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Iâm a historian of Modern Europe based in Berlin. For the last twenty years or so, Iâve worked on different forms of protesting and street politics in twentieth-century Europe, always with an eye to how these histories might speak to the present. Having taught at the British University of Warwick, Iâm now teaching high school students in Berlin, a career change that raised a simple but fundamental question once again: Why should we bother with history? What can we learn from history today? My passion for histories of protesting provides the answer to this question: These are histories that inspire dreaming, struggling, experimentingâand continuing to do so despite failures.
How could a bunch of creative, courageous, but also somewhat crazy activists make the authoritarian regime of Poland under communist rule tremble? By bringing a moment of joy and laughter to an otherwise dull and grey world. That is what the Polish Orange Alternative Movement did during the late 1980s.
Lives of the Orange Men tells the story of the group. Itâs a book that simply made me laugh a lot. Written as a series of captivating autobiographiesâand not every word is to be taken seriously!âit is full of anecdotes of activists playfully mocking authorities. âWhat are those pills,â police once wondered after searching the backpack of an arrested activist. âHappy pills,â the man replied. One officer was eager to try them; happy pills just sounded too good. They turned out to be mints.
Between 1981 and 1989 in Wroclaw Poland, in an atmosphere in which dissent was forbidden and martial law a reality, the art-activist Orange Alternative movement developed and deployed their socialist sur-realism in absurd street-painting and large-scale performances comprising tens of thousands of people dressed as dwarves, in an effort to destabilize the Communist government. It worked. Beginning with the dialectical painting of dwarves onto the patches of white paint all over the citys walls, which uncannily marked the censorship of opposition slogans, the group moved on to both stage happenings and over-enthusiastically embrace official Soviet festivals in a way thatâŚ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŚ
Iâm a historian of Modern Europe based in Berlin. For the last twenty years or so, Iâve worked on different forms of protesting and street politics in twentieth-century Europe, always with an eye to how these histories might speak to the present. Having taught at the British University of Warwick, Iâm now teaching high school students in Berlin, a career change that raised a simple but fundamental question once again: Why should we bother with history? What can we learn from history today? My passion for histories of protesting provides the answer to this question: These are histories that inspire dreaming, struggling, experimentingâand continuing to do so despite failures.
A lot has been written about the famous May â68 in France, but to me, Kristin Rossâs book stands out because of what she argues was at the heart of the protests: they were an experiment âin declassification, in disrupting the natural âgivenness of places,ââ an attempt to question the very order of society.
Students left their spaces of study to engage with workers; workersâor at least some of themârefused to return to the hell their workplace was: they didnât want to function as students or workers anymore. This vision of transgressing social or spatial boundaries, I believe, still speaks to the present. It promises a life not determined by social roles, a society not divided by neat sociological categories.
During May 1968, students and workers in France united in the biggest strike and the largest mass movement in French history. Protesting capitalism, American imperialism, and Gaullism, 9 million people from all walks of life, from shipbuilders to department store clerks, stopped working. The nation was paralyzed-no sector of the workplace was untouched. Yet, just thirty years later, the mainstream image of May '68 in France has become that of a mellow youth revolt, a cultural transformation stripped of its violence and profound sociopolitical implications.
Kristin Ross shows how the current official memory of May '68 came to serve aâŚ
Iâm a historian of Modern Europe based in Berlin. For the last twenty years or so, Iâve worked on different forms of protesting and street politics in twentieth-century Europe, always with an eye to how these histories might speak to the present. Having taught at the British University of Warwick, Iâm now teaching high school students in Berlin, a career change that raised a simple but fundamental question once again: Why should we bother with history? What can we learn from history today? My passion for histories of protesting provides the answer to this question: These are histories that inspire dreaming, struggling, experimentingâand continuing to do so despite failures.
What fascinates me about the history of protesting isnât only that ordinary people campaigned for or against political change but also that they started experimenting with different ways of living. This is why Sasha Roseneilâs book made me dream and smile: a deeply human and intimate book based on oral history interviews, telling the story of the womenâs protest camp at the Greenham Common Airforce base in England, where American Cruise Missiles equipped with nuclear warheads were stationed.
The women of Greenham Common, as Roseneilâs book wonderfully shows, did more than protest the dangers of nuclear war. In the cold and dirt of the camp, amidst the fear of nuclear annihilation, they built a community of laughter, dancing, hugging, and caring: a âqueer space,â as Roseneil puts it, of trying out alternatives to the Cold War world of bureaucracy and rationality.
This is a book about how individual, social, political and cultural change is created through the actions of ordinary women. It is about a unique community of women where conventions were overturned and lives transformed, and it is about a social movement in which tens of thousands of women confronted the police and military to resist the momentum towards nuclear war. The women's peace camp at Greenham Common represented a new direction for feminism in Britain, a queer post-modern feminism which broke with tradition and destabilized certainties. This book weaves together stories of life at Greeham with analysis of itsâŚ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŚ
Iâm a historian of Modern Europe based in Berlin. For the last twenty years or so, Iâve worked on different forms of protesting and street politics in twentieth-century Europe, always with an eye to how these histories might speak to the present. Having taught at the British University of Warwick, Iâm now teaching high school students in Berlin, a career change that raised a simple but fundamental question once again: Why should we bother with history? What can we learn from history today? My passion for histories of protesting provides the answer to this question: These are histories that inspire dreaming, struggling, experimentingâand continuing to do so despite failures.
I hardly imagined the Soviet Union, a place of grey and black, with the only sparks of color being red, to be a place for hippie culture to flourish. Juliane FĂźrstâs book taught me otherwise. It leads into a world of people like Azazello and Ofelia, who look like âangels, creatures from another world, blots of color on a grey canvas, flowers in a concrete desert.â
The book traces how these hippies, against all odds, found ways to distance themselves from the Soviet System, not through open opposition but through dreaming of and living a different life, communally, spiritually, and often on the road. And FĂźrstâs book does more than merely portray Soviet hippies in a fundamentally sympathetic way: It also reveals what we can learn about a larger society by studying those at the margins. It is an unusual but highly illuminating perspective on the late Soviet Union.
Flowers through Concrete: Explorations in Soviet Hippieland takes the reader on a journey into the lives and thoughts of Soviet hippies. In the face of disapproval and repression, they created a version of Western counterculture, skillfully adapting to, manipulating, and shaping their late socialist environment. Flowers through Concrete takes its readers into the underground hippieland and beyond, situating the world of hippies firmly in late Soviet reality and offering both an unusual history of the last Soviet decades as well as a case study of transnational youth culture and East-West globalization.
Flowers through Concrete is based on over a hundredâŚ
Womenâs rights in the workplace have been my passion for thirty years. As a sociologist who does fieldwork and oral histories, I am interested in understanding work through workersâ perspectives. The most important thing Iâve learned is that employers can be notoriously reluctant to enact change and that the most effective route to workplace justice is through collective action. I keep writing because I want more of us to imagine workplaces that value workers by compensating everyone fairly and giving workers greater control over their officeâs rhythm and structure.
Did you know that until 1974, the job category âdomestic workerâ was excluded from labor rights that were established in FDRâs New Deal legislation such as the minimum wage and workersâ compensation? Did you know that 1960s union leaders ignored the exploitative labor conditions of domestic work because they considered these workers âunorganizableâ?
Historian Premilla Nadasanâs wonderful book tells the story of Black domestic workersâ exclusion from legal rights to which other workers were entitled and their fight to gain those rights beginning in the 1950s and extending through the establishment of the Fair Labor Standards Act in 1974.
Telling this history through the life stories of domestic workers who were leaders in this movement makes this book a particularly compelling and worthwhile read. Â
Telling the stories of African American domestic workers, this book resurrects a little-known history of domestic worker activism in the 1960s and 1970s, offering new perspectives on race, labor, feminism, and organizing.  In this groundbreaking history of African American domestic-worker organizing, scholar and activist Premilla Nadasen shatters countless myths and misconceptions about an historically misunderstood workforce. Resurrecting a little-known history of domestic-worker activism from the 1950s to the 1970s, Nadasen shows how these women were a far cry from the stereotyped passive and powerless victims; they were innovative labor organizers who tirelessly organized on buses and streets across the UnitedâŚ
My passion for Central American politics and history derived quite directly from the conflicts in the region from the late 1970s onwards. Previously I had worked in Bolivia, where I had studied as a doctoral student, and although many people still view Latin American countries as pretty homogenous, I quickly discovered that they are very far from being so. I had to unlearn quite a bit and acquire new skills, although luckily, indigenous languages are really only dominant in Guatemala. Now we can be rather less partisan although many injustices remain.
Dalton was a wonderful poet and radical activist tragically executed by his Salvadorean comrades in 1975 when they erroneously believed him to be working for the CIA. The Salvadorean left has a poor record in devouring its own in bouts of paranoia that attended the civil war of the 1980s. Marmol, who survived deep into old age, was a ringleader of an uprising in 1932 that briefly promised a peasant overthrow of a state controlled by an oligarchy of a dozen families. The uprising was repressed with such force that the military was able to retain political power for the next four decades. This book is beautifully written and translated wonderfully well by Richard Schaaf and Kathleen Ross.
Miguel MĂĄrmol is the testimony of a revolutionary, as recorded by Salvadoran writer, Roque Dalton, which documents the historical and political events of El Salvador through the first decades of the 20th century. This Latin American classic describes the growth and development of the workers' movement and the communist party in El Salvador and Guatemala, and contains MĂĄrmol's impressions of post-revolutionary Russia in the twenties, describing in vivid detail the brutality and repression of the MartĂnez dictatorship and the reemergence of the workers' movement after MartĂnez was ousted. It also gives a broad and clear picture of the lives ofâŚ
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man sheâŚ
I am a novelist with my debut, The One, out in April 2023. Iâm interested in stories about the role of gender, technology, and privacy in our contemporary culture.We spend so many hours at work, yet often the literature we read spends so little time discussing what that experience is actually like. As I wrote my own novel with a narrator flailing so aimlessly through her early post-grad years that she ends up on a reality dating show, I craved other books that tackled what it was like to have to earn a living at the forefront of the text, rather than a nebulous character detail in the background.
To close off the list, I picked a novel where the main character ends up becoming energized by her work.
At an otherwise soul-sucking job at a PR firm, Ellinor becomes involved with, and motivated by, a political movement about supporting postal workers in Norway.
For a novel that could have been bogged down by the inner workings of the EU and the Norwegian Postal Service, Hjorthâs writing style is crisp and perfect. She could choose any subject matter and it would be interesting.Â
Ellinor, a 35-year-old media consultant, has not been feeling herself; she's not been feeling much at all lately. Far beyond jaded, she picks through an old diary and fails to recognise the woman in its pages, seemingly as far away from the world around her as she's ever been. But when her coworker vanishes overnight, an unusual new task is dropped on her desk. Off she goes to meet the Norwegian Postal Workers Union, setting the ball rolling on a strange and transformative six months.
This is an existential scream of a novel about loneliness (and the postal service!), writtenâŚ
Iâm a Colorado-raised and California-based historian, professor, and writer. I recently published my first book, Brewing a Boycott: How a Grassroots Coalition Fought Coors and Remade American Consumer Activism, which explores the history of one of the longest-running consumer boycotts in American history â the boycott of Coors beer. In telling this particular history, I became fascinated with the boycott as a tool of protest and activism. The boycott is an iconic and regular feature of American politics and history, but it is often dismissed as ineffective or passive. The books on this list (as well as many others) have helped to convince me that the boycott and consumer activism can be powerful forms of solidarity-building and protest.
The literature on Cesar Chavez, the United Farm Workers, and their boycott campaigns is quite extensive. Matt Garciaâs is one of the best accounts of the Farm Workersâ strategy of boycotting grapes, lettuce, and other items to build power and win a union. What I especially appreciate about Garciaâs account is, first, his focus on the innovations in consumer activism brought about by the UFW. Organizers and workers made their boycott succeed by going into cities, living together in boycott houses, and appealing to urban consumers. Garciaâs accounts of boycott houses and organizersâ efforts from Los Angeles to Toronto and London are excellent. Second, Garcia doesnât stray from critiquing the boycott tactic and noting places where it fell short â making this a cautionary tale for activists today.
From the Jaws of Victory:The Triumph and Tragedy of Cesar Chavez and the Farm Worker Movement is the most comprehensive history ever written on the meteoric rise and precipitous decline of the United Farm Workers, the most successful farm labor union in United States history. Based on little-known sources and one-of-a-kind oral histories with many veterans of the farm worker movement, this book revises much of what we know about the UFW. Matt Garcia's gripping account of the expansion of the union's grape boycott reveals how the boycott, which UFW leader Cesar Chavez initially resisted, became the defining feature ofâŚ
I'm a labor journalist. I've spent the past 20 years writing widely about inequality, class war, unions, and the way that power works in America. My parents were civil rights and antiwar activists in the 1960s and 70s, and they instilled in me an appreciation for the fact that social movements are often the only thing standing between regular people and exploitation. My curiosity about power imbalances in America drew me inexorably towards the absence of worker power and led me to the conclusion that the labor movement is the tool that can solve America's most profound problems. I grew up in Florida, live in Brooklyn, and report all over.
Steven Greenhouse, who spent decades as The New York Times' labor reporter, writes as gooda survey of the state of the present-day labor movement as you can find anywhere.
Uberdrivers, health care workers, auto workers, and more, this is a book for anyone who wonderswhere union power stands, how itâs gotten here, and who the players are who are trying torevive unions for a new century.
âA page-turning book that spans a century of worker strikes.... Engrossing, character-driven, panoramic.â âThe New York Times Book Review
We live in an era of soaring corporate profits and anemic wage gains, one in which low-paid jobs and blighted blue-collar communities have become a common feature of our nationâs landscape. Behind these trends lies a little-discussed problem: the decades-long decline in worker power.Â
Award-winning journalist and author Steven Greenhouse guides us through the key episodes and trends in history that are essential to understanding some of our nationâs most pressing problems, including increased income inequality, declining social mobility, and theâŚ
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the worldâs most famous heart surgeon.
In these and other intimate conversations, the bookâŚ
Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers.
This is not only a great ethnography (a book based on long-term anthropological fieldwork) giving a splendidly detailed and deeply humane account of the lives of Bolivian tin miners and their families in the 1970s, but also one of the most effective case studies within the framework of âdependency theory.â
The title, which comes from one of the authorâs interviews with a miner, captures the violence and misery of tin mining, but I also love the way the book portrays its protagonists as ordinary people living and giving meaning to their lives as best they can.Â
In this powerful anthropological study of a Bolivian tin mining town, Nash explores the influence of modern industrialization on the traditional culture of Quechua-and-Aymara-speaking Indians.