Books like The Coming of Galactus — picked by fans

“What is this?” I asked myself on first reading. “Fiction?”

Each short piece contained a moving story that was like a jewel to view and think about, but something was strange, in a wondrous way. It seemed like fiction posing as journalism, like the great classical Chinese tale “A Record of the Peach Blossom Land” by Tao Yuanming (6th century) that inspired my most popular play.

It upended my concept of short story, and of art, opening doors to ways of writing. “Fiction in disguise.” Astonishingly creative, yet peaceful and profound. Wildly creative themes and twists narrated by a quiet objective voice. Maestro Borges taught me that you can shock an audience through very calm narrative, and how profound creativity starts with format.

A master class in creativity that ends with compassion.

It’s not enough to know that Godot is a modern classic blah-blah-blah. I found that learning why was a crash course in creativity.

This play taught me so many profound lessons/strategies: Inaction is action; you cannot be inactive unless you have an active motivation; silence is brimming with sound; you can write a great play, and your characters can be anything but great; you can make a great philosophical statement through the most mundane of scenes.

Greatness comes with the overall synthesis of all the elements of the theatrical art – dialogue, story, stage, costume, etc. “Godot” is the most incredible name/metaphor. Can be anything, can be nothing.

I directed this play twice, and am still learning from it. I bow down to you, Samuel Beckett.

I love translation. Oftentimes, the style to which I aspire could be called “as translated.”

I especially enjoy translations of sacred texts. The Tao Te Ching stands out in that regard first because it admits in its first line that “the Tao that can be named is not the Tao.” Second, the entire text is so short you can compare translations while standing in the aisle of the bookstore.

I recommend this one because Stephen Mitchell is kind of the Goldilocks of all translators, and because this version is also among the smallest and most portable. I also enjoy that, when I voice-typed this description, the computer translated my pronunciation of the title as “the dowdy chain.”   

As an artist, I seek inspiration from life, about life.

If creativity is about life, then life is about death. What better angle to view the light than from the shadows? I always keep death lurking about in my own work, though often thinking about it makes me deal with it in a lighter way, because only through the darkness can the light have meaning, and often through humor you can convey heavy things.

The author has been a constant inspiration to me, because he always tells it as it is. If you want spiced up feel-good spirituality, don’t read any of his books.

I love this book because it beautifully captures the endless possibilities of a child’s future with warmth and imagination. The poetic rhythm and dreamy illustrations make it a joy to read aloud, and every time I do, I feel a wave of hope and love. It’s the kind of book that makes you pause and appreciate the magic of childhood.

What really stuck with me is how it celebrates individuality without pressure—just pure encouragement wrapped in gentle words. It’s a book that I know children will carry in their hearts as they grow, and as a parent, it reminds me of the wonder of watching little ones discover who they are. If you want a book that feels like a warm hug, this is it.

Who doesn’t like a kid trying to be a superhero? Alvin is assigned a pollution project for school. Instead of writing a paper or doing an art project, Alvin becomes a superhero who fights pollution in his small town.

Alvin is a kid in a small town with a giant imagination and we get to go along for the ride as he tries to expose the biggest polluter in town-the chemical plant. And he does it with a funny mask and cape. Growing up, I didn’t need Superman because I had Superweasel as my inspiration.  

I adore superhero fiction, but it is hard to find good versions of it outside of visual mediums like comics and film. This book was one of the first superhero novels I found, and it is a lot of fun.

Penelope wants nothing more than to develop superpowers and be a hero like her parents, but instead, she develops mad scientist powers that lead to utter chaos! I squirmed as the young characters got themselves deeper and deeper into trouble, but I also laughed at this madcap superhero world filled with puns, metal-eating robots, and epic adventure. 

In 2000, there were few English-language fantasy books based on Japanese myths. I opened this one, and instantly, Heian Period Feudal Japan came alive in a lyrical, mesmerizing way, unlike the dry history books.

And unlike the fantasy I’d grown up with, the main voice of the book was a woman—a complicated, imperfect magical kitsune who also felt like a human woman. This book made me hungrier for more non-Western myths as a lens through which to view my own concepts of womanhood.

I’ve long been fascinated by the mysteries of the Anasazi, or the Pueblo Dwellers of southwestern Utah. How and why did a thriving culture of literally thousands of people who had built stone buildings into cliff faces suddenly and inexplicably disappear? Having read numerous books by archaeologists on the subject, I was really no closer to an answer. But when Preston and Child wrote a novel, a combination of adventure, tech thriller, and mythology, I was completely on board.

Archaeologist Nora Kelly’s father disappeared without a trace 16 years earlier in the remote desert, searching for the legendary Quivira, a city of gold and wonder, the lost city of the Anasazi Indians. Pulling together a team, using some NASA satellite research to find a starting place, Nora leads a team into the desolate canyonlands in search of the city—only to find extraordinary mythology, life-threatening natural events, and a deadly, dangerous… show more.

I read this book in high school and absolutely loved the entire idea, of essentially a prisoner of war escape plan similar to The Great Escape, set in a science fiction universe against the scale and scope of a planet. 

I love how the author took a main character that had been so strong and tough through seven previous books and made her vulnerable, gave her new room to grow, and allowed some of her supporting cast to shine as well.