100 Books Like The Land of Angels

The glamour and excitement of the films distract somewhat from this book’s true message. A young Jewish prince named Judah Ben-Hur longs for a Jewish king to vanquish Rome, but suffers injustice through no fault of his own and is brutally enslaved. After perilous experiences on land and sea, he returns to Jerusalem and witnesses the last days of Jesus’s life: healing of outcasts, gracious forgiveness, and a mercilessly cruel death. Ben-Hur finally comes to faith in this divine anti-hero.

The historic, geographic, and cultural detail in this long book is stunning, as are the realistically portrayed characters and the romantic side story. But it is the spiritual message that impressed me most: a downtrodden slave finally chooses to follow Jesus rather than pursue worldly riches and fame. He experiences redemption, learns to forgive, and starts a new life.

This is primarily a novel about the life of Saint Benedict. Several minor miracles occur through his acts of faith; he becomes convinced that he is to establish an alternative society in the form of a chain of monasteries – Citadels of God; he despises the rampant political intrigues and the lures of worldly success; and he has a significant influence on several important historical characters. Secondary plots somewhat distract from the main theme.

This book gave me very helpful insights into the political and religious life in the Roman Empire in the first half of the sixth century and paints a very impressive picture of the saint and his passion to serve God wholeheartedly.

This book is set in Italy at the end of the 6th century. It is a vivid account of an engineer who struggles to survive in a largely devastated country and longs to revive the former advanced Roman technology. It depicts a cruel world: old Romans attacked by Lombards, and merciless clashes between Pagans, Arian, and Catholic Christians. Of great interest to me were the personal interactions of both leaders and ordinary people.

Although, for my taste, it included an unnecessary preoccupation with violence and sex, the vivid cultural and factual detail provided me with much background information and food for thought. The characters are well developed and the story exciting.

Philip de Braose, a despondent French mercenary who has lost his desire to live, is found half-dead and subsequently befriended by Hywel, a Cistercian monk. This moving tale explores the spiritual journey of an initially hopeless soul.

Margetts recounts engaging details of their travels, such as Hywel’s seasickness as they sail from Bordeaux to Bristol, and Philip’s soul-searching as he becomes aware of his own arrogant, selfish attitudes. We also gain a realistic impression of the modest living conditions and spiritual aspirations prevailing in thirteenth-century Cistercian monasteries.

This book has a deeply Christian message, with many Biblical references. As such, it speaks to readers who may be finding it difficult to trust God as they struggle with past wounds and failures. The dénouement at the end is unexpected, but both life-asserting and encouraging.

Dr. Watts, a prolific author on Roman history, gives a detailed survey of the lives and careers of some of the last prominent pagan intellectuals who lived from the time of Constantine's conversion to Christianity to Theodosius' outlawing of paganism. He shows the intellectual, social, and religious changes in the fourth century as the Roman world was transformed from a pagan to a Christian society. A fascinating story brilliantly told.

This is so creative. I loved it.

Carmel uses her knowledge of women in early Christianity to create a life (“biography”) of St Benedict’s twin sister, Scholastica. Carmel uses the format for Pope Gregory’s Life of Benedict in a way that is quite plausible.

She begins by imaging, from the history we do have, a childhood for the two of them—and her teacher is called Sophia. Scholastica comes across as wise, and courageous, and a leader in her own right.

Meet a saint who confronts warring gang leaders, gives wise counsel (including to her brother), establishes monasteries, and leads an ascetical movement of women. Carmel retells the famous story of the last meeting of Benedict and Scholastica, then reimagines the death and burial of the twins. 

This is a delight.

Hollander's wonderful book is a tribute to the power of music, which can transform ideas and myths into rhythms and feelings that immediately touch the heart. 

A fine poet himself, he relishes the quests of poets and musicians to turn mere words and notes into something divine, as if we could hearken to the gods (whether Christian or pagan). The analysis of particular works of art is always scholarly and penetrating; but more than that, it conveys a poet's love of what great artists have done.

This is a novel about Saint Patrick and the end of an age of magic in Great Britain. What made St. Patrick so effective, spreading his faith where others failed? Might it be that he was first tutored by the mysterious “people of the hollow hills,” north of Hadrian’s Wall? When Patrick went to Ireland, was his brand of Christianity infused with a pagan spirituality based on the wisdom gleaned from Mother Earth herself? Did he combine two systems of religion into a faith that was universal in scope and effectiveness? Did that spirituality manage to make its way to America, long before the voyages of Columbus? And is that the Christianity we so need to recapture today?   

This book was a revelation to me in first studying Dante. Here was an author taking Dante’s questions, and his answers to those questions, seriously. A brilliant Cambridge Italianist and a Dominican priest, Kenelm Foster is passionately engaged with the theology of Dante.

In this book, he provides his celebrated account of the ‘Two Dantes,’ one overly committed to paganism, the other devoted to Christianity. He also develops his comparison between Aquinas’s theory of implicit faith (according to which pagans may be saved) and Dante’s strange invention of a section of limbo in which virtuous pagans are, it seems, eternally damned. Although I do not hold now to all of Foster’s provocative assumptions or conclusions, I still find his mode of questioning Dante, and reading Dante historically and theologically, inspirational and exhilarating.  

I am fascinated by the contradictions of Tolkien’s women and by the tension between Christian and pagan in his writing.

This book is particularly valuable for its explication of Tolkien’s integration of Marian and Valkyrie imagery, resulting in female characters of transcendental beauty and heroism. And the writing is absorbing and informative.