Here are 100 books that The Gay Science fans have personally recommended if you like
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I have been interested in purpose and meaning since I snuck into a high school philosophy class when I was 10 years old. Since then, I have not only worked on my own quest for meaning in my life but also helped dozens of others through these types of questions as an executive coach and business leader. I believe that having an answer to the question “why am I here?” is the crucial ingredient to living a happy and fulfilled life, and I’ve been working for years to distill all that I have learned on the subject into a useable and accessible collection of insights.
This is an amazing and brief explanation of what existentialism is and why it should matter to anyone looking for meaning in their life.
I love that Satre demystifies his philosophy, making it accessible and understandable to anyone. The book is actually the transcription of a lecture he gave, so it is wonderfully readable and full of examples and situations that I learned a lot from.
He also defends existentialism from some of its common critiques, which makes the book even more useful as an introduction. Many of my questions were answered here!
It was to correct common misconceptions about his thought that Jean-Paul Sartre, the most dominent European intellectual of the post-World War II decades, accepted an invitation to speak on October 29, 1945, at the Club Maintenant in Paris. The unstated objective of his lecture ("Existentialism Is a Humanism") was to expound his philosophy as a form of "existentialism," a term much bandied about at the time. Sartre asserted that existentialism was essentially a doctrine for philosophers, though, ironically, he was about to make it accessible to a general audience. The published text of his lecture quickly became one of the…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’m a professor of philosophy because when I got to college, philosophy sounded like what Gandalf would study—the closest thing we have to the study of magic. It turns out, I wasn’t far from the mark. Philosophy shows you entire dimensions to the world that you never noticed because they exist at weird angles, and you have to change your way of thinking to see them. Entering them and seeing the world from those perspectives transforms everything. A great work of philosophy is like having the lights turn on in an annex of your mind you didn’t know was there, like an out-of-mind experience—or perhaps, an in-your-mind-for-the-first-time experience.
If aliens land and ask me what it’s like to be a human, I’ll give them Heidegger’s first book, Being and Time. Of course, that might prompt them to destroy all humans out of frustration at the difficulty of his writing, but if they persevere, they will find the best description of what it’s like to live out your time on this planet (One Hundred Years of Solitude comes in second).
A knowledge of Heidegger's Sein und Zeit is essential for anyone who wishes to understand a great deal of recent continental work in theology as well as philosophy. Yet until this translation first appeared in 1962, this fundamental work of one of the most influential European thinkers of the century remained inaccessible to English readers. In fact the difficulty of Heidegger's thought was considered to be almost insuperable in the medium of a foreign language, especially English. That this view was unduly pessimistic is proved by the impressive work of John Macquarrie and Edward Robinson who have succeeded in clothing…
I’m a professor of philosophy because when I got to college, philosophy sounded like what Gandalf would study—the closest thing we have to the study of magic. It turns out, I wasn’t far from the mark. Philosophy shows you entire dimensions to the world that you never noticed because they exist at weird angles, and you have to change your way of thinking to see them. Entering them and seeing the world from those perspectives transforms everything. A great work of philosophy is like having the lights turn on in an annex of your mind you didn’t know was there, like an out-of-mind experience—or perhaps, an in-your-mind-for-the-first-time experience.
How many bibliographicaljokes have you ever heard, well, read? This book has jokes in its Table of Contents, its title, its sub-title—in the author attribution! And at the end, the Postscript to this Postscripttakes the entire thing back—twice!—although, as Kierkegaard says, to write something and take it back is not the same as not writing it. He wants to affect the reader, not just pass along abstruse theories. Kierkegaard criticizes the basic mindset of philosophy that pretends to have a God’s-eye view of reality when really we’re forced to make decisions of crucial importance, in precarious circumstances, with limited information, never knowing if it was the right one, perpetually living out our lives suspended over 70,000 fathoms of water.
In Philosophical Fragments the pseudonymous author Johannes Climacus explored the question: What is required in order to go beyond Socratic recollection of eternal ideas already possessed by the learner? Written as an afterword to this work, Concluding Unscientific Postscript is on one level a philosophical jest, yet on another it is Climacus's characterization of the subjective thinker's relation to the truth of Christianity. At once ironic, humorous, and polemical, this work takes on the "unscientific" form of a mimical-pathetical-dialectical compilation of ideas. Whereas the movement in the earlier pseudonymous writings is away from the aesthetic, the movement in Postscript is…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I am actually NOT a good person to make any reading list, because I am not an avid reader. As the most performed playwright in the Chinese speaking world, the fuel for my over 40 plays comes from life itself, not by books about art/creativity. To be creative, you need to be inspired by life, to see how great works of art are composed, including nature. To understand life you need to focus intensely on it and observe how it works in as objective a way as possible. It’s great to find a book about creativity that will help your creativity, but I find life itself is the greatest inspiration.
It’s not enough to know that Godot is a modern classic blah-blah-blah. I found that learning why was a crash course in creativity.
This play taught me so many profound lessons/strategies: Inaction is action; you cannot be inactive unless you have an active motivation; silence is brimming with sound; you can write a great play, and your characters can be anything but great; you can make a great philosophical statement through the most mundane of scenes.
Greatness comes with the overall synthesis of all the elements of the theatrical art – dialogue, story, stage, costume, etc. “Godot” is the most incredible name/metaphor. Can be anything, can be nothing.
I directed this play twice, and am still learning from it. I bow down to you, Samuel Beckett.
From an inauspicious beginning at the tiny Left Bank Theatre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, “Time catches up with genius … Waiting for Godot is one of the masterpieces of the century.”
The story revolves around two seemingly homeless men waiting for someone—or something—named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay…
As a freshman in my Columbia University humanities class, I remember when we debated whether Achilles did the right thing in fighting Hector when Achilles could have led a peaceful life as a shepherd. I was arguing that only in risking our lives could we fully live them. A senior challenged me, saying, “I’ve struggled here for four years. I want a life of ease.” That debate has guided me through my years as a professor of English literature and philosophy and then as a management consultant. Only in conversations over the good life do admirable ways of treating customers, managing employees, or competing come to life.
This book is based on Hubert (Bert) Dreyfus’s famous undergraduate philosophy course at U. C. Berkeley, affectionately called “From Gods to God and Back.” Like me, Sean was Bert’s teaching assistant for the course. We all loved this course because it draws out of our Western literary traditions a form of spirituality that we believe is essential for good lives today.
The book begins by looking at the relationship between Athena and Odysseus in Homer’s Odyssey. It’s a friendly mentoring relationship without any suffocating philosophical-theological pretensions such as omnipotence or omniscience. Later, we join St. Augustine as he tries to undermine (though unsuccessfully) the theological pretensions. The book ends with Melville’s polytheism in Moby Dick.
The book inspires us to look for “attainable felicities”: simple divine experiences without pretensions.
A sense of certainty and unhesitating confidence is rare in the contemporary world. An unrelenting flow of choices confronts us at nearly every moment of our lives, and if we are honest about it then most of us will admit that we waver in the face of them.
Dreyfus and Kelly examine some of the greatest books in the Western Canon to explain that the burden of choice is essentially a modern problem to which there is an age old solution. Dreyfus and Kelly explain the huge jump from Homer's polytheistic world to the monotheistic one in which Dante wrote…
As a freshman in my Columbia University humanities class, I remember when we debated whether Achilles did the right thing in fighting Hector when Achilles could have led a peaceful life as a shepherd. I was arguing that only in risking our lives could we fully live them. A senior challenged me, saying, “I’ve struggled here for four years. I want a life of ease.” That debate has guided me through my years as a professor of English literature and philosophy and then as a management consultant. Only in conversations over the good life do admirable ways of treating customers, managing employees, or competing come to life.
Since Aristotle, friendship has seemed a pure, unadulterated good. Our friends bring the best out of us. End of story. We all have known enough betrayal, mixed purposes, and painful incompatibilities to suspect the tradition, as does the philosopher Alexander Nehamas.
I particularly love the parts of the book where he takes, as an example of friendship, that between Thelma and Louise in the film of the same name. By virtue of their friendship, Thelma helps Louise gain self-confidence, and Louise helps Thelma get beyond her neurotic self-composure. Aristotle and Montaigne would be happy. However, the cost is murder, robbery, and ultimately suicide.
With this and other engaging examples, Nehamas shows that friendship is always morally risky. The good life involves struggle and is not safe.
Friends are a constant feature of our lives, yet friendship itself is difficult to define. Even Michel de Montaigne, author of the seminal essay Of Friendship," found it nearly impossible to account for the great friendship of his life. Why is something so commonplace and universal so hard to grasp? What is it about the nature of friendship that proves so elusive?In On Friendship , the acclaimed philosopher Alexander Nehamas launches an original and far-ranging investigation of friendship. Exploring the long history of philosophical thinking on the subject, from Aristotle to Emerson and beyond, and drawing on examples from literature,…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
As a freshman in my Columbia University humanities class, I remember when we debated whether Achilles did the right thing in fighting Hector when Achilles could have led a peaceful life as a shepherd. I was arguing that only in risking our lives could we fully live them. A senior challenged me, saying, “I’ve struggled here for four years. I want a life of ease.” That debate has guided me through my years as a professor of English literature and philosophy and then as a management consultant. Only in conversations over the good life do admirable ways of treating customers, managing employees, or competing come to life.
I love this book because Albert Borgmann shows that focal practices are at the core of any good life today.
Consider the end-of-day, carefully prepared family meal: the parents and children together showing gratitude, reviewing the day, arguing over bits, and resolving those arguments. Such moments do not always work.
When they do, they give each participant a sharp identity. There’s no place the participants would rather be, no others they would prefer to be with, and nothing they would rather do. When it works really well, participants sense they will remember it forever. These moments are heaven on earth.
We can make huddles and resource trading meetings play the same role in business. Borgmann writes of the woes of technology first; the focal practice solution comes at the end.
In this eloquent guide to the meanings of the postmodern era, Albert Borgmann charts the options before us as we seek alternatives to the joyless and artificial culture of consumption. Borgmann connects the fundamental ideas driving his understanding of society's ills to every sphere of contemporary social life, and goes beyond the language of postmodern discourse to offer a powerfully articulated vision of what this new era, at its best, has in store. "[This] thoughtful book is the first remotely realistic map out of the post modern labyrinth."--Joseph Coates, The Chicago Tribune "Rather astoundingly large-minded vision of the nature of…
As a freshman in my Columbia University humanities class, I remember when we debated whether Achilles did the right thing in fighting Hector when Achilles could have led a peaceful life as a shepherd. I was arguing that only in risking our lives could we fully live them. A senior challenged me, saying, “I’ve struggled here for four years. I want a life of ease.” That debate has guided me through my years as a professor of English literature and philosophy and then as a management consultant. Only in conversations over the good life do admirable ways of treating customers, managing employees, or competing come to life.
Michel Foucault spent the last years of his life in his plain-speaking public lectures, calling our attention to the ancient philosophers’ practices for mastering the self. I help leaders (and myself) with these practices of managing desires without trying to eliminate them.
In this book (1982-1983 lectures), Foucault focuses on the practice that guides my life: parrhesia, telling truth to power. From 400 BCE to 600 CE, parrhesia reigned in education. Foucault’s account of Plato’s subtle truth-telling to Dionysius, the tyrant of Syracuse, is spellbinding. As thanks, Dionysius sold Plato into slavery. Telling the truth always carries a high moral risk. Truths cut across common sense.
Today’s mantra of radical candor—sharing views—avoids hard truths, produces agreeableness, and undermines good lives. This book wakes us up.
An exciting and highly original examination of the practices of truth-telling and speaking out freely (parr?sia) in ancient Greek tragedy and philosophy. Foucault discusses the difficult and changing practices of truth-telling in ancient democracies and tyrannies and offers a new perspective on the specific relationship of philosophy to politics.
At age sixteen, I traveled from Pennsylvania to Alaska’s wilderness to live for three months. I took Einstein’s book on relativity. My mind swirled and expanded. The next year, I wrote a paper for high school titled My Universe in Four Realities. Seven years later, I read Julian Jaynes’ book on consciousness. The epiphanies rolled in. The reality we’re taught to believe in always rang false to me. When I learned the inside tricks lawmakers use to stop Americans from blocking environmentally harmful industrial actions, I wrote a book about it. I’m passionate about exposing deceit, whether cultural or legal. These books helped.
I learned some practical lessons about the mailability of my mind and how certain cultural “truths” most modern people take for granted are just tinted versions of reality that distort not only my ideas but also my behavior towards other people and nature.
I particularly appreciate the author’s efforts to contrast the modern American worldview with that of Native Americans. The differences are stark and continue to profoundly influence my evolving sense of reality.
It's time to rewild ourselves and our dominant worldviews to build Earth-centered communities for all
These pages summon from our bones our commitment to defend this living Earth.
-Joanna Macy, author, Coming Back to Life and Active Hope
The dominant cultural worldview is based upon extraction and exploitation practices that have brought us to the precipice of social, environmental, and climate collapse. Braiding poetic storytelling, climate justice analyses, and collective knowledge of Earth-centered cultures, The Story is in Our Bones opens a portal to restoration and justice beyond the end of a world in crisis.
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I am a psychiatrist, researcher, and bioethicist who has conducted studies on infectious diseases, genetics, the mind and the brain at the National Institutes of Health, in the rain forest of Papua New Guinea, at Columbia University, and elsewhere, seeking and discovering knowledge and scientific truths about nature, people, and the world. I have published 10 books, over 200 scientific articles, and essays in The New York Times, The Washington Post, The Wall Street Journal, and elsewhere, conveying the excitement and extraordinary power of scientific discoveries, but also the moral, cultural, and psychological dilemmas that can arise, and the ways we can best address these.
I read this book in college and it helped change my life, showing me the glories of science in a historical perspective.
Beautifully illustrated and written, the book inspired me to appreciate the history of marvelous discoveries—from tools, fire, agriculture, metal, numbers, mathematics, writing and printing to astronomy, biology, and electronics—that advanced humans, making us the preeminent species on earth.
Lauded by critics and devoured by countless readers as a companion to the acclaimed PBS series, this work traces the development of science as an expression of the special gifts that characterize man and make him preeminent among animals. Bronowski's exciting, splendidly illustrated investigation offers a new perspective not just on science, but on civilization itself. Photographs.