93 Books Like Yannis Ritsos

That I would love a poem written/translated by Seamus Heaney did not come as a surprise to me, but that it is Beowulf, a poem/story steeped in the Germanic warrior culture and soaked in blood that enthralled me, did surprise me.

I do not remember the occasion that prompted my reading, but even as I opened the book to its Introduction, and read “...And now this is ‘an inheritance’ --/Upright, rudimentary, unshiftably planked/ In the long ago, yet willable forward...Again and again and again,” I could not put it down.

In fact, you might say, it is not the story but the voice of the poet and how he brought this ancient language and people back to life that compelled me to read on. Of course, the voice is that of the poet of “Digging,” as he traces his roots back to these unlikely ancestors.

Though I love to read Homer’s Odyssey in the original Greek, I also appreciate translations that allow particular themes to emerge in new ways.

All translations of the ancient epic are necessarily inventive recreations of the ancient Greek Homeric story, and I like the way this translation employs a quick-paced poetic meter and updates the tale to suit modern sensibilities on uncomfortable aspects of the Odyssey (e.g., misogyny, slavery).

The introduction also provides an authoritative explanation of the Homeric Odyssey.

I read this English translation before I even read the book in Chinese, even though Chinese readers in Hong Kong where I grew up all read it as teenagers or young adults. The popular title of the novel is Dream of the Red Chamber, in both English and its original Chinese, but I immediately agreed with Hawkes that The Story of the Stone, one among its many titles, is much more expressive and fitting.

The eighteenth-century aristocratic family is a hugely complex world we are introduced to, but Hawkes’ faithful, resourceful, and unpretentious translation makes getting to know the multitude of characters easy and unforgettable.

Even though it is set in eighteenth-century China, for a twentieth/twenty-first-century English reader like myself, the family dynamics, tragedy, and romance here are palpable thanks to Hawke’s understanding and translation.

Stanley Kunitz, with Max Hayward’s translation of Poems of Akhmatova from Russian, is another book that I find myself going back to over and over again.

This is a poet’s translation of a poet, and not only that, but a poet who is willing to give himself entirely to the art of translation in order to bring another poet’s voice in another language back to life, as he puts it in his Translator’s Note, “...to record what we have heard, and to try to give it back in the language that we love.”

This is why I love these translations; I love that I can hear her through him, the translator as a medium, and the result is pure and uncontrived, hitting me right in the heart as I read and taste these poems out loud. This is a poet-translator who has “walked through many lives” (from Kunitz’s poem, “The… show more.

This is a dreamer’s book—notes about life, literature, and the universe written by the author after accepting on the spur of the moment a Greek friend’s invitation to go island-hopping in a little sailing boat.

I like it not just because I knew the author’s late daughter and treasure his affectionate references to her, but also for its erudite musings and reflections. They remind me of how, even from the deck of one of today’s decidedly unromantic ferries, the glinting sea and island silhouettes induce a state of semi-trance or reverie, pushing your thoughts into overdrive.

The author was a heavyweight figure on Greece’s literary scene, but this little book is charming, short, and accessible.

An absolutely unique story that takes the mythology of the Greek underworld and gives it a twist (or two). Clo only has her Dad. He’s always been a little different—as has she—but when he disappears and leaves her a ticket for half-passage across the sea, Clo finds herself stranded on a mysterious island with a weaver, a cat, and an odd little boy—Cary, who has secrets of his own. 

I loved the stunning and strange machinations of Clo’s days on the island and working to unravel its hidden truths alongside her. She feels like a friend, and her dawning need to protect Cary is touching and relatable. The writing is beautiful, the imagery haunting, and Clo’s need to understand—and escape, is somehow both urgent and dream-like. Deep thinkers will love this book.

Book 1 in a 4-book series, and our hero is Kaidance Monroe. I love the world the author has created and I really connected with Kaidance and the challenges she faces. This story is a modern-day take on the ancient Greek myth about The Fates who control our lives, and I love this retelling because the core message holds true for each and every one of us, that we can only control so much of our lives, that there are forces bigger than us that we have to deal with, but it's how we cope that's important. I’ve read the entire series. The author doesn’t drop the pace. I loved experiencing this fantastical world on a rollercoaster ride, clinging on until the end. 

This is the best collection of the Greek Myths I believe, and of course covers the Orpheus and Eurydice myth, the direct inspiration for my book. In the classical myth the poet and musician Orpheus loses his love, Eurydice, and sings his way into Hades, overcoming all opposition, until even Hades agrees to let him have Eurydice back in the living world, so long as he does not look back at her until returned there. Once in daylight he does look back, and loses her forever as she hasn't stepped into daylight too. However, unlike Orpheus my young hero succeeds.

This book is about being brave. You know when a problem grows into a huge scary monster, right? It’s got you cornered and you don't think you'll ever get out alive, but with the right attitude, you can. Our hero Phoenix is braver than his years, but in some ways he’s more grown-up than his dad. In this retelling of the ancient Greek story of the minotaur, who crushes mortals and eats them for breakfast, we step into a monstrous virtual world created by Phoenix’s dad. I wanted to run, but most of all I wanted to stay and see what happened next. Will the minotaur eat Phoenix alive? I related to Phoenix trying to survive and trying to work out his issues with his dad, because every one of us has to face the same difficult world and be courageous about it.

Vernant was an influential scholar when I began writing about women in ancient Greece in the 1990s. His discussions of the social, political and religious institutions of the time, and their relationship with popular mythology, were informed by French structuralist theory.  For me his analysis of the role of marriage in a society devoted to virgin goddesses was particularly stimulating.