Here are 100 books that A Time in Rome fans have personally recommended if you like
A Time in Rome.
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After learning Latin in college and studying Italian philosophy in graduate school, I stumbled into Rome for the first time over a decade ago as faculty on a study-abroad trip. In two weeks, I learned more about history and life than I had in two decades of study. I’ve been lucky enough to go back every summer since, with the sad exception of the pandemic years. I adore Rome. It didn’t help that a few years ago, in the Basilica of San Clemente, I fell head over heels for a Renaissance art historian and tried her patience with poetry until she married me.
As someone who spent part of the pandemic trying to keep sane by translating ancient Roman poems, I’m definitely part of this book’s target audience.
But Long Live Latin is much more than a spirited ode to the pricelessness of a useless language. In swift and insightful chapters, the Italian writer Nicola Gardini takes us—regardless of how much or little we know about Latin—on a tour of the greatest ancient Roman poets and philosophers—Catullus, Cicero, Lucretius, Virgil, and Seneca, among others.
Likela bella figura, so characteristic of Romans throughout history, these essays are a celebration of how style is inseparable from the good life.
A lively exploration of the joys of a not-so-dead language
From the acclaimed novelist and Oxford professor Nicola Gardini, a personal and passionate look at the Latin language: its history, its authors, its essential role in education, and its enduring impact on modern life―whether we call it “dead” or not.
What use is Latin? It’s a question we’re often asked by those who see the language of Cicero as no more than a cumbersome heap of ruins, something to remove from the curriculum. In this sustained meditation, Gardini gives us his sincere and brilliant reply: Latin is, quite simply, the…
This book is a literary historical novel. It is set in Britain immediately after World War II, when people – gay, straight, young, and old - are struggling to get back on track with their lives, including their love lives. Because of the turmoil of the times, the number of…
After learning Latin in college and studying Italian philosophy in graduate school, I stumbled into Rome for the first time over a decade ago as faculty on a study-abroad trip. In two weeks, I learned more about history and life than I had in two decades of study. I’ve been lucky enough to go back every summer since, with the sad exception of the pandemic years. I adore Rome. It didn’t help that a few years ago, in the Basilica of San Clemente, I fell head over heels for a Renaissance art historian and tried her patience with poetry until she married me.
All the easily-portable volumes in Princeton University Press’s “Ancient Wisdom for Modern Readers” can be read in the time it takes to drink two glasses of wine (along with this book, one of my other favorites is How to Drink by the Renaissance humanist Vincent Obsopoeus).
For all their quarrels, ancient philosophers agree that the art of life is the preparation for death. Nobody expresses that wisdom with more panache than Seneca, a philosopher, financier, tutor to Nero, and playwright.
This selection from his works teaches us how to face the death and destruction that we see everywhere in Rome—and everywhere else too.
I turn to Seneca’s essays and letters for a good reminder to live with a minimum of regret and resentment.
Timeless wisdom on death and dying from the celebrated Stoic philosopher Seneca
"It takes an entire lifetime to learn how to die," wrote the Roman Stoic philosopher Seneca (c. 4 BC-65 AD). He counseled readers to "study death always," and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker and dazzling writer who…
After learning Latin in college and studying Italian philosophy in graduate school, I stumbled into Rome for the first time over a decade ago as faculty on a study-abroad trip. In two weeks, I learned more about history and life than I had in two decades of study. I’ve been lucky enough to go back every summer since, with the sad exception of the pandemic years. I adore Rome. It didn’t help that a few years ago, in the Basilica of San Clemente, I fell head over heels for a Renaissance art historian and tried her patience with poetry until she married me.
Even folks who aren’t into poetry are likely to know a line from the ancient poet Horace: carpe diem.
When one of my friends was dying of cancer, I saw the real meaning of that injunction in the beautiful way he lived out his last days.
What my friend came to understand is just what Horace shows us in this collection of his essay-like letters—minimize distractions, avoid what’s popular, cultivate relationships, be moderate but not uptight, do the work we’re meant to do, accept what we can’t control, and chase off the remainder of our worries with laughter.
One more piece of Horatian advice: read old books.
This volume comprises an edition with introduction and commentary of the first book of Horace's Epistles. These imaginary letters in verse represent the poet's most original contribution to Latin literature. The introduction discusses fully the invention of the new poetic form and the carefully devised style in which the letters are composed. There is also discussion of the addressees and of the main topics, as well as of the lay-out of the poems and the organisation of the book as a whole. The common view that the poems mark a conversion of Horace to philosophy is reassessed. The commentary offers…
You’re grieving, you’re falling in love and you’re skint. On top of it all, Europe’s going to Hell in a handcart. Things can’t get any worse, can they?
London, 1938. William is grieving over his former teacher and mentor, killed fighting for the Republicans in Spain. As Europe slides towards…
After learning Latin in college and studying Italian philosophy in graduate school, I stumbled into Rome for the first time over a decade ago as faculty on a study-abroad trip. In two weeks, I learned more about history and life than I had in two decades of study. I’ve been lucky enough to go back every summer since, with the sad exception of the pandemic years. I adore Rome. It didn’t help that a few years ago, in the Basilica of San Clemente, I fell head over heels for a Renaissance art historian and tried her patience with poetry until she married me.
One of my favorite Italian figures of the twentieth century is the writer, painter, and anti-fascist Carlo Levi.
This collection of his essays, evoking the complexities of Rome and its people, sums up what it means to come to terms with the Eternal City:
“Here, everything has already existed: and existence has not vanished into memory, rather it has remained present... The virtues are not the moral and ideological values (which the passage of too long a time has gradually flattened out), but simpler and more visible values: health, physical strength, knowing how to eat and drink, knowing how to speak with a certain humor and brevity, knowing how to command respect, sincerity, friendship.”
May all roads lead to this understanding of the world.
Only a renaissance man could have described this glorious city in its heyday. And only Carlo Levi, writer, painter, politician and one of the last centurya s most celebrated talents, could depict Rome at the height of its optimism and vitality after World War II. In Fleeting Rome, the era of post war a La Dolce Vitaa is brought magnificently to life in the daily bustle of Romea s street traders, housewives and students at work and play, the colourful festivities of Ferragosto and San Giovanni, the little theatre of Pulcinella al Pincio; all vibrant sights and sounds of this…
I’m a professor of Roman history who teaches and writes about the social world of the ancient Romans. I’m drawn to the topic of ancient Rome because it seems simultaneously familiar and alien: the people always “feel real” to me, but the many cultural differences between Rome and modern America prod me to contemplate those aspects and values of my own world that I take for granted. I enjoy the high moral stakes of the political machinations as well as the aesthetic beauty of the artistic creations of Rome. And the shadow of Rome still looms large in American culture, so I find the study of antiquity endlessly instructive.
Perhaps the best place to start for a novice looking to learn about Roman history. I have had students, friends, and family all tell me that this was the book that really got them excited about ancient Rome.
Beard is a very witty, engaging writer who is able to combine major historical moments with obscure but revealing anecdotes to tell a coherent narrative of Roman history. She also demonstrates, such as in her introductory chapter’s discussion of modern references to the ancient conflict between Cicero and Catiline, the continuing relevance of Roman history to our understanding of politics today.
In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but…
As a freelance journalist in Italy, I covered, for Timemagazine, the Wall Street Journal, and others, tough topics: terrorism, the Mafia, the heroin traffic which passed via Sicilian laboratories to the U.S. At a certain point I found this overly negative. After taking a course in Rome on archaeology, by chance I was asked to direct a BBC half-hour documentary on Pompeii. In so doing, I realized that it was time to focus upon the many positive elements of Italian life and history. From that life-changing documentary came this book on Pompeii, on which I worked for five rewarding years. My next book was on historical Venice.
The late Amanda Claridge, a professor at the University of London, introduces us to the ancient city in the book she co-authored: Rome: An Oxford Archaeological Guide, now on offer asRome, An archaeological guide. Over time, archaeology itself changes, and today's critics say that her presentation of up-to-date archaeology in Rome equally entrances both tourists and her fellow scholars. She taught at both Oxford and the University of London, as well as at Princeton University in the U.S.
The city of Rome is the largest archaeological site in the world, capital and showcase of the Roman Empire and the centre of Christian Europe.
This guide provides:
* Coverage of all the important sites in the city from 800 BC to AD 600 and the start of the early middle ages, drawing on the latest discoveries and the best of recent scholarship
* Over 220 high-quality maps, site plans, diagrams and photographs
* Sites divided into fourteen main areas, with star ratings to help you plan and prioritize your visit: Roman Forum; Upper Via Sacra; Palatine; Imperial Forums; Campus…
Having been an actor and a dancer, in college I became interested in the origins of those arts. Curiosity led me to study Greek theater and ancient religions. In the early 2000s, I traveled to Rome with a group of writers, including Terry Brooks, Dorothy Allison, Elizabeth Engstrom, and John Saul. As soon as I set foot in Rome, I fell in love with that magnificent city’s history—in particular Vestal Virgins, the most powerful women in the ancient world. That trip inspired me to write Vestal Virgin—suspense in ancient Rome, a bestseller in many categories on Amazon.
When I wrote, Vestal Virgin—suspense in ancient Rome, this was the only book I found specifically about the Vestals. Written in 1934, it covers topics including: religious duties, civil duties, dress, and discipline. The Virgins were sworn to chastity on penalty of death, understanding their duties and how they were disciplined was essential to my story. I couldn’t have written my historical novel without help from this book.
Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
Hour by hour, we follow various Romans as they go about their day, seeing many different jobs and possible fates ahead for a whole cast of characters. Engagingly written, it smoothly shares a real wealth of knowledge and detail about Ancient Rome without falling into the trap of ‘info-dumping’. I really liked that it mainly follows plebians, not the ruling class: no villas and togas here, rather blocks of flats and plain tunics. A great read.
Walk a day in a Roman's sandals ... What was it like to live in one of the ancient world's most powerful and bustling cities - one that was eight times more densely populated than modern day New York?
In this entertaining and enlightening guide, bestselling historian Philip Matyszak introduces us to 24 characters who lived and worked there. In each hour of the day we meet a new character - from a senator to a slave girl, a gladiator to an astrologer, watchmen to washerwomen - and discover the fascinating details of their daily lives.
I’ve always been fascinated by the ancient Romans and particularly by the ways they wrote about themselves. A Professor of Ancient History at Birkbeck, University of London since 2005, I regularly take part in BBC Radio 4’s In Our Time, discussing topics such as Roman decadence. Later generations look back on ancient Rome as mired in luxury and sexual misbehaviour—but that’s because the Romans themselves were constantly accusing one another of terrible vices. What can these claims tell us about Roman society? That’s a question that I’ve often returned to in many years of university teaching—and writing books, such asThe Politics of Immorality in Ancient Rome.
This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.
By the author of Stoner, the surprise international bestseller
After the brutal murder of his great-uncle, Julius Caesar, Octavian, a shy and scholarly youth of nineteen, suddenly finds himself heir to the vast power of Rome. He is destined, despite vicious power struggles, bloody wars and family strife, to transform his realm and become the greatest ruler the western world had ever seen: Augustus Caesar, the first Roman Emperor.
Building on impeccable research, John Williams brings the legendary figure of Augustus vividly to life, and invests his characters with such profound humanity that we enter completely into the heat and…
This is a list for those who love a tough guy with a soft heart. If you crave a story with passion, heat, and that zing of a good thriller, then this is the list for you. I love a romance wrapped around a strong plot. I need a book to stimulate my mind and give my old heart its “Aw, shucks,” moment. I’ve been fascinated by those who serve and the long-term effects it has on mental health. These books tackle the effects of PTSD, trauma, and its consequences. I believe the romance genre, when done well, is one of the best for examining this darkness.
I love a well-written historical thriller with a flair for romance and this one is great. I know how hard it is to write a good historical thriller. I’ve done many for the medieval period, but this one specialises in the Roman period. A notoriously difficult period to write about for fiction. I couldn’t find anything wrong in there. The dynamic between the protagonists is very well handled and the action is superb. The politics and thriller aspects are deftly handled, never bogging down the action. Thoroughly enjoyable trip to ancient Rome.
** 103,000 word historical romance **Quintus Furius Varus is one of the best lanistas in Rome. Tall and strong in build, fearsome in manner, and sharp of wit, he trains the best gladiators bound for the arenas of Rome. When Senator Servius Augendus seeks personal guards, he attends the Ludus Varus for purchase of the very best. He puts to Quintus an offer he cannot refuse, and Quintus finds himself in Neapolis, contracted as a trainer of guards instead of gladiators.Kaeso Agorix was taken from his homelands of Iberia and delivered to Rome as a slave. Bought by a senator…