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The Nightingale.
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I am a historian of the Nazi occupation of France during the Second World War and the author of two books about the period. My book about the Oradour-sur-Glane massacre (Silent Village) was published in French this year, and as a result, I was interviewed live on French television. I am fascinated by history from the ground up, and I love revealing the stories of ordinary people whose contributions have been under-represented. My current PhD research focuses on the Resistance in rural French villages, interpreted through a series of micro-histories. I also adore historical fiction. I have a master's degree from Cardiff University and a BA joint Hons from the University of Exeter.
No work of fiction has had such a profound effect on historians of Occupied France as this staggeringly beautiful book. I had never read fiction like this before, a novel written contemporaneously yet showing such a depth of knowledge of the world around by a novelist who saw beauty beyond the chaos that had engulfed her world.
The young French novelist of Ukrainian-Jewish origin had planned five books yet only completed two before being killed in Auschwitz in 1942. This book contains the first two complete novels which are very different stories, but equally dramatic and written in prose that flows poetically. I loved the first novel, about the exodus from Paris in May 1940, just as much as the second, a love story that was used for the film of this heart-wrenching book.Â
In 1941, Irene Nemirovsky sat down to write a book that would convey the magnitude of what she was living through, not in terms of battles and politicians, but by evoking the domestic lives and personal trials of the ordinary citizens of France. She did not live to see her ambition fulfilled, or to know that sixty-five years later, "Suite Francaise" would be published for the first time, and hailed as a masterpiece. Set during a year that begins with France's fall to the Nazis in June 1940 and ends with Germany turning its attention to Russia, "Suite Francaise" fallsâŠ
Magnolia Merryweather, a horse breeder, is eager to celebrate Christmas for the first time after the Civil War ended even as she grows her business. She envisions a calm, prosperous life ahead after the terror of the past four years. Only, all of her plans are thrown into disarray whenâŠ
In 2017, my family was invited to France to retrace my fatherâs footsteps after his plane was shot down over occupied France in May 1944. During that visit, I realized how many ordinary citizens aided in his evasion. I thought their stories deserved to be preserved. I spent the next five years researching and writing, The Duty of Memory. During four trips to France to visit the actual sites, I interviewed eyewitnesses and became friends with family members of those depicted and learned their stories. I also studied documents from the US National Archives and the French Military Archives, as well as personal documents provided by the families.
I picked this book up on my brother's recommendation. His menâs book club read it, and he said they all liked it. If a bunch of men enjoyed a book about a female spy, well, I took that as high praise.
Because I am a student of WW2Â in Europe, I was already familiar with Virginia Hall. Until I read this book, I had no idea of the extent of her bravery and sacrifice. I seldom find myself so engrossed in a biography.
Chosen as a BEST BOOK OF THE YEAR by NPR, the New York Public Library, Amazon, the Seattle Times, the Washington Independent Review of Books, PopSugar, the Minneapolis Star Tribune, BookBrowse, the Spectator, and the Times of London
Winner of the Plutarch Award for Best Biography
"Excellent...This book is as riveting as any thriller, and as hard to put down." -- The New York Times Book Review
"A compelling biography of a masterful spy, and a reminder of what can be done with a few brave people -- and a little resistance." - NPR
I like happy endings. There, Iâve said it. I love books. Iâve written more than sixty to date, and I read all the time in every genre. I also love history, and World War II is a particular passion. It was an era rich with drama, horror, and heroism, with stories begging to be told. So many of those stories, real and fictional, end in heartbreak. But the great thing about being a writer is that I can take the characters I love through hell and back, then, in the end, have them come shining through. Thatâs what I want as a reader, too.
Based on a true story, this dual timeline book takes us from Evaâs present-day life back to 1942,  when she used her talent for forgery to help hundreds of children escape the Nazis.
Not wanting their true identities to be lost forever, she writes their real names in code in a book. Heart-wrenching at times, this book will ultimately leave you with a smile on your face.
Throughout the 1940s, forgers helped thousands of children escape Nazi France. In this instant New York Times bestseller, Kristin Harmel reimagines their story...
Perfect for readers of The Tattooist of Auschwitz, The Librarian of Auschwitz and The Book Thief.
In 1942, Eva is forced to flee Paris after the arrest of her father, a Polish Jew. Finding refuge in a small mountain town, she begins forging identity documents for Jewish children escaping to neutral Switzerland. But erasing people comes with a price, and along with a mysterious, handsome forger named Remy, Eva realises she must find a way to preserveâŠ
It's 1943, and World War II has gripped the nation, including the Stilwell family in Jacksonville, Alabama. Rationing, bomb drills, patriotism, and a changing South barrage their way of life. Neighboring Fort McClellan has brought the world to their doorstep in the form of young soldiers from all over theâŠ
I have had a lifelong passion for historyâthe choices and challenges faced by others in trying times. I find myself looking for connections and a visit to the Holocaust Museum in DC led me to just such a connection with the story of the White Rose Resistance group, sending me down a rabbit hole of research that has blossomed into years of looking for little known stories of WWII heroes and heroines. From there telling their stories through my stories has become my passion.
An American working in Paris, a German doctor, and a Polish teenager working for the Resistance are thrown together in this WWII story based on real events culminating in the notorious Ravensbruck Camp for women, famous for its medical experimentation during the war. Itâs a story of survival and courage and unlikely friendships.
NEW YORK TIMES BESTSELLER âąÂ One million copies sold! Inspired by the life of a real World War II heroine, this remarkable debut novel reveals the power of unsung women to change history in their quest for love, freedom, and second chances.
âExtremely moving and memorable . . . This impressive debut should appeal strongly to historical fiction readers and to book clubs that adored Kristin Hannahâs The Nightingale and Anthony Doerrâs All the Light We Cannot See.ââLibrary Journal (starred review)
New York socialite Caroline Ferriday has her hands full with her post at the French consulate and a newâŠ
I went to Paris the first time when I was nineteen. I was sitting in a cheap restaurant when a man entered carrying a burlap sack filled with escargots, and put some on my plate (all very unsanitary) for me to taste. Delicious! I was in France in the 1970s when Robert Parker was discovering French wine. (We didnât meet then, but did after my series was published many years later.) Subsequent stays in Paris and other areas of France (Champagne, Bordeaux, Burgundy) afforded me a food and wine sensibility that over decades has permeated my lifestyle, my friendshipsâand my writing.
This is a novel that I read in one day, warming to the grieving protagonists who have found each other, and particularly struck by their first meal togetherâfish poached in cream and white wine, new potatoes roasted in garlic and rosemary, pears and cheese, and with a beautiful French wine to accompany it. In my mind romance canât exist without meals prepared from scratch and wine to go with it. The other secret ingredient in the novel is books, and the combination of food and wine, a romance, and a love of books gives this book a permanent place in my library. In fact, I am rereading it.
The international bestseller, translated from the German by Simon Pare.
On a beautifully restored barge on the Seine, Jean Perdu runs a bookshop; or rather a 'literary apothecary', for this bookseller possesses a rare gift for sensing which books will soothe the troubled souls of his customers.
The only person he is unable to cure, it seems, is himself. He has nursed a broken heart ever since the night, twenty-one years ago, when the love of his life fled Paris, leaving behind a handwritten letter that he has never dared read. His memories and his love have been gathering dustâŠ
Annemarie Rawson is a Francophile who lived and worked in France for several years with her husband, Steve, and has traveled to France many times. She loves the cities for the culture, history, and architecture but her heart is in the countryside where beauty is all around and where she met the genuine warmth and generosity of many who have little to give.
If you like to cook and love France this book with its wonderful photography is also a coffee table book. Just looking through it will transport you to the French countryside where I lived and worked and adore. The recipes are not convoluted and are simple and delicious.
With beguiling recipes and sumptuous photography, A Kitchen in France transports you to the French countryside and marks the debut of a captivating new voice in cooking.
"This is real food: delicious, honest recipes that celebrate the beauty of picking what is ripe and in season, and capture the essence of life in rural France." âAlice Waters
I find myself drawn to stories about second chances and starting over because I find that, as a reader, I feel empowered whenever a character I have come to care about rises above their circumstances. I've always been drawn to characters who overcome, who find their own way in difficult times, and who do so with honor and integrity, especially when faced with adversaries who may be bigoted, self-absorbed, or even dangerous. I am drawn more to historical or exotic settings or even quirky everyday places, but I love writers who create almost an additional character with their sense of setting, giving it its own personality.
This book is a beautiful tale that demonstrates the ugliness of first impressions when it comes to viewing others. When Vivienne is looked down upon by the local mayor for being a single mother and nomadic traveler, he is making assumptions based on his own narrow-minded authority.Â
I love how, despite his attempts to harm her financially, she continues to show how being an individual who is true to oneself means more than trying to fit the mold of what someone else might think you should be.Â
Even before it was adapted into the Oscar-nominated film starring Juliette Binoche and Johnny Depp, Chocolat entranced readers with its mix of hedonism, whimsy, and, of course, chocolate.
In tiny Lansquenet, where nothing much has changed in a hundred years, beautiful newcomer Vianne Rocher and her exquisite chocolate shop arrive and instantly begin to play havoc with Lenten vows.
Each box of luscious bonbons comes with a free gift: Vianne's uncanny perception of its buyer's private discontents and a clever, caring cure for them. Is she a witch?
Soon the parish no longer cares, as it abandons itself to temptation,âŠ
I'm continually asked why I write horror. But I wonder why every writer isn't writing horror. Not a day passes without me being aghast at the world and my own species, the present, past and future. Though nor do I stop searching for a sense of awe and wonder in the world either. My Dad read ghost stories to me as a kid and my inner tallow candle was lit. The flame still burns. Horror has always been the fiction I have felt compelled to write in order to process the world, experience, observation, my imaginative life. I've been blessed with a good readership and have entered my third decade as a writer of horrors. In that time two of my novels have been adapted into films and the British Fantasy Society has kindly recognised my work with five awards, one for Best Collection and four for Best Novel. I'm in this for the long haul and aim to be creating horror on both page and screen for some time to come.
It's too easy to dismiss the Second World War. To relegate that epochal conflict into realms of ancient history, action films, kitset models, unread Father's day gifts, and black & white footage. But we all live through the consequences of this epic global struggle. This was the last time western civilisation brought itself close to destruction and it was a close call. 60 million lives were lost and no one died easily. The war was also raging just shy of 80 years ago. In the scheme of human history, that's recent.
Beevor's history of the global conflict - and it was global - is a page-turning affair. Vivid, engaging, heartbreaking, shocking. Really fine storytelling and a first class history, encompassing the great conflicts of east and west (China's experience of the war is much overlooked in the west but not in these pages). I found myself engrossed by this monumentalâŠ
A magisterial, single-volume history of the greatest conflict the world has ever known by our foremost military historian.
The Second World War began in August 1939 on the edge of Manchuria and ended there exactly six years later with the Soviet invasion of northern China. The war in Europe appeared completely divorced from the war in the Pacific and China, and yet events on opposite sides of the world had profound effects. Using the most up-to-date scholarship and research, Beevor assembles the whole picture in a gripping narrative that extends from the North Atlantic to the South Pacific and fromâŠ
Research and writing have shown me that the war-affected baby boomers like me in tangible ways. My father-in-law helped deliver the survivors of the Bataan Death Marchâwhat a legacy! My special addiction to the WOMEN of WWII, though, probably stems from my mother, who suffered poverty and restrictions on the home front through it all. Also, my husband (a history major) and I delight in watching documentaries and accurate movies about the war and visiting as many historical sites as possible.
The maps in this volume are so instructive, and it offers comprehensive information on all fronts of the war. For one lacking in geographical and military strategy knowledge, I count this book as invaluable to my research.
Historical Atlas of World War II examines all the key events of the six-year conflict, with thoroughly researched text accompanied by 170 highly detailed maps. Incredible multimedia profiles of World War II's most significant battles make Historical Atlas of World War II the next best thing to a time machine.
With realistic maps, detailed accounts, and vibrant illustrations, the book transports the reader to famous World War II battles. Using state-of-the-art technology, special microchips translated the contours of two-dimensional maps of battlefields into realistic renderings of actual landscapes. Illustrators then overlaid these maps with all of the information at theirâŠ
Research and writing have shown me that the war-affected baby boomers like me in tangible ways. My father-in-law helped deliver the survivors of the Bataan Death Marchâwhat a legacy! My special addiction to the WOMEN of WWII, though, probably stems from my mother, who suffered poverty and restrictions on the home front through it all. Also, my husband (a history major) and I delight in watching documentaries and accurate movies about the war and visiting as many historical sites as possible.
Itâs almost impossible to embrace what deployed nurses went through in World War II. This book reveals some of the trials they endured, depending on their theater. Some suffered imprisonment and torture, while nearly all of these women worked under duress and danger we can scarcely imagine.
No Time for Fear summons the voices of more than 100 women who served as nurses overseas during World War II, letting them tell their story as no one else can. Fessler has meticulously compiled and transcribed more than 200 interviews with American military nurses of the Army, Army Air Force, and Navy who were present in all theatres of WWII.
Their stories bring to life horrific tales of illness and hardship, blinding blizzards, and near starvation - all faced with courage, tenacity, and even good humour. This unique oral-history collection makes available to readers an important counterpoint to theâŠ
