Books like Citadel of God — picked by fans

The glamour and excitement of the films distract somewhat from this book’s true message. A young Jewish prince named Judah Ben-Hur longs for a Jewish king to vanquish Rome, but suffers injustice through no fault of his own and is brutally enslaved. After perilous experiences on land and sea, he returns to Jerusalem and witnesses the last days of Jesus’s life: healing of outcasts, gracious forgiveness, and a mercilessly cruel death. Ben-Hur finally comes to faith in this divine anti-hero.

The historic, geographic, and cultural detail in this long book is stunning, as are the realistically portrayed characters and the romantic side story. But it is the spiritual message that impressed me most: a downtrodden slave finally chooses to follow Jesus rather than pursue worldly riches and fame. He experiences redemption, learns to forgive, and starts a new life.

Sensitively written with a solid basis in history, we meet – and in some cases come to love – Queen Bertha, Pope Gregory, Archbishop Augustine, and other key players. The hopes and fears that drive Augustine on his challenging mission to convert England and to bring the old-school Christian Britons in Wales back into the fold of the Roman Church, are vividly portrayed. We also encounter the harsh reality of life in the primitive, war-torn, pagan Land of Angels.

This book taught me a lot about a significant period in the history of Britain and inspired me to reflect on the prevailing incompatible Christian perspectives.

This book is set in Italy at the end of the 6th century. It is a vivid account of an engineer who struggles to survive in a largely devastated country and longs to revive the former advanced Roman technology. It depicts a cruel world: old Romans attacked by Lombards, and merciless clashes between Pagans, Arian, and Catholic Christians. Of great interest to me were the personal interactions of both leaders and ordinary people.

Although, for my taste, it included an unnecessary preoccupation with violence and sex, the vivid cultural and factual detail provided me with much background information and food for thought. The characters are well developed and the story exciting.

Philip de Braose, a despondent French mercenary who has lost his desire to live, is found half-dead and subsequently befriended by Hywel, a Cistercian monk. This moving tale explores the spiritual journey of an initially hopeless soul.

Margetts recounts engaging details of their travels, such as Hywel’s seasickness as they sail from Bordeaux to Bristol, and Philip’s soul-searching as he becomes aware of his own arrogant, selfish attitudes. We also gain a realistic impression of the modest living conditions and spiritual aspirations prevailing in thirteenth-century Cistercian monasteries.

This book has a deeply Christian message, with many Biblical references. As such, it speaks to readers who may be finding it difficult to trust God as they struggle with past wounds and failures. The dénouement at the end is unexpected, but both life-asserting and encouraging.

Migration is the great theme of the twenty-first century. Our experience has set historians on a quest to see how new the mass movement of peoples really is. Isayev’s book is one of the first full-length studies of migration in Roman times.

It is enormously wide-ranging, bringing together the evidence of archaeology and of Roman comedy and history with the insights of geographers and sociologists. We see populations transplanted against their will, enslaved prisoners, hostages, and refugees, but also settlers and traders trying to make their fortune, and explorers and travelling scholars. Best of all we explore the ways that Romans thought about this, sometimes encountering chillingly familiar hostility but more often positive views of new arrivals. Romans often thought of themselves as a city of immigrants, and saw their willingness to accept newcomers as one reason for their success. Isayev does a wonderful job of opening up this new… show more.

A historical novel has to do more than just re-tell a part of history. The author has the duty to make history come alive for the reader, even if fictionalized. That means details about daily life and customs, not just buildings and battles. This book was enormously helpful in describing everyday Roman life. What the Romans were eating and wearing in Rome, they probably also ate (as near as they could) and wore in their colonies. Here I found everything from going to the barber to going to the circus.

During Italy’s post-WWII economic boom of the ‘50s, in an anonymous northern Italian city, an unskilled laborer named Marcovaldo struggles to support his wife and five children (or seven, or four—the number changes). In twenty tightly-plotted tales, we observe him stealing a trout, stealing a rabbit, getting lost in the fog, shoveling sidewalks, trying to fall asleep, trying to stay warm in the winter. Each “adventure” complicates absurdly, and some are more dire than others. Though on the brink of poverty, Marcovaldo hangs on, strives and fails, and strives anew, never losing his naive sense that things will turn out fine. The best comic writing is always tinged with the tragic, making you laugh and making you feel, and Calvino is a master.

This is a three-volume anthology of Italian American writers recalling family dinners, holidays, funerals, weddings, Italian customs, and Italian relatives. These volumes depict Italians in their everyday life far removed from any mafioso dramas. Reading these stories helps Italians verify the meanings and pronunciations of Italian words and gestures, those things called “Italian” used long ago but since forgotten with the passing of our elders.

It’s not often I’m moved to tears by an academic book, but this book did it for me by putting me in the shoes of a Florentine patrician trying to comfort his friend the night before his execution. The main historical source of the book is an extraordinary ‘how-to’ manual: the one used by the ‘comforting confraternities’ of 16th-century Bologna, men who volunteered to spiritually prepare condemned criminals for their final moments on earth and, in so doing, hopefully increase their chances of salvation. The book explains the various methods and tools that the comforter could use, including prayers, songs, and pictures, and reveals the complex rituals of execution that began long before the prisoner’s arrival at the scaffold. A moving account of the realities of historical capital punishment.

In her decades of work on Italy’s Fascist era, Marla Stone has shown an especially keen eye for the development of the regime’s policies and ideologies, whether in the sphere of art and culture, or that of political violence and imperialist aggression. Here Stone offers a succinct and penetrating overview of the origins, rise, consolidation, and eventual crash of Fascism in Italy, followed by a translation of some three dozen primary documents—about a third of which were otherwise unavailable in English—to illustrate her narrative. Particularly chilling are the propaganda texts from 1938 on, when Mussolini’s grandiose claims to the legacy of ancient Rome took a back seat to full-blown racial politics, “as Italians were declared ‘Aryans’ and biological anti-Semitism became part of official ideology.”