Books like Virtue's End — picked by fans

Long after I began studying Italian, I resisted reading Italy’s greatest poet. His classic book seemed too daunting, too distant, too dull. Then, an Italian teacher gave me the first adaptation of the La Divina Commedia that she had read as a girl: a vintage Italian Walt Disney comic book featuring Mickey Mouse (Topolino in Italian) as Dante with Minnie Mouse as his adored Beatrice.   

I was so intrigued that I bought an English translation of the Divine Comedy—several, although I’m partial to John Ciardi’s. My unanticipated reaction: Wow! Like modern readers ensnared by the wizardly world of Harry Potter, I skidded into a fully imagined alternate world. An action-packed, high-adrenalin, breath-taking, rip-roaring yarn leaped off the pages into vivid, writhing, pulsating life. If you love action-packed tales and also seek insights into the Italian soul, read The Inferno. Purgatorio and Paradiso are optional. 

Until I readthis book, I thought Satan was a bad guy. But the Satan of this book is surprisingly sympathetic. I love re-reading familiar stories from the point of view of a character who is not what I expect. Satan makes his rebellion of angels sound like a popular uprising against an autocratic ruler, one who was not elected but “upheld by old repute,/Consent or custom.” It’s like Satan is the George Washington of Heaven, rising up against God’s King George. And I applaud his acceptance of his current situation in Hell: “Here at least/We shall be free.” No whining or self-pity.

There’s also Satan’s honest self-appraisal. You’d think he’d spent years in psychotherapy. He admits to his “dread of shame,” his love of boasting, and his joy in his own ambition. I love an intelligent, clever, and complex character. When Gabriel chastises Satan for leaving Hell, Satan says… show more.

From two great past epic classics, I now move to the contemporary present: Benson Brown’s is a mock epic a la Byron (think, Don Juan). Brilliantly funny, witty, exposing the American War of Independence in ways you have never seen before – a laugh-out-loud poem, and full of rich historical details as well as mythological conceits which makes it a unique reading experience. Weirdly, for all its parody, I probably learnt more about the American War from it than from actual historical texts. The back page blurb says: "Thomas Jefferson is sent to Hell for a mysterious sin." Find out what – get the poem!

This is a remarkable book, truly a modern epic poem. The verse is not strictly formal but somehow throughout its length Glaysher maintains interest, so that although his language can seem archaic in places, yet because the poetry is about such current issues that concern us – the fate of planet Earth and humanity more specifically – and because the linguistics are so varied and skillful, we realize that this is a poet working for deliberate effects, and not one who has only read poetry from three hundred years ago. One fabulous quality of this poem is its clarity and luminous quality. I love the fact that this poem is easy to understand and follow: it is a poet writing for people, not one trying to show off.

For fantasy, adventure, and humanity, I find no book like Homer’s Odyssey. Some prefer the Iliad, but for me, the Odyssey has greater depth, resonance, and experience of life. Most of us know about Odysseus’ wonderful adventures, but the whole second half of the epic is about his attempts to get home and, once home, to reintegrate himself into his family and society, from which he has been absent for twenty years.

I love the way the epic relates stories but also makes you think about what stories mean, why people tell them, and how to tell false ones from true. There are many fine translations of the Odyssey, including Emily Wilson’s recent one; my favorite, however, though a bit dated, remains that of Lattimore.

Even after 20 years of separation, brought on by the Trojan War and the gods, Odysseus and Penelope hold on to their love and reunite in Ithaca. They must overcome tremendous obstacles: divine anger, violent suitors, jealous lovers, ghosts, and monsters.

Of course, the poem has double standards regarding relations between men and women. And yet, the central love story hasn’t lost its appeal since antiquity. Fitzgerald’s English translation of the Odyssey is one of the best and a wonderful creation in its own right: it’s a magnificent rendition of Odysseus and his world.

This is my favorite novel in Rieu's prose translation which has a real freshness, as if the very first book. I wanted that sense of freshness for my book, as well as the story of a man desperately trying to get home to his wife. The story takes place in the framework of Sam's 11-year-old imagination, and so carries him and his father through fantastic adventures as trying as those Odysseus faces in The Odyssey. 

Homer’s Iliad is a fabulously exciting tale of action and heroism, as the mightiest Greek heroes fight beneath the walls of Troy for the most beautiful woman who ever lived. But there is so much more to it! It’s partly the tale of one man’s anger, and partly a timeless tale about war and sacrifice for all humanity. Homer confronts some of the most significant human problems with amazingly contemporary power and nuance: the beauty and horror of combat; the inseparability of glory and destruction; the raw emotional power of reconciliation between mortal enemies; and the fact that there is more to life than revenge and more to being a man than slaughtering other men. Richmond Lattimore’s inspired translation makes you feel like Homer himself is reciting the tales to you.

Though I love to read Homer’s Odyssey in the original Greek, I also appreciate translations that allow particular themes to emerge in new ways.

All translations of the ancient epic are necessarily inventive recreations of the ancient Greek Homeric story, and I like the way this translation employs a quick-paced poetic meter and updates the tale to suit modern sensibilities on uncomfortable aspects of the Odyssey (e.g., misogyny, slavery).

The introduction also provides an authoritative explanation of the Homeric Odyssey.

This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.

Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.

The world-building is vivid and rich in dactylic hexameter, a rhythmic style.… show more.