100 Books Like Earthlings

What a weird and wonderful book. I've read and reread it several times now, and it always casts its spell. I've never been so willing—so eager—to suspend disbelief. It's Murakami's special gift.

The novel creates its own wondrous world out of what seems to be the stuff of this one—a young runaway, Colonel Sanders, alley cats, a beautiful librarian, a seashore painting, a demented old man—but the result is more magical than any fairy kingdom. I was completely carried along by the experience of an understanding beyond sense.

In this claustrophobic modern classic, a grieving father and Ted Hughes scholar finds himself haunted by an oily, unnerving, anthropomorphic crow.

I’m a fan of anything Porter writes, but his debut is deserving of the indelible mark it’s made upon the modern literary landscape. The crow is a character like no other, and Porter’s poetry brings this strange and beautiful bird to life.

One of the most inventive novels I’ve read in recent years, this beautiful Pyrenean patchwork is supposed to evoke the orchestra of voices of the mountain region in which the book takes place.

Thus, you have the points of view of local farmers and their families, but also of the mountains themselves, of storm clouds and baskets of mushrooms and plenty of animals, wild and domesticated. The Deer takes us on a delightful tangent, but the most memorable chapter might be the one from the point of view of the spirited, breathlessly energetic dog.

Not strictly a book about talking animals, in that the animal that talks is actually a human when the story begins. Lewis and Wren are going about their unassuming married life when Lewis is told by a doctor that he has one year until he turns into a great white shark.

A wacky premise that delivers so much more than expected, this beautiful, tender fable about love and mortality is packed with lovesick ocean creatures and mothers masquerading as Komodo dragons.

This story is about Benny a teenager who can hear objects speaking and his mother, who is a compulsive hoarder.

Benny finds a group of people in a hidden wing of the local library which introduces him to a new world where he is accepted. He meets Aleph a drug user who leaves lines of poetry on paper in the books of the library and Slavoj a homeless drunk man who spouts much philosophy from his wheelchair. Ozeki makes the reality fantastic, the work is grounded in ordinary details.

The book is a beautiful portrait of a mix of characters you ordinarily would ignore and makes magic of the everyday. It's this everyday magic that I also wish to capture in my own fiction.

It’s science fiction writers like Carol Emshwiller that must be mentioned here, especially when she writes about Ruthie and Joe, who own a robot whom they call the “grey-green” thing, the hound, the Rover, or sometimes just “bitch”. In order to increase their chances for a successful hunt, Joe programs the robot to track a bear, and it does so with ease. Eventually Joe commands the “grey-green thing” to actually kill it, and the robot carries out its deadly mission. At the end you shudder at the thought of the careless use of the machine, not to mention what would happen if the “grey-green thing” had been programmed to kill a human being.

This book is amazing. It’s about a kid named Jackson whose parents are having trouble making ends meet. It looks like they’re going to be homeless... again. But that’s when Crenshaw, Jackson’s old imaginary friend shows up. I love how Katherine Applegate shows Jackson’s fears and hopes. I grew up pretty poor, and so I know that she does a great job with this tough situation. Yet, despite the hardships, Applegate fills this book with fun, like when Crenshaw, a giant imaginary cat, takes a bubble bath.

I love this book because it really erases the line between the real and the fantastic. I’ve been a Neil Gaiman fan since Sandman. This is a middle-grade book written for me. The path I took through this book led me back to my childhood and reminded me of Where the Wild Things Are, with its nearly seamless transition between the “real” world and the imagined.

Neil’s done this before with Caroline and the Graveyard. But Ocean is different. Here, I never lose touch with the real world. The turn to fantasy just makes the real world more dangerous. I think that’s an important change. When I was a child, when I daydreamed or pondered the things and people and dark corners that I didn’t understand, when I added the additional layer of the fantastic, it wasn’t really an escape.

It just made the challenges of being a child… show more.

I really admire Raymond Briggs’ work; he’s a wonderful storyteller and a fantastic artist with a great eye for colour. Ethel & Ernest is a beautiful book. The strip-cartoon format works well and makes for an intense reading experience. Whilst this book has lots of humour and light, it also features some dark topics such as the Second World War, mental illness, and bereavement. It is generally considered unsuitable for children under the age of twelve. It’s a charming love story and a vivid social record. I find it heartbreaking at times. It becomes even more touching when you remember that it is based on Briggs’ own family.

Tyger grabbed me with its opening lines: "It happened in the 21st century, when London was still the capital of an Empire, and the Empire still ruled the world…"

Adam, our young hero is running from a thief when he comes across a magical creature, a wounded Tyger. Powerful enemies are hunting the Tyger, to save her, Adam and his friend Zadie must develop the power to open their own ‘doors of perception’ and overcome the forces of evil.

Tyger is a vivid, beautifully written adventure that feels timeless, with philosophical echoes of William Blake and stunning illustrations by Dave McKean.