Here are 100 books that Putting on the Ritz fans have personally recommended if you like
Putting on the Ritz.
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I came out as a gay man later in life (at age 24) just as the AIDS crisis was beginning, and the deaths and societal backlash during that time almost pushed me back in the closet. The books I listed here were instrumental in helping me find my author’s “voice” while I struggled to fully accept my identity. I feel passionate about the list because the books contain elements essential for every decent fiction author: humour, pathos, grief, joy, empathy, love, and understanding of the human condition. In developing this list of books, I’m reminded of how crucial it is for writers to read and often study the work and style of other authors.
This book affected me profoundly as a teenager who was questioning his own sexual identity in the early 1970s.
The novel is a study of friendship between two teenage boys at a boarding school after World War II. They’re co-dependent, and the elements of suppression and the threat of violence between the two mirrored my own confusion with close male friends “in real life” at the same time.
This is a book that shaped my early understanding of sexuality, even though the author denied any homoerotic undertones in the story.
'A novel that made such a deep impression on me at sixteen that I can still conjure the atmosphere in my fifties: of yearning, infatuation mingled indistinguishably with envy, and remorse' Lionel Shriver
An American coming-of-age tale during a period when the entire country was losing its innocence to the second world war.
Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual.…
Disappointed with life and his faltering relationship, forty-nine-year-old Stan is charmed when he meets a younger man named Asher—in his dreams. Asher grants Stan an irresistible gift: the chance to be five years younger every time they meet. As their connection deepens, Stan knows he can’t live in Asher’s dreamworld,…
I came out as a gay man later in life (at age 24) just as the AIDS crisis was beginning, and the deaths and societal backlash during that time almost pushed me back in the closet. The books I listed here were instrumental in helping me find my author’s “voice” while I struggled to fully accept my identity. I feel passionate about the list because the books contain elements essential for every decent fiction author: humour, pathos, grief, joy, empathy, love, and understanding of the human condition. In developing this list of books, I’m reminded of how crucial it is for writers to read and often study the work and style of other authors.
I am long overdue in re-visiting this book, which was first read several years before I understood my sexual identity as a gay man.
It is a love story, a romance between a coach and his star athlete, and at the time I initially read it, it validated for me that two men could fall in love and be unashamed.
I grew up in a time when homosexuality was not even discussed in “polite” company, and this novel aided my journey to self-acceptance.
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
Everything that can wrong in live theatre happened to Spiderman: Turn Off the Dark—and on the biggest scale possible. How Glen Berger, the only non-rich and famous person on the creative team ofThe Lion Kingdirector Julie Taymor and U2 rockers Bono and The Edge, managed to tell all without being sued is a mystery. Maybe it’s because the fights, failures, and firings are all just another day at work on Broadway—as are the accidents. Every outrageous incident Berger relates I have personally experienced in the musicals I’ve written—from on Broadway to Off-Off-Broadway and around the globe. ReadingSong of Spider-Man prepared me for the worst, from producers applying Mafia-style pressure to witnessing an actor plummet to the stage like a dead weight.
As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can't begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theatre history. Renowned director Julie Taymor picked playwright Glen Berger to co-write the book for a $25 million Spider-Man musical. Together-along with U2's Bono and Edge-they would shape a work that was technically daring and emotionally profound, with a story fuelled by the hero's quest for love...and the villains' quest for revenge. Or at least, that's what they'd hoped…
Disappointed with life and his faltering relationship, forty-nine-year-old Stan is charmed when he meets a younger man named Asher—in his dreams. Asher grants Stan an irresistible gift: the chance to be five years younger every time they meet. As their connection deepens, Stan knows he can’t live in Asher’s dreamworld,…
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
As a teacher of History and Musicals at NYU, I’ve seen how theatre students are most interested in the shows they know, which typically means those produced in their lifetime. So I try to meet them where they are and then journey backwards into the past. While Singular Sensationmoves forward in time from the 1990s, it shows how the Broadway we know today came to be. And who could resist reading about Patti LuPone throwing a floor lamp out her dressing room window when Andrew Lloyd Webber fired her fromSunset Boulevard? So I hope you’ll come back for more and read Riedel’s equally dishy yet informative Razzle Dazzle, which is about Broadway in the 1970s, when someone could mug you at knifepoint in broad daylight on 42nd Street (and, in my case, did).
The extraordinary story of a transformative decade on Broadway, featuring gripping behind-the-scenes accounts of shows such as Rent, Angels in America, Chicago, The Lion King, and The Producers-shows that changed the history of the American theater.
The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber's Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals,…
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
Like Hamlet says, “The play’s the thing,” so any reading list for theater people should include the reason we’re here in the first place. Alice Childress’s indictment of the degrading condescension inflicted on Black people in the theater by self-proclaimed white allies is as true today as when she wrote it in 1955. That makes me sad and angry, as does the fact it took 66 years for it to finally be produced on Broadway. But it also gives me hope when high-quality work gets recognized. And as a writer who finds the funny in any situation, I love how Childress serves up bitter pills of truth in spoonfuls of honeyed laughs.
“A masterpiece . . . Trouble in Mind still contains astonishing power; it could have been written yesterday.” —Vulture
Ahead of its time, Trouble in Mind, written in 1955, follows the rehearsal process of an anti-lynching play preparing for its Broadway debut. When Wiletta, a Black actress and veteran of the stage, challenges the play’s stereotypical portrayal of the Black characters, unsettling biases come to the forefront and reveal the ways so-called progressive art can be used to uphold racist attitudes. Scheduled to open on Broadway in 1957, Childress objected to the requested changes in the script that would “sanitize”…
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
If you’ve ever seen Billy Porter werk the red carpet, you know he doesn’t hold anything back. His memoir is no exception. And while the challenges he’s faced as a Black, Queer person are as unique as his talent, every theatrer-maker can identify with his dreams, his passions, and his disappointments. I so admire his courage in calling out hypocrisy in our business while simultaneously demonstrating the grace to call in for healing.
From the incomparable Emmy, Grammy, and Tony Award winner, a powerful and revealing autobiography about race, sexuality, and art
It's easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic performance in the celebrated TV show Pose; before he was the Tony Award-winning star of Broadway's Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, and all-around diva, Porter was a young boy who didn't fit in. At five years old…
I came out as a gay man later in life (at age 24) just as the AIDS crisis was beginning, and the deaths and societal backlash during that time almost pushed me back in the closet. The books I listed here were instrumental in helping me find my author’s “voice” while I struggled to fully accept my identity. I feel passionate about the list because the books contain elements essential for every decent fiction author: humour, pathos, grief, joy, empathy, love, and understanding of the human condition. In developing this list of books, I’m reminded of how crucial it is for writers to read and often study the work and style of other authors.
I read this book years ago after first knowledge of Noel Coward’s gay persona as the writer of smart, witty songs (e.g. Mad Dogs and Englishmen, 1955) and plays.
Pomp and Circumstance was his only novel, and its satirical take on the upper classes set on a fictitious tropical island before a royal visit was inspiring to my own aspirations of becoming an author at some point in my life.
I think of this novel even today when I’m writing characters who are either over-the-top or complete, self-absorbed boors!
First published in 1960, Pomp and Circumstance, Coward's only novel, was greeted with wide critical acclaim. 'A South Sea Bubble of a book it is, with a Royal Visit expected on the Island of Samolo, and the narrator, a mother of three, dealing with everything from chicken-pox to the amours of a visiting Duchess' (Daily Telegraph); 'If there is anywhere on earth where the old Coward world still credibly lingers on, it is probably a fairly peaceful tropical colony ruled over by a British Governor General ...Coward's long cast list might have walked out of one of his better comedies'…
I came out as a gay man later in life (at age 24) just as the AIDS crisis was beginning, and the deaths and societal backlash during that time almost pushed me back in the closet. The books I listed here were instrumental in helping me find my author’s “voice” while I struggled to fully accept my identity. I feel passionate about the list because the books contain elements essential for every decent fiction author: humour, pathos, grief, joy, empathy, love, and understanding of the human condition. In developing this list of books, I’m reminded of how crucial it is for writers to read and often study the work and style of other authors.
While I’m not normally a consumer of short stories, I greatly admire authors who have mastered the craft, including the late Ethel Wilson and Alice Munro, two fellow Canadian writers.
My favourite story from Wilson is "A Drink with Adolphus," as it was written using opposite points of view from two characters at the same party.
I love fiction in which I can be immersed, while learning from the writing style of other authors.
The eighteen pieces collected in Mrs. Golightly and Other Stories bring together the many and subtle voices of Ethel Wilson, demonstrating her extraordinary range as a writer. From the gentle mockery of the title story to the absurdist reportage of “Mr. Sleepwalker,” Wilson exerts unerring narrative control. Revealing what is “simple and complicated and timeless” in everyday life, these stories also venture into irrational realms of experience where chance encounters assume a malevolent form and coincidence transmuted into nightmare.
First published in 1961, Mrs. Golightly and Other Stories is a diverse and rewarding collection, unified by Ethel Wilson’s distinct and…
In the hands of a skilled horror author, there is something powerful about a slow-burn romance. When two characters are drawn to each other against the backdrop of dread and danger, the stakes are raised. Every moment the two have together is hard-won, special. The romance doesn’t soften the horror; it sharpens it. It gives readers something to invest in and hope for. That intense emotional investment creates tension. Survival isn’t just about escaping the supernatural threat or a human monster; it’s about what might be lost if they don’t. In horror, love is a luxury because it’s risky and a vulnerability. It's a favorite element of good horror.
Some horror books manage to create a sense of dread that builds slowly over time, dropping little clues and breadcrumbs for the reader along the way, hinting at the horror just around the bend. Other books keep their secrets. If you’re a Devil Wears Prada fan, you will enjoy the trope of “new employee is completely disgusted by the lifestyle & culture modeled by their co-workers but eventually find themselves adapting to the point of getting sucked into it and believing in it.”
I also enjoyed the sapphic longing and desire that developed between some of the main characters. This works in tandem with the complexity of the story and the growing tension. I will not spoil the direction of the storyline and what ultimately makes this book land squarely in the horror genre, but I will say, it does not disappoint.
Sly, surprising, and razor-sharp, Natural Beauty follows a young musician into an elite, beauty-obsessed world where perfection comes at a staggering cost.
Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents—also talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City.
Holistik is known for its remarkable products and procedures—from remoras that suck out cheap Botox to eyelash…
Anyone who’s attended high school knows it’s often survival of the fittest outside class and a sort of shadow-boxing inside of it. At my late-1970s prep school in the suburbs of Los Angeles, some days unfolded like a “Mad Max” meets “Dead Society” cage match. While everything changed when the school went coed in 1980, the scars would last into the next millennia for many. Mine did, and it’d thrust me on a journey not only into classic literature of the young-male archetype, but also historical figures who dared to challenge the Establishment for something bigger than themselves. I couldn’t have written my second novel, Later Days, without living what I wrote or eagerly reading the books below.
For years, I refused to re-embrace Holden Caulfield, because Mark David Chapman, John Lennon’s assassin, declared it inspired him to bloodshed. I’m glad I did, getting the juices circulating for my novel.
Holden, manic-depressed over his brother’s death, cut loose from his prep school, may speak in a stream-of-consciousness babble, but he enunciated an old-soul contempt of Ivy-League elitism that reverberates today.
When Holden declares, “The more expensive a school, the more crooks it has,” it’s a literary MRI on American classism still tearing us asunder.
