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Time and Free Will.
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I’m a professor of philosophy because when I got to college, philosophy sounded like what Gandalf would study—the closest thing we have to the study of magic. It turns out, I wasn’t far from the mark. Philosophy shows you entire dimensions to the world that you never noticed because they exist at weird angles, and you have to change your way of thinking to see them. Entering them and seeing the world from those perspectives transforms everything. A great work of philosophy is like having the lights turn on in an annex of your mind you didn’t know was there, like an out-of-mind experience—or perhaps, an in-your-mind-for-the-first-time experience.
If aliens land and ask me what it’s like to be a human, I’ll give them Heidegger’s first book, Being and Time. Of course, that might prompt them to destroy all humans out of frustration at the difficulty of his writing, but if they persevere, they will find the best description of what it’s like to live out your time on this planet (One Hundred Years of Solitude comes in second).
A knowledge of Heidegger's Sein und Zeit is essential for anyone who wishes to understand a great deal of recent continental work in theology as well as philosophy. Yet until this translation first appeared in 1962, this fundamental work of one of the most influential European thinkers of the century remained inaccessible to English readers. In fact the difficulty of Heidegger's thought was considered to be almost insuperable in the medium of a foreign language, especially English. That this view was unduly pessimistic is proved by the impressive work of John Macquarrie and Edward Robinson who have succeeded in clothing…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I have time, save time, spend time, waste time, write, and teach time. I am fascinated with the question of time both as a cosmological phenomenon and as an aspect that is inseparable from our existence. I channeled this fascination into a PhD dissertation, books, and articles examining the relationship between time and human existence. But like Saint Augustine, I am still baffled by the question of time and like him: "If no one asks me, I know what it is. If I wish to explain it …, I do not know."
The notion of time appears in many of Levinas's articles and books, but Otherwise than Being offers the most profound view. I was troubled by Bergson's and Heidegger's focus on the time of the individual, and their reduction of collective time to a vulgar, inauthentic, unreal experience. I found an answer to this discomfort in Levinas's view of time as inter-subjective. For him, time is not exterior to the subject (like the traditional view of time) nor tied with the individual, but rather is an experience in-between myself and the Other. Time is created when I am interrupted by the Other. This approach is challenging in the context of Levinas's ethical views as well as raises various questions regarding the relation between Levinas's view and our intuitive understanding of time.
I. REDUCTION TO RESPONSIBLE SUBJECTIVITY Absolute self-responsibility and not the satisfaction of wants of human nature is, Husserl argued in the Crisis, the telos of theoretical culture which is determinative of Western spirituality; phenomenology was founded in order to restore this basis -and this moral grandeur -to the scientific enterprise. The recovery of the meaning of Being -and even the possibility of raising again the question of its meaning -requires, according to Heidegger, authenticity, which is defined by answerability; it is not first an intellectual but an existential resolution, that of setting out to answer for for one's one's very…
I have time, save time, spend time, waste time, write, and teach time. I am fascinated with the question of time both as a cosmological phenomenon and as an aspect that is inseparable from our existence. I channeled this fascination into a PhD dissertation, books, and articles examining the relationship between time and human existence. But like Saint Augustine, I am still baffled by the question of time and like him: "If no one asks me, I know what it is. If I wish to explain it …, I do not know."
The question "what is time" troubles not only physicists and philosophers, but also captivates every human. The Fabric of the Cosmos offers a lucid examination of time (and space) that is accessible to the layperson. The book focuses on the notion of time from a cosmological perspective and explores questions from the realm of physics and philosophy. This book offered me ways to address questions that perplex me, such as: relative time and absolute time; whether time flows; whether time has a direction; the relation between quantum mechanics and time.
From Brian Greene, one of the world’s leading physicists and author of the Pulitzer Prize finalist The Elegant Universe, comes a grand tour of the universe that makes us look at reality in a completely different way.
Space and time form the very fabric of the cosmos. Yet they remain among the most mysterious of concepts. Is space an entity? Why does time have a direction? Could the universe exist without space and time? Can we travel to the past? Greene has set himself a daunting task: to explain non-intuitive, mathematical concepts like String Theory, the Heisenberg Uncertainty Principle, and…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I am fascinated by time, how a few brief moments can change or define a life, and how, when faced with danger, a first reaction can make you a hero or a coward. In trying cases, I saw how a slight hesitation or a quick glance away could make a witness under cross-examination seem a liar. The instant of truth, when everything about someone’s character becomes clear–the common theme of the five novels–is what my book is all about. The captain, Vincent Marlowe, had to make a decision about the price he had to pay for the deaths he had caused.
I cannot remember in which of his many short stories I read it, but the great Argentine writer Jorge Borges put into the mouth of one of his inimitable characters a line that has never left me: “I have often begun the study of metaphysics but have always been interrupted by happiness.” Borges was the master of the unexpected, describing situations no one could have foreseen. I have read everything he wrote and read his stories over and over again.
The ones I like best deal with bravery and cowardice but also with time and how time can change what we think happened in the past out of all recognition. In The Other Death, a man who ran away during a great battle, dying forty years later of natural causes, describes in his delirium how he had fought bravely.
Those who heard him provide this first-hand account to the…
All of Borges' dazzling fictions have been freshly translated and gathered for the first time into a single volume - from his 1935 debut with The Universal History of Iniquity, through the immensely influential collections Ficciones and the The Aleph, to his final and never before translated work from the 1980s, Shakespeare's Memory.
Somehow, electrical impulses shoot through our brains to generate a surround sound, 3D-movie experience of the world. How on earth is this possible? When I was a college student, this question burrowed into my brain and wouldn’t get out. So I decided to make a living thinking about it. Now it’s 20 years later, I’m a philosophy professor at Yale-NUS College, and I still don’t know the answer!
Most scientists think that consciousness is constructed from the swarms of particles that make up our brains. But what if it's the other way around?
Michael Pelczar explores this heady idea: he thinks that consciousness comes first, and all of physical reality, including space and time, is constructed from it. Hang on to your cranium because this book is a real mind-bender!
Michael Pelczar presents an original account of space, time and conscious experience. How does the modern scientific conception of time constrain the project of assigning the mind its proper place in nature? On the scientific conception, it makes no sense to speak of the duration of a pain, or the simultaneity of sensations occurring in different parts of the brain. Such considerations led Henri Poincare, one of the founders of the modern conception, to conclude that consciousness does not exist in spacetime, but serves as the basic material out of which we must create the physical world. The central claim…
Somehow, electrical impulses shoot through our brains to generate a surround sound, 3D-movie experience of the world. How on earth is this possible? When I was a college student, this question burrowed into my brain and wouldn’t get out. So I decided to make a living thinking about it. Now it’s 20 years later, I’m a philosophy professor at Yale-NUS College, and I still don’t know the answer!
Most things are ultimately explained by physics, but what if consciousness isn't? David Chalmers explores the idea that consciousness can't be explained in terms of bits of matter and energy scattered across spacetime; instead, consciousness is another basic part of the universe.
I’m impressed by how Chalmers’s arguments are extremely rigorous, but he also makes them accessible to ordinary people. It’s no surprise that this has become a classic of recent philosophy.
What is consciousness? How do physical processes in the brain give rise to the self-aware mind and to feelings as profoundly varied as love or hate, aesthetic pleasure or spiritual yearning?
David J. Chalmers unveils a major new theory of consciousness, one that rejects the prevailing reductionist trend of science, while offering provocative insights into the relationship between mind and brain. Writing in a thought-provoking style, Chalmers proposes that conscious experience must be understood as an irreducible entity similar to such physical properties as time, mass, and space that exists at a fundamental level and cannot be understood as the…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.
Even now, I can’t read this without getting goosebumps. No other writer matches L. M. Boston for creating an enchanting, intriguing atmosphere that leads the reader, along with the story’s main character, 7-year-old Tolly, to feel the ghost children long before they appear. When they do, the combination they bring of joy, playful behaviour, and wistfulness – there is a reason, after all, that they are all ghosts together – goes straight to the heart.
L. M. Boston's thrilling and chilling tales of Green Knowe, a haunted manor deep in an overgrown garden in the English countryside, have been entertaining readers for half a century. Now the children of Green Knowe--both alive and ghostly--are back in appealing new editions. The spooky original illustrations have been retained, but dramatic new cover art by Brett Helquist (illustrator of A Series of Unfortunate Events) gives the books a fresh, timeless appeal for today's readers.
I write because I want to tell stories–and I also want to share great stories with others. An avid reader and writer of fantasy and speculative fiction, I have a love of the fantastic, the remarkable and the supernatural, which I have managed to sustain and develop alongside a successful working life in government and social administration. If you want to know about power–and what you need to wield it and control it, just give me a call. Great fantasy should tell universal truths, and sometimes, more difficult messages can be told more effectively using a supernatural metaphor. Telling those stories is what I do.
I love all Alan Garner’s novels but have chosen this one because I have long been captivated by the deft and frequently quite terrifying way that Garner weaves a dark heart of fantasy and elemental magic into an everyday story of modern relationships—divorce, re-marriage, class prejudice, and economic inequality.
The book has haunted my imagination for over thirty years now, which, to me, is a sign of the work of a truly great author. I also love the way the book retells stories from ancient legend, reworking some of the central themes of the Welsh Mabinogion—some of the very earliest tales of magic and fantasy.
A 50th Anniversary Edition featuring a new introduction by Philip Pullman, THE OWL SERVICE is an all-time classic, combining mystery, adventure, history and a complex set of human relationships.
It all begins with the scratching in the ceiling. From the moment Alison discovers the dinner service in the attic, with its curious pattern of floral owls, a chain of events is set in progress that is to effect everybody's lives.
Relentlessly, Alison, her step-brother Roger and Welsh boy Gwyn are drawn into the replay of a tragic Welsh legend - a modern drama played out against a background…
I am a professor of philosophy at Wake Forest University, with a Ph.D. in philosophy from the University of Massachusetts at Amherst. I teach courses in the philosophy of space and time, the history of philosophy, and the philosophy of science. In addition to several authored and edited books on the philosophy of time, I have published many scholarly articles on time, perception, knowledge, and the history of the philosophy of time. I have always been attracted to the philosophy of time because time is quite simply at the root of everything: through the study of time we confront and illuminate the deepest possible questions both as to the nature of the physical world and as to the nature of human existence.
Our best physical understanding of the universe has no place for the passage of time as a distinct dynamical process. What time it is ‘now’ is no more a fundamental aspect of the universe than what place is ‘here’. This strikes many as counter-intuitive or impossible. Philosopher Craig Callender takes the reader on a very thorough examination of modern physical theories of time in search of an explanation as to why the time of physics seems to diverge from the time of human experience. He argues that, due to the way the laws of physics are constituted, time is just the dimension that allows for the most informative explanations for physical phenomena.
As we navigate through life we instinctively model time as having a flowing present that divides a fixed past from open future. This model develops in childhood and is deeply saturated within our language, thought and behavior, affecting our conceptions of the universe, freedom and the self. Yet as central as it is to our lives, physics seems to have no room for this flowing present. What Makes Time Special? demonstrates this claim in detail and then turns to two novel positive tasks. First, by looking at the world "sideways" - in the spatial directions - it shows that physics…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
Maybe because I grew up in San Diego, a city that boasts what ghost hunter Hans Holzer called the most haunted house in America, I’ve always loved ghost stories. I never encountered a ghost when I visited the Whaley House Museum, as Regis Philbin did when he spent the night, but I once took a photograph there that had an unexplained light streak on it. Although I conceived a passion for the printed word with my first Dick and Jane reader and wrote my first story at the age of six, it took me a few decades to fulfill my long-held desire to write a ghost story of my own.
This was a favorite of mine when I was about twelve, and probably should be considered a YA book. It’s a sweet and romantic tale with ghosts that are very real and fascinating historical details of the American Revolution.
I didn’t mind that each ghost told his or her story as if writing a novel—it worked. Charming rogue Peaceable Sherwood was a favorite character of mine as a child and was still very appealing to me when I reread it as an adult.
Newly orphaned Peggy Grahame is caught off-guard when she first arrives at her family’s ancestral estate. Her eccentric uncle Enos drives away her only new acquaintance, Pat, a handsome British scholar, then leaves Peggy to fend for herself. But she is not alone. The house is full of mysteries—and ghosts. Soon Peggy becomes involved with the spirits of her own Colonial ancestors and witnesses the unfolding of a centuries-old romance against a backdrop of spies and intrigue and of battles plotted and foiled. History has never been so exciting—especially because the ghosts are leading Peggy to a romance of her…
