Here are 100 books that How Chipmunk Got His Stripes fans have personally recommended if you like
How Chipmunk Got His Stripes.
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I grew up in suburbia—or urban sprawl—with fairytales and children’s nonfiction series like Lands and Peoples. My passion for reading (and history and art museums) nurtured my sense of wonder and awe at the richness of the world. I was inspired to write nonfiction about heroic people by my own children, whose social studies education lacked dazzle and examples of heroism. I had already been creating educational materials for schools, but I wanted to inspire their wonder about and appreciation of the world. My kids are grown, but I’m still writing for young readers. An avid world traveler and historian, I've always aspired to bring other people, places, cultures, and times to life.
With simple, colorful illustrations and a humorous plot featuring Grandmother Witch’s magical pasta pot that requires more than the right words to control it, this book delights me still.
The story seems to be about learning to listen properly. It’s also about eavesdropping, bragging, and above all, the consequences of failing to follow directions. But its charm to me is its sympathy for naughty Big Anthony, who is, after all, just like everyone’s inner child.
When Strega Nona leaves him alone with her magic pasta pot, Big Anthony is determined to show the townspeople how it works in this classic Caldecott Honor book from Tomie dePaola.
Strega Nona-"Grandma Witch"-is the source for potions, cures, magic, and comfort in her Calabrian town. Her magical everfull pasta pot is especially intriguing to hungry Big Anthony. He is supposed to look after her house and tend her garden but one day, when she goes over the mountain to visit Strega Amelia, Big Anthony recites the magic verse over the pasta pot, with disastrous results.
In 1894, Annie Cohen Kopchovsky set out to ride her bicycle. Not to the market. Not around the block. Not across town. Annie was going to ride her bike all the way around the world—because two men bet no woman could do it. Ha!
I am the author of two folktales in addition to several other fiction stories for children and an early childhood educator. I taught kindergarten and first grade for over twenty years. As part of our state standards, we must do a yearly unit of study on folktales. Folktales deliver universal messages to children in a non-didactic way. We can use them to address issues that young children face while also using them as resources to teach students about faraway places, customs and cultures. Folktales are in integral part of an early childhood education and it’s a unit of study that I always looked forward to. Immersing myself in them was the catalyst for recreating my own.
This book has been a class favorite for many years. I always use this book when opening our folktale unit of study. The children are enamored by the storyline and by the musical component embedded in the text. They love to sing the song that accompanies the story.
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A young boy and his father save the town that ostracized them from a hungry giant in this picture book adaptation of a South African lullaby and folk story.
In a small town, one young boy loves walking around playing the ukulele, but the people get tired of the clink, clunk, clonk and beg him to stop while covering their ears! The boy’s father has a magic wand he uses to make things disappear, like a playing card or a glass of water—or a chair just as someone’s about to sit.
The townspeople have had quite enough of the boy’s…
Victoria Talwar, PhD, is a professor and the chair of the Department of Educational & Counselling Psychology at McGill University. She is a recognized leading expert on children’s deception and has published numerous articles on children’s honesty and lie-telling behaviors. Dr. Talwar has given workshops to parents, teachers, social workers, and legal professionals. Among other distinctions, she was awarded the Society for Research on Child Development Outstanding Early Career Contributions to Child Development Research award. She is a Fellow of the American Psychological Association (Division 7), a Fellow of the Association for Psychological Science, and a member of the College of the Royal Society of Canada.
This is my favourite book to read to children about honesty. It illustrates why it is good to tell the truth.
Often books focus on the negative aspects of lying. My research shows that it is important to show there are positive consequences for honesty.
In this book, the Emperor gives a seed to each child in the kingdom, proclaiming, “Whoever can show me their best in a year’s time, shall succeed me to the throne!”. The boy, Ping, plants his seed but it does not grow and he has nothing but an empty pot. He truthfully presents his failure. It turns into a triumphant end when his honesty (even as others are dishonest) is rewarded.
The artwork is delicate and the text simple, but powerful.
The Empty Pot is Demi's beloved picture book about an honest schoolboy
A long time ago in China there was a boy named Ping who loved flowers. Anything he planted burst into bloom.
The Emperor loved flowers too. When it was time to choose an heir, he gave a flower seed to each child in the kingdom. "Whoever can show me their best in a year's time," he proclaimed, "shall succeed me to the throne!"
Ping plants his seed and tends it every day. But month after month passes, and nothing grows. When spring comes, Ping must go to the…
The summer holidays have finally arrived and Scout can’t wait for her adventure in the big rig with Dad. They’re on a mission to deliver donations of dog food to animal rescue shelters right across the state. There’ll be dad-jokes, rock-collecting, and a brilliant plan that will make sure everyone’s…
I am the author of two folktales in addition to several other fiction stories for children and an early childhood educator. I taught kindergarten and first grade for over twenty years. As part of our state standards, we must do a yearly unit of study on folktales. Folktales deliver universal messages to children in a non-didactic way. We can use them to address issues that young children face while also using them as resources to teach students about faraway places, customs and cultures. Folktales are in integral part of an early childhood education and it’s a unit of study that I always looked forward to. Immersing myself in them was the catalyst for recreating my own.
This is a stunning, beautifully illustrated Russian folktale. I love that folktales come from all over the world and that I can share these beautiful stories with my students. It introduces them to customs and cultures they may otherwise not get to experience. In this one, a great white oak gifts an old man a branch imbued with magic. The old man takes the branch and carves five matryoshka dolls, “each smaller than the last.” The wooden dolls come to life bringing the old man and his wife (who are childless) endless joy. Who doesn’t love a tale about love and happiness?
When a great white oak gifts an old man a branch imbued with magic, he carves five wooden matryoshka dolls, “each smaller than the last.” The wooden dolls take on a life of their own as they frolic from one season to the next, bringing the old man and his wife a joy they had always longed for. Beautiful verse and stunning, traditional illustrations full of woodland creatures and playfully painted matryoshka dolls explore a tale of heartache, hope, and love.
I was born on the Oneida reservation in Wisconsin. Raised during the often troubled, often wonderful decade of the 1960s, I learned to stand up for what I thought was right. I joined forces with my beautiful wife during our high school years, and together, we ran away to build our own life aided by the Oneida principle of “looking ahead seven generations.” Encountering many obstacles along the way, including a poetry professor who said that what I wrote wasn’t poetry and a theater professor who said that if what I wrote was any good it was already being done. Still, I continue to write.
This book gives a nice accounting of American Colonialism and their response to the People who inhabited this country prior to being discovered (sic). I was especially enlightened by the undertaking of explaining the Second Amendment from an understanding of the times and the people. Seeing how the three fears of the times no longer exist.
Even before the Revolutionary War, American colonists feared and fought "merciless Indian savages," and through the following centuries, American law and policy have been molded by the relentless tradition of Indian-hating. From proportional representation and restrictions on the right to bear arms, to the break-up of tribal property rights and the destruction of Indian culture and family, the attacks on tribal governance and people continue and remain endemic. More than just a study of the progression of law, this book balances each chapter's history with the relating of a traditional Anishinaabe story or teaching, providing both context and a roadmap…
I grew up in Michigan where I was outdoors in the woods most of the time, running around with my imaginary friends. I built an entire world in my imagination where girls and women were powerful and ruled the world. I wrote stories about that world, and I’ve never stopped writing or reading myths, folklore, and fairy tales. Stories are the best way to bring the mythic and hidden realms of our existence out into the open. When I catch a glimpse of other worlds through storytelling, it always feels healing. It gives me hope that there is more to our existence than what we ordinarily see.
This is Paula Gunn Allen’s modern-day retelling of many Native American tales. They feature talking animals, shape-shifting bears, and creation stories. Here, we see how the underneath comes to the surface in wondrous and awe-inspiring ways. The ordinary walks with the extraordinary. In fact, the ordinary is extraordinary. Allen sees power in these tales for women, and that’s what I loved about this book. These stories are part of a female shamanic tradition; they are in many ways medicinal.
This extraordinary collection of goddess stories from Native American civilizations across the continent, Paula Gunn Allen shares myths that have guided female shamans toward an understanding of the sacred for centuries.
Eleven-year-old Sierra just wants a normal life. After her military mother returns from the war overseas, the two hop from home to homelessness while Sierra tries to help her mom through the throes of PTSD.
As an Indigenous person, I have a lived experience of the negative impacts of an erased history on all people. Students I teach are shocked to hear that Indigenous people have been in the Americas for over 60,000 years. The violence against archaeologists publishing on older than Clovis sites in the Americas is intense; that got me asking why? I sought the truth about the evidence for Pleistocene age archaeology sites in the Americas. Global human migrations attest to the fact that humans have been migrating great distances for over 2 million years. Reclaiming and rewriting Indigenous history is one path of many, leading to healing and reconciliation.
To grasp an understanding of the history of archaeological erasure of Pleistocene archaeological sites, Indigenous history, and the colonial history of American archaeology, Red Earth, White Lies is a must-read. Deloria has a delightful sense of humour and does not mince words regarding the absurdity of the Clovis First hypotheses. Written from an informed Indigenous perspective, this book will provide an understanding of the one question I always hear, “Why would archaeologists deny earlier than Clovis sites?"
Vine Deloria, Jr., leading Native American scholar and author of the best-selling God is Red, addresses the conflict between mainstream scientific theory about our world and the ancestral worldview of Native Americans. Claiming that science has created a largely fictional scenario for American Indians in prehistoric North America, Deloria offers an alternative view of the continent's history as seen through the eyes and memories of Native Americans. Further, he warns future generations of scientists not to repeat the ethnocentric omissions and fallacies of the past by dismissing Native oral tradition as mere legends.
From the ages of 1-4, my son Finn deeply rooted himself into the detailed world of Richard Scarry. These books could be such slow reads that we only needed two of them for long airplane rides. Through Finn’s love of Scarry books, I began searching for more books that delighted with detail. And when I did not see my family’s bicycle-rich lifestyle reflected in books, I created Cycle City.
Lift the flaps and take an intimate peek inside the villains and find what really makes them tick. Through a twist in classic fairytale storytelling and a sophisticated design, this book has reimagined the inner workings of the iconic fairytale witch, giant, and wolf. Pull levers and tabs, discover objects on strings, and open flaps to discover the real truth about the villains. Brilliantly creative and exploratory.
Internationally bestselling, oversized lift the flap book that reveals the secrets of the most famous fairytale villains.
Explore if you dare! Take a look inside and discover the villainous tricks inside the heads of an ogre, a wolf and a witch. Lift the flaps to find out what’s beneath their disguise and who was the victim of their last meal (now comfortably settled inside their stomach!).
This exquisitely produced large fold-out book is like no other: a celebration of story that’s full of humor and detail on every page, and has over 30 interactive elements that will mesmerize toddlers, pre-schoolers…
When offered a plot at the community garden, I thought it would be fun to invite other families to learn to grow food together. As a science teacher, I knew that for toddlers, digging in the dirt and growing plants for food could plant seeds for a life-long love of exploring nature, hands-on science inquiry, environmental stewardship, and joy in healthy eating. As we gardened, I noticed what questions children and their parents had, and how we found the answers together. I wrote the picture book How to Say Hello to A Worm: A First Guide to Outside to inspire more kids and their parents to get their hands dirty.
Why garden at all? Isn't it a lot of work? I can always count on The Talking Vegetables, a retelling of a traditional African story, to delight toddlers and preschoolers. They revel in Spider's laziness as he shirks helping neighbors grow food at the community garden, and are just as delighted when he gets his comeuppance as the insulted vegetables refuse to let him get away without contributing to the team effort.
A wonderful folktale from the award-winning authors of Mrs. Chicken and the Hungry Crocodile The villagers are planting a garden, but Spider refuses to help. He has plenty of rice to eat, so why should he do all that hard work? Then one day Spider gets tired of plain rice and decides to pick some of the delicious produce. Imagine his surprise when the vegetables start talking! The talented team that created the award-winning titles Mrs. Chicken and the Hungry Crocodile and Head, Body, Legs join together once again for a laugh-out-loud funny Liberian story. The Talking Vegetables is a…
Zeni lives in the Flint Hills of Southeast Kansas. This tale begins with her dream of befriending a miniature zebu calf coming true and follows Zeni as she works to befriend Zara. Enjoy full-color illustrations and a story filled with whimsy and plenty of opportunity for discussions around the perspectives…
I am a former children’s librarian who writes books for children and young adults. I love history, especially black history. We didn’t get much in school when I was a child, so I’ve been catching up on some of what I missed. I am particularly drawn to under-told stories about people who deserve more recognition for their contributions. I’m proud that some of those people are members of my own family.
“They say the people could fly. They say that long ago in Africa some of the people knew magic. And they could walk up on the air like climbin on a gate. And they flew like blackbirds over the fields.” These beautiful words and those that follow have remained in my heart from the moment I first discovered this story in Hamilton’s 1985 folktale collection. The inspiring messages of hope, faith, and the innate desire for freedom are powerfully conveyed through Hamilton’s fine storytelling and the Dillons’ elegant art. I love the feeling of triumphas “old and young who were called slaves” join hands, rise in the air, and fly away to freedom.
Virginia Hamilton's Coretta Scott King Honor book is the breathtaking fantasy tale of slaves who possessed ancient magic that enabled them to fly away to freedom. And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale.
Leo and Diane Dillon's powerful illustrations accompany Hamilton's voice as it sings out from the pages with the soaring cadences that echo the story tellers of her childhood as the granddaughter of a fugitive slave.
