100 Books Like To Forestall the Darkness

The glamour and excitement of the films distract somewhat from this book’s true message. A young Jewish prince named Judah Ben-Hur longs for a Jewish king to vanquish Rome, but suffers injustice through no fault of his own and is brutally enslaved. After perilous experiences on land and sea, he returns to Jerusalem and witnesses the last days of Jesus’s life: healing of outcasts, gracious forgiveness, and a mercilessly cruel death. Ben-Hur finally comes to faith in this divine anti-hero.

The historic, geographic, and cultural detail in this long book is stunning, as are the realistically portrayed characters and the romantic side story. But it is the spiritual message that impressed me most: a downtrodden slave finally chooses to follow Jesus rather than pursue worldly riches and fame. He experiences redemption, learns to forgive, and starts a new life.

Sensitively written with a solid basis in history, we meet – and in some cases come to love – Queen Bertha, Pope Gregory, Archbishop Augustine, and other key players. The hopes and fears that drive Augustine on his challenging mission to convert England and to bring the old-school Christian Britons in Wales back into the fold of the Roman Church, are vividly portrayed. We also encounter the harsh reality of life in the primitive, war-torn, pagan Land of Angels.

This book taught me a lot about a significant period in the history of Britain and inspired me to reflect on the prevailing incompatible Christian perspectives.

This is primarily a novel about the life of Saint Benedict. Several minor miracles occur through his acts of faith; he becomes convinced that he is to establish an alternative society in the form of a chain of monasteries – Citadels of God; he despises the rampant political intrigues and the lures of worldly success; and he has a significant influence on several important historical characters. Secondary plots somewhat distract from the main theme.

This book gave me very helpful insights into the political and religious life in the Roman Empire in the first half of the sixth century and paints a very impressive picture of the saint and his passion to serve God wholeheartedly.

Philip de Braose, a despondent French mercenary who has lost his desire to live, is found half-dead and subsequently befriended by Hywel, a Cistercian monk. This moving tale explores the spiritual journey of an initially hopeless soul.

Margetts recounts engaging details of their travels, such as Hywel’s seasickness as they sail from Bordeaux to Bristol, and Philip’s soul-searching as he becomes aware of his own arrogant, selfish attitudes. We also gain a realistic impression of the modest living conditions and spiritual aspirations prevailing in thirteenth-century Cistercian monasteries.

This book has a deeply Christian message, with many Biblical references. As such, it speaks to readers who may be finding it difficult to trust God as they struggle with past wounds and failures. The dénouement at the end is unexpected, but both life-asserting and encouraging.

This book rewrites the story of how Roman imperialism got started. It is written by one of the best archaeologists in the field, and it shows. It is brilliantly illustrated, and it explains the world into which Rome emerged. Instead of the traditional story of virtuous Roman heroes and bold wars of conquest, it shows why other Italian peoples decided to join up with Rome. We get a sense of how other Italians saw things. And we understand how the ruling families, Roman and Italian alike, came together and built a state that would conquer the Mediterranean in all their interests. Revolutionary!

In two volumes, this is quite simply one of the most beautiful books I own. Much more than an atlas of maps, it includes illustrations of archaeological evidence from across the city and is full of reconstruction drawings. It is a book to simply lose yourself in and spend time browsing through the pages that set out the city of Rome. The overlaying of the ancient buildings from Rome onto the modern street grid, also allows for the reader to see how those ancient buildings, such as the Theatre of Pompey, continue to shape the streetscape of the city of Rome.

I have always found ancient history fascinating. I couldn’t learn enough about ancient Rome and Greece during my teenage years. As an adult, one of my bucket list holidays is to visit the amazing ruins throughout Italy, including Mt Vesuvius. Through Harriet’s adventure, we experience ancient Rome in its glory days as if we were there. I found it fascinating to read and learn about the everyday life of an ancient Roman family with twists and turns of a thrilling adventure as Harriet is chased through ancient streets by Roman soldiers. It is great escapism into a place in the past where I wish I could travel to and immerse myself in an ancient society and civilization. 

I must mention this book because it was one of the first alternate histories I read as a teen, and I remember how it caused me to dream about “what ifs.”

Although traveling back to 6th-century Rome didn’t sound like a lot of fun, I loved reading about the main character's ingenuity and how he uses his modern know-how to survive in the literal dog-eat-dog world of the past. It was a good roadmap in imagination about tackling a sudden change in fortune, and the writing was personable and fun to read.

This book is a treasure-trove of wise and gorgeous sentences—like, “Knowledge of Rome must be physical, sweated into the system, worked up into the brain through the thinning shoe-leather. Substantiality comes through touch and smell, and taste, the tastes of different dusts.”

Like the Eternal City, A Time in Rome by the Irish-British novelist Elizabeth Bowen doesn’t fit into tidy categories.

Is it a guidebook to the city? Is it a memoir? Is it a history of Rome? Yes and no.

Though I can’t quite put my finger on what it is, I love it. It’s a perfect book for reveries over a mid-morning caffé.

One of the issues I have sought to counter in my work is our sense of the Romans as boring. At times they even saw themselves that way. We know the Romans by way of their contributions to law, constitutionalism, administration, and oratory. This collection of essays is engaging because of the surprising ways in which Rome not only figures into popular culture, from Broadway to the movies, but is employed in explorations of marginal identities.