Here are 99 books that Traveling Below the Speed Limit fans have personally recommended if you like
Traveling Below the Speed Limit.
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I am a painter and a writer from Myanmar. The former profession is what I chose when I was 15 and began at 21, featured in a group exhibition of modern art and the only woman among several men. Since then I have exhibited in several group shows and have had seven solos.
In the early 2000s by chance - and financial need - I became the Contributing Editor for the Myanmar Times weekly and a travel magazine until they closed down. Since then I have written around 20 books on food, culture, and travels and it kept me so busy that my art was put on hoId, but I hope to resume one day soon.
This book is, in my opinion, the best travelouge ever. She has been my hero since I read her For Richer or Poorer and saw what she said about my fellow countrymen: ''They were stronger in their defencelessness than the various khaki-clad people who overrun them'. She got straight to the core of the matter. And how true about being overrun: happening, again, right now, early 2021.
Her Travels with Myself and Another is my favorite among her works. It is full of powerful insight and absolutely great writing whatever she was describing, be it meeting Chiang Kai-shek (she was not impressed) or Zhou Enlai (she was) or people in the street
Out of a lifetime of travelling, Martha Gellhorn has selected her "best horror journeys". She bumps through rain-sodden, war-torn China to meet Chiang Kai-Shek, floats listlessly in search of u-boats in the wartime Caribbean and visits a dissident writer in the Soviet Union against her better judgement. Written with the eye of a novelist and an ironic black humour, what makes these tales irresistible are Gellhorn's explosive and often surprising reactions. Indignant, but never righteous and not always right, through the crucible of hell on earth emerges a woman who makes you laugh with her at life, while thanking God…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
As a longtime host of The Moth, I know the power of personal storytelling. During the early days of the pandemic, I decided to write down all my favorite family stories so my kids would always have them. But how? I knew I didn’t want to write it chronologically or as a series of separate stories. After months of experimenting, I stumbled upon a format that let me pick and choose which stories I wanted to tell but also weave disparate family members together. I was greatly inspired by the books on this list, and I hope you are too!
I haven’t read this book for over a decade, but there are still stories I know by heart and tell friends. When food critic Ruth Reichl boards a plane to take the job as the New York Times food critic, the woman sitting next to her recognizes her.
There’s a picture of Ruth in the kitchen of the restaurant where she works, and the first person to spot her come in gets a $500 spot bonus. Realizing she’ll never get an honest experience as herself, Ruth works with a costume and hair and make-up team to create a series of characters so she can dine at New York’s finest restaurants incognito.
This book is so much fun to read and a great example of how to tell just part of your story, in this case, about two year’s worth, and save the rest of your life for other books.
Author of Save Me the Plums Ruth Reichl’s iconic, bestselling memoir of her time as an undercover restaurant critic for The New York Times
"Expansive and funny." —Entertainment Weekly
Ruth Reichl, world-renowned food critic and former editor in chief of Gourmet magazine, knows a thing or two about food. She also knows that as the most important food critic in the country, you need to be anonymous when reviewing some of the most high-profile establishments in the biggest restaurant town in the world—a charge she took very seriously, taking on the guise of a series of eccentric personalities. In Garlic…
I am a painter and a writer from Myanmar. The former profession is what I chose when I was 15 and began at 21, featured in a group exhibition of modern art and the only woman among several men. Since then I have exhibited in several group shows and have had seven solos.
In the early 2000s by chance - and financial need - I became the Contributing Editor for the Myanmar Times weekly and a travel magazine until they closed down. Since then I have written around 20 books on food, culture, and travels and it kept me so busy that my art was put on hoId, but I hope to resume one day soon.
Naomi Duguid has been coming to Burma since the restrictive 1980s. In one interview she said this about her MO: ''I would go to smaller places and hang around, sipping a tea in tea shops, pedaling around on an old bicycle, taking photos. .. in the amazing markets. And gradually, after several days, I would become a familiar sight so that people would start to connect with me, open up a little....'' For me, it is a rare and precious record of the cuisine of our races, their lives, and cuisine. And for others, I am sure it's about discovering new worlds.
Located at the crossroads between China, India, and the nations of Southeast Asia, Burma has long been a land that absorbed outside influences into its everyday life, from the Buddhist religion to foodstuffs like the potato. In the process, the people of the country now known as Myanmar have developed a rich, complex cuisine that makes inventive use of easily available ingredients to create exciting flavour combinations. Salads are one of the best entry points into the glories of this cuisine, with sparkling flavours - crispy fried shallots, a squeeze of fresh lime juice, a dash of garlic oil, a…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I am a painter and a writer from Myanmar. The former profession is what I chose when I was 15 and began at 21, featured in a group exhibition of modern art and the only woman among several men. Since then I have exhibited in several group shows and have had seven solos.
In the early 2000s by chance - and financial need - I became the Contributing Editor for the Myanmar Times weekly and a travel magazine until they closed down. Since then I have written around 20 books on food, culture, and travels and it kept me so busy that my art was put on hoId, but I hope to resume one day soon.
Having lived in Vietnam in the 1990s for four years, the author longed to return and did so ten years later with her photographer sister Julie. Together with her old friend Huong, they travelled to seven cities to record regional dishes. They enjoyed eating haute cuisine and home-cooked meals, and at small eateries that are each famous for a specialty so, at times, they were racing through thick traffic on motorbike taxis to two places for the day's lunch.
Kim gives a clear sense of the vibrant environment and the people's lives, their strength, and friendliness. One could almost taste the fresh and light cuisine through the innovative words of Kim and Julie's wonderful photos.
Living in Vietnam for four years in the 1990s, Seattle native Kim Fay fell in love with the romantic landscapes, the rich culture, and the uninhibited warmth of the people. A decade later, she grew hungry for more. Inspired by the dream of learning to make a Vietnamese meal for her friends and family in America, Kim returned to Vietnam and embarked on an unforgettable five-week culinary journey from Hanoi to Saigon.
Joined by her sister and best Vietnamese girlfriend, Kim set off to taste as much as possible while exploring rituals and traditions, street cafés and haute cuisine, famine…
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
Martha Gellhorn’s blend of reportage and imagination ensnared me when I was barely out of my teens, and her preferred form has come of age in my working life.
Not only do I think Gellhorn is a marvellous writer – at her best, one of the best – but I also identify with Gellhorn the woman. "The open road," she wrote, was "my first, oldest and strongest love." She lived from 1908 to 1998 and was writing the fighting for six decades, and although each conflict was different, her message remained the same: ‘There is neither victory nor defeat; there is only catastrophe."
James McGrath Morris is the author of The Ambulance Drivers: Hemingway, Dos Passos, and a Friendship Made and Lost in War, which the Economist said was “as readable as a novel.” His previous work, Eye on the Struggle: Ethel Payne, The First Lady of the Black Press was a New York Times bestseller. His next book is Tony Hillerman: A Life.
If there was a soap opera in the midst of the Spanish Civil War, it would have been filmed at Madrid’s Hotel Florida where famous foreign supporters of the Republican cause stayed. For a brief time, as it became clear Franco would prevail, armed amateur mercenaries, writers, filmmakers, and journalists, drank and did all they could for the lost cause. The tale of three love affairs, including that of Hemingway and Martha Gellhorn, animate this book whose entertaining style masks some insightful passages. Certainly, a book that’s hard to put down.
Madrid, 1936. In a city blasted by civil war, six people meet and find their lives changed forever. Ernest Hemingway, his career stalled, his marriage sour, hopes this war will give him fresh material and new romance; Martha Gellhorn, an ambitious novice journalist hungry for love and experience, thinks she will find both with Hemingway in Spain. Robert Capa and Gerda Taro, idealistic young photographers based in Paris, are inventing modern photojournalism as they capture history in the making. And Arturo Barea, Madrid's foreign press chief, and Ilsa Kulcsar, his Austrian deputy, are struggling to balance truth-telling with loyalty to…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
Janet Somerville taught literature for 25 years in Toronto. She served on the PEN Canada Board and chaired many benefits that featured writers including Diana Athill, Margaret Atwood, Roddy Doyle, Stephen King, Alice Munro, Azar Nafisi, and Ian Rankin. She contributes frequently to theToronto StarBook Pages, and has been handwriting a #LetterADay for 8 years. Since 2015 she has been immersed in Martha Gellhorn’s life and words, with ongoing access to Gellhorn’s restricted papers in Boston. Yours, for Probably Always: Martha Gellhorn’s Letters of Love & War 1930-1949 is her first book, now also available from Penguin Random House Audio, read by the Tony Award-winning Ellen Barkin.
Miller was one of the great combat photographers of WWII, but she also documented the social consequences of the conflict, particularly the lives of women on the European front. She would also write about what she saw forBritish Vogue. She photographed Martha Gellhorn in London in 1943 as part of a series about women correspondents.
In addition to an introduction by Miller’s son, Antony Penrose, Roberts provides insightful commentary that places each image within the context of women’s roles throughout the landscape of war.
Lee Miller photographed innumerable women during her career, first as a fashion photographer and then as a journalist during the Second World War, documenting the social consequences of the conflict, particularly the impact of the war on women across Europe. Her work as a war photographer is perhaps that for which she is best remembered - in fact she was among the 20th century's most important photographers on the subject. Published to coincide with an exhibition at the Imperial War Museum, Lee Miller: A Woman's War tells the story beyond the battlefields of the Second World War by way of…
I'm an author, broadcaster and public historian specialising in women’s experiences during the Second World War. While courage and sacrifice are often recognised, the effectiveness of the women who served is less frequently acknowledged. Popular culture tends to focus on glamour, yet these women were motivated by the same patriotism and sense of duty as men, while facing sexism, unequal pay, and fewer protections. Through my books and public history work, I aim to restore recognition of their achievements. This has included securing portraits in the National Portrait Gallery, public sculptures, and an English Heritage Blue Plaque. I regularly contribute to BBC television and radio, and my books have won or been shortlisted for major literary, historical, and biography prizes.
This book shows how six women out-scooped the men as correspondents during the Second World War because having to navigate sexist newspaper bias and military restrictions often gave the women a professional edge.
Martha Gellhorn, Lee Miller, Clare Hollingworth, Helen Kirkpatrick, Ruth Cowan, and Virginia Cowles' lives all intersected as the war progressed, and, between them, they covered many of the key battles and engagements, often bringing complete scoops and always fresh perspectives.
This is the powerful and compelling book that these intrepid journalists deserve.
'They were not just reporters; they were also pioneers, and Judith Mackrell has done them proud.' Spectator
'This is a book that manages to be thoughtful and edge-of-your-seat thrilling.' Mail on Sunday
'Like the copy filed by her subjects, it is an essential read.' BBC History Magazine
On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms as men.
Doing the research forThe Italian Partymeant submerging myself in the Cold War Italy of the 1950s. But I found I couldn't understand that period without a better understanding of World War II and Italian Fascism. Cue an avalanche of books from which this list is culled, and the new novel I have just finished. I am drawn to first-hand accounts of women’s lives in wartime because I wonder how I would react and survive such challenges. Recent events in Europe have revived the nightmare of life under an occupying army. These stories are back at my bedside right now because I need their humor and wisdom.
Most of us know Martha Gellhorn as a war correspondent and Mrs. Ernest Hemingway, but she was a brilliant novelist as well. A Stricken Field is the story of an American woman in Prague in 1938 as the Nazis move in and hunt down opponents of the regime. If you are looking for models of resistance to brutality (I am), this is your book.
Martha Gellhorn was one of the first - and most widely read - female war correspondents of the twentieth century. She is best known for her fearless reporting in Europe before and during World War II and for her brief marriage to Ernest Hemingway, but she was also an acclaimed novelist. In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, "A Stricken Field" follows a journalist who returns to Prague after its annexation and finds…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
Moseley was the Chief European Correspondent for The Chicago Tribunefor the last forty years of the twentieth century and although published by a university press is more a work of journalism than original scholarship.
It is based largely on the memoirs of an extraordinary number of reporters, many American but many more not. The real virtue of this book is how wide-ranging it is, covering the entire war and reporters from all of the combatant countries.
Readers get a vivid sense of how World War II was just that—a war that raged across the globe.
Luminary journalists Ed Murrow, Martha Gellhorn, Walter Cronkite, and Clare Hollingworth were among the young reporters who chronicled World War II's daily horrors and triumphs for Western readers. In this fascinating book, Ray Moseley, himself a former foreign correspondent who encountered a number of these journalists in the course of his long career, mines the correspondents' writings to relate, in an exhilarating parallel narrative, the events across every theater-Europe, Pearl Harbor, North Africa, and Japan-as well as the lives of the courageous journalists who doggedly followed the action and the story, often while embedded in the Allied armies.
