100 Books Like Ficciones

I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.

The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too. 

For all the highly enjoyable shenanigans around using time travel to prevent JFK’s assassination, I came away loving this book for reasons I don’t normally associate with King–I genuinely loved his characters. Jake Epping is a sympathetic lead, and I became far more invested in his love for Sadie than in the assassination-thwarting.

I’d hesitate to say this is King’s finest book, but of those I’ve read, it’s definitely my favourite. I found the climax so emotionally satisfying; it genuinely moved me.

Talk about crazy experiments! Maze Runner is an epic quest combined with a nod to those who love solving puzzles on steroids. This is truly an end-of-the-world scenario, or I surely hope it is. While I can see some mad scientists excited about such an experiment today, it is still frowned upon. Thank goodness. But Maze Runner explores “science” gone rogue.

Indifference again plays a central role in the plot as those outside the experiment use a variety of psychological warfare techniques to keep the participants engaged in the game. The reader feels sorry for them having to overcome everything that’s thrown at them or die. I loved how the group of teens had to work together to figure out what was going on and then face the difficulty of extracting themselves from the maze. Ultimately, I loved that friendship and working together triumphed at the end of the day.

I don’t think Garcia Marquez needs a review or introduction. Reading any of his books is a pleasure, with easy and delightful writing and striking sentences.

These sentences often describe things or people in a way that feels natural and perfectly captured. For instance, he describes the world as so new that many things lack names. His eloquent descriptions, like that of ice, create vivid images. The characters are relatable, and you feel a happy exhaustion after finishing the book, reminiscent of great works like Steinbeck’s East of Eden.

Those who find the stories too unbelievable should learn about Colombian history, as they provide real context. I simply love the book!

This short novel is by a Mexican writer and takes place underground. At first, we cannot tell who is living and who is dead, but we eventually accept the fact that the characters are ghosts. 

The ghosts come and go, remembering their past lives together. They remind each other of the events of the Mexican Revolution that they lived through, and they especially remember the strongman in the village. Pedro Páramo runs things with an iron hand, and he also pines for a woman who is beyond his control—the only thing he wants that he can’t have.

The voices in this novel are like a chorus of whispers breathing the picture of a poor village. I love the beauty and mystery of the writing. Many Mexicans consider this their greatest novel, and for all readers, it is a small masterpiece. 

As the title suggests, this book lingers like a disquieting dream. A mother to a toddler myself, I think of what the protagonist Amanda calls the “rescue distance” often – the ground between herself and her child, should something perilous occur.

This book distills maternal protectiveness and anxiety into something as potent as poison or as powerful as a curse. It makes me want to look over my shoulder, lock the doors, draw the blinds. It carries an air of contagion. I can think of few other reads that evoke such a visceral reaction with such subtle strokes.

Horrifying, brutal, sinuous, and uncanny, this one floored me. It evokes the peril of girlhood and womanhood with unwavering intensity.

Each story is fresh and unexpected, yet also timeless, rich with wisdom and mythology centuries old. Steeped in painful history, past atrocities twine with the present to nightmarish effect.

Mariana Enríquez is part of a new vanguard of Argentine and Latin American Gothic writers alongside Samanta Schweblin. Their writing, born from real-world horrors, is among the most thrilling discoveries I’ve made in years. 

It’s not enough to know that Godot is a modern classic blah-blah-blah. I found that learning why was a crash course in creativity.

This play taught me so many profound lessons/strategies: Inaction is action; you cannot be inactive unless you have an active motivation; silence is brimming with sound; you can write a great play, and your characters can be anything but great; you can make a great philosophical statement through the most mundane of scenes.

Greatness comes with the overall synthesis of all the elements of the theatrical art – dialogue, story, stage, costume, etc. “Godot” is the most incredible name/metaphor. Can be anything, can be nothing.

I directed this play twice, and am still learning from it. I bow down to you, Samuel Beckett.

Dean Koontz has influenced my writing more than any other author. For decades, his books have been at the top of my reading list. Year after year, he consistently writes top-tier, inventive page-turners. His villains are evil. His heroes and heroines are likable and easy to relate to. He gets that one can’t traverse a frightening world without humor, and by analogy, neither can we. Elsewhere is one of his best in a long time. Equal parts bone-chilling, creepy, nerve-racking, and sinister, balanced by love, compassion, loyalty, and second chances, it doesn’t get better than this. 

I have treasured this book since college days, as a concise summary of the truth of existence. 

That’s a lot to say, but try it. Eternal truths are so simple! Yet so profound! I was blown away by the first line – a book with its topic as “the Tao” says that if you can explain it, it’s not it! Then why did he write the xxx thing?

Ah, only through time can I start understanding. I feel this precious book gives me an anchor to view the world, life, people.

“Like the eternal void filled with infinite possibilities,” Lao Tzu is the master of oxymoron. He is tricky, challenging, cool. Sooo creative. Nothing I have ever done even approaches his toes. He doesn’t need to talk about creativity. He IS creativity.