Here are 100 books that Bulfinch's Mythology fans have personally recommended if you like
Bulfinch's Mythology.
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An avid reader when young, I made the transition from reading to writing relatively late in life. It happened unexpectedly, but once I started writing I found it impossible to stop and have had twenty-eight novels published so far. Fortunately I found a publisher within weeks of completing my first novel, which was shortlisted for several major awards. Currently I am writing the 20th novel in my Geraldine Steel detective series, which has sold over a million copies in the UK alone. As well as writing detective novels, I also support up and coming crime writers as chair of judges for the Crime Writers Association’s Debut Dagger Award.
Mervyn Peake’s writing is unusual. In Gormenghast he creates a bizarre world of weird hierarchical rituals, peopled by eccentric characters, each one singular in a different way. What really brings this novel to life is Peake’s wonderfully rich prose, as he describes the destruction of an ancient social structure.
Enter the world of Gormenghast...the vast crumbling castle to which the seventy-seventh Earl, Titus Groan, is Lord and heir. Gothic labyrinth of roofs and turrets, cloisters and corridors, stairwells and dungeons, it is also the cobwebbed kingdom of Byzantine government and age-old rituals, a world primed to implode beneath the weight of centuries of intrigue, treachery, manipulation and murder.
Gormenghast is more than a sequel to Titus Groan - it is an enrichment and deepening of that book.The fertility of incident, character and rich atmosphere combine in a tour de force that ranks as one of the twentieth century's most…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
My inner child is still captivated by the Lilliputian world of T.H. White's Mistress Masham's Repose every time I read it. I don't know why the idea of discovering a secret miniature kingdom is so alluring: I think it may have something to do with my love for dollhouses when I was a child. T.H. White was best known for The Once and Future King and The Sword in the Stone, based on the Arthurian legends; he was a master at taking an old story (Gulliver's Travels in the case of Mistress Masham's Repose) and making it truly his own.
'One of the finest, most magical and extraordinary children's books ever written.' - Anne Fine, author and former Children's Laureate
Ten-year-old orphan Maria lives in her ancestors' crumbling mansion. Exploring the grounds one day, Maria discovers a wild, half-forgotten island in the middle of a neglected lake - and an extraordinary secret. For the island is home to a community of tiny people - the Lilliputians that Gulliver first met on his famous travels. But as Maria grows closer to her new friends, her own life is in grave danger. Her wicked governess and the cruel vicar are plotting to…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
The 19th-century Scottish writer George MacDonald is said to be the father of the modern fairy tale, inspiring C.S. Lewis, Tolkien, and many others. I chose The Light Princess because I find it his most charming tale: it's about a princess under a wicked spell who has been made weightless, unable to obey the laws of gravity. As in all good fairy tales, a prince eventually comes along to drag her back down to earth. He must sacrifice himself for her, but in the end, it is she who rescues him – from a feminist perspective, a most gratifying conclusion.
George MacDonald (1824-1905), the great nineteenth-century innovator of modern fantasy, influenced not only C. S. Lewis but also such literary masters as Charles Williams and J. R. R. Tolkien. Though his longer fairy tales Lilith and Phantastes are particularly famous, much of MacDonald’s best fantasy writing is found in his shorter stories. In this volume editor Glenn Sadler has compiled some of MacDonald’s finest short works―marvelous fairy tales and stories certain to delight readers familiar with MacDonald and those about to meet him for the first time.
Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
This is one of my favorite picture books. To me, the main character is life itself. A mischievous, greedy, daring, vulnerable, colorful aliveness. The strong colors and the bold shapes of the illustrations demonstrate the raw intensity of life. And the theme of Grandmother loving Pig-Boy unconditionally is one mothers would resonate with. Such a treat!
Since I was four years old, I have been in love with Christmas! I’m the kind of person who starts humming carols in October and puts up their first decorations the moment Halloween ends. I’ve got a Christmas Sweater for every day and a card or a present for every friend I bump into. Without a doubt, the Holiday Season is the best time of the year!
I love weird and mostly overlooked Christmas-related stuff, and there are few Holiday characters as weird and overlooked as the Krampus!
I loved the full-color photographs Ridenour includes of the Krampus (and adjacent figures), many of which I had never seen before. And a lot of the pictures feature a very menacing Krampus! There’s more to Christmas than just Santa Claus.
With the appearance of the demonic Christmas character Krampus in contemporary Hollywood movies, television shows, advertisements, and greeting cards, medieval folklore has now been revisited in American culture. Krampus-related events and parades occur both in North America and Europe, and they are an ever-growing phenomenon.
Though the Krampus figure has once again become iconic, not much can be found about its history and meaning, thus calling for a book like Al Ridenour's The Krampus: Roots and Rebirth of the Folkloric Devil. With Krampus's wild, graphic history, Feral House has hired the awarded designer Sean Tejaratchi to take on Ridenour's book…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I've been interested in feminine figures since I was a small, Catholic child presented with the Virgin Mary! Further down the road in graduate school and in my teaching career as an English Professor at a small Liberal Arts college, I began to research comparative mythology and the study of archetypes with a particular emphasis on the female divine. Now, after publishing three books and several articles on the goddesses, I'm happy to help others in their journey of discovery. I believe a good way to approach that study today is to focus on how our contemporary women writers portray goddesses in their works of fiction and non-fiction.
Marija Gimbutas’ The Living Goddessesis a great place to start your study of goddesses.
Gimbutas is a major researcher in the field of goddess studies, and her book is quoted more than often. Instead of reading other scholars’ work that quotes Gimbutas, why not read the original study of Paleolithic and Neolithice archetypes and their descendents in several Bronze and Iron Age cultures.
Additionally, Gimbutas postulates how those archetypes have evolved in contemporary culture. Matrilineal social structure as mirrored in religion and myth is the basis of Gimbutas’ gift to women today.
The Living Goddesses crowns a lifetime of innovative, influential work by one of the twentieth-century's most remarkable scholars. Marija Gimbutas wrote and taught with rare clarity in her original--and originally shocking--interpretation of prehistoric European civilization. Gimbutas flew in the face of contemporary archaeology when she reconstructed goddess-centered cultures that predated historic patriarchal cultures by many thousands of years. This volume, which was close to completion at the time of her death, contains the distillation of her studies, combined with new discoveries, insights, and analysis. Editor Miriam Robbins Dexter has added introductory and concluding remarks, summaries, and annotations. The first part…
I am a writer and educator, originally from the British Isles. Perhaps because of this, I am more than usually aware of the distraction and speed of contemporary American life. As a long-time meditator, and the author of World Enough & Time: On Creativity and Slowing Down, I am encouraged and inspired by any book that draws attention to our “hurry sickness” and offers practices or suggestions to help us to slow down.
Jay Griffiths is a gorgeous writer, sparky and original. When I was working on my book, a friend gave me this book, and I gobbled it down. It was definitely the perfect companion along the way: funny, tender, quirky, passionately informed. The back cover features praise by both Fritjof Capra and Gary Snyder. “Amusing and erudite, fascinating and spirited,” says theTimes Literary Supplement. “Bravo!”
A brilliant and poetic exploration of the way that we experience time in our everyday lives.
Why does time seem so short? How does women's time differ from men's? Why does time seem to move slowly in the countryside and quickly in cities? How do different cultures around the world see time? In A Sideways Look at Time, Jay Griffiths takes readers on an extraordinary tour of time as we have never seen it before.
With this dazzling and defiant work, Griffiths introduces us to dimensions of time that are largely forgotten in our modern lives. She presents an infectious…
Whatever story I’m telling, I try to write female characters who are smart, funny, kind, and ultimately empowering; characters that drive the narrative, not the other way around. It is really important for me that my female characters have agency – that they actively move the story forward, make decisions and step up. Those are the kind of stories I like to read too. The books on this list are some of my favourites and all contain strong female protagonists. I hope you enjoy.
I absolutely adore Lucy Strange’s books and her latest one, Sisters of the Lost Marsh, is a gloriously Gothic mystery with sisterhood at its centre. The story is about a family of six sisters reigned over by their tyrannical father. When one of the sisters goes missing, 12-year-old Willa decides to take matters into her own hands and uncover what happened. This book is a beautiful blend of mystery, folktale, and feminism and one I simply could not put down.
From the Waterstones Prize-shortlisted author of Our Castle by the Sea comes a gorgeously gothic story, perfect for fans of Emma Carroll and Frances Hardinge ...
'My book of the year. This is storytelling so secure and shining that you can almost feel the glow.' HILARY MCKAY, COSTA BOOK AWARD-WINNING AUTHOR OF THE SKYLARK'S WAR
'I absolutely love this book ... Lucy Strange is a wonderful, accomplished writer whose books stay with you long after you have finished reading.' NATASHA FARRANT, COSTA BOOK AWARD-WINNING AUTHOR OF VOYAGE OF THE SPARROWHAWK
Life is hard for Willa, Grace and Freya, and their…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I love the idea that much of folklore is based on universal human stories that are still true today. Selkies may be mystical creatures but they are also women treated badly by men, then judged for their response by wider society. Because of this universality, as well as the compelling magical element, there are many modern novels that make use of selkie folklore, which in several ways shares roots with the folklore of mermaids. I’ve picked out a few that spoke to me. I hope many more readers will discover these sea-faring, shape-shifting, magic-realist tales.
In this prize-winning novel for older teenagers, Hersey recreates a story of Selkie lore which, in terms of the magical element, remains largely faithful to the original folklore. Teenager Danni’s mother has disappeared, so her daughter sets out to find her. Danni finds herself in her mother’s small Cornish hometown, and soon discovers secrets about her family that are so surprising and hard to believe, they threaten to blow her world apart. What follows is an adventure that enthralls deeply, incorporating fantasy elements into a satisfyingly emotional, realistic story. Stylistically, the sea, selkies, the coastline, and the landscape play important parts, providing an atmospheric backdrop to this fast-moving thrill ride.
When her mum vanishes, Danni moves to a tiny Cornish fishing village with Dad - where the locals treat her like a monster. As the village's dark, disturbing past bubbles to the surface, Danni discovers that she's not who - or what - she thought she was. And the only way to save her family from a bitter curse is to embrace her incredible new gift.
