Here are 100 books that Traces fans have personally recommended if you like
Traces.
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I was never a fan of superheroes, not even as a child. My heroes had to be credible, human, acceptably flawed yet redeemable by a personal moral code that ultimately defined their actions. The heroes in my favorite books are of this ilk, determined to pursue the right thing, regardless of how life challenges them. It speaks to how I’ve tried to live my life–and still do.
An atypical Western, I loved its unusual, yet believable plot.
A drifter, George Briggs, is hired to bring four women, maddened by the bleakness of the Nebraska plains, east to civilizational care.
Briggs fulfills his contract, guiding them through the threat of Indian attacks and other challenges to safety. A feeling pervaded the story that Briggs had been given one shot at elevating himself above an otherwise unremarkable life and he came through. This is a feature that I love in almost any story–the idea of redemption.
I love to believe that potential exists within me.
The Homesman opens in the 1850s, when early pioneers are doing anything they can to survive dreadful conditions. Women especially struggle with broken hearts and minds as they face bitter hardships: One nineteen-year-old mother loses her three children to diphtheria in three days; another woman left alone for two nights is forced to shoot wolves to protect herself. The situation calls for a "homesman"-a person charged with taking these women, driven mad by the conditions of rural life, to asylums in the East. Not exactly a job people are lining up for, it falls to Mary Bee Cuddy, an ex-teacher…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a child sexual abuse survivor who struggled for years with the help of therapy to become the person I am today. My sister, my mother, and I suffered years of emotional abuse by my father. When I was a child, my best friend (who also suffered abuse by her brother) and I made up stories that helped us navigate the situations in our families. I read, hiked, backpacked, and traveled alone for years in order to take
risks and develop strength before attempting to write at age sixty-one. I love books that put me solidly in time and place and deeply empathize with characters who struggle and grow to become their genuine selves.
I love this book because the protagonist—gritty, hard-talking heart-of-gold Ruby Fortune—is a lady as tough as the Arizona land she comes from and loves. She cusses and shoots, rides horses, entertains and cooks, and takes no guff from men. But first, she must rid herself of an abusive husband in order to save herself and her young boys.
I am partial to a cast of characters in what I read, and a remarkable cast joins her in this exquisitely written story. Her father Big Burl, her chosen mother who’s a madame, the Shakespeare-quoting drunk she puts up in her barn, the law man, and the black miner with whom she secretly falls in love.
Arizona Territory, 1899. Ruby Fortune faces an untenable choice: murder her abusive husband or continue to live with bruises that never heal. One bullet is all it takes. Once known as “Girl Wonder” on the Wild West circuit, Ruby is now a single mother of four boys in her hometown of Jericho, an end-of-the-world mining town north of Tucson. Here, Ruby opens a roadside inn to make ends meet. Drifters, grifters, con men, and prostitutes plow through the hotel’s doors, and their escapades pepper the local newspaper like buckshot.…
I’m an amalgam of all of my varied interests and varied employments from actress and singer to corporate paralegal at a movie studio. Since my teenage years, I’ve loved to research. That joy leads into writing factually-accurate historical fiction set in the West. Delving into the private lives of both the fictional and the real people gives the reader a better understanding of the characters’ designated paths leading to the events upon which my novel is based. My recommendations for the best books set in the West with in-depth characters have qualities I’ve employed in my novel. Some of these books also delve into characters from differing races, reflecting most towns in the Old West.
Perhaps Arizona’s most widely recognized event, the thirty seconds of gunfight at O.K. Corral in Tombstone isn’t the main emphasis in Epitaph. That belongs to Russell’s engrossing depictions of the intensely personal relationships between the Earp brothers, their girlfriends and wives, their routines, and addictions.
As I found out in researching for my novel, if you get the accurate facts about the personalities and actions of the good and the bad people, who actually lived in the Old West, you’re well on the way to writing a novel.
John Philip Clum started the newspaper in Tombstone and called it Epitaph, because “No tombstone is complete without its epitaph.” To complete your reading about the Old West, include Epitaph.
Mary Doria Russell, the bestselling, award-winning author of The Sparrow, returns with Epitaph. An American Iliad, this richly detailed and meticulously researched historical novel continues the story she began in Doc, following Wyatt Earp and Doc Holliday to Tombstone, Arizona, and to the gunfight at the O.K. Corral.
A deeply divided nation. Vicious politics. A shamelessly partisan media. A president loathed by half the populace. Smuggling and gang warfare along the Mexican border. Armed citizens willing to stand their ground and take law into their own hands. . . .
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As both a writer and a reader, I love romance novels set in the late 1800s because many of the problems people faced back then are similar to the problems encountered today. For example, we worry about losing jobs to AI. Back then, workers worried about mechanization. Also, while researching a book, I was fascinated to learn that meetings, dating sites, games, and “text” messages were just as prevalent then as they are today, thanks to the Victorian Internet (aka the telegraph). Another reason I’m fascinated with the Old West is because it caused women to challenge traditional roles and enter into professions previously dominated by males.
I have always held a deep appreciation for Mary’s novels, but this particular one struck a chord with me on a deeper level. The narrative is rich with adventure and suspense, making it an exhilarating read. Trace emerges as one of my favorite protagonists; I admire his ability to navigate the complex themes of responsibility and love in his role as a protector, even though he’s overwhelmed with the task he’s taken on. I also liked the heroine.
Though she was initially portrayed as a damsel in distress, she showed remarkable strength, which I found particularly engaging. The story has unique characters and a community that emphasizes shared values. I also appreciated the subtle humor that is interwoven throughout the story.
When Trace Riley finds the smoldering ruins of a small wagon train, he recognizes the hand behind the attack as the same group who left him as sole survivor years ago. Living off the wilderness since then, he'd finally carved out a home and started a herd--while serving as a self-appointed guardian of the trail, driving off dangerous men. He'd hoped those days were over, but the latest attack shows he was wrong.
Deborah Harkness saved her younger sister and two toddlers during the attack, and now finds herself at the mercy of her rescuer. Trace offers the only shelter…
I have read adventure, crime, and thriller books all my life. Reading is a huge relaxation for me and a good novel will transport me from the stresses and strains of daily life into another place in my head. A place where I feel involved with the characters and the environment, a place where I can imagine I could be. A good storyteller is different from a crime writer. They take the reader on a journey that might be through history or different continents. A journey that the reader wants to travel as well. I try to emulate this in my writing.
Based in the late nineteenth and early twentieth century, the story follows the Wolfe family in war-torn Mexico. During these tumultuous events in American and Mexican history, the Wolfes grow rich and forge a violent history of their own, spawning a fearsome legacy that will lead them to a climactic reckoning at the Río Grande.
I found this to be a page-turning epic story about a nineteenth-century crime family spanning three generations. Apparently loosely based on Blake’s own ancestors, this made the storytelling even more realistic for me.
A page-turning epic about the making of a borderland crime family, Country of the Bad Wolfes will appeal both to aficionados of family sagas and to fans of hard-knuckled crime novels by the likes of Donald Pollack, Elmore Leonard, James Lee Burke and James Ellroy.
Basing the novel partly on his own ancestors, Blake presents the story of the Wolfe family spanning three generations, centering on two sets of identical twins and the women they love, and ranging from New England to the heart of Mexico before arriving at its powerful climax at the Rio Grande.
Being a lifelong fan of fantasy and horror, I've always embraced stories of creepy monsters and vainglorious gods, especially novels that mash-up genres, like Stephen King's Gunslinger, Neil Gaiman's American Gods, and Mary Doria Russell's The Sparrow. But my fascination always circles back to the supernatural, especially sorcerers who raise the dead. After writing my dark fantasy Shackled Verities series, I decided to venture into the Old West with a twist—monsters, magic, and mayhem, featuring, of course, a necromancer gnome. So let me present a spellbinding list of stories about these doers of the dark arts that span genres, from spine-chilling to lighthearted—because who says raising the dead has to be serious?
This rollicking set of whip-smart short stories through a supernatural Wild West is guaranteed to engage readers, with tales ranging from uncannily magical cards to steampunk bordellos to undead outlaws.
Delivering chaotic gunslinger fun from start to finish, Dead Man's Hand explores the intersecting worlds of the living and undead in many delightful and unforeseen ways. As a supernatural storyteller myself, I couldn't stop turning the pages to see what new fantastical creature or magical spell the authors would envision next.
It was my faithful companion through many late nights crafting my own novel, inspiring me with its spirited inventiveness of mysterious beings and magical mayhem.
HOW THE WEST WAS WEIRD! From a kill-or-be-killed gunfight with a vampire to an encounter in a steampunk bordello, the weird western is a dark, gritty tale where the protagonist might be playing poker with a sorcerous deck of cards, or facing an alien on the streets of a dusty frontier town. Here are twenty-three original tales - stories of the Old West infused with elements of the fantastic - produced specifically for this volume by many of today's finest writers. Included are Orson Scott Card's first "Alvin Maker" story in a decade, and an original adventure by Fred Van…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.
I liked this book because of its unique plot. After the American Civil War, ex-trooper and sharp shooter Valdez is working as a part-time small town sheriff. He gets on the bad side of a wealthy rancher who has a gang beat him up and leave him for dead out in the desert.
But after this excellent opening, I love what happens next. Valdez is a survivor: he returns to face off against incredible odds, to regain his honor and see that justice prevails.
No writer chronicles the battles of misfits, underdogs and renegades like Elmore Leonard ...
VALDEZ IS COMING is a stunning stale of morality and justice in which a simple, honest man is transformed into a killer - and begins a long journey of revenge against those who scarred his soul for ever.
Elmore Leonard's Western novels stand as some of the most vivid writing of his career. With all of his trademark sharp dialogue and set against a beautifully evoked landscape, this is a classic work that captures the wild and glorious spirit of the American West.
I have always loved history, which is why I love to read historical fiction. I’m fascinated by it. Historical fiction has a ability to make connections between the past and the present. It’s almost like bringing people out of history and setting them at a table beside you. Even after we know some facts of history, we feel moved by what happened if we read another account of it.
This book has amazing characterization. Also, the voice of the narration is spectacular. And the chemistry between the love interests is palpable. They are tough characters. Loving and smart and honest. You want to keep them around. Please read it. I can’t say enough good things about it.
Sarah Agnes Prine begins her diary in 1881 when her father decides to move the whole family - and their horse ranch - from Arizona Territory to Texas, where life will be easier. Sarah, at seventeen, is a tomboy: though she longs to be educated, gracious and beautiful like other women. But when the family sets out on the wagon trail and disasters strike in rapid succession, Sarah turns out to be the only thing that keeps them from certain death.
Sarah stays brave, strong and determined through everything that befalls her. But she longs to be loved, like any…
I am a teacher of Native American skills in the mountains of north Georgia. Each day when I leave my house to enter the forest, I am keenly aware that I am stepping on land that once “belonged” to the Cherokee. Everything around me in the forest was intimately known and used by the original people, and these same items have become the critical tools in my own life. I know the Cherokee history, and I know the white man’s history. I believe the clash of these two cultures deserves to be told in full.
I have always wished I could have grown up knowing an American Indian who could help me to know the forest as intimately as his people did. This book might be the best example of a real-life relationship that was forged between two grown men, one red, one white.
This involved Cochise of the Apache and Tom Jeffords, a scout and liaison for the U.S. Army. The strength of their friendship has laid down for me the best guidelines for creating my own bonds with anyone of any race.
A classic of Southwestern literature and the basis for the highly acclaimed 1950 film, Broken Arrow, Blood Brother is "a history in fiction form, of the Southwest, from the time of the Gadsden Purchase in 1856 until the end of the Indian wars, about 1870. The author has translated matter-of-fact historical incidents into thrilling episodes, following the adventures of Cochise, noted chief of the Chiricahua Apaches, and Tom Jeffords, famous peace maker and Indian agent, with great detail.."-Library Journal "Elliott Arnold has written a historical novel about the Apache Indians.with a knowledge truly astonishing for its comprehensiveness...[It is] authentic history,…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve loved both history and fantasy since I was a child. The first book I can remember reading at all was The Hobbit. The first historical novel I fell in love with was The Killer Angels. I visited the battlefield of Gettysburg with my family, and currently teach the movie every year to my high school film class. (I’ve never visited Middle Earth, but plan to visit New Zealand as soon as possible). I’ve been reading both genres ever since—and quite by accident my first novel contains a mix of both genres.
It purports to be historical fiction set in the Old West, following one of the last great cattle drives. Yet within a few chapters, it begins to feel like a series of episodes from Grimm’s fairy tales.
I remember at UC Irvine, where I earned my Fiction MFA, several fellow writers were reading this novel alongside me. We kept stopping each other in the hall or at cocktail parties to relive this or that chapter, struggling to understand how it could be both so entertaining and so good.
The fact that it is long—a real doorstopper of a book—adds to its “too-big-for-one-genre” feel.
Larry McMurtry's Pulitzer Prize winning novel is a powerful, triumphant portrayal of the American West as it really was. From Texas to Montana, it follows cowboys on a grueling cattle drive through the wilderness.
It begins in the office of The Hat Creek Cattle Company of the Rio Grande. It ends as a journey into the heart of every adventurer who ever lived . . .
More than a love story, more than an adventure, Lonesome Dove is an epic: a monumental novel which embraces the spirit of the last defiant wilderness of America.
