Here are 100 books that Un mosaico di silenzi fans have personally recommended if you like
Un mosaico di silenzi.
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I am a cradle Catholic raised in Ireland, Italy, and the UK. I have always had a troubled relationship with the church’s obsession with power and sexuality. As a professional historian at the University of Kent, I decided to investigate the Roman Church's political role during the twentieth century. Unlike my previous work, I have now had to consider a time in which I was partly alive and analyse events I lived through. As a liberal Catholic, I cannot claim complete objectivity, but these books and my own research proved to me that a better and more vibrant church that follows the spirit of the Second Vatican Council is not merely possible but necessary.
I feel that stylistically and in terms of passion, this is non-fiction at its best; it reads like a thriller.
Kertzer is a master of narrative, and his indictment of the indifference of the church before the German occupation of Europe and the Holocaust troubled me deeply as a person of faith. Despite being a professional historian, I was impressed by the humanity of his treatment of real people.
His description of the round-up of the Jews of the Rome Ghetto is genuinely moving, highly disturbing, and brought tears to my eyes. My particular enjoyment of the book came from its many archival discoveries in the Vatican Archives.
NEW YORK TIMES BESTSELLER • “The most important book ever written about the Catholic Church and its conduct during World War II.”—Daniel Silva
“Kertzer brings all of his usual detective and narrative skills to [The Pope at War] . . . the most comprehensive account of the Vatican’s relations to the Nazi and fascist regimes before and during the war.”—The Washington Post
Based on newly opened Vatican archives, a groundbreaking, explosive, and riveting book about Pope Pius XII and his actions during World War II, including how he responded to the Holocaust, by the Pulitzer Prize–winning author of The Pope…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am a cradle Catholic raised in Ireland, Italy, and the UK. I have always had a troubled relationship with the church’s obsession with power and sexuality. As a professional historian at the University of Kent, I decided to investigate the Roman Church's political role during the twentieth century. Unlike my previous work, I have now had to consider a time in which I was partly alive and analyse events I lived through. As a liberal Catholic, I cannot claim complete objectivity, but these books and my own research proved to me that a better and more vibrant church that follows the spirit of the Second Vatican Council is not merely possible but necessary.
Pollard is a masterful storyteller, and I particularly appreciate his ability to transcend his own feelings and prejudices in order to tell an objective tale about Catholicism during the dark age of fascist and communist dictatorships.
My favourite part of the book is the sober assessment of the papacy’s role when surrounded by totalitarianism and total warfare. He has little time for the myth of Hitler’s pope but is fair when it comes to the Vatican's far-from-happy flirtation with the Ustaše fascist regime in Croatia.
The other element I am chiefly impressed with is Pollard's ability to tell a global story, not just an Italian or European one.
The Papacy in the Age of Totalitarianism, 1914-1958 examines the most momentous years in papal history. Popes Benedict XV (1914-1922), Pius XI (1922-1939), and Pius XII (1939-1958) faced the challenges of two world wars and the Cold War, and threats posed by totalitarian dictatorships like Italian Fascism, German National Socialism, and Communism in Russia and China. The wars imposed enormous strains upon the unity of Catholics and the hostility of the totalitarian regimes to Catholicism lead to the Church facing persecution and martyrdom on a scale similar to that experienced under the Roman Empire and following the French Revolution.
I am a cradle Catholic raised in Ireland, Italy, and the UK. I have always had a troubled relationship with the church’s obsession with power and sexuality. As a professional historian at the University of Kent, I decided to investigate the Roman Church's political role during the twentieth century. Unlike my previous work, I have now had to consider a time in which I was partly alive and analyse events I lived through. As a liberal Catholic, I cannot claim complete objectivity, but these books and my own research proved to me that a better and more vibrant church that follows the spirit of the Second Vatican Council is not merely possible but necessary.
Picking up a book on one of Christianity’s most complex and problematic councils is not for the faint-hearted.
I loved O’Malley’s ability to turn this meeting of over two thousand bishops into a gripping narrative about disagreement, debate, and renewal. What could have been a dry book about theology in his hands becomes a brilliant reflection on the internal divisions of the church and its relationship with progress. His careful eye for anecdotes and dignified humour is particularly attractive.
Unlike so many other close-minded Catholics, O’Malley is not scared to admit the politics of the council, its legacy, and its ongoing controversies.
During four years in session, Vatican Council II held television audiences rapt with its elegant, magnificently choreographed public ceremonies, while its debates generated front-page news on a near-weekly basis. By virtually any assessment, it was the most important religious event of the twentieth century, with repercussions that reached far beyond the Catholic church. Remarkably enough, this is the first book, solidly based on official documentation, to give a brief, readable account of the council from the moment Pope John XXIII announced it on January 25, 1959, until its conclusion on December 8, 1965; and to locate the issues that emerge…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
I am a cradle Catholic raised in Ireland, Italy, and the UK. I have always had a troubled relationship with the church’s obsession with power and sexuality. As a professional historian at the University of Kent, I decided to investigate the Roman Church's political role during the twentieth century. Unlike my previous work, I have now had to consider a time in which I was partly alive and analyse events I lived through. As a liberal Catholic, I cannot claim complete objectivity, but these books and my own research proved to me that a better and more vibrant church that follows the spirit of the Second Vatican Council is not merely possible but necessary.
Stourton is the best sort of biographer; I appreciate his candour and directness.
Despite clearly admiring the now-Saint John Paul II, he portrays vividly the limitations of this conservative and retrograde pope whose long reign saw the church battle with modernity. John Paul II’s inability to listen to women, engage in genuine dialogue with other faiths, his authoritarianism, and propensity to hide scandals within the church are eloquently examined in this biography.
I particularly like the character sketches and Stourton’s ability to poke some fun at this very dour and remarkably earnest pope. What could have been a dry subject is a vivacious and constructively critical sketch of one of history's longest pontificates.
John Paul was, famously, a bundle of paradoxes; he defied every attempt to put him in an ideological box, and he was equally bewildering to his admirers and his detractors. Edward Stourton unravels John Paul's life, his beliefs, his actions and ultimately places him in context within the Catholic Church of the 20th and 21st Century. A wonderfully, insightful, involving and rewarding look at the life of a man who was not only one of the most important men of the last thirty years of the 20th century but who became, in his last days, a living symbol of the…
I love Catholic historical romance novels for what they do and don’t include. They feature history, multiple characters, community and faith that together set a rich stage for love stories. The novels don’t include graphic violence or sex scenes. A former journalist, I started writing in the genre because I couldn’t find what I wanted to read. I’m both traditionally and indie published. I’m a member of the Catholic Writers Guild, as are the authors whose books are listed here. Family and community play important roles in my books. They show how a couple is never an isolated pair but always part of a multilayered world. Just like real life.
This is a touching story about love and forgiveness, of oneself as well as of others. The novel is partially historical: the narrative shifts between the 1940s and the present day. The storylines are linked by a beautiful rose ring that is important to the heroines in both eras. Both storylines include love, loss, and love re-found, but not before the modern-day heroine must face what her heart is truly telling her. More than one character finds the redemption that true forgiveness can bring, but each also discovers the journey can be challenging. This novel drops a surprise twist in the middle, so keep your eyes open! I had tears in my eyes when the stories converged and brought closure.
Left at the altar by Zach Richards ten years ago, Julia Manning has buried her pain by leading a quiet life working at a bookstore, helping her sister, visiting residents at a local nursing home, and attempting to be a good daughter. When Zach suddenly arrives back in town and her overbearing mother fixes her up with the last man on earth she would ever want to date, Julia is forced to face her past, whether she wants to or not.
A resident at St. Francis Nursing Home, Elizabeth Phelps suffers from dementia and becomes convinced that a ring Julia…
We are historians of twentieth-century Germany who investigate the relationship between church and state from 1918-1945. We are fascinated by the choices of Christian leaders during this time as they negotiated the challenges of living and leading under National Socialism. In our writing, we seek to understand the connections between Christian antisemitism and National Socialists’ racial-based exclusionary ethnonationalism and antisemitism and seek to understand how religious communities navigate ethical and practical challenges of living through political upheaval and fascism.
The leading expert on the Holy See during World War II, Ventresca offers us an immensely readable and authoritative biography of the elusive Eugenio Pacelli. In many ways, it surpasses all previous biographies in its comprehensive and convincing analysis of its central subject, Pope Pius XII. Ventresca adeptly bores through the polemical and problematic arguments that encompass the decades-long “Pius Wars” and offers us a balanced portrait of Pacelli, who is neither a condemned reprobate nor an exalted saint. Rather, Ventresca shows that Pacelli was a man of his time, burdened with nearly insurmountable challenges, who nevertheless consistently preferred to address them through a diplomatic path of prudence and caution that always placed the needs of the institutional Church before all other concerns.
Debates over the legacy of Pope Pius XII and his canonization are so heated they are known as the "Pius wars." Soldier of Christ moves beyond competing caricatures and considers Pius XII as Eugenio Pacelli, a flawed and gifted man. While offering insight into the pope's response to Nazism, Robert A. Ventresca argues that it was the Cold War and Pius XII's manner of engaging with the modern world that defined his pontificate.
Laying the groundwork for the pope's controversial, contradictory actions from 1939 to 1958, Ventresca begins with the story of Pacelli's Roman upbringing, his intellectual formation in Rome's…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
As a mom of four busy kids in grade school, middle school, high school, and college, reading a novel is my reward at the end of a hectic day. I’ve read hundreds of novels, many of them Christian romances, while sitting at my children’s bedsides. They have to be well-written, no smut, and if the characters are Catholic Christians like me, all the better.
There are a bazillion romances about good girls attracted to bad boys.
Here’s one about a good girl attracted to a good guy, but neither of them can seem to get past his bad boy past. It’s easy to give lip service to redemption – sure, people change! But to build a life on that change? That’s another thing.
There’s a lot of forced proximity in West Castle that helps bring Caitlyn, our good girl (who has her own flaws), and Jared, our bad boy (who is trying so hard to be a better man), together. The romantic tension kept me reading through to the end!
College student Caitlyn Summer arrives at the Wests’ castle-like house to fill in for their live-in maid. After a recent decision blows her vision of the future, this ideal job and the peaceful surroundings are just what she needs to seek God’s will for her life. That is, until Jarret West, not wanting a repeat of past mistakes, backs out of a summer-long field study overseas and returns home. The two have never gotten along, and unforgettable baggage from the past makes it hard even to be cordial. While Jarret’s faults convince Caitlyn he hasn’t changed, she forces herself to…
William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
Mention has often been made of the extent to which Marshall McLuhan was a devout adherent of the Catholic faith. But little has been known about how he viewed the place of religion in the world particularly with reference to the fate of the Catholic Church. This carefully selected collection of McLuhan’s writings on religion provides one with clarifying insights into his views on a broad range of Church-related issues including the nature of conversion, the spiritualism of youth, the impact of technology on liturgy, and Vatican II. Overall, by revealing that McLuhan viewed faith as a sense, the volume illuminates the connections he made between religion and media.
Say the name Marshall McLuhan and you think of the great discover's explorations of the media. But throughout his life, McLuhan never stopped reflecting profoundly on the nature of God and worship, and on the traditions of the Church. Often other intellectuals and artists would ask him incredulously, "Are you really a Catholic?" He would answer, "Yes, I am a Catholic, the worst kind -- a convert," leaving them more baffled than before. Here, like a golden thread lining his public utterances on the media, are McLuhan's brilliant probes into the nature of conversion, the church's understanding of media, the…
Who knows why, but I have always been enticed by absurdities, paradoxes, incongruities — I use them in my talks, articles, and books — of everyday lives, our humanity, and mysteries of our ‘going on.’ Reflections on being human can be triggered by humour such as Cambridge’sBeyond the Fringe and New York’s sitcom Seinfeld— within which I wallow — as well as by lengthy philosophical works and novels. My work draws on bafflements: for example, shampoo instructions “Lather, rinse, repeat” (making shampoo-ing infinite?); Barmaid to Peter Cook, “Bitter?”, reply being “Just tired”— and Samuel Beckett’s “I can’t go on. I’ll go on.” Yes, I go on.
The title was sufficient to draw me in — for I warm to life’s absurdities, and clowning is one form of absurdity. For decades, I have been actively involved with Humanism, so the absurdities in Clownof the hypocrisies in Catholicism naturally appealed, yet more so were the exposures of hypocrisies in love, relationships, and social and political pronouncements — indeed, in being human. Yes, Catholicism is attacked here, but so, also, Humanity. To quote: “Goodbye,” I said, “and thank you for so much humanity.”
Acclaimed entertainer Hans Schneir collapses when his beloved Marie leaves him because he won’t marry her within the Catholic Church. The desertion triggers a searing re-examination of his life—the loss of his sister during the war, the demands of his millionaire father and the hypocrisies of his mother, who first fought to “save” Germany from the Jews, then worked for “reconciliation” afterwards.
Heinrich Böll’s gripping consideration of how to overcome guilt and live up to idealism—how to find something to believe in—gives stirring evidence of why he was such an unwelcome presence in post-War German consciousness . . .…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
I was a teenager in the 80s (with the big-hair pictures to prove it) and a chain-smoking, bar-hopping, flannel-clad twenty-something in the 90s. I remember everything about those days. Because my brain is basically a pop culture museum, most of my books are nostalgic, geared toward Gen X, and heavily influenced by the John Hughes films from my youth. My novels are always written with humor, heart, and heat… and more than a little sarcasm. Then again, I’m a lifelong Jersey girl, so that might go without saying. I love reading stories with fun, gorgeous heroes and smart, vibrant heroines… so that’s what I write.
Gah! Virgins! I should mention that this book was actually written in the 80s and flashes back to the 50s, but in the spirit of this list (and simply because I flipping love it), I’m including it here.Peggy and Sean are two good little Catholic teens navigating their senior year of high school. Sean is slated to enter the priesthood upon graduation, testing the limits of the pair’s carnal restraint in the final days of their relationship. I don’t think there’s a book in the world that has influenced my storytelling more than this one. It’s hot, hilarious, and heartbreaking… and pretty much serves as the blueprint for my own book. Highly recommend.
Seniors at Immaculate Heart High, Peggy Morrison and Constance Marie Wepplener set out to defy the conventions and strictures of "Nice Catholic Ladyhood," in a bittersweet story of the coming of age
