Here are 100 books that The Outlaws of Sherwood fans have personally recommended if you like
The Outlaws of Sherwood.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
My passion for mythic stories began as early as the age of five, when my father had me tested and found I was reading over two hundred words a minute. He quickly saw the need to feed my thirsty young mind and placed epic fantasy books (most beyond my comprehension) in my tiny hands. As for my absorption with stories that impact the soul, I'd have to say my strongest interest came from my need for it. That need has shaped me and shaped my writing, much more than any list of qualifications, which include being a licensed minister, a professional pianist and cinematic composer, and now a published author.
This book was like a fisherman with bait on the hook. I was the fish; the fantasy setting and the author’s magnificent ability with words were the bait.
Mary Stewart was, of course, the sportswoman out to snag something in my soul. I was prepared to be entertained, but the story carried a surprising amount of weight, asking questions like What do we live for? Can humanity ever be enough? Merlin came into an understanding of his place in the world — not through romance or fantasy adventures as we so typically read — but through internal revelation.
With his journey, I was invited into soulful reflection and some uncomfortable truths of my own. In the end, I decided Mary Stewart knew very well what she was doing. The stinker.
Vivid, enthralling, absolutely first-class - Daily Mail
So begins the story of Merlin, born the illegitimate son of a Welsh princess in fifth century Britain, a world ravaged by war. Small and neglected, with his mother unwilling to reveal his father's identity, Merlin must disguise his intelligence - and hide his occasional ability to know things before they happen - in order to keep himself safe.
While exploring the countryside near his home, Merlin stumbles across a cave filled with books and papers and hiding a room lined with crystals. It is…
Wishes are dangerous. They can bring you a night out, a gown, even a pair of slippers. Or something you never should have wished for in the first place.
After the royal wedding, the girl in the glass slippers has everything she ever wanted: an escape from a life of…
My passion for mythic stories began as early as the age of five, when my father had me tested and found I was reading over two hundred words a minute. He quickly saw the need to feed my thirsty young mind and placed epic fantasy books (most beyond my comprehension) in my tiny hands. As for my absorption with stories that impact the soul, I'd have to say my strongest interest came from my need for it. That need has shaped me and shaped my writing, much more than any list of qualifications, which include being a licensed minister, a professional pianist and cinematic composer, and now a published author.
I loved Till We Have Faces, but not just for the most obvious reasons, like the story’s content. For me, it was the realization that C.S. Lewis was allowing me to discover the meaning of the story gradually.
The novel invited me into a mystery and let revelation slowly come. I’ve found so many of my greatest ah-ha! moments in life have come this way—not because someone preached a message, or commanded me… Not because a person told me the answers up front… Not even necessarily because outside circumstances demanded it. The much-needed revelation slowly unfolded in my heart and mind as I probed (and sometimes wrestled) for the truth.
I was quietly led and guided to the truth… and that’s exactly what this story does.
Fascinated by the myth of Cupid and Psyche throughout his life, C. S. Lewis reimagines their story from the perspective of Psyche's sister, Orual.
'I saw well why the gods do not speak to us openly, nor let us answer . . . Why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?'
Till We Have Faces is a brilliant examination of envy, betrayal, loss, blame, grief, guilt, and conversion. In this, his final - and most mature and masterful - novel, Lewis reminds us of our…
My passion for mythic stories began as early as the age of five, when my father had me tested and found I was reading over two hundred words a minute. He quickly saw the need to feed my thirsty young mind and placed epic fantasy books (most beyond my comprehension) in my tiny hands. As for my absorption with stories that impact the soul, I'd have to say my strongest interest came from my need for it. That need has shaped me and shaped my writing, much more than any list of qualifications, which include being a licensed minister, a professional pianist and cinematic composer, and now a published author.
There were so many things I loved about Son of the Shadows when I stumbled upon it in a second-hand book store decades ago.
The story was immersive and intense. But the quality I loved most had to be that, buried beneath its movie-like adventures, its poetic blend of fantasy and history, and its spiritually rich thoughts, was a story of redemption.
I found so few authors allow for the kind of redemption that tempestuous Bran was given. My whispering hope that he would come out at the end of the novel no longer broken blossomed into full-blown wonder as his damaged soul took its first steps towards daylight… and he started living again. I thought to myself, “I'm gonna write just like that when I grow up.”
Son of the Shadows is the sequel to Juliet Marillier's evocative first novel Daughter of the Forest.
It continues the saga of beautiful Sorcha, the courageous young woman who risked all to save her family from a wicked curse and whose love shattered generations of hate and bridged two cultures.
It is from her sacrifice that her brothers were brought home to Sevenwaters and her life has known much joy. But not all the brothers were able to escape the spell that transformed them into swans, and those who did were all more--and less--than they were before the change.
We are all surrounded by darkness. And we are all drawn to the light.
The Orkney Islands north of Scotland are steeped in stories of selkies, seal folk who swim in cold ocean waters and shed their skins to sing and dance on land.
My passion for mythic stories began as early as the age of five, when my father had me tested and found I was reading over two hundred words a minute. He quickly saw the need to feed my thirsty young mind and placed epic fantasy books (most beyond my comprehension) in my tiny hands. As for my absorption with stories that impact the soul, I'd have to say my strongest interest came from my need for it. That need has shaped me and shaped my writing, much more than any list of qualifications, which include being a licensed minister, a professional pianist and cinematic composer, and now a published author.
When I first discovered a copy of The Singer—left well-worn and dog-eared by its previous owner—I felt I had immediately picked up a book that was written in a beautiful ancient language.
In its simplistic style, the story explored an entire society through the lens of their need for truth, sacrifice, and redemption. The story spoke to me in a way none ever had. I was left in a whirl of soul-searching—critiquing my own world and its dominant values and ideals, examining my spiritual beliefs. But most of all, I was left in a state of quiet wonder.
The truth really was plain to see. Beautiful and simplistic, I just needed to open my eyes and take hold of it.
Psychology, the human condition, and interpersonal relationships fascinate me. I’ve studied the psychology of stories, their effect on readers, and things like moral development to understand better how to structure growth arcs and falls from grace in my writing. However, these studies have also changed the way I consume stories. Through books, movies, and video games, I can’t help but analyze story structure and its impact on its audience. As an author of epic fantasy, I am also active on TikTok and Instagram, reviewing stories and their structures and talking about all things fantasy. I hope you enjoy the stories on this list as much as I have!
If you’ve read all of the books on this list and are looking for something new, this book is the story of Robin Hood with all the backstabbing, politicking, and civil unrest of A Game of Thrones. Though not “Fantasy” (there is no magic, second-world, divine intervention, etc), this historical fiction novel was no less epic, and I would be remiss to leave it off this list.
As someone who exclusively reads fantasy and some sci-fi, I find this story (and its sequel, Lionhearts) to fit right into my reading list. The use of character perspective was so powerful because despite there being six primary POV characters who are diametrically opposed to one another in different ways, I somehow found myself rooting for all of them. Each character was so convincing in their justifications and righteousness that every chapter constantly reflected on who was in the right.
“The most pleasurable reading experience I've had since first discovering George R.R. Martin's A Song of Ice and Fire.” ― Bryan Cogman, Co-Executive Producer and Writer, Game of Thrones
Nathan Makaryk's epic and daring debut rewrites the Robin Hood legend, giving voice to those history never mentioned and challenging who's really a hero and a villain.
England, 1191. King Richard is half a world away, fighting for God and his own ambition. Back home, his country languishes, bankrupt and on the verge of anarchy. People with power are running unchecked. People without are growing angry. And…
I was six years old when I found myself getting up for a drink of water and watching a brutal dismemberment in a Sam Rami classic starring Bruce Cambell. I was transfixed. I saw The Terminator at five, most of Fulcci’s work before I could pee alone and worshiped Craven and Carpenter long before I could appreciate that I was their target audience. Horror is to me what oxygen is to every other mammal on the planet. Without it, I wither and die.
Best known for penning the infamous Psycho. Robert Bloch, is perhaps the greatest horror author of the 20th century. He is to short-horror fiction, what Ray Bradbury is to the science-fiction genre. Though he is often overlooked for names such as King, Lovecraft, and Barker, Rober Bloch is the preeminent master of the subtle scare.
The wolves of the Wood do more than hunt you… they know your name.
When Red’s life collides with the royal family of Alameth, she is drawn into the haunting mystery of the wolves and the shadowed Wood that preys on her and her people. But as darkness closes in,…
Long before I became a “fairy tale scholar,” I was keenly aware of the ways that fairy tales saturate our cultural landscape. Given their ubiquity, who isn’t? But my awareness was always a discomfiting one, an unnerving at the fairy tale’s insistent cheeriness; it was this unnerving that made me fall deeply in love with The Bloody Chamber, the collection that so beautifully flays the fairy tale to reveal its dark and sordid heart. In researching The Bloody Chamber, I saw ever more clearly that the fairy tale’s grim underbelly involves not only twisted ideas about gender and desire and love but also about race, and this discovery has motivated my research over the past decade.
Bolu Babalola’sLove in Coloris, technically, more a collection of reimagined myths than a collection of retold fairy tales, but the stories are so richly and wonderfully rendered, so smart and edgy and beguiling, that it seems silly to privilege a strict genre definition over a powerful collection. Babalola is shameless in her embrace of love—indeed, she confesses that she loves love—and yet her contemporary takes on global myths trouble any easy ideas about love the reader might bring to the collection. Love, here, is messy, tangled, frightening, and—according to Babalola—worth the tribulations it inspires.
"Love stories by and about marginalized women . . . The heroines are strong and sure . . . Babalola’s writing shines.” — New York Times Book Review
"Absolutely intoxicating." — Casey McQuiston, New York Times bestselling author of Red, White, and Royal Blue and One Last Stop
A vibrant debut collection of love stories from the bestselling author of Honey and Spice, retelling myths, folktales, and histories from around the world.
A high-born Nigerian goddess, who has been beaten down and unappreciated by her gregarious lover, longs to be truly seen. A young businesswoman attempts a great…
The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places.
An incredible feat of literary criticism, Marina Warner takes fairytales very seriously and as such leads us on an incredible journey through storytelling from the Queen of Sheba to Charles Perrault to the Brothers Grimm. This is the essential nonfiction title if you’re interested in fairytales, and it has shaped my reading of them ever since.
In this landmark study of the history and meaning of fairy tales, the celebrated cultural critic Marina Warner looks at storytelling in art and legend-from the prophesying enchantress who lures men to a false paradise, to jolly Mother Goose with her masqueraders in the real world. Why are storytellers so often women, and how does that affect the status of fairy tales? Are they a source of wisdom or a misleading temptation to indulge in romancing?
I’m a lifelong nature-lover, and for me, the old folk tales are deeply tied to this: the history of our attempts to give meaning to the beautiful and the unsafe. I spent a lot of time in the West Country as a child, and that shaped my imagination: the tangible magic of a landscape with chalk bones and golden snails and birds that exploded from the hedgerows before you. When I came to write my own folktales, that was the magic I wanted. And that’s what I love in books: the way they can make you feel like you’re standing on the soil of someone else’s inner world.
Oh, I cried my eyes out over this book when I was a kid! It’s a tale of Arthurian Britain, but somehow it reads, more than any other I’ve seen, like a historical novel – less T.H. White than Rosemary Sutcliffe. Bradshaw grounds it deeply in Welsh rather than French culture, and the magic feels eerily normal – terrifying, but also just part of the weave of the world. Add to this characters you get truly attached to, and it’s bewitching in the best sense; the book lingers in my imagination like a place I once lived when I was a child – and imaginatively, that’s what it is.
"Intelligent and imaginative...even the magic convinces." -Mary Renault, author of The King Must Die
On The Path Toward Greatness, Every Hero Makes a Choice
Legends sing of Sir Gawain, one of the most respected warriors of King Arthur's reign and one of the greatest champions of all time. But this is not that story. This is the story of Gwalchmai, middle son of the beautiful, infinitely evil sorceress Morgawse, and gifted student of her dark magical arts. A story of an uncertain man, doubting his ability to follow his elder brother's warrior prowess and seeking to find his own identity…
Reading with your kid can be a delight, but it’s tough to find a book that both grown-up and child think is hysterical. I mean, I tried reading Catch-22 to my three-year-old, but for some reason the incisive social commentary just didn’t resonate with her. My kids and I both let out genuine chuckles and guffaws while reading all of these books—an experience that I treasured. These books are all giggly, snickery proof that you don’t have to dumb things down to appeal to a wide age range—a goal that I aim for myself in the children’s books and TV shows that I write.
This is the book that made my kids’ heads explode (not literally—this book is perfectly safe (as far as I know)) as it helped them discover the idea of parody: taking something familiar and twisting it in a funny, unexpected way.
We rolled and lol’ed together as we read Jon’s wild, hysterical takes on old fairy tales. The non-twist twist ending to his take on the ugly duckling story is still a running joke in our family. Jon’s The True Story of the 3 Little Pigs and The Real Dada Mother Goose are also great for the same reason.
The entire book, with its unconventional page arrangement and eclectic, frenetic mix of text and pictures, is a spoof on the art of book design and the art of the fairy tale. The individual tales, such as The Really Ugly Duckling and Little Red Running Shorts, can be extracted for telling aloud, with great success. Another masterpiece from the team that created The True Story of the Three Little Pigs! -Horn Book
