96 Books Like The Iliad

I thought it was great to have Circe herself narrate her love affair with Odysseus.

The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.

I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.

This book showed me how important it was for women to write ancient history and how different their interpretations of that history could be. Stacy Schiff’s biography of Cleopatra does full justice to her complicated subject and the fraught historical era she had to negotiate.

I appreciate how richly Schiff evokes Cleopatra’s world, from the palace in Alexandria she lived in as a child to the fleet she commanded in her last, fateful battle. Even more, I love how skeptically Schiff reads the ancient sources on Cleopatra and how thoughtfully she constructs her own more nuanced portrait of the powerful Egyptian queen.  

Once Troy was conquered, the Greeks had to get back home. Few heroes managed this without drama, but even on this benchmark, Odysseus’ ten-year (a-hem) odyssey was an outlier.

You can read this as the first great traveller’s tale: the Odyssey will immerse you in a giant, detailed story world of gods, heroes, and monsters traversed by a protagonist famous for his clever schemes and his stretching of the truth.

Emily Wilson’s translation really can’t be beaten: she brings before our eyes and ears again a fantasy world given weight by very human stories of loss and longing.

Thoughtful, personal, passionate, insightful, and humane. This is the book I wish I could write.

Helen Morales puts a pin in the lazy “glory that was Greece” trope and gives us the darker side of antiquity and its influence, showing us how stories have been used to enslave bodies and tame minds, to belittle and exclude. But this plasticity is what also makes Greek myth a potentially restorative force.

Helen’s message is that such capacity for continual reinvention gives the ultimate power to the teller of tales, whoever she might be.    

Are humans special?

Julia looks at this question through ten ancient stories about animals ranging from the every day (bees and birds) to the fantastical (the Sphinx and the Cyclops). These are, of course, stories produced out of human creativity and curiosity, and out of them emerges some surprising insights about how we understand our place in the world.

If animals could talk to us, what would they say about us? 

This book is all you could ever have wanted to know about the monsters of Greek myth and the impact they have had on our imaginations. It’s a collaboration resulting in 40 articles that range across various monsters, monster theory, and the strange borders between the real and the imaginary. 

Very few histories of Rome manage to be both trenchant and laugh-out-loud funny. Emma Southon’s is one. I was laughing and wincing at the same time. I was especially impressed because many of the figures Southon discusses (Tanaquil, Lucretia, Tarpeia) are shrouded in Rome’s self-serving patriotic myths.

Southon tells their stories in a colorful, empathetic narrative that dares to imagine what the women’s point of view might have been like. She also makes clear how much Rome, that quintessentially patriarchal ancient empire, imagined itself as founded on the bodies of women.  

I was drawn to Sappho as a teenager, and in many ways, her poems are classic poems of teen angst, love, jealousy, and rejection. Over the years, I’ve also come to admire her poetic craft and skill at composing beautiful verse, as well as the music of her poetry.

If only more of her poems had survived! Even many of the surviving poems are marked by gaps and omissions. The fragmentariness of the poems is part of their mystique. An accomplished poet, Anne Carson captures the force and charm of these ancient love songs superbly in her version.

This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.

Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.

The world-building is vivid and rich in dactylic hexameter, a rhythmic style.… show more.

Homer’s Iliad is a fabulously exciting tale of action and heroism, as the mightiest Greek heroes fight beneath the walls of Troy for the most beautiful woman who ever lived. But there is so much more to it! It’s partly the tale of one man’s anger, and partly a timeless tale about war and sacrifice for all humanity. Homer confronts some of the most significant human problems with amazingly contemporary power and nuance: the beauty and horror of combat; the inseparability of glory and destruction; the raw emotional power of reconciliation between mortal enemies; and the fact that there is more to life than revenge and more to being a man than slaughtering other men. Richmond Lattimore’s inspired translation makes you feel like Homer himself is reciting the tales to you.