Here are 100 books that Writing a Woman's Life fans have personally recommended if you like
Writing a Woman's Life.
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Writing is in my blood – my grandmother wrote poetry, my mother writes novels, and over the last twenty-plus years I’ve written just about everything (and now I teach writing at my local university). I’ve loved stories for as long as I can remember. While my fiction career may be newly revived, I spent over 20 years as a pop culture commentator, poking at the minutia of the stories I love. I think stories may be one of the most important things in our culture – they inspire us, they brighten our day, they bring us to tears, and sometimes when we are lost they show us the way.
This will be one of my more controversial picks – there are plenty of people who disagree with Campbell as a folklorist, a mythographer, and with his depiction of the Hero’s Journey. But, what is important about Campbell is his exploration of whythe elements that appear in stories have the impact they do on our psyche, and how they fit together. One may not agree with all of Campbell’s conclusions, but I don’t think there’s a writer out there who won’t benefit from his exploration of the subject. I know I did.
Joseph Campbell's classic cross-cultural study of the hero's journey has inspired millions and opened up new areas of research and exploration. Originally published in 1949, the book hit the New York Times best-seller list in 1988 when it became the subject of The Power of Myth, a PBS television special. The first popular work to combine the spiritual and psychological insights of modern psychoanalysis with the archetypes of world mythology, the book creates a roadmap for navigating the frustrating path of contemporary life. Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’m a memoirist living in New York and my women friends have saved my life many times. I didn’t fully understand how important they were to me until the three I write about died within a few years of each other in the early aughts. I also teach memoir as an academic. I’ve learned from my favorite writers how crucial it is to push past shame and embarrassment to try and reach emotional truth—whatever that is for each of us. Only readers can decide whether one succeeds, but for me, the most important gift memoir can bestow is the writer’s willingness to risk intimate self-disclosure.
This poignant narrative of Anne Sexton’s life takes you inside the complicated emotions of a prize winning poet who began her career as a suburban housewife and mother. I especially loved but also envied the portrait of Sexton’s long friendship with poet Maxine Kumin with whom Sexton took her first steps in the writing of poetry. Famously, the two women kept a separate phone line open between their houses so that they could share and craft lines between domestic chores. Sadly, despite the pulls of friendship, the biography shows, even the most talented writer has demons that can’t be vanquished. Middlebrook reveals the psychic cost of creativity, especially for women artists in the years before feminism.
At the time of her suicide in October 1974, Anne Sexton, 45, occupied a central position on the American poetry scene. Today, her reputation is tangled up with that of Sylvia Plath, whom she knew, and tainted with images of monster or victim. This biography, written with the full co-operation of Sexton's family and her principal psychiatrist who released three years of audiotaped therapy sessions, reveals and pivots around the creative relationship Anne Sexton struck with an incurable illness. Suffering from a mental disorder that eluded diagnosis, Anne Sexton underwent intensive psychotherapy and repeated bouts in mental institutions for nearly…
I’m the child of immigrants and grew up imagining a second self—me, if my parents had never left India. Then, when I became a writer, doubles kept showing up in odd ways in my work. In my first play, House of Sacred Cows, I had identical twins played, farcically, by the same actor. My latest novel features two South Asian women: one, slightly wimpy, married to an unsympathetic guy called Mac, and another, in a permanent state of outrage, married to a nice man called Mat. My current project is a novel about mixed-race twins born in India but separated at birth.
This is actually just the first book of Ferrante’s four Neapolitan novels, which tell a single riveting story of two girls, Lila and Lenù, from a depressed Naples neighborhood. Lenù is the narrator, taking us through fifty years of friendship and the latter half of the 20th century. (Her actual name is Elena, like the author—another doubling, especially since she writes under a pseudonym.)
I am a sucker for event: a lot happens and we get to know a huge cast of characters from the neighborhood. But our anchors are these two friends and rivals, vibrant and injured, striving to transcend their origins.
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From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I’m a memoirist living in New York and my women friends have saved my life many times. I didn’t fully understand how important they were to me until the three I write about died within a few years of each other in the early aughts. I also teach memoir as an academic. I’ve learned from my favorite writers how crucial it is to push past shame and embarrassment to try and reach emotional truth—whatever that is for each of us. Only readers can decide whether one succeeds, but for me, the most important gift memoir can bestow is the writer’s willingness to risk intimate self-disclosure.
The memoir helped me come to terms with the loss of three of my closest friends. Let’s Take the Long Way Home is an elegy to a beloved friend. It’s a book about grieving, of course, but also about recapturing loving memories of an intense relationship. The title, however, doesn’t hint at the story’s unusual major theme: the two women, both writers, meet over their love of and care for dogs! I confess that am not a dog lover, but I ended up captivated by the women’s passionate devotion to their animals and by seeing how this attachment strengthened their human bond. You don’t have to share a canine passion to be moved by this intimate portrait.
They met over their dogs. Gail Caldwell and Caroline Knapp (author of Drinking: A Love Story)became best friends, talking about everything from their love of books and their shared history of a struggle with alcohol to their relationships with men. Walking the woods of New England and rowing on the Charles River, these two private, self-reliant women created an attachment more profound than either of them could ever have foreseen. Then, several years into this remarkable connection, Knapp was diagnosed with cancer. With her signature exquisite prose, Caldwell mines the deepest levels of devotion, and courage…
As a full-time writer of creative non-fiction, I am passionately interested in what makes us human. Like most people. I have always been fascinated by friendship and have had many friends throughout my life. I decided to write about friendship when a good friend 'pruned' me, that is, ended our friendship. I was bewildered and hurt and wanted to understand what had happened, which led me to write True Friends. When I discussed the topic with others, it turned out that most people had also experienced a friend break-up, but it was not much written about—until now!
Ann Patchett is a successful American novelist, and Truth and Beauty is her memoir about her friendship with the poet, Lucy Grealy. She writes beautifully about Grealy, her talent and her warm, engaging personality, but also about her struggles and eventual death. Patchett conveys the depth of a passionate friendship by letting the reader see all her thoughts and feelings, courageously looking at how we can love someone, but how they can also try us to our limits. It is a book for those who love literature and are fascinated by the depth and intricacy of a creative connection between humans.
From the bestselling author of The Dutch House, Commonwealth and Bel Canto, Winner of The Women's Prize for Fiction and the Pen/Faulkner Award.
When Ann Patchett and Lucy Grealy met in college they began a friendship that would define their lives. Lucy Grealy lost part of her jaw to childhood cancer, and a large part of her life to chemotherapy and endless reconstructive surgeries. Stoic but vulnerable, damaged by bullying but fascinated by fame, Lucy had an incandescent personality that illuminated those around her.
In this tender, brutal book, Ann Patchett describes Lucy's life and her own platonic love for…
A so-called “recovering lawyer,” after 20 dreary years shuffling papers, I decided to pursue the Life of the Mind with a degree in Historical Studies at the Graduate Faculty of the New School. For an assignment regarding a significant historian, I chose Frances Yates, whose bookGiordano Bruno and the Hermetic Tradition spoke to me. Culling her papers at the Warburg Institute in London led to her first biography, Frances Yates and the Hermetic Tradition. Since then, I've transformed Dame Frances into a sleuth, who explores other unorthodox faith traditions, accompanied by another “recovering lawyer,” whose story mirrors my own, thus enabling me via bio-fiction to further enhance my spirituality.
Giordano Bruno and the Hermetic Traditionwas published by the University of Chicago Press in 1964, which led me to compile the first biography of the renowned British historian, Frances Yates. In her pivotal study of the 16th-century itinerant Catholic priest, who was burned at the stake in Rome in 1600. Yates revealed a strain of an ancient universal creedless spirituality, which was anathema to the established Church. Yet, five centuries later, spoke to this seeking feminist pilgrim, dissatisfied with traditional patriarchal traditions.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
As a veteran business and finance journalist, I’ve always been amazed at the huge gender gap that still exists in so many parts of the economy and society despite all the strides we’ve ostensibly made. When I became a mother, it became even clearer to me that gender norms are still so entrenched in culture and still have a huge bearing on women’s economic and professional lives. I’ve written about this topic for a whole host of publications, from the BBC to The Washington Post. I have an MBA from Columbia Business School and am an associate Instructor in the Strategic Communications program at Columbia’s School of Professional Studies.
I loved this book because it simultaneously gives us a taste of the fierce spirit of the women’s liberation movement but also demonstrates what was wrong with Friedan’s particular flavor of feminism at the time: namely, that it was centered around white and mostly privileged women.
Reading this book is like being transported back to the 1960s and being a fly on the wall in the homes of women who were done with the patriarchy, who wanted to have careers and earn money, but were also grappling with their own roles in society.
It’s a historical document but also, in some ways, the 1960s equivalent of reality TV. It’s a ferocious cri de coeur that is delightful in its assertiveness.
Landmark, groundbreaking, classic-these adjectives barely do justice to the pioneering vision and lasting impact of The Feminine Mystique. Published in 1963, it gave a pitch-perfect description of "the problem that has no name": the insidious beliefs and institutions that undermined women's confidence in their intellectual capabilities and kept them in the home. Writing in a time when the average woman first married in her teens and 60 percent of women students dropped out of college to marry, Betty Friedan captured the frustrations and thwarted ambitions of a generation and showed women how they could reclaim their lives. Part social chronicle,…
I once saw a play at the renowned Oregon Shakespeare Theatre. A play about Sor Juana. It was a good play, but it felt like something was missing like jalapenos left out of enchiladas. The play kept nudging me to look further to find Sor Juana, and so for the next five years, I did so. I read and read more. I listened for her voice, and that is where I heard her life come alive. This isn’t the only possibility for Sor Juana’s life; it is just the one I heard.
The colonial period of Mexico was a mystery to me, so I turned to the ultimate source, this book by Paz. Surprisingly, I found that I did not agree with all of Paz’s conclusions about Sor Juana and the time she lived. He wrote from a male perspective, a middle-aged scholarly male perspective. Sor Juana was a young woman, a distinguished scholar in her own right. Had she written such a history, it would be quite different.
Sadly, there is no such book written from a woman’s perspective, so I invite you to join me in discovering what nuggets of wisdom you can in this book, truly the ultimate deep dive into Sor Juana’s life and times. Yes, I relied a great deal on Paz’s research. You will find it fascinating too.
Mexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Ines de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age.
Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine's protegee. For five…
I'm a “storyseeker” as much as a storyteller. I love hearing people’s ordinary and extraordinary stories; they inspire and motivate me and make me feel hopeful. I think our stories are the most precious things we have, and our greatest legacy. They help us understand each other better and connect us to people we may otherwise never get to meet. That’s why I wrote a book of personal stories called 30 Days: Stories of Gratitude, Traditions, and Wisdom and a 30 Days Journal that helps people record their own stories, by answering a prompt each day for a month. For a nonprofit I help lead called KindWorks, my title is CIO—Chief Inspiration Officer!
I love reading stories of how ordinary people achieve extraordinary things by overcoming challenges, believing in their dreams, and not accepting defeat.
The 100 stories of women featured in this book, along with exquisite portraits of each by female artists, start with the words of a traditional fairy tale “Once upon a time…”, but instead of tales of helpless princesses there are inspiring portraits of women with grit, smarts, and tenacity. Heroes in every sense of the word, for all of us, young and old, to admire.
What if the princess didn't marry Prince Charming but instead went on to be an astronaut? What if the jealous step sisters were supportive and kind? And what if the queen was the one really in charge of the kingdom? Illustrated by sixty female artists from every corner of the globe, Good Night Stories for Rebel Girls introduces us to one hundred remarkable women and their extraordinary lives, from Ada Lovelace to Malala, Elizabeth I to Serena Williams. Empowering, moving and inspirational, these are true fairy tales for heroines who definitely don't need rescuing.
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I’ve always been a thinker, asking big questions and playing around with crazy ideas. That’s why I’ve been fascinated by the Bible since I was fourteen, reading it cover-to-cover multiple times and studying it academically for—approaching four decades now. It’s a classic for a reason! At first, I read it because I became a Christian, and it’s part of the package, but within a short time, I was hooked. I was especially interested in the tough parts, the bits I didn’t like or couldn’t make sense of. They were invitations to explore, think, and learn. It never ceases to surprise me with new ideas and inspirational insights.
In which I discover that St Paul’s was not a misogynist! It is easy to see why we might think otherwise. His first letter to the Corinthians has had a profound and often negative impact on the place of women in Christianity. And just when I thought there was nothing left to say about it, along comes Lucy Peppiatt, and blows my mind!
I loved the complete left-of-field interpretation she offers and the fact that she turns traditional interpretations on their head. She plausibly argues that Paul was not for forcing women to veil and be silent in church. According to Peppiatt, Paul argued against the domineering men who insisted on such things. Wowza! And, by Jove, she could well be right! Invigorating stuff! (The author’s academic version is her Worship and Women at Corinth)
Whether people realize it or not, the ideas in 1 Corinthians 11:2-16 have had a huge impact on the role of Christian women in the church through the centuries. These fifteen verses have shaped worship practices, church structures, church leadership, marriages, and even relationships between men and women in general. They have contributed to practices that have consistently placed women in a subordinate role to men, and have been used to justify the idea that a woman should not occupy a leadership or teaching position without being under the authority or "covering" of a man. It is strange, therefore, that…