Here are 100 books that Treacle Walker fans have personally recommended if you like
Treacle Walker.
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Reading with your kid can be a delight, but it’s tough to find a book that both grown-up and child think is hysterical. I mean, I tried reading Catch-22 to my three-year-old, but for some reason the incisive social commentary just didn’t resonate with her. My kids and I both let out genuine chuckles and guffaws while reading all of these books—an experience that I treasured. These books are all giggly, snickery proof that you don’t have to dumb things down to appeal to a wide age range—a goal that I aim for myself in the children’s books and TV shows that I write.
This is the book that made my kids’ heads explode (not literally—this book is perfectly safe (as far as I know)) as it helped them discover the idea of parody: taking something familiar and twisting it in a funny, unexpected way.
We rolled and lol’ed together as we read Jon’s wild, hysterical takes on old fairy tales. The non-twist twist ending to his take on the ugly duckling story is still a running joke in our family. Jon’s The True Story of the 3 Little Pigs and The Real Dada Mother Goose are also great for the same reason.
The entire book, with its unconventional page arrangement and eclectic, frenetic mix of text and pictures, is a spoof on the art of book design and the art of the fairy tale. The individual tales, such as The Really Ugly Duckling and Little Red Running Shorts, can be extracted for telling aloud, with great success. Another masterpiece from the team that created The True Story of the Three Little Pigs! -Horn Book
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I am the author of two folktales in addition to several other fiction stories for children and an early childhood educator. I taught kindergarten and first grade for over twenty years. As part of our state standards, we must do a yearly unit of study on folktales. Folktales deliver universal messages to children in a non-didactic way. We can use them to address issues that young children face while also using them as resources to teach students about faraway places, customs and cultures. Folktales are in integral part of an early childhood education and it’s a unit of study that I always looked forward to. Immersing myself in them was the catalyst for recreating my own.
I love this Native American folktale because it is a lesser-known one, and its message is appropriate for young children. Chipmunk, the main character, learns a great lesson about bragging. Folktales are an excellent resource for teaching children lessons without being preachy. This one has messages about kindness, bragging, and friendship. The illustrations are amazing too!
Bear brags that he can do anything-even stop the sun from rising. Brown Squirrel doesn't believe him, so the two wait all night to see if the sun will rise. Sure enough, the sky reddens and the sun appears. Brown Squirrel is so happy to be right that he teases Bear. What happens when a little brown squirrel teases a big black bear? Brown Squirrel gets stripes and is called chipmunk from that day forward . . . Joseph and James Bruchac join forces to create this buoyant picture book, based on a Native American folktale.
From the ages of 1-4, my son Finn deeply rooted himself into the detailed world of Richard Scarry. These books could be such slow reads that we only needed two of them for long airplane rides. Through Finn’s love of Scarry books, I began searching for more books that delighted with detail. And when I did not see my family’s bicycle-rich lifestyle reflected in books, I created Cycle City.
Lift the flaps and take an intimate peek inside the villains and find what really makes them tick. Through a twist in classic fairytale storytelling and a sophisticated design, this book has reimagined the inner workings of the iconic fairytale witch, giant, and wolf. Pull levers and tabs, discover objects on strings, and open flaps to discover the real truth about the villains. Brilliantly creative and exploratory.
Internationally bestselling, oversized lift the flap book that reveals the secrets of the most famous fairytale villains.
Explore if you dare! Take a look inside and discover the villainous tricks inside the heads of an ogre, a wolf and a witch. Lift the flaps to find out what’s beneath their disguise and who was the victim of their last meal (now comfortably settled inside their stomach!).
This exquisitely produced large fold-out book is like no other: a celebration of story that’s full of humor and detail on every page, and has over 30 interactive elements that will mesmerize toddlers, pre-schoolers…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I grew up in suburbia—or urban sprawl—with fairytales and children’s nonfiction series like Lands and Peoples. My passion for reading (and history and art museums) nurtured my sense of wonder and awe at the richness of the world. I was inspired to write nonfiction about heroic people by my own children, whose social studies education lacked dazzle and examples of heroism. I had already been creating educational materials for schools, but I wanted to inspire their wonder about and appreciation of the world. My kids are grown, but I’m still writing for young readers. An avid world traveler and historian, I've always aspired to bring other people, places, cultures, and times to life.
With simple, colorful illustrations and a humorous plot featuring Grandmother Witch’s magical pasta pot that requires more than the right words to control it, this book delights me still.
The story seems to be about learning to listen properly. It’s also about eavesdropping, bragging, and above all, the consequences of failing to follow directions. But its charm to me is its sympathy for naughty Big Anthony, who is, after all, just like everyone’s inner child.
When Strega Nona leaves him alone with her magic pasta pot, Big Anthony is determined to show the townspeople how it works in this classic Caldecott Honor book from Tomie dePaola.
Strega Nona-"Grandma Witch"-is the source for potions, cures, magic, and comfort in her Calabrian town. Her magical everfull pasta pot is especially intriguing to hungry Big Anthony. He is supposed to look after her house and tend her garden but one day, when she goes over the mountain to visit Strega Amelia, Big Anthony recites the magic verse over the pasta pot, with disastrous results.
I’m a Filipino illustrator who draws children’s books for both publishers and for private commissions. I also have been reading children’s books as part of my job. My go-to children's stories are often about animals and nature. I hope you'll like the books on this list as much as I do!
I recommend this Little Golden book because it would be a great avenue for discussion with adults and kids about the importance of self-reliance, hard work, and sharing. I think that what is taught about sharing resources among those who only contributed is not correct in all cases though. Some people may not be able to contribute because of their own personal circumstances (like due to their financial status, and health condition) but that doesn’t mean that they don’t deserve to have the right to those resources. Aside from the morals being taught, this book has very pretty illustrations. I have the 1942 version but the 2001 version of the story looks great as well.
Beloved illustrator J. P. Miller’s graphic, colorful farm animals seem to jump right off the page—but they aren’t jumping to help the Little Red Hen plant her wheat! Young children will learn a valuable lesson about teamwork from this funny, favorite folktale.
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
When I was young I devoured Bullfinch's Mythology from cover to cover. Looking back, I am amazed that I had the time and the devotion to read the whole 900-odd pages, which give short, matter-of-fact recaps of the Greek and Roman myths, as well as the legends of King Arthur and Charlemagne. You'll find these tales far more beautifully told in the original Ovid or Virgil versions, I suppose, but if you just want the facts, Ma'am, the who's who of it all, then this is a fine place to start.
Legendary tales of myth and romance written so everyone can enjoy the stories!
Can’t keep all your gods and goddesses straight? Wondering about mythological references in classic literature? Bulfinch’s Mythology offers approachable accounts of ancient legends in a compilation of the works of Thomas Bulfinch, banker and Latinist. This volume includes all three of Bulfinch’s original titles: The Age of Fable, The Age of Chivalry, and The Legends of Charlemagne. Bulfinch states his purpose for the book clearly: “Our work is not for the learned, nor for the theologian, nor for the philosopher, but for the reader of English literature...who…
My passion for mythic stories began as early as the age of five, when my father had me tested and found I was reading over two hundred words a minute. He quickly saw the need to feed my thirsty young mind and placed epic fantasy books (most beyond my comprehension) in my tiny hands. As for my absorption with stories that impact the soul, I'd have to say my strongest interest came from my need for it. That need has shaped me and shaped my writing, much more than any list of qualifications, which include being a licensed minister, a professional pianist and cinematic composer, and now a published author.
I grew as a person after reading Outlaws of Sherwood, largely because McKinley penned this mythic retelling of the story in such an introspective way.
I realized that life was grounded in reality, not in the fantastical, possibly “legendary” things that are said about us… or done to us. I also realized the difficult choices I had to make in the midst of conflict didn’t entirely define me—though they might in the eyes of everyone else.
What was more influential to my own life story (and vitally important) was my own inner perspective—the way I viewed myself, the way I related to my own situation, whether healthy or unhealthy. This story shaped me as a person and set the stage for me as an inward-looking writer.
The subject of friendship can be explored endlessly, as every friendship is unique. I am especially drawn to stories of unlikely friendships that look at the surprising and interesting ways that we show up for one another. One of the things that I see in all of the stories that Giselle and I have chosen, is that these unusual friendships make a difficult, awkward, or downright scary world a better place to be.
Jerry Pinkney beautifully tackles Aesop’s fable, The Lion & the Mouse. His version is wordless except for a few, potent calls from the animals in the savanna. Pinkney’s luminous watercolor illustrations depict alive and intricate landscapes and animals. Life is shown to be rich, beautiful, and dangerous as a mouse narrowly escapes the talons of an owl, only to stumble upon a magnificent lion. The lion kindly sets the mouse free, and later in the story when the lion is captured by hunters, the mouse hears his mighty roar and comes to his aid, nibbling away the ropes. Once released the lion and the mouse return to their families. I love how this story reflects the inter-dependency of all of us, and how we all matter for the well-being of the other, no matter the size or status of any one individual.
The Caldecott Award-winning and New York Times bestselling fable of compassion and kindness retold by acclaimed artist Jerry Pinkney.
In award-winning artist Jerry Pinkney's wordless adaptation of one of Aesop's most beloved fables, an unlikely pair learn that no act of kindness is ever wasted. After a ferocious lion spares a cowering mouse that he'd planned to eat, the mouse later comes to his rescue, freeing him from a poacher's trap. With vivid depictions of the landscape of the African Serengeti and expressively-drawn characters, Pinkney makes this a truly special retelling, and his stunning pictures speak volumes.
When I was young, my father made up stories to tell me, my brother, and my sister each night. One of my favorites was an ongoing series entitled The Lady with the Big Toe. The Lady and her Toe enjoyed daring adventures but the best part was hearing my dad’s voice, being near him and my siblings. I’m not great at making up stories on the spot but because of my study of Jewish texts, languages, and traditions, I knew I wanted to share story-telling and Jewish culture with my own children and grandchildren. Picture books, which are meant to be read aloud, are a magical vehicle for culture/values.
I love stories peppered with Yiddish. Youngsters should know “schlep” and “chutzpah,” Right? And clever riffs on traditional tales are another favorite. Hence The Little Red Hen and the Passover Matzah immediately became my Passover must-read-to-the grandchild-choice. I also love to laugh and there are plenty of giggles in this book.
When Sheep, Horse, and Dog don’t help the Little Red Hen prepare for the holiday she finally gets upset but then, ever aware of the mitzvah of feeding the hungry, she gives in and invites all of them to her seder table. I must admit that after many years of preparing seders and also leading them, I’ve often felt like the Little Red Hen. “Hey, where are the helping hands here?” And, like her, I’m glad when everyone sits down to celebrate together.
A classic tale gets a Jewish twist, when Little Red Hen asks her friends for help making Passover matzah.
Before she knows it, Little Red Hen tells herself, it will be time for Passover. So she decides to plant some grain. But when she asks her friends to help, they're too busy for her. "Sorry, bub," says the Horse. "Think again," barks the dog.
Oy gevalt! "Friends, shmends," she says. "I'll just do it myself."
But when the wheat is grown and harvested, when the flour is milled and the matzah baked and the Seder table set-- all by Red…
Long before I became a “fairy tale scholar,” I was keenly aware of the ways that fairy tales saturate our cultural landscape. Given their ubiquity, who isn’t? But my awareness was always a discomfiting one, an unnerving at the fairy tale’s insistent cheeriness; it was this unnerving that made me fall deeply in love with The Bloody Chamber, the collection that so beautifully flays the fairy tale to reveal its dark and sordid heart. In researching The Bloody Chamber, I saw ever more clearly that the fairy tale’s grim underbelly involves not only twisted ideas about gender and desire and love but also about race, and this discovery has motivated my research over the past decade.
Bolu Babalola’sLove in Coloris, technically, more a collection of reimagined myths than a collection of retold fairy tales, but the stories are so richly and wonderfully rendered, so smart and edgy and beguiling, that it seems silly to privilege a strict genre definition over a powerful collection. Babalola is shameless in her embrace of love—indeed, she confesses that she loves love—and yet her contemporary takes on global myths trouble any easy ideas about love the reader might bring to the collection. Love, here, is messy, tangled, frightening, and—according to Babalola—worth the tribulations it inspires.
"Love stories by and about marginalized women . . . The heroines are strong and sure . . . Babalola’s writing shines.” — New York Times Book Review
"Absolutely intoxicating." — Casey McQuiston, New York Times bestselling author of Red, White, and Royal Blue and One Last Stop
A vibrant debut collection of love stories from the bestselling author of Honey and Spice, retelling myths, folktales, and histories from around the world.
A high-born Nigerian goddess, who has been beaten down and unappreciated by her gregarious lover, longs to be truly seen. A young businesswoman attempts a great…
