Here are 100 books that My Strange Shrinking Parents fans have personally recommended if you like
My Strange Shrinking Parents.
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We’re picture book lovers and best friends that met in college at Washington University in St. Louis. Our friendship started out with long telephone conversations during the pandemic, and have now blossomed into a picture book partnership where we hope to write books that make people feel warm and fuzzy through the universality of the human experience. Vivienne is still currently a student at WashU, but will move to New York post-graduation. Eugenia has since graduated and is currently a designer in the children’s department at Chronicle Books in the Bay Area.
There is so much we love about this book. Every page stretches the imagination on how much one can love in physical distance form and it makes you realize that love, in a sense, has not bounds. You can’t guess how much Little Nutbrown Hare is loved, but he are loved endlessly. Not only is this book warm and fuzzy vibes, it makes you want to cry with this father and child relationship. Vivienne’s dad is a big inspiration in my life and it makes her realize how much she love him and hope to be just like him one day.
Celebrate twenty-five years of love right up to the moon and back! A new board-book edition is perfect for little hands.
How much does Little Nutbrown Hare love his daddy? And how much does Big Nutbrown Hare love him back? The cherished tale of boundless affection is ready for boundless sharing in a durable board-book edition for the younger set.
We’re picture book lovers and best friends that met in college at Washington University in St. Louis. Our friendship started out with long telephone conversations during the pandemic, and have now blossomed into a picture book partnership where we hope to write books that make people feel warm and fuzzy through the universality of the human experience. Vivienne is still currently a student at WashU, but will move to New York post-graduation. Eugenia has since graduated and is currently a designer in the children’s department at Chronicle Books in the Bay Area.
This sweet, tiny Japanese book is part of a three-book series revolving around a little bear named Kuma Kuma Chan. The story perfectly captures what it feels like to go visit a friend who lives far away. Even though the visit is not particularly eventful, the moments shared drinking bear tea and eating gifted chocolates feel so relatable. The illustrations are simple and serene, paired with an equally quiet and sweet story of friendship.
When a boy receives an invitation in the mail from Kuma-Kuma Chan, his friend who happens to be a bear, he travels by train, bus, and foot to reach Kuma-Kuma Chan's home. His friend welcomes him with 'bear tea', serves rice crackers and at the end of the day, a delicious salmon dinner. The two don't have a lot to talk about, but they spend the day sharing activities, eating delicious food, and experiencing the sense of belonging that comes from being with a good friend. When the boy leaves to catch the last bus home, both friends are enriched…
We’re picture book lovers and best friends that met in college at Washington University in St. Louis. Our friendship started out with long telephone conversations during the pandemic, and have now blossomed into a picture book partnership where we hope to write books that make people feel warm and fuzzy through the universality of the human experience. Vivienne is still currently a student at WashU, but will move to New York post-graduation. Eugenia has since graduated and is currently a designer in the children’s department at Chronicle Books in the Bay Area.
This book is composed of beautifully rendered landscapes in a considered color palette. A mother-daughter story sits at the heart of the book and is accompanied by breathtaking environments juxtaposed with everyday settings. This story shows that whether we are climbing a large mountain, or watching the shadows stretch in the afternoon, as long as we are together, there is nowhere else we rather be.
Let's Do Everything and Nothing is a lush and lyrical picture book from Julia Kuo celebrating special moments―big and small―shared with a child.
Will you climb a hill with me? Dive into a lake with me? Reach the starry sky with me, and watch the clouds parade?
Love can feel as vast as a sky full of breathtaking clouds or as gentle as a sparkling, starlit night. It can scale the tallest mountains and reach the deepest depths of the sea.
Standing side by side with someone you love, the unimaginable can seem achievable. But not every magical moment is…
We’re picture book lovers and best friends that met in college at Washington University in St. Louis. Our friendship started out with long telephone conversations during the pandemic, and have now blossomed into a picture book partnership where we hope to write books that make people feel warm and fuzzy through the universality of the human experience. Vivienne is still currently a student at WashU, but will move to New York post-graduation. Eugenia has since graduated and is currently a designer in the children’s department at Chronicle Books in the Bay Area.
This heartwarming watercolored picture book follows a crocodile as he sets off into the great metropolis for his morning commute. With no words at all, this book expertly shows the bustling, dynamic city life with both human and animal inhabitants. Each page is compositionally unique, and it is a masterclass in pacing and paneling. Despite the urban landscapes, the illustrations are rendered in a way that feels like a breath of fresh air. And best of all, the last page will make you want to revisit the entire book from beginning to end.
Mr. Crocodile loves his job. Every morning he gets up with an alarm. He brushes his teeth. He chooses the right tie to match his outfit, eats a quick slice of toast, and heads off to work on a crowded train. But what is his job? The answer may surprise you. Readers will want to pore over this witty, wordless book again and again, finding new details and new stories with every reading.
Having heard Celtic legends as a kid made me want to either become a leprechaun or a goddess with the power to remake the world’s worst parts. Although I didn’t achieve either, I write about both, as well as other quirky people who march to the rhythm of delightfully offbeat drummers. I so adore eccentric people and jaunty environments, I’ve built a career out of writing them. That has allowed me to capture the sassy voice of the daughter of madcap Hollywood stars, the outrageous garments worn by a cheerfully fake psychic, and the journey of a brokenhearted chef who can’t quote an adage normally to save her life.
Nazaré is a charming fable, showcasing the pursuit of justice in an authoritarian world. Kin, a young homeless boy, originally accused of sorcery and forced to flee, eventually leads a band of revolutionaries pitted against their oppressive dictator. His army is made up of delightful misfits, along with a variety of wild animals.
I love the rebels in this parable for the modern world. How could any writer or reader not appreciate revolutionaries who, while living rough in the countryside, impose a reading hour on their members. There is such beauty in the author’s language, unexpected humor throughout, and the most appealing charm.
If you believe in magic, as well as the the power of right to prevail against tyranny, despite impossible odds, this is the novel for you.
Nazaré tells the story of a peasants’ revolt in the polyglot city of Balaal. The story begins with a miracle. A homeless boy sees a whale washed up on the beach. He alerts the local fishermen, and soon the whole town is trying and failing to push it back into the ocean. With just the boy left to accompany the whale now in its dying throes, a freak wave pulls the creature back into the sea. This is an omen. Change is coming.
The boy and the washerwoman who adopts him cobble together a ramshackle army of fishermen, shopkeepers, lapsed…
After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
I’m always impressed by how Karen Russell pulls the reader into her stories with no warning about what we’re getting into. No easing into strange situations. She places her characters in what we publicly claim can’t be real but privately know to be true.
To make a fabulist story work, images must cling to the reader’s mind like golden treacle. Each one either grounding us in the familiar or firmly establishing the unfamiliar as quotidian. Russel is a master at this. Her stories flow so easily, and her characters’ unforgettable voices hit the reader in the first paragraph.
Charting loss, love, and the difficult art of growing up, these stories unfurl with wicked humour and insight. Two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab; a boy whose dreams foretell implacable tragedies is sent to 'Sleepaway Camp for Disordered Dreamers' (Cabin 1, Narcoleptics; Cabin 2, Insomniacs; Cabin 3, Somnambulists. . . ); a Minotaur leads his family on the trail out West, and finally, in the collection's poignant and hilarious title story, fifteen girls raised by wolves are painstakingly re-civilised by…
The End of the World is Flat is my fifth novel. All my previous work has used comedy to help tell a story, often viewing historical lives and themes through a light-hearted modern prism. This one reverses the process, using historical material – various accounts of Columbus’ first voyage to the Caribbean – to explore a bizarre modern movement. Because I’m critiquing gender ideology – a taboo undertaking in most of the publishing world – I’ve deliberately borrowed the allegorical methods of Bulgakov, Kadare, and, especially, Orwell. I hope the ‘samizdat’ way in which my novel has become a word-of-mouth bestseller makes that homage all the more fitting.
Bulgakov, a Russian born in Kyiv, wrote The Heart of a Dogin 1925 when the Soviet Union was in its infancy. It’s the breezy tale of a surgeon who transplants a human gland into a stray dog, turning an amiable mutt into a vile man.
There’s a punning reference to Stalin in the name of the least flattering character, and the author was clearly inviting his readers to read between the lines: this was an early satire on the Bolshevik social experiment.
It was rejected for publication and circulated instead in samizdat form. Remarkably though, Stalin took the writer under his wing and, while Bulgakov died young, he did so in his own bed. A political satirist can get away with a lot if they do it with charm.
I first read Mikhail Bulgakov's The Master and Margarita on a balcony of the Hotel Metropole in Saigon on three summer evenings in 1971. The tropical air was heavy and full of the smells of cordite and motorcycle exhaust and rotting fish and wood-fire stoves, and the horizon flared ambiguously, perhaps from heat lightning, perhaps from bombs. Later each night, as was my custom, I would wander out into the steamy back alleys of the city, where no one ever seemed to sleep, and crouch in doorways with the people and listen to the stories of their culture and their…
I write strange, emotional novels from my book-filled apartment in Vancouver, a short walk from the ocean. This may be why I’m obsessed with islands. Or perhaps it’s because they evoke the feeling of being apart from the world, adrift, of protecting something rare. Whatever the reason, my novel takes place on an uncanny island off the coast of Mexico, where the locals drink tea in the afternoon and pray to skeletons hidden in caves. The story that unfolds on this island could not have taken place on the mainland, and I believe the same goes for the books on my list.
This novel brings together the past and present experiences of Asian Canadians in a story that’s bursting with light and energy. Much of the book depicts the discrimination faced by Chinese immigrants in Newfoundland in the early 20th century, and I loved how humour was interspersed between moments that stirred feelings of intense anger and sadness.
Throw in a cheeky, time-travelling spirit named Mo and the privileged millennial who learns about the hardship that’s granted him the life he leads, and we’ve got a fresh take on a tragic history from an exciting new literary voice.
NAMED A BEST BOOK OF THE YEAR BY THE TELEGRAM AND WINNIPEG FREE PRESS
The hilarious and heartbreaking story of two William Pings in Newfoundland—the lost millennial and the grandfather he knows nothing about
William Ping’s millennial life revolves around eating at restaurants, posting online about eating at restaurants, then overanalyzing it. This changes unexpectedly when a dinner with his Chinese girlfriend’s family goes sideways and his insecurity about his biracial identity and his ignorance of his own Chinese heritage overflow. During a much-needed break from the…
I’m the author of the short story collection How to Capture Carbon, which explores how people’s lives change when touched by a bit of magic. Writing these stories helped me try to make sense of the early years of parenting when a dream-like blend of sleep deprivation, worry, and overpowering love made my life feel like a Dalí painting. I love stories and books that continue to make me feel less alone in that struggle. For me, stories that make the leap into surrealism give me both a dose of delight and highlight the real magic found in connecting with the people and places I love.
Any time I see a new story by Russell, I drop everything to step into the funny, quirky, and insightful worlds she creates. When I first read the title story of Orange World, about a woman who has made a bargain with a devil to protect her own baby, I wanted to press this book into the hands of any mother struggling with breastfeeding.
I could think of no better way to explain my experience than Russell’s description of trying to nurse a clawed, fanged, insatiable monster—along with the mix of posturing and solidarity I found within new mom’s groups and the way that loving my children connected me with my own parents.
'I loved Orange World... a collection of short stories in which demons live in drains, bog women come back from the dead and trees can grow inside the human body' Daisy Johnson, New Statesman BOOK OF THE YEAR
'A rare combination of literary brilliance and unbridled entertainment' Mark Haddon
These exuberant, unforgettable stories showcase Karen Russell's comedic and imaginative talent for creating outlandish predicaments that uncannily mirror our inner lives. In 'The Bad Graft', a couple on a road trip stop in Joshua Tree National Park, where the spirit of a giant tree accidentally infects the young woman, their fates…
Science fiction and Fantasy have always been about exploring new ideas in novel ways—right from the beginning, Mary Shelley saw the story of Frankenstein as a chance to explore ideas of liberation and equality that, at the time, were too uncomfortable for mainstream stories. Since then many writers have found success by mashing up sf with other literary genres to discover the boundaries—and the gray areas—between them. In my latest book I explore the deep connection between horror (the fear of the unknown) and sf (the drive toward wonder). Some of my most cherished books have similarly charted these murky borderlands.
I love this book for its science fiction and magical realism. This generational saga of a small town on a recently terraformed Mars is both a love letter to and an evolution on Gabriel Garcia Marquez’sOne Hundred Years of Solitude.
McDonald wanted to capture the frontier magic of a whole new world in a way that wasn’t just moving the American West to space, and in the end he breathes new life into one of the oldest tropes of SF, the colony story.
Charming, fantastical, and witty, it shares its source material’s deep humanism even in the face of cynical realism. It may very well be my favorite novel of all time, and luckily for all of us, there’s an equally great sort of sequel, Ares Express.
It all started thirty years ago on Mars. By the time it was finished, the town of Desolation Road had been witness to every abnormality yet seen on the Red Planet. From Adam Black's Wonderful Travelling Chautauqua and Educational 'Stravaganza, to the Astounding Tatterdemalion Air Bazaar, nowhere else boasts such sights for the wandering lucky traveller.
Its inhabitants are just as storied. From Dr. Alimantando -- founder and resident genius -- to the Babooshka, a barren grandmother with a child grown in a fruit jar; from Rajendra Das, mechanical hobo whose way with machines bordered on the mystic, to the…
