Here are 100 books that Victory City fans have personally recommended if you like
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I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
In 1989, Salman Rushdie he had to go into hiding because of the fatwa against his life. In trying to explain this decision to his young son, Rushdie spins a magical tale of a storyteller who decides to stop telling stories.
The hero, Haroun, always wondered where his father's stories came from. His father always said “I drink from the ocean of stories. They install a spigot in the wall for me to drink from.” (Yeah, right.) Until, on that one fateful day, Haroun catches the water genie uninstalling the spigot.
On his way to save the ocean of stories, Haroun finds wonderful friends and the power of teamwork. The moral contrast between the Guppees (who argue all the time, but in the end work together) and the Chupwalas (who never disagree because they live in fear, but are so unable to work together, they fight with their own shadows)…
A captivating fantasy novel for readers of all ages, by the author of Midnight's Children and The Satanic Verses
"This is, simply put, a book for anyone who loves a good story. It's also a work of literary genius." -Stephen King
Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Haroun and the Sea of Stories inhabits the same imaginative space as The Lord of the Rings, The Alchemist, The Arabian Nights, and The Wizard of Oz. Twelve-year-old Haroun sets out on an adventure to restore his father's gift of storytelling by reviving the…
The Great West Wood is a magic realist thriller set in Westwood - a vibrant urban village set upon a hilltop, looking out across London, in an area once covered by an ancient forest.
This is a place where magic is taken for granted; where trees can talk; and children…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
In my opinion, one of the finest living writers in the English language, Winterson masterfully spins a tale of historical, poetic, eccentric, dreamy and highly sensual, and gender-bending eroticism involving an androgynous hero during the Napoleonic era, and taking place in the kitchens of the emperor, on the battlefield and along the freezing march into Russia, as well as amid the canals of Venice. Always thought-provoking and rife with magical realism and plain heart-stopping imagery, tension, and poetry, Winterson tells her story in a manner that will—if not change your ideas about everything—certainly challenge them. I always feel inspired to stretch my understanding wider—and I actually fall deeply in love with the world all over again—each time I finish a novel by Winterson.
From the frozen Russia of Napoleon's campaign, to the canals of Venice, this novel journeys through curious waterways of war and chance, where destiny and the heart cannot be forgotten - nor passion which is to be found somewhere between fear and sex passion, somewhere between God and the Devil. Jeanette Winterson is author of "Oranges Are Not the Only Fruit" which was winner of the 1985 Whitbread First Novel Award.
I’ve always enjoyed short story collections. Starting with Ray Bradbury and Stephen King, I became a fan of the short form. And as a burgeoning writer, writing short stories was the best way for me to learn the craft of storytelling. While I started out writing supernatural horror, I gradually found myself combining horror, fantasy, and science fiction with dark comedy and social satire, creating a blend of genres. Several of the short story collections I recommend here were instrumental in my evolution as a short story writer and inspired a number of the stories in my latest collection, Lost Creatures.
I love reading novels and stories that make me wish I’d written them, and this collection by Kelly Link made me wish that time and time again. This book also introduced me to the concept of fabulism, a form of magical realism where elements of the fantastic occur in everyday settings, which is something I find compelling both as a reader and as a writer. Link combines humor, fantasy, magical realism, and more than a touch of horror to create a collection of stories that is unique, weird, and wonderful.
Fantastic, fantastical and utterly incomparable, Kelly Link's new collection explores everything from the essence of ghosts to the nature of love. And hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the pyramids . . .
With each story she weaves, Link takes readers deep into an unforgettable, brilliantly constructed universe. Strange, dark and wry, Get in Trouble reveals Kelly Link at the height of her creative powers and stretches the boundaries of what fiction can do.
The End of the World is Flat is my fifth novel. All my previous work has used comedy to help tell a story, often viewing historical lives and themes through a light-hearted modern prism. This one reverses the process, using historical material – various accounts of Columbus’ first voyage to the Caribbean – to explore a bizarre modern movement. Because I’m critiquing gender ideology – a taboo undertaking in most of the publishing world – I’ve deliberately borrowed the allegorical methods of Bulgakov, Kadare, and, especially, Orwell. I hope the ‘samizdat’ way in which my novel has become a word-of-mouth bestseller makes that homage all the more fitting.
Bulgakov, a Russian born in Kyiv, wrote The Heart of a Dogin 1925 when the Soviet Union was in its infancy. It’s the breezy tale of a surgeon who transplants a human gland into a stray dog, turning an amiable mutt into a vile man.
There’s a punning reference to Stalin in the name of the least flattering character, and the author was clearly inviting his readers to read between the lines: this was an early satire on the Bolshevik social experiment.
It was rejected for publication and circulated instead in samizdat form. Remarkably though, Stalin took the writer under his wing and, while Bulgakov died young, he did so in his own bed. A political satirist can get away with a lot if they do it with charm.
I first read Mikhail Bulgakov's The Master and Margarita on a balcony of the Hotel Metropole in Saigon on three summer evenings in 1971. The tropical air was heavy and full of the smells of cordite and motorcycle exhaust and rotting fish and wood-fire stoves, and the horizon flared ambiguously, perhaps from heat lightning, perhaps from bombs. Later each night, as was my custom, I would wander out into the steamy back alleys of the city, where no one ever seemed to sleep, and crouch in doorways with the people and listen to the stories of their culture and their…
I’ve always loved science fiction because it offers a hope, a dream, or a future that we just haven't seen yet. When I write my stories, I feel there is no better use of my imagination, than to contemplate a new world, a new civilization, or future technology. At the same time, I hope to entertain readers and spark young imaginations. Inside Modified, I reached into a distant future with off-world colonies that float in the clouds of Venus, while robots toil on the planet’s surface. Of course, in such a future, when advanced modifications and recursive designs are used, leads one to wonder if my robot can love too.
It’s science fiction writers like Carol Emshwiller that must be mentioned here, especially when she writes about Ruthie and Joe, who own a robot whom they call the “grey-green” thing, the hound, the Rover, or sometimes just “bitch”. In order to increase their chances for a successful hunt, Joe programs the robot to track a bear, and it does so with ease. Eventually Joe commands the “grey-green thing” to actually kill it, and the robot carries out its deadly mission. At the end you shudder at the thought of the careless use of the machine, not to mention what would happen if the “grey-green thing” had been programmed to kill a human being.
Crossing the boundaries between fabulist literature, science fiction, and magical realism, the stories in this collection offer a valuable glimpse into the evolution of Carol Emshwiller’s ideas and style during her more than 50-year career. Influenced by J. G. Ballard, Steven Millhauser, Philip K. Dick, and Lydia Davis, Emshwiller has a range of works that is impressive and demonstrates her refusal to be labeled or to stick to one genre. This exhilarating new collection marks the first time many of the early stories have been published in book form and is evidence of the genius of Emshwiller, one of America’s…
I’m a multi-genre writer, a passionate reader, and, like all of us, a flawed human being. The stories that truly speak to me are the ones with a main character who is imperfect. I may not like the protagonist at first, but as the author develops the story and the hero’s challenges, the character grows, we see inside them and learn to love them, as they also learn to love and accept themselves, flaws and all. They use this growth to make a better world. And that’s what fiction is all about. Of course, it helps if they’re funny too. I love humor.
Kelsey stifles her creative side, for she’s struggling to pay the bills and has to be practical. But in the hidden garden next door, she finds the answers to who she really is, and learns to embrace her creative side and value her gifts. I want to give a copy of this book to every creative person I know, to everyone who has been touched by the imposter syndrome (it’s a real thing with all artistic endeavors!) In this exquisite book, Higley shored up my inspiration as she gently shows us that all of our gifts are welcome.
Kelsey dreams of a life filled with creativity. She's about to stumble into far more than she imagined...
Kelsey Willoughby doesn’t have time to pursue her dream of writing a novel. Imagination doesn’t pay the bills, and she’s busy saving her beautiful bookshop from online competition, hotel developers, and the sneaking suspicion that nobody reads anymore.
Not to mention all those voices telling her she doesn’t have talent.
But then the vacant lot of weeds next door starts to shimmer.
When Kelsey stumbles into a luminous nighttime garden party, larger than the vacant lot that holds it and filled with…
This is a novel about choices. How would you have chosen to act during the Second World War if your country had been invaded and occupied by a brutal enemy determined to isolate and murder a whole community?
That’s the situation facing an ordinary family man with two children, a…
I write fantasy novels, specifically ones in the sub-genre of magical realism. It’s been a passion since my early days. When I was a professional playwright, before I turned to novel writing, I had the extraordinary opportunity to work with Ray Bradbury in adapting one of his novels for the stage. It was an immersion in that delicious blend of the uncanny and the tender. After experiencing a number of losses, I found that this genre—along with the marriage of magic, the supernatural, and hope—best expressed my discoveries and beliefs about life. The novels I write are ones that I would want to read. The novels I recommend are ones I wish I’d written!
It’s magical realism, romance, fantasy, horror, and action-adventure. And none of the genres is given short shrift. Again, a magical society threatens the world as we know it, as well as the main character. The main character, a flawed human being, learns her own worth, rises above her limitations, and finds the courage to act. And to love.
I found this novel to be rich in ideas, a wonderful insight into the early days of WWII in London, full of delightfully quirky characters, truly scary in a real-stakes way (not the cheap-scare thriller way), and truly moving.
Caveat to the reader: it ends on a cliffhanger. If you can’t bear waiting, don’t start this novel until the next one is published.
A spell-binding fantasy novel set in the Blitz, from the author of Golden Hill.
'What a joy! A novel with endless ingenuity and enormous heart.' Kaliane Bradley 'Everything that great literature should be.' Sarah Perry 'His Dark Materials meets the Blitz.' Observer 'An all encompassing masterpiece.' London Standard 'My god can he write.' Richard Osman 'Ripples with literary magic.' The Times
It's the summer of 1939. London is on the brink of catastrophic war. Iris Hawkins, an ambitious young woman in the stuffy world of City finance, has a chance encounter with Geoff, a technical whizz at the BBC's nascent…
Three biographical facts that well equip me to write about both monsters and mental health: I am a psychologist who researches, writes, and teaches about emotions, learning, and quality of life. I am also someone who suffers from panic disorder. I am also someone who enjoys interacting with the world of the dark and spooky, in part to tame my internal fears. I think that many of us use fiction in general and horror in particular as a sandbox of sorts—a safe place where we can expose ourselves to our fears, to test out scenarios, and to explore hidden parts of our psyche.
In my book I frequently draw upon monsters in fiction to understand our complicated relationship with both our own messy, unpredictable embodied minds and the uncertain, often-terrifying world that we operate these embodied minds within.
This haunting book of short stories is a great example of grappling with the complexities of our lives through a monstrous lens in order to better understand the human condition.
An NPR, Book Riot, Chicago Public Library, Tor.com, South China Morning Post,Ms. Magazine, and Shelf Awareness Best Book of 2022
2023 Pacific Northwest Book Prize Winner & Longlisted for the 2023 Joyce Carol Oates Prize
A BuzzFeed, WIRED, LitHub, ALTA, and PureWow Best Book of Winter
"The strange and wonderful define Kim Fu’s story collection, where the line between fantasy and reality fades in and out, elusive and beckoning." ―The New York Times Book Review
In the twelve unforgettable tales of Lesser Known Monsters of the 21st Century, the strange is made…
When I started writing The Majesties, I wanted the narrative to be a continual excavation of secrets, one after the other. This sort of multi-layered story has always intrigued me and my fascination with it has influenced all my written work so far. I am particularly fascinated by books where characters unconsciously keep secrets from themselves, and where the line between the “real” and the fantastic is blurred beyond recognition. Sometimes it’s not just about solving a mystery, but articulating its mysteriousness—giving it flesh and bone, stitching its parts together, and bringing it to life through words.
I read this book late at night while recovering from jetlag, and it was either the perfect book to read late at night while my mind’s guard was down or the worst book to do this with. The stories are hilarious, but also often horrifying, and ingeniously fantastic. A bunny lamp that curses whoever touches it; a woman who gets pregnant from taking birth control pills; a boy who bleeds gold when he drinks his sister’s blood—these stories are sure to keep your brain lit up long after your head has hit the pillow.
Cursed Bunny is a genre-defying collection of short stories by Korean author Bora Chung.
Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society.
Anton Hur's translation skilfully captures the way Chung's prose effortlessly glides from being terrifying to wryly humorous.
Hemingway's Goblet is a rollicking read about a mismatched relationship between a middle-aged commitment-phobic university professor in London and one of his female students, a Korean 15 years younger than him. He is accused of sexually harassing her, but somehow their relationship survives as they join forces to seek to…
As a free man of flesh-and-blood I trust in time-tested verities and traditions; as a spiritual entity I am a man of faith; and as a thinking being I explore in my writing the malleability of consciousness and reality. Through a broad range of experiences I offer images for the minds of readers in novels of a twisted magical realism. I seek the mysteries of God, the beauty of poetry, and the freedom to explore all and everything. I am an American State National who critiques modern society, culture, and politics as an independent scholar who will not be silenced. Awaken, oh human beans, from normative conditioning and screen-gazing complacency!
Based on a true story, here we have an epic masterpiece detailing the so-called Secret Space Program. It is a tour de force of “the black arcane world of super-science—beyond media and beyond the government.” It is essentially a memoir “spanning forty years in the life of Dr. Ted Humphrey and his involvement with Area 51, the Development of Time Travel, the Dulce Mesa Wars, the Montauk Project, Black Ops, the Shadow Government, and his meteoric rise to become head of an all-powerful global organization engaged in a desperate and Above Top Secret race against time to save our world.” All hype aside, this tale provides a possible counter-narrative to the debilitating System and reason to be optimistic; a twisted magic realism going way above and beyond the normative.
Personally signed by the author! An Epic story spanning over forty years in the life of Dr. Ted Humphrey and his involvement with Area 51, The Dulce Mesa Wars, The Montauk Project, Black ops, The shadow Government, and his meteoric rise to become head of an all powerful global organization engaged in a desperate and above top secret race against time to save our world. Beginning at the age of 17 when his father, a brilliant scientist with a mysterious past, disappears. Ted makes it his life's quest to discover his father's fate. This leads to him being drafted into…