Here are 95 books that Yannis Ritsos fans have personally recommended if you like
Yannis Ritsos.
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To experience another's thoughts and emotions, one first has to feel them. Eyes, lips, tongue, and teeth are involved before the brain/heart can engage. Translation of poetry is the same. My mother has sung Chinese poetry to me since forever, and English poetry came alive for me through verse speaking. I studied and taught as I wrote for many years. I cannot say I find my way into every poem I come across, but the poems I translate are ones I know and love. That is why I am passionate about translation. For me, it is not a secondary experience but a primary, primal performance art!
That I would love a poem written/translated by Seamus Heaney did not come as a surprise to me, but that it is Beowulf, a poem/story steeped in the Germanic warrior culture and soaked in blood that enthralled me, did surprise me.
I do not remember the occasion that prompted my reading, but even as I opened the book to its Introduction, and read “...And now this is ‘an inheritance’ --/Upright, rudimentary, unshiftably planked/ In the long ago, yet willable forward...Again and again and again,” I could not put it down.
In fact, you might say, it is not the story but the voice of the poet and how he brought this ancient language and people back to life that compelled me to read on. Of course, the voice is that of the poet of “Digging,” as he traces his roots back to these unlikely ancestors.
Composed towards the end of the first millennium, the Anglo-Saxon poem Beowulf is one of the great Northern epics and a classic of European literature. In his new translation, Seamus Heaney has produced a work which is both true, line by line, to the original poem, and an expression, in its language and music, of something fundamental to his own creative gift.
The poem is about encountering the monstrous, defeating it, and then having to live on, physically and psychically exposed, in that exhausted aftermath. It is not hard to draw parallels between this story and the history of the…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am an American citizen who taught Classical Studies at the University of Toronto, Canada. I have taught Homer (in translation and in Greek), ancient myth, and “reception” of ancient myth. All the books that I discuss below I have taught many times in a first-year seminar about creative “reception” of the Odyssey. Other topics include comparable stories (like The Tempest by Shakespeare) and other great works of reception (like Derek Walcott’s stage version of the Odyssey and his epic poem "Omeros"). Every time I’ve taught the class, I’ve learned the most from free-wheeling discussions with students.
Though I love to read Homer’s Odyssey in the original Greek, I also appreciate translations that allow particular themes to emerge in new ways.
All translations of the ancient epic are necessarily inventive recreations of the ancient Greek Homeric story, and I like the way this translation employs a quick-paced poetic meter and updates the tale to suit modern sensibilities on uncomfortable aspects of the Odyssey (e.g., misogyny, slavery).
The introduction also provides an authoritative explanation of the Homeric Odyssey.
The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world.
This vivid new translation-the first by a woman-matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling…
To experience another's thoughts and emotions, one first has to feel them. Eyes, lips, tongue, and teeth are involved before the brain/heart can engage. Translation of poetry is the same. My mother has sung Chinese poetry to me since forever, and English poetry came alive for me through verse speaking. I studied and taught as I wrote for many years. I cannot say I find my way into every poem I come across, but the poems I translate are ones I know and love. That is why I am passionate about translation. For me, it is not a secondary experience but a primary, primal performance art!
I read this English translation before I even read the book in Chinese, even though Chinese readers in Hong Kong where I grew up all read it as teenagers or young adults. The popular title of the novel is Dream of the Red Chamber, in both English and its original Chinese, but I immediately agreed with Hawkes that The Story of the Stone, one among its many titles, is much more expressive and fitting.
The eighteenth-century aristocratic family is a hugely complex world we are introduced to, but Hawkes’ faithful, resourceful, and unpretentious translation makes getting to know the multitude of characters easy and unforgettable.
Even though it is set in eighteenth-century China, for a twentieth/twenty-first-century English reader like myself, the family dynamics, tragedy, and romance here are palpable thanks to Hawke’s understanding and translation.
The Story of the Stone (c.1760) is one of the greatest novels of Chinese literature. The first part of the story, The Golden Days, begins the tale of Bao-yu, a gentle young boy who prefers girls to Confucian studies, and his two cousins: Bao-chai, his parents' choice of a wife for him, and the ethereal beauty Dai-yu. Through the changing fortunes of the Jia family, this rich, magical work sets worldly events - love affairs, sibling rivalries, political intrigues, even murder - within the context of the Buddhist understanding that earthly existence is an illusion and karma determines the shape…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
To experience another's thoughts and emotions, one first has to feel them. Eyes, lips, tongue, and teeth are involved before the brain/heart can engage. Translation of poetry is the same. My mother has sung Chinese poetry to me since forever, and English poetry came alive for me through verse speaking. I studied and taught as I wrote for many years. I cannot say I find my way into every poem I come across, but the poems I translate are ones I know and love. That is why I am passionate about translation. For me, it is not a secondary experience but a primary, primal performance art!
Stanley Kunitz, with Max Hayward’s translation of Poems of Akhmatova from Russian, is another book that I find myself going back to over and over again.
This is a poet’s translation of a poet, and not only that, but a poet who is willing to give himself entirely to the art of translation in order to bring another poet’s voice in another language back to life, as he puts it in his Translator’s Note, “...to record what we have heard, and to try to give it back in the language that we love.”
This is why I love these translations; I love that I can hear her through him, the translator as a medium, and the result is pure and uncontrived, hitting me right in the heart as I read and taste these poems out loud. This is a poet-translator who has “walked through many lives” (from Kunitz’s poem, “The…
I became passionate about ancient Greece as a teenager when I studied the ancient languages and history at school. I was also lapping up ancient Greece on film—back then the so-so Burton-Taylor Cleopatra really impressed. I got enthused by historical novels too, Mary Renault’s especially. My first visit to Greece as a university student hooked me on modern Greece as well. Since then, I’ve become a professional academic specialising in ancient Greece and have been lucky enough to develop a lifelong relationship with modern as well as ancient Greeks. I lived in Greece for six years in my twenties, and have gone back repeatedly ever since. I’ve published widely on Greece’s ancient history and archaeology.
This is a dreamer’s book—notes about life, literature, and the universe written by the author after accepting on the spur of the moment a Greek friend’s invitation to go island-hopping in a little sailing boat.
I like it not just because I knew the author’s late daughter and treasure his affectionate references to her, but also for its erudite musings and reflections. They remind me of how, even from the deck of one of today’s decidedly unromantic ferries, the glinting sea and island silhouettes induce a state of semi-trance or reverie, pushing your thoughts into overdrive.
The author was a heavyweight figure on Greece’s literary scene, but this little book is charming, short, and accessible.
Zissimos Lorenzatos (1915-2004), essayist, thinker and poet, was arguably Greece's most significant man of letters in the twentieth century. In the Aegean Notebooks, a record of his observations and reflections while sailing among the Greek islands in the 1970s and 1980s, the special quality of his literary and philosophical gifts, and of the man himself, are vividly present. Along with everything a mariner yearns to bring ashore, all he has felt and experienced at sea with the wake of the boat unfurling behind him, Lorenzatos brings us in addition a lifetime's learning and contemplation. For him, life, and the living…
I had a lot of troubles as a kid, and my favorite escape was getting lost in fairy tales and mythology. For me, those stories were a window into ancient worlds full of strange rules and powers, where magic was real and nothing was outside the bounds of possibility. As an author, I get to build my own stories and worlds inspired by the tales I loved so much as a kid, and I’ve loved reading about new heroes and heroines whose tales are rooted in the powerful traditions of peoples from all over the globe. I’m happy to be sharing some of my recent favorite mythology-inspired books!
An absolutely unique story that takes the mythology of the Greek underworld and gives it a twist (or two). Clo only has her Dad. He’s always been a little different—as has she—but when he disappears and leaves her a ticket for half-passage across the sea, Clo finds herself stranded on a mysterious island with a weaver, a cat, and an odd little boy—Cary, who has secrets of his own.
I loved the stunning and strange machinations of Clo’s days on the island and working to unravel its hidden truths alongside her. She feels like a friend, and her dawning need to protect Cary is touching and relatable. The writing is beautiful, the imagery haunting, and Clo’s need to understand—and escape, is somehow both urgent and dream-like. Deep thinkers will love this book.
A spellbinding middle grade fantasy inspired by Greek mythology, for fans of The Girl Who Drank the Moon and The Book of Boy.
Clothilde has lived her whole life in the shadows with her (sometimes) thieving and (always) ailing father. But when he fails to meet her one morning, sending her instead a mysterious ticket of "half-paffage," Clo finds herself journeying across the sea to reunite with him. The ticket, however, leaves her on a sunless island populated only by creaking fishermen, a rumpled old woman, a piggish cat, and a moon-cheeked boy named Cary.
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I’ve been fascinated by Greek Mythology since I read a book about it in childhood. There was a popular graphic novel series about Greek and Roman Mythology in Korea, and I was one of many kids obsessed with these books. That passion continued and became stronger when I moved to New York. It had various mythology books, including novels and picture books, and there were tons of references, such as paintings, sculptures, and authentic vases. I hope you enjoy the books on the list and feel the same thrill I felt!
I was fascinated by illustrations at first. Then, the variety of characters and their stories mesmerized me. As a person always curious about other culture’s mythologies, this is an essential encyclopedia for my shelf.
I love that it has an illustration on one side that instantly catches your eyes. On the other, you explore where the tale started and find similarities with folk tales you already know.
Meet your favorite monsters, fairies, heroes, and tricksters from all around the world in this guide to mythical creatures.
Enter the enchanting world of mythical creatures from all around the world and explore the history behind them in this illustrated mythology book for children aged 5-9.
Say hello to Bigfoot in the forests of North America and learn about the Native American traditions that inspired its story. Voyage to Japan to meet kitsune, supernatural nine-tailed foxes that can turn into humans. Then jump onboard an ancient storm-battered ship to learn why mermaids were the last thing a sailor wanted to…
Jordanna Max Brodsky is the author of the Olympus Bound trilogy and The Wolf in the Whale, a sweeping epic of the Norse and Inuit. Jordanna holds a degree in History and Literature from Harvard University, but she maintains that scholarship is no substitute for lived experience. Her research has taken her from the summit of Mount Olympus to the frozen tundra of Nunavut, and from the Viking ruins of Norway to Artemis’s temples in Turkey.
Ancient Roman poet Ovid gives us the definitive versions of nearly 250 different myths, most involving transformations of men and women into beasts, trees, or flowers. If that sounds dull, know that there’s more incest than Game of Thrones and more bloody mutilation than a Quentin Tarantino flick. Some tales, like that of Orpheus and Eurydice, are well-known. Others, like the story of the fleet-footed Atalanta, should be. For anyone interested in writing their own story inspired by Greek myth, Ovid’s Metamorphoses provides an invaluable source of inspiration. Read Allen Mandelbaum’s excellent poetic translation for the most authentic experience.
Through National Book Award-winning translator Allen Mandelbaum's poetic artistry, this gloriously entertaining achievement of literature — classical myths filtered through the worldly and far from reverent sensibility of the Roman poet Ovid — is revealed anew.Savage and sophisticated, mischievious and majestic, witty and wicked, The Metamorphoses weaves together every major mythological story to display a dazzling array of miraculous changes, from the time chaos is transformed into order at the moment of creation, to the time when the soul of Julius Caeser is turned into a star and set in the heavens. In its earthiness, its psychological acuity, this classic…
I’ve been fascinated by Greek Mythology since I read a book about it in childhood. There was a popular graphic novel series about Greek and Roman Mythology in Korea, and I was one of many kids obsessed with these books. That passion continued and became stronger when I moved to New York. It had various mythology books, including novels and picture books, and there were tons of references, such as paintings, sculptures, and authentic vases. I hope you enjoy the books on the list and feel the same thrill I felt!
This palm-sized book tells the story of mythical creatures worldwide. As an illustrator, I’m always fascinated by interesting and experimental book designs, and this book instantly caught my attention with 250 illustrations of more than 100 mythical beings.
I couldn’t stop myself from bringing this book home. It was such an inspiration for me because it tells the story of some creatures that I had never heard of before. This book is still on the bookshelf closest to my computer desk.
This miniature bestiary contains some 250 illustrations of more than 100 mythical beings: fire-breathing dragons, sinuous sea serpents, mischievous leprechauns, high-spirited unicorns, the lumbering Golem, fluttering fairies, and many other wondrous creatures drawn from global folklore and mythology. They are depicted in a wide variety of artistic media, from painting and sculpture to jewellery and ceramics, from ancient times to the present. An insightful text explores the history of these creatures and their cultural roles. All lovers of myth and fantasy will delight in this Tiny Folio.
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I write about aloneness and individuals, what it takes to connect to family and community, and how to hang on to the people we hold dear. This means I think a lot about points of view and personal perception. We often wonder: Have I got this right? Did they get my meaning? Does everybody feel this? And more often than not, everybody does. These interpretations are both personal and universal at the same time. We all fear loss; we all have to be brave to hold onto people we love and principles we value.
Book 1 in a 4-book series, and our hero is Kaidance Monroe. I love the world the author hascreated and I really connected with Kaidance and the challenges she faces. This story is amodern-day take on the ancient Greek myth about The Fates who control our lives, and I lovethis retelling because the core message holds true for each and every one of us, that we canonly control so much of our lives, that there are forces bigger than us that we have to deal with,but it's how we cope that's important. I’ve read the entire series. The author doesn’t drop thepace. I loved experiencing this fantastical world on a rollercoaster ride, clinging on until the end.
My name is Kaidance Monroe, and sometimes when I touch people, I see how they die.
"Love, betrayal, mythology, mystery, you name it this has it! Hold onto your horses and Minotaurs people as this ride is definitely going to get bumpy." ★★★★★
After I saw my little brother's death but failed to stop it, my parents abandoned me to a juvenile detention facility. I don't let people touch me anymore. Not my fingertips, not my skin, not my heart. Just before I turned 18, I got a visit from a cute guy, who tricked me into giving up my…