84 Books Like Waiting for Godot

This is an amazing and brief explanation of what existentialism is and why it should matter to anyone looking for meaning in their life.

I love that Satre demystifies his philosophy, making it accessible and understandable to anyone. The book is actually the transcription of a lecture he gave, so it is wonderfully readable and full of examples and situations that I learned a lot from.

He also defends existentialism from some of its common critiques, which makes the book even more useful as an introduction. Many of my questions were answered here!

If aliens land and ask me what it’s like to be a human, I’ll give them Heidegger’s first book, Being and Time. Of course, that might prompt them to destroy all humans out of frustration at the difficulty of his writing, but if they persevere, they will find the best description of what it’s like to live out your time on this planet (One Hundred Years of Solitude comes in second).

“What is this?” I asked myself on first reading. “Fiction?”

Each short piece contained a moving story that was like a jewel to view and think about, but something was strange, in a wondrous way. It seemed like fiction posing as journalism, like the great classical Chinese tale “A Record of the Peach Blossom Land” by Tao Yuanming (6th century) that inspired my most popular play.

It upended my concept of short story, and of art, opening doors to ways of writing. “Fiction in disguise.” Astonishingly creative, yet peaceful and profound. Wildly creative themes and twists narrated by a quiet objective voice. Maestro Borges taught me that you can shock an audience through very calm narrative, and how profound creativity starts with format.

A master class in creativity that ends with compassion.

How many bibliographical jokes have you ever heard, well, read? This book has jokes in its Table of Contents, its title, its sub-title—in the author attribution! And at the end, the Postscript to this Postscript takes the entire thing back—twice!—although, as Kierkegaard says, to write something and take it back is not the same as not writing it. He wants to affect the reader, not just pass along abstruse theories. Kierkegaard criticizes the basic mindset of philosophy that pretends to have a God’s-eye view of reality when really we’re forced to make decisions of crucial importance, in precarious circumstances, with limited information, never knowing if it was the right one, perpetually living out our lives suspended over 70,000 fathoms of water. 

This is the most readable philosophy book I know. Nietzsche wrote it in his brilliantly witty, epigrammatic style. Each episode is about a page long.

Concentrate on "Book Four." There, Nietzsche famously tells us that God is dead. Find out what he really means. (We criticize everything and can feel no true reverence.) Consequently, we seek convenience and flexibility over and over again. Stunningly, Nietzsche sets out four contrarian, incompatible good lives. (Philosophers have always sought to define one good life.)

If you read nothing else, read epigrams 290, 295, and 303: "The life of constant revision to perfect a style," "The life of short stories," "The life of brilliant improvisation," and "The risk-taking life." I use Nietzsche’s model of good lives to help business leaders restore their businesses and themselves.

I have treasured this book since college days, as a concise summary of the truth of existence. 

That’s a lot to say, but try it. Eternal truths are so simple! Yet so profound! I was blown away by the first line – a book with its topic as “the Tao” says that if you can explain it, it’s not it! Then why did he write the xxx thing?

Ah, only through time can I start understanding. I feel this precious book gives me an anchor to view the world, life, people.

“Like the eternal void filled with infinite possibilities,” Lao Tzu is the master of oxymoron. He is tricky, challenging, cool. Sooo creative. Nothing I have ever done even approaches his toes. He doesn’t need to talk about creativity. He IS creativity.

As an artist, I seek inspiration from life, about life.

If creativity is about life, then life is about death. What better angle to view the light than from the shadows? I always keep death lurking about in my own work, though often thinking about it makes me deal with it in a lighter way, because only through the darkness can the light have meaning, and often through humor you can convey heavy things.

The author has been a constant inspiration to me, because he always tells it as it is. If you want spiced up feel-good spirituality, don’t read any of his books.

These 3 continuous comics from 1966 (Fantastic Four #48-50) were a master class in creativity for me, even before I started out as an artist.

I grew up an avid collector of Marvel comics in the 60s, in Taiwan, where they were not for sale anywhere, and I had to scrounge and search the streets of Taipei for used copies.

I accumulated a massive collection that I later sold for a Martin guitar. These 3 continuous comics from 1966 were a master class in creativity for me even before I started out as an artist.

They taught me: how to tell a story brilliantly; how to embed a twist in the inner core of the story: the villain Galactus, who has the power to destroy Earth, is just another guy who is tending to his needs – he is hungry, and Earth can provide a meal for him. Wow. What… show more.

This book is more or less a collection of excerpts from some of Simone de Beauvoir’s best works. In this text, her foundations in the field of existentialism are laid forth for the reader to read and interpret very easily. These excerpts provide the reader with an analysis on the field in a more fictional way, as opposed to much of the other works relating to such, yet maintain the same, if not a higher, level of emphasis on the positive influences it can bring about in any given individual’s life.

Sartre was not a good philosopher in the classical sense. He wasn’t great at constructing arguments. But what he was unquestionably great at was intuitions. He had them, and they were usually spot on, and as a result he was right about most things. In this large book, we find a sustained development of a single brilliant, intuition: anything you are aware of is not you. You are the awareness rather than anything you are aware of. You are nothingness. One implication of this helped me get through the second half of my first marathon. Experiential unpleasantness is a motive to stop, but not part of me, and it is up to me how I interpret it. My motives can never compel me. I am in this sense free.