Here are 100 books that The Shadow at The Bottom of The World fans have personally recommended if you like
The Shadow at The Bottom of The World.
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I remember the first season of Black Mirror—how fascinated I was. Even though a lot of it was uncomfortable, I couldn’t look away. It was a perfect intersection of the subjects that excited my mind: technology that could exist in the future intertwined with social and political issues and human psychology. It provided a very personal look into how technology would affect people’s daily lives and how it could shape the world we live in. Well, the series has become what it has become, but I still remember the thrill of the first episodes. It always gave me food for thought.
The book tells the story of a man who believes that his dreams influence reality. I loved it because it was strange and intriguing, mind-bending and surreal. Nothing was permanent, and even reality itself was questionable.
Ursula Le Guin explores the issues of climate change and overpopulation, pollution and the destruction of the environment though the characters’ personal experiences. She tackles racism and shows how one's life experiences shape their personality. The question of whether the end justifies the means keeps recurring in the narrative.
'Her worlds have a magic sheen . . . She moulds them into dimensions we can only just sense. She is unique. She is legend' THE TIMES
'Le Guin is a writer of phenomenal power' OBSERVER
George Orr is a mild and unremarkable man who finds the world a less than pleasant place to live: seven billion people jostle for living space and food. But George dreams dreams which do in fact change reality - and he has no means of controlling this extraordinary power.
Psychiatrist Dr William Haber offers to help. At first sceptical of George's powers, he comes…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am an author, poet, and visual artist. These interests converge in my approach to literature. I think that visual and psychological descriptions of environments and circumstances are essential to enlivening the narrative and setting its tone. Often in modern literature this is diluted in favor of straightforward accounts. I believe that a story is never told with any complete objectivity but has a psychological context that must be highlighted. In addition, vivid visual descriptions greatly assist the reader in inhabiting the world of the story as seen from the characters’ points of view.
Of all the elements of this story, I feel the love triangle between Eustacia, Wildeve, and Clym is of secondary interest to the environment in which it takes place, which is the weird and lugubrious heathlands.
Perhaps I am unfamiliar with heaths; as far as I know, we don’t have any in the U.S. Hardy describes the British heathlands like the landscape of another planet. Largely flat with shallow hills and vales, it sometimes bursts with floral color, and depending on the weather, it can be beset with raking orange sunlight or gloomy palls of mist.
The locals are fond of lighting evening bonfires, and Hardy’s descriptions of the firelight dancing on their faces are mesmerizing and compellingly suggests an unbroken cultural link with Britain’s pagan past.
One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout…
Children have vivid imaginations, and while mine was initially drawn to science fiction, I discovered my true passion for fantasy upon reading The Hobbit as a teenager. Since that day, escaping into fantasy worlds—whether it be through books, movies, TV, roleplaying, and video games—became my passion and hobby, leading me down many roads, including writing game reviews, a short story, a novel, and an extensive collection of fantasy-related replicas and statues. Ultimately, that endless feeling of wonder and exploration, adventure and danger is what convinced me to become an author; these five books sitting at the top of a long list that inspired me to reach that goal.
When I learned that this novel and the epic series that followed were, in fact, a chronicle of the tabletop role-playing adventures by the authors and their friends, it became my introduction to the massive world of Dungeons & Dragons.
That such creativity and imagination could be sparked by playing a game was a life-altering event that propelled me not only to play it but would eventually inspire me to write my own book series.
A classic tale of heroism and adventure, the original Dragonlance Chronicles perfectly blends all the best qualities of high fantasy, including some well-timed moments of humor that had me genuinely laughing out loud.
This Dungeons & Dragons-inspired fantasy adventure is the first installment in the beloved Dragonlance Chronicles, set in the magical world of Krynn
Once merely creatures of legend, the dragons have returned to Krynn. But with their arrival comes the departure of the old gods—and all healing magic. As war threatens to engulf the land, lifelong friends reunite for an adventure that will change their lives and shape their world forever . . .
When Tanis, Sturm, Caramon, Raistlin, Flint, and Tasslehoff see a woman use a blue crystal staff to heal a villager, they wonder if it's a sign the…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a novelist who has primarily written in the dark fantasy and horror genre, which often embraces all things autumn. My first novelBlack & Orange, its sequel,Nomads, and supplemental short story collection, Reaping October, all take place in autumn and focus on an encroaching dimension of darkness that would change life as we know it. Halloween isn’t just a holiday, it’s a different existence altogether. Having a love for the season and being its steadfast student, I’ve explored these atmospheric themes for decades. I have a solid opinion on what stories take you there.
I recall when Blockbuster Video had a books section they discontinued. I went and merrily bought anything I could get my bookwormy hands on. I found Tom Savage and was never the same. He is one of those authors that everybody should read, but few have. A master thriller writer, he uses so many twists, you never know where the story goes next. In this book, Holly is about to collect on an inheritance from the mysterious Randall family. Set in a spooky mansion, high above Long Island Sound, she discovers that fortune comes at a terrifying price. Wrought iron gates, moonlit nights, a shadowy mansion—this novel hits all the correct notes in an October symphony.
With these words, an ordinary young woman is ushered into a strange new world. Yesterday, she was Holly Smith, living a comfortable, middle class life in Southern California. Today, all that has changed. For Holly Smith is actually Holly Randall, born twenty-four years ago to a woman convicted of a heinous crime, and given up for adoption as an infant. Now, the mysterious death of a great aunt she never knew has made Holly one of the richest women in America–and heiress to a magnificent Connecticut estate.
In the beautiful mansion above Long Island Sound, they…
Maurice Sendak said, "Children do live in fantasy and reality, they move back and forth very easily in a way we no longer remember how to do." In other words, children do the impossible. Growing up, stories where the real and imagined collided were like fresh air when I felt like I couldn't breathe. They've always been important to me, and for many reasons, hold a special place in our literature. Now, as a full-time teacher, writer, and daddy, I get to be on the other side of that joy equation, guiding new readers and writers as they become travelers of the fantastic.
I love this book because it really erases the line between the real and the fantastic. I’ve been a Neil Gaiman fan since Sandman. This is a middle-grade book written for me. The path I took through this book led me back to my childhood and reminded me of Where the Wild Things Are, with its nearly seamless transition between the “real” world and the imagined.
Neil’s done this before with Caroline and the Graveyard. But Ocean is different. Here, I never lose touch with the real world. The turn to fantasy just makes the real world more dangerous. I think that’s an important change. When I was a child, when I daydreamed or pondered the things and people and dark corners that I didn’t understand, when I added the additional layer of the fantastic, it wasn’t really an escape.
'Neil Gaiman's entire body of work is a feat of elegant sorcery. He writes with such assurance and originality that the reader has no choice but to surrender to a waking dream' ARMISTEAD MAUPIN
'Some books just swallow you up, heart and soul' JOANNE HARRIS
'Summons both the powerlessness and wonder of childhood, and the complicated landscape of memory and forgetting' GUARDIAN
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'My favourite response to this book is when people say, 'My childhood was nothing like that - and it was as if…
From an early age, I have been fascinated with anything supernatural and occult. My Aunt would read my palm, and then, as a teenager, I would visit clairvoyants to see what the future held for me. As I grew older, I found I had an ability, a gift of seership, and after reading many books, embarked on my pagan journey, from which I have never looked back, and am now studying Druidry,which is very much nature-based. I hope you love the books on this list as much as I do!
This was another of my lockdown reads, and again, I became completely immersed in the story from the word go. There are some incredibly dark moments, which, however, balance beautifully with many heartfelt moments. It was most definitely an emotion-inducing story for me.
I loved the fast pace and the author's ability to keep me literally on the edge of my seat, mustering all kinds of feelings, from frustration and anger to great joy. I found the characters strong, and the magic thought-provoking, and this was another story that I was so sad to say goodbye to.
My ex-lover is a psychopath, hunting me down for revenge. I am falling in love with his enemy. And I am the last Arcane Witch left alive, destined to return magic to the modern world.
My whole life, I have been a prisoner. Starved. Beaten. Hated. By my own family! But most of all, I am feared. I am feared because I am the most powerful woman in the world. Most want me dead. Some want to control my magic for their own, dark desires.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
From an early age, I have been fascinated with anything supernatural and occult. My Aunt would read my palm, and then, as a teenager, I would visit clairvoyants to see what the future held for me. As I grew older, I found I had an ability, a gift of seership, and after reading many books, embarked on my pagan journey, from which I have never looked back, and am now studying Druidry,which is very much nature-based. I hope you love the books on this list as much as I do!
I was genuinely devastated when I finished the book, which took only two days to finish. It filled my thoughts constantly and was my saving grace through the beginning of the COVID lockdown. I found that absorbing myself into the story and characters was an amazing source of escapism for me.
I loved the way the author introduced the magical realism and locations of the story. It kept me on the edge of my seat, and I laughed a lot along the way!
Did you know that the gods can use mobile phones? They can, and Odin has a message for Conrad
Conrad Clarke, former RAF pilot and alleged gangster gets a text – and a visit – from The Allfather. Odin has a challenge for Conrad: sign up to protect England from wild magick and get a commission in the King’s Watch. All he has to do is find a missing witch. Simple. Conrad never could resist a challenge. Before you can say “Ragnarok”, he’s plunged into a world of gods, mages, witches, dwarves and one very aggressive giant mole. But the…
I was a student in 1968-71 (see photo) and the memories of that vanished world still haunt me. When I was supposed to be studying relativity and topology I was reading Blake and Jung, Marcuse and Mao—all misfits in their own way. After a long and undistinguished career as a mathematics lecturer in far-flung locations—Lesotho, New Guinea, Uxbridge—I retired in 2019 to write speculative comic fiction which would bring the Swinging Sixties back to life. Something of a misfit myself, I look at today's world and ask despairingly, “Is this really happening?” The books on my list provide me some solace.
A friend recommended this book when I told her about my Shepherd theme. A neurotic fugitive, hiding on a deserted island, discovers that he is not alone. This novella is classed as magical realism—there’s a foreword by Borges—but like my book it eventually provides a scientific explanation for the strange occurrences. And like almost all my other choices, it’s a first-person narration, so we are kept wondering how much is true. It flags a bit after the initial premise, but once the revelations start, it grips you. Amazingly for a book written in 1964, its speculations address issues at the forefront of digital technology and science today. I won’t say more, except: don’t read the introduction or foreword, which contain plot spoilers!
Jorge Luis Borges declared The Invention of Morel a masterpiece of plotting, comparable to The Turn of the Screw and Journey to the Center of the Earth. Set on a mysterious island, Bioy's novella is a story of suspense and exploration, as well as a wonderfully unlikely romance, in which every detail is at once crystal clear and deeply mysterious.
Inspired by Bioy Casares's fascination with the movie star Louise Brooks, The Invention of Morel has gone on to live a secret life of its own. Greatly admired by Julio Cortázar, Gabriel García Márquez, and Octavio Paz, the novella helped…
Since I was a little boy, long before I dreamed of becoming a Daoist monk, I sensed that there was far more beneath the pond of life than on the surface. I remember feeling jealous of a little turtle I saw in the Connecticut River. Why couldn’t I pop out of my world and see what was happening above, but he could? My spiritual questing led me to Asia and also deep into myself. Writing magical realism does not feel like engaging a fantasy; it feels like I can finally share how the world really is.
As both a novelist and a monk whose life focuses on blending the material and spiritual, I consider this a very important work. Despite a privileged Jewish upbringing in New York City, Latin culture has forever been an important part of my life. The fact is, I’ve always been surrounded by South American friends and spent time in South America in my teen years.
This book brings to life the mystical heart of so much that drives South American culture, revealing it in a way that pulls you straight into the arms of a parallel world, or if not parallel, then one that exists both above and below what we superficially see and feel. I find it a great read and one that remains alive in my imagination year after year.
“Spectacular...An absorbing and distinguished work...The House of the Spirits with its all-informing, generous, and humane sensibility, is a unique achievement, both personal witness and possible allegory of the past, present, and future of Latin America.” —The New York Times Book Review
Our Shared Shelf, Emma Watson Goodreads Book Club Pick November/December 2020!
The House of the Spirits, the unforgettable first novel that established Isabel Allende as one of the world’s most gifted storytellers, brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of political…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
From an early age, I have been fascinated with anything supernatural and occult. My Aunt would read my palm, and then, as a teenager, I would visit clairvoyants to see what the future held for me. As I grew older, I found I had an ability, a gift of seership, and after reading many books, embarked on my pagan journey, from which I have never looked back, and am now studying Druidry,which is very much nature-based. I hope you love the books on this list as much as I do!
I found myself completely absorbed in the story from the beginning. It was incredibly difficult to put down. Suffice it to say that there were a few overcooked dinners for a few days!
I loved how the author combined elements of the story, supernatural/gangster, and the location, which took me back to my childhood days in London.
I had moments of breath holding anticipation, along with tears of sadness and joy, I found it to be a totally delectable read.
Lydia has always known she has no power, especially next to her infamous and more-than-slightly dodgy family. Which is why she carved her own life as a private investigator far away from London.
When a professional snafu forces her home, the head of the family calls in a favour, and Lydia finds herself investigating the disappearance of her cousin, Maddie.
Soon, Lydia is neck-deep in problems: her new flatmate is a homicidal ghost, the intriguing, but forbidden, DCI Fleet is acting in a distinctly unprofessional manner, and tensions between the old magical families are rising.
