100 Books Like Truth & Beauty

A timeless meditation on purpose, suffering, and the human spirit. While not about entrepreneurship, this book is essential for anyone seeking to understand the deeper meaning behind their work. Frankl’s insight—that we can find meaning even in suffering—is profoundly relevant for founders navigating hardship and uncertainty. 

What struck me most about it was how Frankl captured the Holocaust not just as a historical event, but as a raw, existential landscape. I’ve seen many films and documentaries about that era, but Frankl’s account stands apart. His lens is philosophical, not just historical. His insight that meaning, not pleasure or power, is the primary driver of human life resonated deeply.

I've focused on the idea myself that many entrepreneurs pursue ventures not for wealth or control, but as a way to fill a deeper existential hole. Frankl’s writing felt honest, profound, and necessary. This is a serious and enduring book I’ll return… show more.

I love this book because it is a war novel without a single battlefield or battle, except the one for Siegfried Sassoon’s sanity. I became fascinated by WWI as a teenager. I can’t say why this war caught my imagination, but it did, and that fascination has continued for my whole life.

I gobbled up books, movies, and history about the war, and I especially loved the poetry of Siegfried Sassoon, a noted poet and war hero who publicly refused to continue fighting in 1917. When I re-read his poetry fifty years later, I found a kinship with that refusal and the boys around me who were conscientious objectors to the Vietnam War.

I was a dreamy, romantic teenager, which is why Sassoon’s words pierced my heart: “Soldiers are dreamers; when the guns begin they think of firelit homes, clean beds, and wives.” Oh! How I cried over his poems… show more.

It was my research on creativity that led me to study workplace abuse.

Surprisingly, there are remarkable similarities among targets of bullying; most salient, they tend to shake the status quo at work while exploring and offering novel solutions to institutionalized problems. Unfortunately, as Grant details in his research, instead of embracing these innovators as forecasters of the future, organizations attempt to silence and minimize their contributions.

However, creatives are not in it for the money or accolades, but for the love of the game and dedication to the mission, thus when they are forced to bow to tradition and play smaller than who they were born to be, they exit the stifling work environment, thus further stagnating an already lagging work culture.

In this book, Grant brilliantly hails the power of the creative to both change our minds and change the world, urging institutions to give them space to… show more.

I have found this book to be a phenomenal exposé on the topic of temptation, presented as a conversation between a senior demon and its junior.

Having many decades of life experience, I have found this book to do such an outstanding job of portraying, through a fictional series of letters, exactly how we can be tempted to do, or not do, or say, or not say, or have attitudes which are destructive vs. beneficial. I walked through this book, chapter by chapter, with my six children when they were in their teens.

This poignant narrative of Anne Sexton’s life takes you inside the complicated emotions of a prize winning poet who began her career as a suburban housewife and mother. I especially loved but also envied the portrait of Sexton’s long friendship with poet Maxine Kumin with whom Sexton took her first steps in the writing of poetry. Famously, the two women kept a separate phone line open between their houses so that they could share and craft lines between domestic chores. Sadly, despite the pulls of friendship, the biography shows, even the most talented writer has demons that can’t be vanquished. Middlebrook reveals the psychic cost of creativity, especially for women artists in the years before feminism. 

I mean, not sure how much I need to say about the delight this book has brought to children since 1952. After being asked to read it to a group of first graders recently, I dissolved into tears having to read the scene where Charlotte dies, alone. The students that day thought I was silly. Yeah, as a kid, that didn’t bother me much. As an adult, well.

There’s something in this tale of love, friendship, and courage for all ages. Excellent for read-aloud if you are willing to commit to using different voices and really hamming it up.

This is actually just the first book of Ferrante’s four Neapolitan novels, which tell a single riveting story of two girls, Lila and Lenù, from a depressed Naples neighborhood. Lenù is the narrator, taking us through fifty years of friendship and the latter half of the 20th century. (Her actual name is Elena, like the author—another doubling, especially since she writes under a pseudonym.)

I am a sucker for event: a lot happens and we get to know a huge cast of characters from the neighborhood. But our anchors are these two friends and rivals, vibrant and injured, striving to transcend their origins.

Writing a Woman’s Life ignited my interest in women’s stories. More significantly, Heilbrun’s feminist Kate Fansler mysteries, written via the pseudonym Amanda Cross, inspired me to transform Frances Yates into a fictional sleuth. To date, Dame Frances (DBE) has encountered other unorthodox faith traditions, as revealed in Tarot; the Convent of Sor Juana de la Cruz in Mexico; among Philadelphia Quakers; and women religious at the Ursuline Convent in Québec. To date, there have been four Frances Yates mysteries.

The memoir helped me come to terms with the loss of three of my closest friends. Let’s Take the Long Way Home is an elegy to a beloved friend. It’s a book about grieving, of course, but also about recapturing loving memories of an intense relationship. The title, however, doesn’t hint at the story’s unusual major theme: the two women, both writers, meet over their love of and care for dogs! I confess that am not a dog lover, but I ended up captivated by the women’s passionate devotion to their animals and by seeing how this attachment strengthened their human bond. You don’t have to share a canine passion to be moved by this intimate portrait.

I loved this book for its humanity and the language she used to pithily emphasize characters and situations. There was not an excess word employed. She compassionately realized every character and gave them wisdom, angst, and a tragic sense of loss. I found it utterly absorbing and have reread it several times.