Here are 100 books that Earthlings fans have personally recommended if you like
Earthlings.
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My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
What a weird and wonderful book. I've read and reread it several times now, and it always casts its spell. I've never been so willing—so eager—to suspend disbelief. It's Murakami's special gift.
The novel creates its own wondrous world out of what seems to be the stuff of this one—a young runaway, Colonel Sanders, alley cats, a beautiful librarian, a seashore painting, a demented old man—but the result is more magical than any fairy kingdom. I was completely carried along by the experience of an understanding beyond sense.
"A stunning work of art that bears no comparisons" the New York Observer wrote of Haruki Murakami's masterpiece, The Wind-up Bird Chronicle. In its playful stretching of the limits of the real world, his magnificent new novel, Kafka on the Shore is every bit as bewitching and ambitious. The narrative follows the fortunes of two remarkable characters. Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his highly simplified life suddenly overturned. Their parallel odysseys - as…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a British author who has always had a fascination with magical realism and novels that blend the serious with the strange. For that reason, though I write literary fiction for adults, I take so much of my inspiration from children’s literature. There’s something so simple about how kids’ books stitch the extraordinary into the every day without having to overexplain things. I now live not far from the forest that inspired A. A. Milne’s Hundred Acre Wood, and my latest novel is set in and inspired by this part of rural England–with all the mystery and magic that a trip into the woods entails.
In this claustrophobic modern classic, a grieving father and Ted Hughes scholar finds himself haunted by an oily, unnerving, anthropomorphic crow.
I’m a fan of anything Porter writes, but his debut is deserving of the indelible mark it’s made upon the modern literary landscape. The crow is a character like no other, and Porter’s poetry brings this strange and beautiful bird to life.
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
Winner of the 2016 International Dylan Thomas Prize and the Sunday Times/Peter, Fraser + Dunlop Young Writer of the Year award and shortlisted for the Guardian First Book Award and the Goldsmiths Prize.
In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.
In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family…
I’m a British author who has always had a fascination with magical realism and novels that blend the serious with the strange. For that reason, though I write literary fiction for adults, I take so much of my inspiration from children’s literature. There’s something so simple about how kids’ books stitch the extraordinary into the every day without having to overexplain things. I now live not far from the forest that inspired A. A. Milne’s Hundred Acre Wood, and my latest novel is set in and inspired by this part of rural England–with all the mystery and magic that a trip into the woods entails.
One of the most inventive novels I’ve read in recent years, this beautiful Pyrenean patchwork is supposed to evoke the orchestra of voices of the mountain region in which the book takes place.
Thus, you have the points of view of local farmers and their families, but also of the mountains themselves, of storm clouds and baskets of mushrooms and plenty of animals, wild and domesticated. The Deer takes us on a delightful tangent, but the most memorable chapter might be the one from the point of view of the spirited, breathlessly energetic dog.
"Sola pushes past the limits of human experience to tell a story of instinct and earth-time that is irresistible in its jagged glory." - C Pam Zhang, author of How Much of These Hills is Gold
When Domenec - mountain-dweller, father, poet, dreamer - dies suddenly, struck by lightning, he leaves behind two small children, Mia and Hilari, to grow up wild among the looming summits of the Pyrenees and the ghosts of the Spanish civil war.
But then Hilari dies too, and his sister is forced to face life's struggles and joys alone. As the years tumble by, the…
The woman who inspired Don Quixote sets out across the dangerous roads of Spain to honor her dying lover's final plea.
The daughter of a wealthy merchant, young Dolça Llull Prat is besotted with the dashing, bootstrapping Miguel Cervantes from their first meeting. Despite Miguel's entreaties, the ever-practical Dolça, with…
When I emigrated from the UK to Western Australia as a child, one of my first big moments was learning about sharks and realising swimming in the ocean was not the same as in the sea. Ever since writing my thriller The Shark, I’ve been on the lookout for novels with sharks in the title or on the page. Real sharks, human sharks, property sharks, sharks of the mind and the heart, these are stories that have influenced me, entertained me, beguiled, terrified, and at times utterly blindsided me.
A wise, humane, wildly original feat of imagination and heart.
The skill of Habeck in making the incredible credible knows no bounds as Wren and Lewis’s lives are upended by a diagnosis of Carcharodon carcharias mutation, namely his gradual transformation into a great white shark.
A beautiful meditation on art, family, loss, and what it means to be human, this reminded me of Emily St. John Mandel’s Station Eleven but is like nothing I’ve read before or since.
I want to write about the magic of the everyday and often this is seen in the slippages between worlds like the worlds of the living and the dead. Ghosts and spirits feature heavily in my work and fascinate me as a reader too. This is not in the realm of fantasy to me, ghosts are real and actual.
This story is about Benny a teenager who can hear objects speaking and his mother, who is a compulsive hoarder.
Benny finds a group of people in a hidden wing of the local library which introduces him to a new world where he is accepted. He meets Aleph a drug user who leaves lines of poetry on paper in the books of the library and Slavoj a homeless drunk man who spouts much philosophy from his wheelchair. Ozeki makes the reality fantastic, the work is grounded in ordinary details.
The book is a beautiful portrait of a mix of characters you ordinarily would ignore and makes magic of the everyday. It's this everyday magic that I also wish to capture in my own fiction.
"No one writes like Ruth Ozeki-a triumph." -Matt Haig, New York Times bestselling author of The Midnight Library
"Inventive, vivid, and propelled by a sense of wonder." -TIME
"If you've lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home." -David Mitchell, Booker Prize-finalist author of Cloud Atlas
Longlisted for the Women's Prize for Fiction
A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both-the brilliantly…
I’ve always loved science fiction because it offers a hope, a dream, or a future that we just haven't seen yet. When I write my stories, I feel there is no better use of my imagination, than to contemplate a new world, a new civilization, or future technology. At the same time, I hope to entertain readers and spark young imaginations. Inside Modified, I reached into a distant future with off-world colonies that float in the clouds of Venus, while robots toil on the planet’s surface. Of course, in such a future, when advanced modifications and recursive designs are used, leads one to wonder if my robot can love too.
It’s science fiction writers like Carol Emshwiller that must be mentioned here, especially when she writes about Ruthie and Joe, who own a robot whom they call the “grey-green” thing, the hound, the Rover, or sometimes just “bitch”. In order to increase their chances for a successful hunt, Joe programs the robot to track a bear, and it does so with ease. Eventually Joe commands the “grey-green thing” to actually kill it, and the robot carries out its deadly mission. At the end you shudder at the thought of the careless use of the machine, not to mention what would happen if the “grey-green thing” had been programmed to kill a human being.
Crossing the boundaries between fabulist literature, science fiction, and magical realism, the stories in this collection offer a valuable glimpse into the evolution of Carol Emshwiller’s ideas and style during her more than 50-year career. Influenced by J. G. Ballard, Steven Millhauser, Philip K. Dick, and Lydia Davis, Emshwiller has a range of works that is impressive and demonstrates her refusal to be labeled or to stick to one genre. This exhilarating new collection marks the first time many of the early stories have been published in book form and is evidence of the genius of Emshwiller, one of America’s…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I went through major surgery when I was in eighth grade. The physical pain was bad, but what hurt more was the emotional side. When I returned to school, the friend groups had shifted, shutting me out because of my extended absence. I had to face that time in life alone. Perhaps that’s why I’m drawn to works about kids who have to face challenges on their own. When we go through hard times, our true selves come out. They have to; we have no one else. We can’t pretend. We can only try to make it. The books I like show characters that shine through their hardships.
This book is amazing. It’s about a kid named Jackson whose parents are having trouble making ends meet. It looks like they’re going to be homeless... again. But that’s when Crenshaw, Jackson’s old imaginary friend shows up. I love how Katherine Applegate shows Jackson’s fears and hopes. I grew up pretty poor, and so I know that she does a great job with this tough situation. Yet, despite the hardships, Applegate fills this book with fun, like when Crenshaw, a giant imaginary cat, takes a bubble bath.
The heart-warming new story about family and friendships from Newbery Medal-winner Katherine Applegate.
Life is tough for ten-year-old Jackson. The landlord is often at the door, there's not much food in the fridge and he's worried that any day now the family will have to move out of their home. Again.
Crenshaw is a cat. He's large, he's outspoken and he's imaginary. He's come back into Jackson's life to help him but is an imaginary friend enough to save this family from losing everything?
A heart-warming story about family and friendships from Newbery medal winner Katherine Applegate.
I didn’t want to write about this world whenI could submerse myself in a magical one! I’ve always had a passion for Sci-fi and Fantasy books and movies. With these genres, you canpush your mind to limits that can’t be explored in the normal world. You can investigateimaginary places and fall in love with someone who can throw fire from their hands or teleport toanother time. You can slay monsters and swim with merfolk; you can marry an alien and joinyour two kingdoms. You can even perform science experiments on someone and turn them intoa hulk-like creature who runs around town naked! How fun!
A coming-of-age fantasy romance with magical realism. The world is made up of two types of people: Typics and Divines. Typics are “typical” people, whereas Divines were born with powerful abilities.
Summer is a Divine who is supposed to teleport, but can’t. Starting over in a new place, she finds a new job, new boss, new friends, and most importantly, the romantic interest, Jonah, a muscly mechanic with a few secrets of his own.
Summer’s boss, a Divine, grows jealous as Summer and Jonah’s relationship blossoms, and they find themselves escaping his rage.
The wit and affection Jonah and Summer share are intoxicating. They are a young couple but are mature for their age and things don’t progress until she turns eighteen. Urban fantasy at its finest!
** This is a new cover edition. There have been previous cover editions of this book that may show up different on other websites such as Goodreads **
There are two kinds of people in the world: Typics and Divines. Typics are known to society as the normal people on the earth, or, the “typical” human beings. And Divines? Well, they are the people who were born with unique super-human abilities, those of which they choose to either expose or conceal while living among the world of Typics. Divines can be powerful.
Science fiction and Fantasy have always been about exploring new ideas in novel ways—right from the beginning, Mary Shelley saw the story of Frankenstein as a chance to explore ideas of liberation and equality that, at the time, were too uncomfortable for mainstream stories. Since then many writers have found success by mashing up sf with other literary genres to discover the boundaries—and the gray areas—between them. In my latest book I explore the deep connection between horror (the fear of the unknown) and sf (the drive toward wonder). Some of my most cherished books have similarly charted these murky borderlands.
I love this book for its science fiction and magical realism. This generational saga of a small town on a recently terraformed Mars is both a love letter to and an evolution on Gabriel Garcia Marquez’sOne Hundred Years of Solitude.
McDonald wanted to capture the frontier magic of a whole new world in a way that wasn’t just moving the American West to space, and in the end he breathes new life into one of the oldest tropes of SF, the colony story.
Charming, fantastical, and witty, it shares its source material’s deep humanism even in the face of cynical realism. It may very well be my favorite novel of all time, and luckily for all of us, there’s an equally great sort of sequel, Ares Express.
It all started thirty years ago on Mars. By the time it was finished, the town of Desolation Road had been witness to every abnormality yet seen on the Red Planet. From Adam Black's Wonderful Travelling Chautauqua and Educational 'Stravaganza, to the Astounding Tatterdemalion Air Bazaar, nowhere else boasts such sights for the wandering lucky traveller.
Its inhabitants are just as storied. From Dr. Alimantando -- founder and resident genius -- to the Babooshka, a barren grandmother with a child grown in a fruit jar; from Rajendra Das, mechanical hobo whose way with machines bordered on the mystic, to the…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
Three biographical facts that well equip me to write about both monsters and mental health: I am a psychologist who researches, writes, and teaches about emotions, learning, and quality of life. I am also someone who suffers from panic disorder. I am also someone who enjoys interacting with the world of the dark and spooky, in part to tame my internal fears. I think that many of us use fiction in general and horror in particular as a sandbox of sorts—a safe place where we can expose ourselves to our fears, to test out scenarios, and to explore hidden parts of our psyche.
In my book I frequently draw upon monsters in fiction to understand our complicated relationship with both our own messy, unpredictable embodied minds and the uncertain, often-terrifying world that we operate these embodied minds within.
This haunting book of short stories is a great example of grappling with the complexities of our lives through a monstrous lens in order to better understand the human condition.
An NPR, Book Riot, Chicago Public Library, Tor.com, South China Morning Post,Ms. Magazine, and Shelf Awareness Best Book of 2022
2023 Pacific Northwest Book Prize Winner & Longlisted for the 2023 Joyce Carol Oates Prize
A BuzzFeed, WIRED, LitHub, ALTA, and PureWow Best Book of Winter
"The strange and wonderful define Kim Fu’s story collection, where the line between fantasy and reality fades in and out, elusive and beckoning." ―The New York Times Book Review
In the twelve unforgettable tales of Lesser Known Monsters of the 21st Century, the strange is made…
