. There’s a Sylvia Plath quote that strongly resonates with me, beginning: ‘I can never be all the people I want and live all the lives I want…’. Reading and writing historical fiction allows me a glimpse into the worlds of different people living different lives in different eras, and for that I’m extremely grateful.
I knew very little about Ernest Hemingway before I read the book, so didn’t approach it as a fan of him wanting to know more.
The book came highly recommended, and I was intrigued by the women that surrounded this controversial figure. Mrs Hemingway covers parts of the lives of each of his four wives, each so differently and wonderfully told. We see Hadley, Fife, Martha, and Mary in relation to Hemingway, but there’s no doubt that this novel is all about them, their thoughts and emotions. It’s brilliantly written and masterfully conveys a sense of the time period too.
In the dazzling summer of 1926, Ernest Hemingway and his wife Hadley travel from their home in Paris to a villa in the south of France. They swim, play bridge and drink gin. But wherever they go they are accompanied by the glamorous and irrepressible Fife. Fife is Hadley's best friend. She is also Ernest's lover.
Hadley is the first Mrs. Hemingway, but neither she nor Fife will be the last. Over the ensuing decades, Ernest's literary career will blaze a trail, but his marriages will be ignited by passion and deceit. Four extraordinary women will learn what it means…
France claimed me early, when I was a teenager. A French major, a Rotary scholarship year in the Loire Valley, and decades of return visits later, I'm still not done with this gorgeous country. Since retirement, my husband and I spend at least several weeks there every year, and in 2011, we lived in France for three months during an adult gap year. My third book, a novel set in Paris and Normandy, is the most recent evidence that France and her food, wine, culture, literature, art and landscapes, have never loosened their hold on me.
Paris in the 1920s and Hemingway—what more could I want?
I'll admit I'm not a devoted fan of Hemingway's prose, but I've always been captivated by the man himself, and this novel more than satisfied that fascination. What unfolds is a love story as beautiful as it is devastating: Hemingway and his first wife, Hadley, set against the glittering, restless backdrop of 1920s Paris.
The author's prose is quietly stunning, and her historical rendering of the era feels fully alive. But it's Hadley who stayed with me. Watching her fight to hold her marriage together, to hold him together, is at times almost unbearable. She's drawn with such sympathy and complexity: a woman of real intelligence and grace, loving someone who was always partly beyond reach.
NEW YORK TIMES BESTSELLER • A deeply evocative novel of ambition and betrayal that captures the love affair between two unforgettable people, Ernest Hemingway and his wife Hadley—from the author of Love and Ruin and When the Stars Go Dark
“A beautiful portrait of being in Paris in the glittering 1920s—as a wife and as one’s own woman.”—Entertainment Weekly
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People • Chicago Tribune • NPR • The Philadelphia Inquirer • Kirkus Reviews • The Toronto Sun • BookPage
Chicago, 1920: Hadley Richardson is a quiet twenty-eight-year-old who has…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
Until I did my own animal-accompanied journey with Mollie and Peggy in 1984, my only association with animals on the trail was inadvertently with a collection of cockroaches in my backpack. It was when Bradt decided to add to their anthologies with a collection of stories about travelling with animals in 2018, Beastly Journeys, that I was able to read a wide variety of books on the topic. A delightful exercise!
I discovered this fascinating and extraordinary story when I was researching tales about travelling with animals for Beastly Journeys. Unlike the other four books in my list, this one has the animal as the central character. And what an animal! Zarafa was captured as a calf in what is now Ethiopia in a plan to cement relationships between the Ottoman Viceroy of Egypt and Charles V of France. The year was 1826 and a giraffe had never before been seen in France. Zarafa did the first part of her journey strapped to the back on a camel, and then – surely more comfortably – down the Nile and across the Mediterranean on a brigantine.
A hole was cut in the deck which allowed Zarafa to travel with her body in the hold, while her head and neck enjoyed the human company on deck. From Marseille she was walked, with…
In October 1826, a ship arrived at Marseille carrying the first giraffe ever seen in France. A royal offering from Muhammad Ali, Ottoman Viceroy of Egypt, to King Charles X, she had already traveled 2,000 miles down the Nile to Alexandria, from where she had sailed across the Mediterranean standing in the hold, her long neck and head protruding through a hole cut in the deck. In the spring of 1827, after wintering in Marseille, she was carefully walked 550 miles to Paris to the delight of thousands of onlookers.
The viceroy's tribute was politically motivated: He commanded the Turkish…
